Table of Contents
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Praise for Marion Mainwaring's rendition of Edith Wharton's unfinished classic
THE BUCCANEERS
“Mainwaring's version of
The Buccaneers
is a tour de force.... [She] deserves high marks for her ingenuity, novelistic skill, and critical intelligence.Ӊ
USA Today
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“A sense of unobtrusive accuracy of tone and detail prevails throughout Ms. Mainwaring's [writing].... It's hard to imagine a writer better equipped to take on Edith Wharton.”
âThe Wall Street Journal
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“Mainwaring has finished the book in a style so identical to Wharton's in spirit, vocabulary, sentence structure and rhythm that the transition should be imperceptible even to the original author's most ardent admirers.”â
Los Angeles Times
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“A collaborative mastery of Wharton's epigrammatic, unruffled prose... Mainwaring performs her literary impersonation almost flawlessly, faithfully imitating the essence of Wharton's visual awareness, [and] her ability to convey an entire way of life in a few details.”â
Chicago Tribune
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“Mainwaring's manners are impeccable, as if she belonged to the bygone world Wharton so piercingly describes.”
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The New York Observer
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“Wharton loyalists should admire the seamlessness of Mainwaring's finishing touches to this literary fragment, which, any way you slice it, is just plain delicious.”â
Glamour
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“Mainwaring has polished up [
The Buccaneers
], and the result is a masterpiece.Ӊ
Library Journal
PENGUIN BOOKS THE BUCCANEERS
Edith Wharton was born in 1862 into an old, moneyed American family. She married unhappily and then turned to writing, publishing more than forty books, including short stories, poetry, war reportage, travel writing, and her renowned novels, among them
The Age of Innocence, The House of Mirth, Ethan Frome, and Summer.
An expatriate, she died in France in 1937.
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Marion Mainwaring has studied the work of Edith Wharton for several decades. Author of
Murder in Pastiche,
she lives in Boston.
PENGUIN BOOKSÂ
Published by the Penguin Group
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Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R ORL, England
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The Buccaneers
by Edith Wharton first published in
the United States of America by D. Appleton-Century, Inc., 1938
Completed edition first published in the United States of America
by Viking Penguin, a division of Penguin Books USA Inc., 1993
Published in Penguin Books 1994Â
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Copyright © Marion Mainwaring, 1993
eISBN : 978-0-140-23202-8
http://us.penguingroup.com
This presentation of The Buccaneers is dedicated
to the memory of Edith Wharton
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and
to Matthew Imrie
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with special thanks
to Mary Pitlick, who identified the buccaneers,
to Nan Graham, to Christina Ward, and to David and
Dorothy Mainwaring.
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M.M.
BOOK ONE
I.
It was the height of the racing season in Saratoga.
The thermometer stood over ninety, and a haze of sun-powdered dust hung in the elms along the street facing the Grand Union Hotel, and over the scant triangular lawns planted with young firs and protected by a low white rail from the depredations of dogs and children.
Mrs. St. George, whose husband was one of the gentlemen most interested in the racing, sat on the wide hotel verandah, a jug of iced lemonade at her elbow and a palmetto fan in one small hand, and looked out between the immensely tall white columns of the portico, which so often reminded cultured travellers of the Parthenon at Athens (Greece). On Sunday afternoons this verandah was crowded with gentlemen in tall hats and frock-coats, enjoying cool drinks and Havana cigars, and surveying the long country street planted with spindling elms; but today the gentlemen were racing, and the rows of chairs were occupied by ladies and young girls listlessly waiting their return, in a drowsy atmosphere of swayed fans and iced refreshments.
Mrs. St. George eyed most of these ladies with a melancholy disfavour, and sighed to think how times had changed since she had firstâsome ten years earlierâtrailed her crinolined skirts up and down that same verandah.
Mrs. St. George's vacant hours, which were many, were filled by such wistful reflexions. Life had never been easy, but it had certainly been easier when Colonel St. George devoted less time to poker, and to Wall Street; when the children were little, crinolines were still worn, and Newport had not yet eclipsed all rival watering-places. What, for instance, could be prettier, or more suitable for a lady, than a black alpaca skirt looped up like a window-drapery above a scarlet serge underskirt, the whole surmounted by a wide-sleeved black poplin jacket with ruffled muslin undersleeves, and a flat “pork-pie” hat like the one the Empress Eugénie was represented as wearing on the beach at Biarritz? But now there seemed to be no definite fashions. Everybody wore what they pleased, and it was as difficult to look like a lady in those tight perpendicular polonaises bunched up at the back that the Paris dress-makers were sending over as in the outrageously low square-cut evening-gowns which Mrs. St. George had viewed with disapproval at the Opera in New York. The fact was, you could hardly tell a lady now from an actress, orâerâthe other kind of woman; and society at Saratoga, now that all the best people were going to Newport, had grown as mixed and confusing as the fashions.
Everything was changed since crinolines had gone out and bustles come in. Who, for instance, was that new woman, a Mrs. Closson, or some such name, who had such a dusky skin for her auburn hair, such a fat body for her small uncertain feet, and who, when she wasn't strumming on the hotel piano, was credibly reported by the domestics to lie for hours on her bedroom sofa smokingâyes,
smoking
âbig Havana cigars? The gentlemen, Mrs. St. George believed, treated the story as a good joke; to a woman of refinement it could be only a subject for painful meditation.
Mrs. St. George had always been rather distant in her manner to the big and exuberant Mrs. Elmsworth who was seated at this moment nearby on the verandah. (Mrs. Elmsworth was always “edging up.”) Mrs. St. George was instinctively distrustful of the advantages of ladies who had daughters of the age of her own, and Lizzy Elmsworth, the eldest of her neighbour's family, was just about the age of Virginia St. George, and might by some (those who preferred the brunette to the very blonde type) be thought as handsome. And besides, where did the Elmsworths come from, as Mrs. St. George had often asked her husband, an irreverent jovial man who invariably replied: “If you were to begin by telling me where
we
do!” ... so absurd on the part of a gentleman as well known as Colonel St. George in some unspecified district of what Mrs. St. George called the Sa-outh.
But at the thought of that new dusky Closson woman with the queer-looking girl who was so ugly now, but might suddenly turn into a beauty (Mrs. St. George had seen such cases), the instinct of organized defence awoke in her vague bosom, and she felt herself drawn to Mrs. Elmsworth, and to the two Elmsworth girls, as to whom one already knew just how good-looking they were going to be.
A good many hours of Mrs. St. George's days were spent in mentally cataloguing and appraising the physical attributes of the young ladies in whose company her daughters trailed up and down the verandahs, and waltzed and polka-ed for hours every night in the long bare hotel parlours, so conveniently divided by sliding doors which slipped into the wall and made the two rooms into one. Mrs. St. George remembered the day when she had been agreeably awestruck by this vista, with its expectant lines of bentwood chairs against the walls, and its row of windows draped in crimson brocatelle heavily festooned from overhanging gilt cornices. In those days the hotel ball-room had been her idea of a throne-room in a palace; but since her husband had taken her to a ball at the Seventh Regiment Armoury in New York her standards had changed, and she regarded the splendours of the Grand Union almost as contemptuously as the arrogant Mrs. Eglinton of New York, who had arrived there the previous summer on her way to Lake George, and, after being shown into the yellow damask “bridal suite” by the obsequious landlord, had said she supposed it would do well enough for one night.
Mrs. St. George, in those earlier years, had even been fluttered by an introduction to Mrs. Elmsworth, who was an older habituée of Saratoga than herself, and had a big showy affable husband with lustrous black whiskers, who was reported to have made a handsome fortune on the New York Stock Exchange. But that was in the days when Mrs. Elmsworth drove daily to the races in a high barouche sent from New York, which attracted perhaps too much attention. Since then Mr. Elmsworth's losses in Wall Street had obliged his wife to put down her barouche, and stay at home on the hotel verandah with the other ladies, and she now no longer inspired Mrs. St. George with awe or envy. Indeed, had it not been for this new Closson danger Mrs. Elmsworth in her present situation would have been negligible; but now that Virginia St. George and Lizzy Elmsworth were “out” (as Mrs. St. George persisted in calling it, though the girls could not see much difference in their lives)ânow that Lizzy Elmsworth's looks seemed to Mrs. St. George at once more to be admired and less to be feared, and Mabel, the second Elmsworth girl, who was a year older than her own youngest, to be too bony and lantern-jawed for future danger, Mrs. St. George began to wonder whether she and her neighbour might not organize some sort of joint defence against new women with daughters. Later it would not so much matter, for Mrs. St. George's youngest, Nan, though certainly not a beauty like Virginia, was going to be what was called fascinating and by the time her hair was put up the St. George girls need fear no rivalry.