The Collected Works of Chögyam Trungpa: Volume Seven (98 page)

artistic process and

basic goodness and

calligraphy and

discipline of

flower arranging and

four karmas and

hierarchy and

intuition and

king principle and

perception and

poetry and

positive arrogance and

talent as inherent

threefold logic of

threefold world as

trikaya as

See also
individual listings for Heaven, Earth, Man

“Heaven, Earth, and Man” (essay)

Hebrew calligaphy

Hesitation

as obstacle

Hierarchy

heaven/earth/man and

Highlights

in filmmaking

seeing

“Homage to Samantabhadra”

Home/household

as art

harmony and

Shambhala

See also
Interior design

Homosexuality, in poetry

Hope and fear, freedom from

Horseback riding

Hum
(calligraphy)

Hum Bhyo
(calligraphy)

Human development

Humor, sense of

aggressive

clarity and

poetry and

self-existing

visual dharma and

Hunter, Bill

Iconography

five buddha families and

mahasiddha

of nonaggression

of things as they are

yidams deities

See also
Tibetan Buddhist art/iconography

“The Iconography of Buddhist Tantra”

(seminar)

Ideas

art and

as Great Eastern Sun

practice and

symbolism and

Ignorance

expectations as

grayness of

setting sun

Ikebana

heaven principle and

space and

See also
Flower arranging

“I Miss You So Much”

Impatience

“Imperial” (calligraphy)

Imperial courts

Improvisation (poetic)

threefold logic of

Individuality

art and

culture and

magic of

man principle as

universality vs.

Industrial Revolution

Information, art and

Inquisitiveness

aggression vs.

in bodhisattva imagery

resentment vs.

seed syllable of artist

Inspiration

Buddhist

ego

entertainment vs. true

filmmaking

scale of

space and

two parts of

Installation art

calligraphies in

rooms in

Integrity

Intelligence

basic goodness as

peacefulness as

Interior design

heaven/earth/man and

as symbol of itself

Intuition

concepts and

“Invoking the Mother Lineage”

“Invoking the Rigden Father”

Iowa Theater Lab

Irritation

in film

in reality

Islamic tradition

Isness, sense of

postmeditation as

square zero as

See also
Being

Jack Kerouac School of Poetics (Naropa Institute)

Japanese aesthetics

Buddhism and

poetry and

setting-sun vision and

See also Zen
tradition

Jealousy, karma family

Jigme Lingpa

Jnana.
See
Wisdom

Judaism

Junk art

Kado
(way of flowers)

See also
Flower arranging; Ikebana

Kagyü lineage

Pernagchen and

poetry of

Kalapa Cha (tea society)

Kalapa Court

Kalapa Ikebana

Kalapa Ikebana Newsletter

Kalevala song men

“Kami/drala” (calligraphy)

Kanji (ideograms)

Karma

brain and

wind of

Karma (buddha family)

all-accomplishing wisdom

green color of

north direction of

summer season of

sword symbol of

Vajrakilaya and

wind element of

Karma Monastery (Tibet)

Karmapa II (Karma Pakshi)

Karmapa VII (Chotrag Gyamtso)

Karmapa VIII (Mikyo Dorje)

poetry of

Karmapa XVI, H. H. Gyalwa

The Lion’s Roar
(film) on

Karma Pakshi abhisheka

Karmê Chöling (contemplative center)

Karr, Andy

Keats, John

Kensington’s (jewelry store)

Kerouac, Jack

Kindness

art as

King (principle)

King of Dege

“Kingdom” (calligraphy)

Kingdom of Philosophy
(play)

Kingdom of Shambhala

scorpion seals of

King’s view (principle)

King of the United States
(van Itallie)

Kobun Chino Roshi

Kohn, Sherab Chödzin

Kongtröl of Sechen, Jamgön

photographic portrait of

Korzybski, Alfred

“Kubla Khan” (Coleridge)

Kurosawa

Kwong Roshi, Bill

Kyudo
(way of archery)

“The Labyrinth of Tibetan Seals” (Rockwell)

Language

audience and

onomatopoetic

See also
English language; Speech

Laziness

absence of

destroying karma vs.

Learning

environment

life as, situation

Leontov, Tania

“Letter to Marpa”

Letting-go process

Levi, Eliphas

“Library” (installation)

Lichen
(photograph)

Lief, Judith L.

Life

as art

art in everyday

continuity of

ideas about

patterns of

richness of

as successive disasters

Lifestyle, perception and

Limits, testing

Lineage

portraits of

presenting wisdom of

Lingpa, Jigma (Nyingma master)

Lion, John

The Lion’s Roar
(film)

Lohan (statues), I-chou

Aryan features of

first bhumi and

four noble truths and

Loka
(magazine)

Lokapalas

as transmutation of national ego

Loneliness

“Looking into the World”