The Collected Works of Chögyam Trungpa: Volume 4 (60 page)

BOOK: The Collected Works of Chögyam Trungpa: Volume 4
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There also comes into play something of a highly practical character which we might refer to as friendliness or compassion. This means taking account of the fact that the realm we are coming into contact with through taking refuge is a broader one than that in which we ordinarily operate. This automatically brings in a sense of openness.

The next step after taking refuge is training the mind. This does not mean intellectual training. It means seeing our very being in a different light. The movement has several stages. First, it is necessary to see our mental processes clearly. Then we will see that they must be cleansed of the presuppositions with which we ordinarily approach things. Then we must understand what the nature of this cleansing or purifying process is. The whole movement is one that goes deeper and deeper within, toward our hidden depths in which the energies are now being made to flow again.

The abhishekas in the tantrayana are the further developments of what was begun by taking refuge. This can be understood as a process of purification, which allows us more and more to see our situation as a mandala of the guru. Purification means overcoming what are technically known as the various maras. Maras are what we refer to in modern terminology as overevaluated ideas. They are a force of death that keeps us from growing. Overcoming them is part of the tantric discipline.

Of these maras one of the main ones is the ideas we have about our body. We unconsciously form and analyze it to the point where we no longer relate to it as a living structure. Our ideas about it have no use—they are only a limitation of the potentiality that is there. But even this limiting construct is never separated from its living source. Seeing this is a development which leads us more and more into the presence of the guru.

We may look at the relationship with the guru in terms of external and internal aspects. We may even see that the guru has appeared to us in various forms. Taking this broader view of the nature of the guru, we understand that there is always someone who points us toward or challenge us into spiritual growth. The relationship with the guru is always there—this is the point of view of tantra.

The process of seeing our life more and more directly also involves demolishing our fortress of conceptions about ourselves and the world. In this process there is a need for the so-called initiations or abhishekas.
Abhisheka
is derived from a Sanskrit root which means “to anoint.” Its symbology is taken from the traditional Indian ceremony of the investiture of a ruler. Investiture takes place through the conferring of a certain power. This idea of power is taken up in the Tibetan translation of
abhisheka
as
wangkur
(dbang-skur).
Wang
means something like “power,” but not in the sense of power politics or domination. Wangkur is an empowerment in the sense that henceforth the person so invested is enabled to give the greatest scope to the forces operating within him, forces which are of a fundamentally wholesome nature.

The first or jar empowerment is connected with the observable fact we have been discussing, namely, that we are attached to the conception we have of our body. In the Western world we are conditioned to think that the mind is superior to the body—we look down on the body. Now this is very naive. If the body were such a debased thing, then people should be only too happy to have it mutilated or weakened. But nobody would submit voluntarily to such a process, which in itself means that the body is very valuable. Our body is a most important orientation point. Everything we do is related to our body. You are situated in relation to me in terms of my body and in no other way. To realize the creative potential of this embodiment purification must take place.

The image of the first empowerment is purification. Essentially it is a symbolic bathing. A gesture is made of pouring water from a jar over the person receiving the empowerment. This is actually quite close to the normal Indian way of bathing, in the absence of modern plumbing facilities. It seems to mean just getting rid of dirt, in this case the conceptual structure we have with regard to our bodies. But this cleansing is also a confirmation of power, because it means that henceforth we will make better and more appropriate use of our being-a-body. It means we are on the way to realization of the nirmanakaya, realization of embodiment as ultimately valuable. This means being alive in certain measured-out and limited circumstances, to which we relate as the working basis of our creativity.

These empowerments or abhishekas are stages in a unitary process. Once what was implied by the first empowerment has come to its maturity in us, there is a second. In some way these stages are actually simultaneous, since all aspects of experience are interconnected. Nevertheless, we are obliged to take them one after another.

The second abhisheka, the
secret
or
mystery
empowerment, has to do with speech and language—our mode of communication. It has to do with communication not only externally (with others), but also with communication in our own inner world. We scarcely realize that mentally we are constantly acting out to ourselves our particular melodrama, our version of what is happening to us. And we actually talk to ourselves about it. So there are certain predispositions and neurotic patterns in our way of communicating. On the level of the second empowerment we work with this material. We have to come to another, a more wholesome level of communication. Talk can go on endlessly without communicating anything. Many people talk and talk and talk and never have anything to say. In fact, the general run of our mental life is on this level of empty chatter. We use words as tacks to pin things down and lose the open dimension of communication. Our use of words in this way kills the very thing that makes life worthwhile. And it reflects back on the physical level and reinforces our limited way of being on that level.

But communication can go on in quite a different way. It need not take place even through the normal verbal forms. This is where mantra comes in. Mantra is communication on quite another level than the ordinary. It opens the way to the manifestation of our inner strengths, and at the same time it prevents our minds from going astray into the mode of empty talk. The second abhisheka is an empowerment to live on this superior level of communication.

Our presence involves not only our embodiment and an activity of communication, but also a pattern of thinking. Ordinarily we think in concepts, and certainly for the practical purposes of life we must use concepts. But, on the other hand, concepts are also images that we impose on things. Concepts are forms that we present to ourselves concerning the living forces that we are in order to give them a label. Our mental life then goes on in terms of these labels. Here we see that this way of limiting things in advance, so to speak, takes place on the thinking level as well.

What we have been looking at on all three levels of body, speech, and thinking is an interlocking pattern of limitation. If we live, as we ordinarily do, in this pattern of limitation, we are stuck in a situation in which everything tends to get narrower and narrower. We are trapped in a web of decreasing possibilities. We are in a world where we can talk about less than we can think of, and do less than we can talk about.

The process of spiritual growth is about unfreezing this situation. And what a tremendous experience when life can flow freely again—when the buds bloom forth, when the rivers break up and the waters come flowing through in all their purity. The abhishekas are an opening into a new dimension, which one ordinarily never experiences. Suddenly one is introduced to something of which one has never been aware. In such a situation there is a great danger that the experience may be misunderstood. There will be a strong tendency to reduce it to our habitual frame of reference. If this happens, the experience can be quite harmful, especially in the case of the third abhisheka, on the level of thought.

Whether the third abhisheka is properly understood or not depends very much on the accurate interpretation of the symbols that come into play at this point. These symbols are the karmamudra, jnanamudra, mahamudra, and samayamudra. The functioning of the process of spiritual growth depends on our seeing them in another mode than our ordinary one.

The term
mudra
, literally translated, means “seal.” But what is a seal? It is something that makes a very deep impression on what it comes in contact with. So it might be better to understand mudra in this context as a tremendous encounter in which two forces come together and make a very deep impression.

Karma
comes from the Sanskrit root meaning “action,” what one does in encountering the world. Usually, our major encounters are with other people; and people are both male and female. Symbolically, the most potent form is our encounter with the opposite sex. Now we can look at this situation reductively and literally and think, in encountering a person of the opposite sex, of taking the other person as a kind of utensil. In that way we reduce the encounter to a very dead item. True, sex is fun, but if it continues very long we get bored with it. Here we have to understand the encounter on an entirely different level than the one usually seen. A characteristic of the sexual encounter is that we are never at rest; there is constant action and reaction. This by its very nature can create an opening of awareness beyond the normal level. An expanded awareness tinged with delight can arise.

If we have perceived the karmamudra in this constructive way, rather then reductively, there is automatically a tendency to go further in the direction of open awareness. This leads to the relationship with the jnanamudra. Suddenly the whole picture has changed. The relationship is no longer merely on the physical level, but there is an image involved here, a visualization which mediates a complete degree of appreciation and understanding. This opens up entirely new vistas.

The inspirational quality is much stronger and more far-reaching than with the karmamudra. We can reach a very profound level of awareness in which we become fused with the partner in a unitary experience. The distinction between oneself and the other simply no longer holds. There is a sense of tremendous immediacy, which also brings a sense of great power. Again there is a danger of taking the experience reductively and thinking that “Now I have achieved great power.” But if we are able to relate to this moment as an open experience, we are then at the level of mahamudra or, in this context, the greatest encounter.

When we have had this peak experience, we wish to retain it or at least to make it manifest to ourselves again. This is done through the samayamudra. The samayamudra involves the various figures we see represented in the Tibetan thangkas or scroll paintings. These forms are expressions of the deep impressions that have come out of the encounters we have had with the forces working within us. It is not as though we were, so to speak, containers of these forces—rather, we are like partial manifestations of them. In these encounters our separateness and secludedness are momentarily abolished. At the same time, our deadening reductive tendencies are overcome. In the samayamudra we commit ourselves to the implications of this great experience of openness through the symbology of the tantric path.

After the abhishekas relevant to body, speech, and thought, there is still a fourth. As I have pointed out, these stages are part of a unitary situation which we approach sequentially only because of the limitations of our mode of experience. But it is much more sensible to see them as a part of a great tableau in which all the aspects are interrelated and fuse with one another. It is on the level of the fourth abhisheka that we see the previous experiences as aspects of a totality. These experiences fuse into an integrated pattern which cannot be destroyed. Through the empowerment their indivisibility is clearly established.

At this point we cannot quite say that we have become one, because even the idea of unity or oneness now no longer applies. The term one is only meaningful if we have a two or a three. Unity implies plurality as something else. But what we are dealing with here is a unity which includes plurality. Unity and plurality only seem contradictory when we conceive of them as isolated terms. There can never be isolation when everything is part of the whole pattern. Isolation is an abstraction, but plurality is whatever we happen to find in the world wherever we are. Not disrupting the unitary quality by isolating units is the basic meaning of unity. And this comes here as a deep inner experience.

This deep inner experience is the guru operating, and through such profound experiences he has his tremendous influence on the pattern of our spiritual growth. For in the ultimate sense, the guru is none other than the Buddha—not the historical Buddha but buddhahood itself. In this way all the empowerments are developments of the guru yoga. In the guru yoga we attempt to come closer to our basic nature through coming closer to the guru. In the empowerments we are actually in connection with him. We are also in connection with his lineage, those who have preceded him in the direct transmission of the teaching and in connection with whom he remains.

Like the refuge formula and the empowerment ceremonies, the guru yoga practice has an outward form betokening a deeper experience. In this case the outward form is a kind of litany. But if, in reciting this litany, there is awareness of where in us these words come from, they follow back to the person whom we have chosen as our spiritual guide. The litany itself is not the ultimate thing, but it involves us in the fact that throughout human history there have been persons who have awakened. The presence of their example challenges us to look into ourselves and awaken to our own being. And in the process of coming closer to what is meant by their example, the nature of the guru as we relate to him again changes and becomes deeper. It increasingly reveals itself as a principle which is much more attuned to the real than our habitual sham.

The various ceremonies—the refuge, the guru yoga, and the empowerments are all established in an outward form so as to be repeatable. But it is of the greatest importance to be aware of the highly symbolical character of tantra as expressed in these forms. We must distinguish between a symbol and a sign. A sign can be put on anything and acts as an identification tag. A symbol always points beyond itself. It is only a pointer to, in this case, what cannot be said.

BOOK: The Collected Works of Chögyam Trungpa: Volume 4
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