The Complete Short Stories of W. Somerset Maugham - II - The World Over (5 page)

BOOK: The Complete Short Stories of W. Somerset Maugham - II - The World Over
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“Very well,” she said at last, “if that’s the only way to save him I’ll do it.”

Harding tried to dissuade her, but she was decided.

“I should never have a moment’s peace if I knew that Tito had to spend the rest of his life alone in a prison cell.”

And that is what happened. The trial opened. She was called and under oath stated that for more than a year her father-in-law had been her lover. Tito was declared insane and sent to an asylum. Laura wanted to leave Florence at once, but in Italy the preliminaries to a trial are endless and by then she was near her time. The Hardings insisted on her remaining with them till she was confined. She had a child, a boy, but it only lived twenty-four hours. Her plan was to go back to San Francisco and live with her mother till she could find a job, for Tito’s extravagance, the money she had spent on the villa, and then the cost of the trial had seriously impoverished her.

It was Harding who told me most of this; but one day when he was at the club and I was having a cup of tea with Bessie and we were again talking over these tragic happenings she said to me:

“You know, Charley hasn’t told you the whole story because he doesn’t know it. I never told him. Men are funny in some ways; they’re much more easily shocked than women.”

I raised my eyebrows, but said nothing.

“Just before Laura went away we had a talk. She was very low and I thought she was grieving over the loss of her baby. I wanted to say something to help her. ‘You mustn’t take the baby’s death too hardly,’ I said. ‘As things are, perhaps it’s better it died.’ ‘Why?’ she said. ‘Think what the poor little thing’s future would have been with a murderer for his father.’ She looked at me for a moment in that strange quiet way of hers. And then what d’you think she said?”

“I haven’t a notion,” said I.

“She said: ‘What makes you think his father was a murderer?’

“I felt myself grow as red as a turkey-cock. I could hardly believe my ears. ‘Laura, what
do
you mean?’ I said. ‘You were in court,’ she said. ‘You heard me say Carlo was my lover.’”

Bessie Harding stared at me as she must have stared at Laura.

“What did you say then?” I asked.

“What was there for me to say? I said nothing. I wasn’t so much horrified, I was bewildered. Laura looked at me and, believe it or not, I’m convinced there was a twinkle in her eyes. I felt a perfect fool.”

“Poor Bessie,” I smiled.

Poor Bessie, I repeated to myself now as I thought of this strange story. She and Charley were long since dead and by their death I had lost good friends. I went to sleep then, and next day Wyman Holt took me for a long drive.

We were to dine with the Greenes at seven and we reached their house on the dot. Now that I had remembered who Laura was I was filled with an immense curiosity to see her again. Wyman had exaggerated nothing. The living-room into which we went was the quintessence of commonplace. It was comfortable enough, but there was not a trace of personality in it. It might have been furnished
en bloc
by a mail-order house. It had the bleakness of a government office. I was introduced first to my host Jasper Greene and then to his brother Emery and to his brother’s wife Fanny. Jasper Greene was a large, plump man with a moon face and a shock of black, coarse, unkempt hair. He wore large cellulose-rimmed spectacles. I was staggered by his youth. He could not have been much over thirty and was therefore nearly twenty years younger than

Laura. His brother, Emery, a composer and teacher in a New York school of music, might have been seven or eight and twenty. His wife, a pretty little thing, was an actress for the moment out of a job. Jasper Greene mixed us some very adequate cocktails but for a trifle too much vermouth, and we sat down to dinner. The conversation was gay and even boisterous. Jasper and his brother were loud-voiced and all three of them, Jasper, Emery, and Emery’s wife, were loquacious talkers. They chaffed one another, they joked and laughed; they discussed art, literature, music, and the theatre. Wyman and I joined in when we had a chance, which was not often; Laura did not try to. She sat at the head of the table, serene, with an amused, indulgent smile on her lips as she listened to their scatter-brained nonsense; it was not stupid nonsense, mind you, it was intelligent and modern, but it was nonsense all the same. There was something maternal in her attitude, and I was reminded oddly of a sleek dachshund lying quietly in the sun while she looks lazily, and yet watchfully, at her litter of puppies romping round her. I wondered whether it crossed her mind that all this chatter about art didn’t amount to much when compared with those incidents of blood and passion that she remembered. But did she remember? It had all happened a long time ago and perhaps it seemed no more than a bad dream. Perhaps those commonplace surroundings were part of her deliberate effort to forget, and to be among these young people was restful to her spirit. Perhaps Jasper’s clever stupidity was a comfort. After that searing tragedy it might be that she wanted nothing but the security of the humdrum.

Possibly because Wyman was an authority on the Elizabethan drama the conversation at one moment touched on that. I had already discovered that Jasper Greene was prepared to lay down the law on subjects all and sundry, and now he delivered himself as follows:

“Our theatre has gone all to pot because the dramatists of our day are afraid to deal with the violent emotions which are the proper subject matter of tragedy,” he boomed. “In the sixteenth century they had a wealth of melodramatic and bloody themes to suit their purpose and so they produced great plays. But where can our playwrights look for themes? Our Anglo-Saxon blood is too phlegmatic, too supine, to provide them with material they can make anything of, and so they are condemned to occupy themselves with the trivialities of social intercourse.”

I wondered what Laura thought of this, but I took care not to catch her eye. She could have told them a story of illicit love, jealousy, and parricide which would have been meat to one of Shakespeare’s successors, but had he treated it, I suppose he would have felt bound to finish it with at least one more corpse strewn about the stage. The end of her story, as I knew it now, was unexpected certainly, but sadly prosaic and a trifle grotesque. Real life more often ends things with a whimper than with a bang. I wondered too why she had gone out of her way to renew our old acquaintance. Of course she had no reason to suppose that I knew as much as I did; perhaps with a true instinct she was confident that I would not give her away; perhaps she didn’t care if I did. I stole a glance at her now and then while she was quietly listening to the excited babbling of the three young people, but her friendly, pleasant face told me nothing. If I hadn’t known otherwise I would have sworn that no untoward circumstance had ever troubled the course of her uneventful life.

The evening came to an end and this is the end of my story, but for the fun of it I am going to relate a small incident that happened when Wyman and I got back to his house. We decided to have a bottle of beer before going to bed and went into the kitchen to fetch it. The clock in the hall struck eleven and at that moment the phone rang. Wyman went to answer it and when he came back was quietly chortling to himself.

“What’s the joke?” I asked.

“It was one of my students. They’re not supposed to call members of the faculty after ten-thirty, but he was all hot and bothered. He asked me how evil had come into the world.”

“And did you tell him?”

“I told him that St Thomas Aquinas had got hot and bothered too about that very question and he’d better worry it out for himself. I said that when he found the solution he was to call me, no matter what time it was. Two o’clock in the morning if he liked.”

“I think you’re pretty safe not to be disturbed for many a long night,” I said.

“I won’t conceal from you that I have formed pretty much the same impression myself,” he grinned.

THE MAN WITH THE SCAR

 

I
T WAS
on account of the scar that I first noticed him, for it ran, broad and red, in a great crescent from his temple to his chin. It must have been due to a formidable wound and I wondered whether this had been caused by a sabre or by a fragment of shell. It was unexpected on that round, fat and good-humoured face. He had small and undistinguished features, and his expression was artless. His face went oddly with his corpulent body. He was a powerful man of more than common height. I never saw him in anything but a very shabby grey suit, a khaki shirt and a battered sombrero. He was far from clean. He used to come into the Palace Hotel at Guatemala City every day at cocktail time and strolling leisurely round the bar offer lottery tickets for sale. If this was the way he made his living it must have been a poor one, for I never saw anyone buy, but now and then I saw him offered a drink. He never refused it. He threaded his way among the tables with a sort of rolling walk as though he were accustomed to traverse long distances on foot, paused at each table, with a little smile mentioned the numbers he had for sale and then, when no notice was taken of him, with the same smile passed on. I think he was for the most part a trifle the worse for liquor.

I was standing at the bar one evening, my foot on the rail, with an acquaintance—they make a very good dry martini at the Palace Hotel in Guatemala City—when the man with the scar came up. I shook my head as for the twentieth time since my arrival he held out for my inspection his lottery tickets. But my companion nodded affably.

“Qué tal, general? How is life?”

“Not so bad. Business is none too good, but it might be worse.”

“What will you have, general?"

“A brandy.”

He tossed it down and put the glass back on the bar. He nodded to my acquaintance.

“Gracias. Hasta luego.”

Then he turned away and offered his tickets to the men who were standing next to us.

“Who is your friend?” I asked. “That’s a terrific scar on his face."

“It doesn’t add to his beauty, does it? He’s an exile from Nicaragua. He’s a ruffian of course and a bandit, but not a bad fellow. I give him a few
pesos
now and then. He was a revolutionary general and if his ammunition hadn’t given out he’d have upset the government and be minister of war now instead of selling lottery tickets in Guatemala. They captured him, along with his staff, such as it was, and tried him by court-martial. Such things are rather summary in these countries, you know, and he was sentenced to be shot at dawn. I guess he knew what was coming to him when he was caught. He spent the night in gaol and he and the others, there were five of them altogether, passed the time playing poker. They used matches for chips. He told me he’d never had such a run of bad luck in his life; they were playing with a short pack, Jacks to open, but he never held a card; he never improved more than half a dozen times in the whole sitting and no sooner did he buy a new stack than he lost it. When day broke and the soldiers came into the cell to fetch them for execution he had lost more matches than a reasonable man could use in a lifetime.

“They were led into the patio of the gaol and placed against a wall, the five of them side by side, with the firing party facing them. There was a pause and our friend asked the officer in charge of them what the devil they were keeping him waiting for. The officer said that the general commanding the government troops wished to attend the execution and they awaited his arrival.

“ ‘Then I have time to smoke another cigarette,’ said our friend. ‘He was always unpunctual.’

“But he had barely lit it when the general—it was San Ignacio, by the way: I don’t know whether you ever met him—followed by his A.D.C. came into the patio. The usual formalities were performed and San Ignacio asked the condemned men whether there was anything they wished before the execution took place. Four of the five shook their heads, but our friend spoke.

“ ‘Yes, I should like to say good-bye to my wife.’

“ ‘Bueno,’
said the general, ‘I have no objection to that. Where is she?’

“ ‘She is waiting at the prison door.’

“ ‘Then it will not cause a delay of more than five minutes.’

“ ‘Hardly that,
Señor General,’
said our friend.

“ ‘Have him placed on one side.’

“Two soldiers advanced and between them the condemned rebel walked to the spot indicated. The officer in command of the firing squad on a nod from the general gave an order, there was a ragged report, and the four men fell. They fell strangely, not together, but one after the other, with movements that were almost grotesque, as though they were puppets in a toy theatre. The officer went up to them and into one who was still alive emptied two chambers of his revolver. Our friend finished his cigarette and threw away the stub.

“There was a little stir at the gateway. A woman came into the patio, with quick steps, and then, her hand on her heart, stopped suddenly. She gave a cry and with outstretched arms ran forward.


‘Caramba,’
said the general.

“She was in black, with a veil over her hair, and her face was dead white. She was hardly more than a girl, a slim creature, with little regular features and enormous eyes. But they were distraught with anguish. Her loveliness was such that as she ran, her mouth slightly open and the agony of her face beautiful, a gasp of surprise was wrung from those indifferent soldiers who looked at her.

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