The Complete Stories (77 page)

The pig parlor commanded a view of the back pasture where their twenty beef cows were gathered around the hay-bales Claud and the boy had put out. The freshly cut pasture sloped down to the highway. Across it was their cotton field and beyond that a dark green dusty wood which they owned as well. The sun was behind the wood, very red, looking over the paling of trees like a farmer inspecting his own hogs.

“Why me?” she rumbled. “It's no trash around here, black or white, that I haven't given to. And break my back to the bone every day working. And do for the church.”

She appeared to be the right size woman to command the arena before her. “How am I a hog?” she demanded. “Exactly how am I like them?” and she jabbed the stream of water at the shoats. “There was plenty of trash there. It didn't have to be me.

“If you like trash better, go get yourself some trash then,” she railed. “You could have made me trash. Or a nigger. If trash is what you wanted why didn't you make me trash?” She shook her fist with the hose in it and a watery snake appeared momentarily in the air. “I could quit working and take it easy and be filthy,” she growled. “Lounge about the sidewalks all day drinking root beer. Dip snuff and spit in every puddle and have it all over my face. I could be nasty.

“Or you could have made me a nigger. It's too late for me to be a nigger,” she said with deep sarcasm, “but I could act like one. Lay down in the middle of the road and stop traffic. Roll on the ground.”

In the deepening light everything was taking on a mysterious hue. The pasture was growing a peculiar glassy green and the streak of highway had turned lavender. She braced herself for a final assault and this time her voice rolled out over the pasture. “Go on,” she yelled, “call me a hog! Call me a hog again. From hell. Call me a wart hog from hell. Put that bottom rail on top. There'll still be a top and bottom!”

A garbled echo returned to her.

A final surge of fury shook her and she roared, “Who do you think you are?”

The color of everything, field and crimson sky, burned for a moment with a transparent intensity. The question carried over the pasture and across the highway and the cotton field and returned to her clearly like an answer from beyond the wood.

She opened her mouth but no sound came out of it.

A tiny truck, Claud's, appeared on the highway, heading rapidly out of sight. Its gears scraped thinly. It looked like a child's toy. At any moment a bigger truck might smash into it and scatter Claud's and the niggers' brains all over the road.

Mrs. Turpin stood there, her gaze fixed on the highway, all her muscles rigid, until in five or six minutes the truck reappeared, returning. She waited until it had had time to turn into their own road. Then like a monumental statue coming to life, she bent her head slowly and gazed, as if through the very heart of mystery, down into the pig parlor at the hogs. They had settled all in one corner around the old sow who was grunting softly. A red glow suffused them. They appeared to pant with a secret life.

Until the sun slipped finally behind the tree line, Mrs. Turpin remained there with her gaze bent to them as if she were absorbing some abysmal life-giving knowledge. At last she lifted her head. There was only a purple streak in the sky, cutting through a field of crimson and leading, like an extension of the highway, into the descending dusk. She raised her hands from the side of the pen in a gesture hieratic and profound. A visionary light settled in her eyes. She saw the streak as a vast swinging bridge extending upward from the earth through a field of living fire. Upon it a vast horde of souls were rumbling toward heaven. There were whole companies of white-trash, clean for the first time in their lives, and bands of black niggers in white robes, and battalions of freaks and lunatics shouting and clapping and leaping like frogs. And bringing up the end of the procession was a tribe of people whom she recognized at once as those who, like herself and Claud, had always had a little of everything and the God-given wit to use it right. She leaned forward to observe them closer. They were marching behind the others with great dignity, accountable as they had always been for good order and common sense and respectable behavior. They alone were on key. Yet she could see by their shocked and altered faces that even their virtues were being burned away. She lowered her hands and gripped the rail of the hog pen, her eyes small but fixed unblinkingly on what lay ahead. In a moment the vision faded but she remained where she was, immobile.

At length she got down and turned off the faucet and made her slow way on the darkening path to the house. In the woods around her the invisible cricket choruses had struck up, but what she heard were the voices of the souls climbing upward into the starry field and shouting hallelujah.

Parker's Back

P
ARKER'S
wife was sitting on the front porch floor, snapping beans. Parker was sitting on the step, some distance away, watching her sullenly. She was plain, plain. The skin on her face was thin and drawn as tight as the skin on an onion and her eyes were gray and sharp like the points of two icepicks. Parker understood why he had married her—he couldn't have got her any other way—but he couldn't understand why he stayed with her now. She was pregnant and pregnant women were not his favorite kind. Nevertheless, he stayed as if she had him conjured. He was puzzled and ashamed of himself.

The house they rented sat alone save for a single tall pecan tree on a high embankment overlooking a highway. At intervals a car would shoot past below and his wife's eyes would swerve suspiciously after the sound of it and then come back to rest on the newspaper full of beans in her lap. One of the things she did not approve of was automobiles. In addition to her other bad qualities, she was forever sniffing up sin. She did not smoke or dip, drink whiskey, use bad language or paint her face, and God knew some paint would have improved it, Parker thought. Her being against color, it was the more remarkable she had married him. Sometimes he supposed that she had married him because she meant to save him. At other times he had a suspicion that she actually liked everything she said she didn't. He could account for her one way or another; it was himself he could not understand.

She turned her head in his direction and said, “It's no reason you can't work for a man. It don't have to be a woman.”

“Aw shut your mouth for a change,” Parker muttered.

If he had been certain she was jealous of the woman he worked for he would have been pleased but more likely she was concerned with the sin that would result if he and the woman took a liking to each other. He had told her that the woman was a hefty young blonde; in fact she was nearly seventy years old and too dried up to have an interest in anything except getting as much work out of him as she could. Not that an old woman didn't sometimes get an interest in a young man, particularly if he was as attractive as Parker felt he was, but this old woman looked at him the same way she looked at her old tractor—as if she had to put up with it because it was all she had. The tractor had broken down the second day Parker was on it and she had set him at once to cutting bushes, saying out of the side of her mouth to the nigger, “Everything he touches, he breaks.” She also asked him to wear his shirt when he worked; Parker had removed it even though the day was not sultry; he put it back on reluctantly.

This ugly woman Parker married was his first wife. He had had other women but he had planned never to get himself tied up legally. He had first seen her one morning when his truck broke down on the highway. He had managed to pull it off the road into a neatly swept yard on which sat a peeling two-room house. He got out and opened the hood of the truck and began to study the motor. Parker had an extra sense that told him when there was a woman nearby watching him. After he had leaned over the motor a few minutes, his neck began to prickle. He cast his eye over the empty yard and porch of the house. A woman he could not see was either nearby beyond a clump of honeysuckle or in the house, watching him out the window.

Suddenly Parker began to jump up and down and fling his hand about as if he had mashed it in the machinery. He doubled over and held his hand close to his chest. “God dammit!” he hollered, “Jesus Christ in hell! Jesus God Almighty damm! God dammit to hell!” he went on, flinging out the same few oaths over and over as loud as he could.

Without warning a terrible bristly claw slammed the side of his face and he fell backwards on the hood of the truck. “You don't talk no filth here!” a voice close to him shrilled.

Parker's vision was so blurred that for an instant he thought he had been attacked by some creature from above, a giant hawk-eyed angel wielding a hoary weapon. As his sight cleared, he saw before him a tall raw-boned girl with a broom.

“I hurt my hand,” he said. “I HURT my hand.” He was so incensed that he forgot that he hadn't hurt his hand. “My hand may be broke,” he growled although his voice was still unsteady.

“Lemme see it,” the girl demanded.

Parker stuck out his hand and she came closer and looked at it. There was no mark on the palm and she took the hand and turned it over. Her own hand was dry and hot and rough and Parker felt himself jolted back to life by her touch. He looked more closely at her. I don't want nothing to do with this one, he thought.

The girl's sharp eyes peered at the back of the stubby reddish hand she held. There emblazoned in red and blue was a tattooed eagle perched on a cannon. Parker's sleeve was rolled to the elbow. Above the eagle a serpent was coiled about a shield and in the spaces between the eagle and the serpent there were hearts, some with arrows through them. Above the serpent there was a spread hand of cards. Every space on the skin of Parker's arm, from wrist to elbow, was covered in some loud design. The girl gazed at this with an almost stupefied smile of shock, as if she had accidentally grasped a poisonous snake; she dropped the hand.

“I got most of my other ones in foreign parts,” Parker said. “These here I mostly got in the United States. I got my first one when I was only fifteen year old.”

“Don't tell me,” the girl said, “I don't like it. I ain't got any use for it.”

“You ought to see the ones you can't see,” Parker said and winked.

Two circles of red appeared like apples on the girl's cheeks and softened her appearance. Parker was intrigued. He did not for a minute think that she didn't like the tattoos. He had never yet met a woman who was not attracted to them.

Parker was fourteen when he saw a man in a fair, tattooed from head to foot. Except for his loins which were girded with a panther hide, the man's skin was patterned in what seemed from Parker's distance—he was near the back of the tent, standing on a bench—a single intricate design of brilliant color. The man, who was small and sturdy, moved about on the platform, flexing his muscles so that the arabesque of men and beasts and flowers on his skin appeared to have a subtle motion of its own. Parker was filled with emotion, lifted up as some people are when the flag passes. He was a boy whose mouth habitually hung open. He was heavy and earnest, as ordinary as a loaf of bread. When the show was over, he had remained standing on the bench, staring where the tattooed man had been, until the tent was almost empty.

Parker had never before felt the least motion of wonder in himself. Until he saw the man at the fair, it did not enter his head that there was anything out of the ordinary about the fact that he existed. Even then it did not enter his head, but a peculiar unease settled in him. It was as if a blind boy had been turned so gently in a different direction that he did not know his destination had been changed.

He had his first tattoo some time after—the eagle perched on the cannon. It was done by a local artist. It hurt very little, just enough to make it appear to Parker to be worth doing. This was peculiar too for before he had thought that only what did not hurt was worth doing. The next year he quit school because he was sixteen and could. He went to the trade school for a while, then he quit the trade school and worked for six months in a garage. The only reason he worked at all was to pay for more tattoos. His mother worked in a laundry and could support him, but she would not pay for any tattoo except her name on a heart, which he had put on, grumbling. However, her name was Betty Jean and nobody had to know it was his mother. He found out that the tattoos were attractive to the kind of girls he liked but who had never liked him before. He began to drink beer and get in fights. His mother wept over what was becoming of him. One night she dragged him off to a revival with her, not telling him where they were going. When he saw the big lighted church, he jerked out of her grasp and ran. The next day he lied about his age and joined the navy.

Parker was large for the tight sailor's pants but the silly white cap, sitting low on his forehead, made his face by contrast look thoughtful and almost intense. After a month or two in the navy, his mouth ceased to hang open. His features hardened into the features of a man. He stayed in the navy five years and seemed a natural part of the gray mechanical ship, except for his eyes, which were the same pale slate-color as the ocean and reflected the immense spaces around him as if they were a microcosm of the mysterious sea. In port Parker wandered about comparing the run-down places he was in to Birmingham, Alabama. Everywhere he went he picked up more tattoos.

He had stopped having lifeless ones like anchors and crossed rifles. He had a tiger and a panther on each shoulder, a cobra coiled about a torch on his chest, hawks on his thighs, Elizabeth II and Philip over where his stomach and liver were respectively. He did not care much what the subject was so long as it was colorful; on his abdomen he had a few obscenities but only because that seemed the proper place for them. Parker would be satisfied with each tattoo about a month, then something about it that had attracted him would wear off. Whenever a decent-sized mirror was available, he would get in front of it and study his overall look. The effect was not of one intricate arabesque of colors but of something haphazard and botched. A huge dissatisfaction would come over him and he would go off and find another tattooist and have another space filled up. The front of Parker was almost completely covered but there were no tattoos on his back. He had no desire for one anywhere he could not readily see it himself. As the space on the front of him for tattoos decreased, his dissatisfaction grew and became general.