The Collected Works of Chögyam Trungpa: Volume Seven (97 page)

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Authors: Chögyam Trungpa

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BOOK: The Collected Works of Chögyam Trungpa: Volume Seven
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Environment

art and
awake state of mind and
Buddhist
creating
as education
flower arranging and
meditation and
See also
Installation art

Equanimity, wisdom of

Evam,
definition of

“Everybody’s a Little Homosexual” (Ginsberg)

Exhibitionistic art

Exhibitions

documentation of
Emmanuel Gallery, CU
LAICA Gallery
See also
Installation art

Expectations

as obstacle to symbolism
and panic

Experience

as first level of perception
nonverbal
penetrating quality of
sense perceptions and
symbolism and
theory vs.
workability of

Explorers of the Richness of the Phenomenal World

“Exposé”

Expression (artistic)

of beauty
unconditional vs. self

Eyes, as door of wisdom

Fear

as basis of setting-sun world
of death
of natural disasters
reality of

Fearlessness

of destroying karma
of outrageousness

Feminine/queen principle

as bhagavati
as dakini
four karmas and
purple color of
unity of masculine and

Ferlinghetti, Lawrence

Festival(s)

“Dharma” (Boston)
Midsummer’s Day
Philadelphia Fringe

Fields, Rick

Filmmaker’s Newsletter

Filmmaking

continuity in
exercise
expectations in
five buddha families and
irritation in
meditation and
shooting snow in
three principles of

Finckh, Dr. Elisabeth

Fire (element)

Firehouse Theater (Minneapolis)

First dot, best dot

First thought, best thought (principle)

as earth principle
as first dot
as heaven principle
poetry and
vs. subconscious gossip

First Thought, Best Thought

Five buddha families

filmmaking and
flower arranging and
iconography and
mandala of
neuroses of
as styles of perception
See also individual listings for
Buddha, Karma, Padma, Ratna,
and
Vajra (buddha families)

Flower arranging

environment and
five buddha families and
heaven/earth/man and
poetry and
setting-sun
as total world
See also
Installation art

Fool, willing to be

Form(s)

art
emptiness and
fusion of artistic
of mandalas

Formal Garden
(photograph)

Fornes, Maria Irene

“The Four Dharmas of Gampopa”

(calligraphy)

Four dignities

Four directions

buddha families and
four karmas and
guardians of
of Tibetan mandala

Four foundation practices

Four karmas

colors of
heaven, earth, man and
mahakalas and
mandala of
masculine/feminine principles as
See also
Destroying (karma); Enriching (karma); Magnetizing (karma); Pacifying karma

Four noble truths

Four seasons

Four Torches (yoga)

Four wind(s)

destroying karma and
karma (buddha family) and

Frank, Robert

Freedom

as letting go process
as mandala principle
pre-production

Gangshar, Khenpo

Gap (of mind)

in filmmaking
as nowness
as source of sophistication

Garden
(photograph)

Garuda (calligraphy)

Garuda
(magazine)

Generosity

Gentleness

colors of
pacifying karma as
scientific discipline and

Genuineness

Gesar of Ling

GES Building (Boulder)

Gimian, Carolyn

on elocution

Gimian, James

Ginsberg, Allen

on heaven/earth/man
meditation and poetics course
poem to
on poetry of Chögyam Trungpa

Giving, as absence of aggression

“Glorious Bhagavad-Ghetto”

Golden Age

Goodness

intrinsic
monotony of gospel of
pacifying karma and
See also
Basic goodness

Granelli, Jerry

Great Eastern Sun (vision)

art and
buddha nature as
home and
Occidental
vs. rising sun
vs. setting-sun
three principles of

The Great Eastern Sun

The Great Gatsby
(Fitzgerald)

Green (color)

of destroying karma
of karma family

Green, Ken

Greenberg, Samuel

Gregory, Andre

Grotowski, Jerzy

Groundlessness

Guru Rinpoche

See also
Padmasambhava

Guru(s)

devotion to
portraits of

Haiku, Japanese

threefold logic of

Half-circle (shape)

of magnetizing karma

Harmony

art and
chaos and
idealism vs.
richness of
in society

Hartley, Marsden

Hassan i Sabbha

Hayden Gallery (MIT)

Hayward, Karen

Head and shoulders, sense of

Heaney, Seamus

The Heart of the Buddha

Heart Sutra
(Prajnaparamita teachings)

The Heart Sutra
(play)

Heaven (principle)

art and
basic space as
finding your spot as
first thought as
panic of
primordial mind as
as “that”

Heaven/earth/man (principle)

architecture and
art and

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