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Authors: Martin Walker

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BOOK: The Caves of Périgord
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“I never thought …” he said, his mouth too dry to speak, his thoughts too confused, his reactions tumbling over each other from shock to fear to admiration. He took a deep breath. “I never thought this could be done. I never knew or dreamed.”

He stepped forward, breaking the spell that bound him to her, and discovered himself. The painting of him as seen by Moon. He had not known that his eyes were that color of brown with those flecks of green, that his lips were so red, or his nose that shape. He raised his hand to his cheekbone, feeling the sharpness that she had conveyed to the rock. He felt his own jaw, his fingers searching for that groove she had placed in his chin, the corner of his mouth for that half-smile she had given him, his neck for the slim length of it.

The painting was huge, so much larger than his own head that he
felt dwarfed by it. His face was the scale of his chest and stomach, bigger than the stag or the bear or even the great bull in their landscape. He was a giant, but he looked kind. He had a face, but this was more than flesh and bone and eyes. It was a character, a mood, and a person who thought and saw and spoke. This was not just the head of a man, but him, Deer, as seen and re-created by the woman he loved.

He stepped closer still, to see how those faint lines on each side of his nose had been lightly drawn in charcoal. Then he noted how she had given the depth to his nose by the lighter patch of color on one side, and used a tiny fleck of red in the corner of his eye. And he saw that she had used his trick of the dried grass to catch the texture of his hair.

He began moving backward, his eyes fixed on the portrait of himself, farther and farther until his back touched the corner of the cave where it opened into the passageway. Now he could see how right she had been to give the head this great size. Balanced by their other work on either side of him, the scale of the portrait was precise and fitting. It dominated the cave without overwhelming it. It put man in his proper place in this universe they had made between them, apart from the beasts and landscape that he shared with them, apart and different, something distinct. A person, a single person, with thought and character and a look that made each human creature unique.

“This makes you the real Keeper of the Deer,” he said, trying to find words to express his awe at her achievement. “Of this Deer. Me.” He had not noticed her move, but suddenly she was beside him, her hand on his arm.

“Then you are Keeper of the Moon,” she said, and slipped her arm around his waist, resting her head on his shoulder. She felt his body trembling.

“This is the most wonderful work I have ever seen,” he said. “I cannot wait to try this new thing, to paint you. How could we never have done this, thought of this, before now? This changes everything I thought I knew about our work.”

He turned and looked at her with wonder, his eyes scanning her face, his hand reaching up to touch her hair. Amid his awe, amid his love for this woman, which was filling him and swelling his chest, he was looking with a painter’s eye at the planes of her face, thinking how to catch the forms and colors.

“That is why I left that great space to the side,” she said. “I knew, or I hoped, that you would want to paint me.”

“But you have left more space on each side,” he said.

“Yes, for there will be children,” she said, smiling and putting his hand on her belly. “I have been thinking of painting your face for a long time. It was taking place in my head, and then last night I started making the sketches when I was sure that we will have a son to look at his father’s likeness on the wall.”

“Or a daughter to look at her mother’s,” he said, his delight huge as he hugged her to him. “I cannot wait to start painting you, young mother.”

“Not just yet,” she said, loosening the thongs at her shoulder to let her tunic fall to the floor, and slipping her hand to his thigh. “There’s time for everything.”

He knew not what it was that woke her, but he felt her hand tighten on his shoulder and sat up, reaching for his ax, and thrusting her back into the passageway toward the cave. She moved clumsily, the babe heavy in her belly, but scooped up her spear and his pack as she scrambled into shelter. He saw nothing but the night stars and the trees rocking gently in the autumn wind, but he felt the presence of others nearby in the night just as surely as he felt the loom of the rock behind him. He groped for his bow and quiver of arrows, biting his lip in anger at himself at the scraping sound his bow made as he caught it on the passage wall.

Moon was safe behind him, her spear ready. He had his bow, his ax, and his knife. He could hold this passage against any beast, and most men, unless they had the patience to starve them out. He and Moon had rehearsed their defenses. There were water skins and smoked meats in the cave, and rocks with which to build a wall that could block the passage and give him cover to shoot. He craned his ears and heard a whispering outside. Men. Then he heard nothing, but saw a glow as they stirred the embers of his fire into life and settled around it to wait until dawn. They could be strangers who had caught sight of their fire and would move on. But strangers would not be out at night, and if they were, they would call out and seek the hospitality of the hearth. The dread began to build with the realization that somehow, finally, the Keeper of the Bulls had caught up with them. Moon came and held him tightly. He took off his knife, slipping the thong around her neck, and they waited.

“Daughter—Little Moon.” It was the voice of her father, the Keeper of the Horses.

“Father.” Her reply was instinctive. Angry with herself for breaking silence she called out, “Why are you here. What do you want?”

He showed himself, standing alone at the cave mouth, his arms stretched out a little from his body to show that his hands were empty.

“I mean you no harm,” he called, and walked up the passage toward them.

“Far enough, old friend,” said Deer, as the Keeper reached the low wall of stones. The older man’s eyes darted to the sketches on the passage walls as the dawn outside strengthened into day. “How many are outside with you?”

“Many,” he said. “The Keepers, the hunters, the leaders of the woodsmen and flint and fishermen. And your mother, Moon.”

“So many?” she said.

“We have lost our cave. We have lost everything that made us.”

“There are other caves,” said Deer, an arrow notched in his bow. He
kept looking at the empty passage behind Moon’s father. “The storm took your cave, not me. Not us.”

“The storm came in anger at what you did. That is what the Keepers have decided. You must come back and make everything as it was.”

“You would give me to the Keeper of the Bulls?” spat Moon. “He would not want a woman heavy with Deer’s child. And you would not want a daughter who would be a Keeper and paint with your fellowship.”

“You are having a child?” he said gently. “My grandchild.”

“Look beside you, Father,” said Moon. “The bison and the bear are your daughter’s work.”

They saw that he had aged as he peered at the paintings in the passage.

“How did you find us?” asked Deer.

“After you left, the chief hunter saw that a log had gone and guessed you went down the great river. He followed you, but found no track, until by chance he found people at the great rock who had seen you pass. He went on searching, and coming back, searching farther each time. Then he found a place where there had been a barrage of trees, and began scouting, thinking that is where you would have stopped. He saw your fire, watched you, and came back to summon the rest of us. It has been a long journey, the longest of my life.”

“We will not come back,” said Deer.

“Then I fear the others will seek to kill you,” said Moon’s father. “They are frightened and angry. They want life to be as it was.”

There was an impatient shout from the cave mouth. Moon’s father turned and called for them to stay back. A head appeared, the chief hunter, and then darted back. Deer smelled smoke, and knew that his fire had been moved to the cave mouth and they were using branches to fan the smoke into the passage. They could be smoked out. He had not thought of that. The Keeper of the Horses began to cough.

“You had better go, Father,” said Moon.

“No, little one. I would hold you again, and see your work.”

Deer considered, remembering the kindness of this man, and his love of painting, and then stepped back, inviting him in. “As Moon’s father, as my friend and teacher, you are welcome here,” he said formally. He crouched behind his puny wall. The smoke was less here.

Inside the cave, the smoke was still thin enough for the old man to see the great landscape and then he stood stock-still as he caught sight of the two great portraits on the end wall.

Deer and Little Moon, side by side, human but on the scale of a great bull, and he tottered as if he might faint.

“What have you done?” he demanded of his daughter, his eyes daring in bafflement from the flesh and blood woman before him and Deer’s giant image of her on the wall. His voice was appalled. “This is wrong …” he said weakly, and then muttered, as if to himself, “but it is wonderfully wrought.”

“Deer painted me,” said Moon. “I painted him.”

“You? Did this?” he whispered. The smoke was hanging heavily in the cave, and Deer’s eyes were watering. Another angry shout came from outside, and then an arrow flashed out of the smoke and snapped on a rock of Deer’s low wall. He moved to his left, so that the rock would cover his body when he drew his bow. Another arrow came, higher this time, and bounced off the side of the passage to clatter inside the cave. He glanced back. Moon and her father, their arms around each other, were huddling against the side wall.

Suddenly, the passageway darkened, and he drew his bow and shot into the smoke. A cry of pain. Then a pause, and then it darkened again, and he shot twice to no effect, seeing a black bulk bearing down on him with spears on each side, and realized that they had taken their skins and stretched them over a wooden frame as a shield. He dropped the bow, took his ax in his right hand and Moon’s spear in his left, and waited.

They were as blind as he, but he was closer to his target, and as the spear points came above his wall his ax flashed down onto each of
them, and he jabbed the spear down low beneath the shield to hit the unprotected legs. A foot crashed down on his spear and tore it from his hand. The leather shield was charging into him, and he scythed his ax as he went down, feeling it jar as it hit rock. And then there were men all over him, lashing his arms and legs with thongs, and they dragged him down the passage by his hair into the fierce sunlight and the clean air. He gasped in pain as they hauled him over the coals of the fire and then propped him against the rock.

A shadow of a man stood before him, a man who had once been big and strong, but whose flesh now hung in folds over wasted muscles. Where the bones jutted from the skin, there were weeping sores, and the hands were stiffened claws. Only the eyes were fierce and strong beneath the eagle’s headdress. The Keeper of the Bulls was a dying man, just as Moon’s sketch had foretold, and in his hand was the great club with the beaked head.

Two young men brought Moon out of the cave, firmly but gently enough, and her father limped after them. Deer knew them both, his brothers of the ceremony that had made them men. Around him were faces he had known since his childhood, Keepers and hunters, and Moon’s mother hurrying to embrace her daughter, her eyes wide in surprise at the bulge of the child.

“I will not come back,” said Deer, and spat blood and what felt like a tooth from his mouth, repeating himself to say it more clearly.

“No more will I,” shouted Moon.

“You have bewitched us with evil,” said the Keeper of the Bulls, his voice eerily familiar. “You have destroyed our cave and put the sickness upon me. Our hunters find no game and the fish escape our nets and the children cry with hunger. All this you have done.”

“We destroyed nothing,” cried Deer. “You brought evil upon the people. You with your pride and ambition. You brought the new worship. You tried to fool the fates with your false omens of eagles. You set yourself up as lord of the skull, lord of the skies. You put on the head of
a beast. You are the evildoer. You destroyed the old customs. You tried to take Moon against her father’s consent. You brought down the sickness upon yourself, the rocks upon the cave, the anger upon the people. It was your madness that we fled.”

“What you destroyed, we made,” called Moon, in a strange high voice, chanting the words, her head held high and her eyes looking far away across the trees and into the morning sky. “What you broke down in lust and anger, we built up in love.

“What you destroyed, we made,” she repeated. “Show them, my father. Show them what had been done under the hand of the Great Mother.”

And the Keeper of the Horses led them one by one into the passage and into the marvel of the cave, and as Moon continued staring far into the sky, Deer watched their awed and frightened faces as they emerged. The Keeper of the Bears was stiff with shock, or was it outrage? The Keeper of the Ibex gazed keenly at Deer, and called to him, “All your work?” And Deer shook his head and said that Moon had shared in it. The Keepers huddled in silence. The young hunters looked uncertainly at Moon. None of them, clearly, knew what to do. The anger and violence of the storming of the cave had passed. Deer’s attack upon the Keeper of the Bulls had sobered them. Moon’s stance and bearing in her pregnancy and chanting as if the Great Mother were speaking through her had awed them.

BOOK: The Caves of Périgord
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