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Authors: Joe R. Lansdale

The Complete Drive-In (30 page)

BOOK: The Complete Drive-In
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“I ended up working at a filling station. I could never get the work straight. I mostly put nozzles in gas tanks and dreamed of Gilligan’s Island and a trip on The Love Boat, of chain-sawing pretty people and stripping their flesh so that I could wear it, jacking air in a gutted corpse. I missed my father’s belt. Gasoline ran over my shoes.”
As he talked, silent scenes from films and TV shows and commercials ran across his screen like track stars. I couldn’t take my eyes off of them. Something about them tugged at me. I felt drunk. I wanted Popalong to turn his face off and shut up. I wanted a hot bath and a good meal and a hot fuck. I wanted to be home in Nacogdoches, tooling down Main Street with the car windows down and a hot wind in my face, looking to see what historical house or building they would tear down next.
But what I got was more of Popalong.
7
 
POPALONG’S STORY
 
 
But the boss kept me working even if I wasn’t any good. It wasn’t a place that got much business and nobody else wanted to work there because the pay was cheap. Lucky for the boss, I didn’t need much and no one else would have me. He let me watch television there at the station between cars. I was between cars a lot.
The money I made kept me in Twinkies and Cokes, TV Guide and the cable. I saved up and bought a VCR. I bought a belt like my father used to beat me. I was cozy. I lived in a one-room, walk-up apartment that smelled like the winos in the doorways below. I often saw them when I was walking to work, shuffling ahead of me in search of a bottle. For some reason they made me think of Henry Fonda in The Grapes of Wrath.
At night I would take the belt like my father’s and slap my naked back with it. I did this while I watched tapes of Hopalong Cassidy reruns. Hopalong had a face like my father’s. Watching him made the beltings work all the better. I slapped myself until I bled. I tore pages from the TV Guide and stuck them to my back to stop the blood. Sometimes there were not enough pages.
When I finished, I would put the videotape of The Bible into the VCR and watch a few minutes of that while I knelt and held the box the tape had come out of. I prayed there would be no electrical blackouts while I was watching a movie, I prayed my television would not wear out until I could afford a big-screen TV. I prayed I would someday have a place of my own away from the noise of the winos, a place where I could have a satellite dish and fill my head with channels. I wondered who I was praying to.
So it went until a week before Halloween. I was on my way home from work eager to get my belt and put in the Hopalong tape, and what do I see in the window of the costume shop between Sylvester the Cat and a pirate outfit but a Hopalong Cassidy costume. I felt weak in the knees.
I went in there and blew all the money I had. I knew I would have to buy some cheap brand of soft drink and some sort of pastry that wouldn’t match Twinkies, but I had my Hopalong suit, complete with hat and boots and holsters, though the guns in it were cap pistols.
When I got home I put the outfit on and looked in the mirror. I was disappointed. My shoulders were not as broad as Hoppy’s and my face was nothing to look at. I didn’t look like my father who looked like Hoppy. I looked like a weasel staring out of the woods.
I took off the suit and hung it in the closet and put the boots below and the hat on a shelf above. I discovered if I left the closet door cracked and turned on the end table light, or if the moonlight came through the window just right, it looked like Hoppy was standing in there, hiding, waiting to come out and beat me with a belt or shoot me with his pistols.
I liked that. The suit was not a total loss.
Then about Christmastime I saw this special on random killers. I noted that most of them had sad little faces like mine. But here they were with their sad little faces going out to millions while I lay in bed holding my dick. They had done things like pump hot lead into warm bodies, and all I could do was shoot a pathetic wet bullet onto my sheets. What they had done brought camera crews out, and they got their pictures taken. Got seen by millions. Got to be stars. What I had was more laundry.
But when the special was over, I knew what I wanted to do.
I had to save my money again, and this meant I didn’t eat very much, but I never really cared that much for eating anyway. The more I thought about what I wanted to do, the more excited I got, and the more I took the belt to myself. When I showered it looked as if red paint were running down the drain.
I took to wearing the Hopalong outfit. I didn’t look any better in it, but I didn’t care anymore. I knew what I wanted now, and knowing made me feel better about myself.
First I bought a car from my boss for three hundred dollars. A white Ford Fairlane. I was not a good driver, but I knew how. I could get from one place to the next if I could get my mind off television. I tried to pretend that I was part of a television show like
Miami Vice
, and I was patrolling the streets for crime. I drove every day so I could get better at it, but I never learned to like it.
Then I saved up enough to get the rifle. A Winchester with an old-fashioned lever. I had it replaced with a loop cock like the one John Wayne had in
Stagecoach.
It was no big problem to get the rifle. I merely had to sign some papers. It didn’t matter to me that later they would be able to trace it. I wanted them to.
By the time the summer came around I was able to buy two pearl-handled, silver-tooled pistols and enough ammunition for them and the Winchester. Again, I merely had to sign some papers.
I went home and took the cap guns out of the holsters and put in the real .45s after I loaded them. I loaded the Winchester and put it in the closet. I watched a video of
The Wild Bunch.
Next afternoon after work, I put the rifle in the trunk of my car and went back in and put the Hopalong outfit and gun belt on. The real guns weighed more than the cap pistols, but I liked their weight. It was like waking up and having muscles.
When I went out to the car the second time, a wino saw me. He said, “Man, who you supposed to be, Hopalong Cassidy?”
“That’s right,” I said, and pulled one of the .45s and shot at him. I missed him by a mile. The bullet went past him and smacked into the doorway of the apartment house. The wino ran around the corner, and I shot at him again. This shot wasn’t any better. He got away. My marksmanship worried me some.
I drove out of town, and by the time I got to the overpass, it was starting to get dark. I pulled over next to the concrete wall and unlocked the trunk and got the rifle. It was dark now. I could see the lights of the cars, but to see who was in them I had to let them get pretty close to the overpass so the lights there would shine down on them and give me a look.
I watched a few go by before I shot at anybody. Guess I was getting the feel of things.
I picked one out and aimed between the headlights, then lifted the rifle barrel above that so I could center on the windshield, then I moved the barrel to the driver’s position and pulled the trigger.
First time didn’t work because I had the safety on. The car went beneath the underpass and on.
I took off the safety and waited for another car, remembered to cock the lever and jack a shell into the chamber. I felt like Lucas McCain, the Rifleman.
Next car that came I shot at, and I don’t know if I hit anyone or not, but it veered off the road, then back on, and went under the overpass and kept going, very fast. Next car I hit someone because it went off the road and through a barbed wire fence right before it reached the underpass. I saw a man stumble out of it and fall down in the pasture and get up. I took a couple of shots at him, and I guess I finally hit him because he fell down and didn’t get up. I shot once more in his direction, then went back to watching cars.
A station wagon was next, and I put a shot into it and it ran into the side of the overpass and a woman opened the door part of the way and fell out. The lights from the overpass were bright on the windshield in the car, and I could see a child in a baby seat on the passenger’s side. I could even hear it crying.
I leveled the rifle and fired until I finally hit it and it shut up. I figured I had done enough then. I was a celebrity, though no one knew it yet. I could just imagine being apprehended and handcuffed and the television cameras coming out and taking my picture in my Hopalong outfit, and then taking pictures of my pistols and my loop-cock Winchester. I hoped they’d let me see myself on television in the jail. But just knowing I was going to be there was a great thrill. I was, for the first time in my life, somebody.
At first I thought I should turn myself in, but this seemed too easy. I would let them come for me. I might take a few shots at them, then, if they fired back, I would toss out my weapons and say I quit; I had watched that sort of thing on television more than once. They didn’t kill you if you quit. After I got on television, I didn’t care what they did with me.
I put the rifle in the trunk and drove away. I drove until I came to a little serveyourself gas station and grocery. I was very hungry and I needed gas.
I went in there and got a Coke and a Twinkie and the girl behind the counter stared at me. I liked that. I felt like a movie star. “Who are you supposed to be?” she said.
“Hopalong Cassidy,” I said, and pulled out my pistol and reached across the counter and put it next to her nose and fired just as she screamed. Blood went all over the cash register. I went around and opened it and got some of the money just to have something to do, got my Coke and Twinkie and started to leave.
A man in a big black wrecker drove up then, and he walked inside just as I was about to go out. He looked at me and I saw his head jerk a little. He knew something wasn’t right. I pulled the revolver and shot him in the chest and he went back against the glass door, hitting it so hard it cracked. It swung open and he fell out on the ground. I bent over him and shot him twice in the head.
Something about the wrecker appealed to me. I put my Coke and Twinkie in the wrecker’s seat and got my rifle out of the Fairlane and put it in the floorboard of the wrecker. I had some trouble driving the wrecker at first, but I knew how. I had learned how to drive a lot of things at the station so I could put them in stalls to have flats and oil changed.
I drove along not thinking about much, and I saw the Orbit drive-in. I couldn’t pass that up. I had been away from a screen too long and had begun to feel unreal. I drove in there and watched the movies and waited to be arrested. I thought I might not even wait. I thought I could get my rifle and go behind one of the screens and poke a hole in it and start shooting at people in their cars like the guy did in Targets. Maybe Boris Karloff would show up to stop me. I would have liked that.
But before I could do anything the comet came and trapped us all in the drive-in. I wasn’t going to be arrested. I wasn’t going to be on TV. It was depressing at first, until I realized an incredible truth. I was living a movie. This wasn’t like working at the filling station. This wasn’t like walking home and seeing the winos. This was even better than watching television. It was like when I was shooting from the top of the underpass, only more so. This was constant, and everyone had to be involved, like it or not. The movie owned us all and you couldn’t change channels or turn it off. Here was a movie with blood and guts and a wild monster, the Popcorn King. He was wonderful. He preached violence and religion. If he could have gotten wrestling into his talks he would have covered the three manias of television. I loved him. I wanted him to beat me with a belt. I quit wearing the Hopalong outfit. I stripped off and went around naked like a lot of the others. I was not ashamed of my body now. Everyone looked awful. The comet and the Popcorn King had made us all alike. My constant fear was a happy ending, which meant, of course, everyone would go back to what they were before. And for me, that wouldn’t have been much.
But things did not last. The comet came back. I put my Hopalong outfit on and drove out of the drive-in behind the others. I figured the old world would be out there and the only thing I could think of that was positive about that was that I would eventually be arrested and my picture would be on TV, and I would be recorded on video for all time.
But the old world wasn’t out there. There was this world. This double feature.
I became determined to drive to the end of the highway. Things got weirder as I drove along, and I wanted to see just how weird they would get. I wanted to be part of the weird.
Once, when I stopped to find fruit, I saw a crowbar lying on the bed of the wrecker, and I got it and used it to break the padlock of the big metal box welded below the back window. Inside was a tarp, flares, knives, electrical wire, miscellaneous items. I knew these would come in handy later.
The gas in the wrecker lasted a long time, and when I got to this place with the film draped in the trees, I knew I was on the right track.
I pushed on. I felt like Humphrey Bogart in
They Drive by Night.
Though the shadows and the storms and the crawling film persisted, I began to see new things. Solid things. Munchkins from
The Wizard of Oz
, for example. I never saw a live one, just dead ones. They were lying beside the highway or in it, obviously having been hit by cars. They were smashed and/or bloated. Their little caps lay beside them like markers. I passed one that someone had propped up with a stick. They also had a stick down one of his sleeves and had rigged it so his arm stuck straight out; he looked as if he were thumbing a ride.
BOOK: The Complete Drive-In
11.72Mb size Format: txt, pdf, ePub
ads

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