The Complete Stories (80 page)

He arrived finally at the house on the embankment, pulled the truck under the pecan tree and got out. He made as much noise as possible to assert that he was still in charge here, that his leaving her for a night without word meant nothing except it was the way he did things. He slammed the car door, stamped up the two steps and across the porch and rattled the door knob. It did not respond to his touch. “Sarah Ruth!” he yelled, “let me in.”

There was no lock on the door and she had evidently placed the back of a chair against the knob. He began to beat on the door and rattle the knob at the same time.

He heard the bed springs screak and bent down and put his head to the keyhole, but it was stopped up with paper. “Let me in!” he hollered, bamming on the door again. “What you got me locked out for?”

A sharp voice close to the door said, “Who's there?”

“Me,” Parker said, “O.E.”

He waited a moment.

“Me,” he said impatiently, “O.E.”

Still no sound from inside.

He tried once more. “O.E.,” he said, bamming the door two or three more times. “O. E. Parker. You know me.”

There was a silence. Then the voice said slowly, “I don't know no O.E.”

“Quit fooling,” Parker pleaded. “You ain't got any business doing me this way. It's me, old O.E., I'm back. You ain't afraid of me.”

“Who's there?” the same unfeeling voice said.

Parker turned his head as if he expected someone behind him to give him the answer. The sky had lightened slightly and there were two or three streaks of yellow floating above the horizon. Then as he stood there, a tree of light burst over the skyline.

Parker fell back against the door as if he had been pinned there by a lance.

“Who's there?” the voice from inside said and there was a quality about it now that seemed final. The knob rattled and the voice said peremptorily, “Who's there, I ast you?”

Parker bent down and put his mouth near the stuffed keyhole. “Obadiah,” he whispered and all at once he felt the light pouring through him, turning his spider web soul into a perfect arabesque of colors, a garden of trees and birds and beasts.

“Obadiah Elihue!” he whispered.

The door opened and he stumbled in. Sarah Ruth loomed there, hands on her hips. She began at once, “That was no hefty blonde woman you was working for and you'il have to pay her every penny on her tractor you busted up. She don't keep insurance on it. She came here and her and me had us a long talk and I…”

Trembling, Parker set about lighting the kerosene lamp.

“What's the matter with you, wasting that kerosene this near daylight?” she demanded. “I ain't got to look at you.”

A yellow glow enveloped them. Parker put the match down and began to unbutton his shirt.

“And you ain't going to have none of me this near morning,” she said.

“Shut your mouth,” he said quietly. “Look at this and then I don't want to hear no more out of you.” He removed the shirt and turned his back to her.

“Another picture,” Sarah Ruth growled. “I might have known you was off after putting some more trash on yourself.”

Parker's knees went hollow under him. He wheeled around and cried, “Look at it! Don't just say that!
Look
at it!”

“I done looked,” she said.

“Don't you know who it is?” he cried in anguish.

“No, who is it?” Sarah Ruth said. “It ain't anybody I know.”

“It's him,” Parker said.

“Him who?”

“God!” Parker cried.

“God? God don't look like that!”

“What do you know how he looks?” Parker moaned. “You ain't seen him.”

“He don't
look,
” Sarah Ruth said. “He's a spirit. No man shall see his face.”

“Aw listen,” Parker groaned, “this is just a picture of him.”

“Idolatry!” Sarah Ruth screamed. “Idolatry! Enflaming yourself with idols under every green tree! I can put up with lies and vanity but I don't want no idolator in this house!” and she grabbed up the broom and began to thrash him across the shoulders with it.

Parker was too stunned to resist. He sat there and let her beat him until she had nearly knocked him senseless and large welts had formed on the face of the tattooed Christ. Then he staggered up and made for the door.

She stamped the broom two or three times on the floor and went to the window and shook it out to get the taint of him off it. Still gripping it, she looked toward the pecan tree and her eyes hardened still more. There he was—who called himself Obadiah Elihue—leaning against the tree, crying like a baby.

Judgement Day

T
ANNER
was conserving all his strength for the trip home. He meant to walk as far as he could get and trust to the Almighty to get him the rest of the way. That morning and the morning before, he had allowed his daughter to dress him and had conserved that much more energy. Now he sat in the chair by the window—his blue shirt buttoned at the collar, his coat on the back of the chair, and his hat on his head—waiting for her to leave. He couldn't escape until she got out of the way. The window looked out on a brick wall and down into an alley full of New York air, the kind fit for cats and garbage. A few snow flakes drifted past the window but they were too thin and scattered for his failing vision.

The daughter was in the kitchen washing dishes. She dawdled over everything, talking to herself. When he had first come, he had answered her, but that had not been wanted. She glowered at him as if, old fool that he was, he should still have had sense enough not to answer a woman talking to herself. She questioned herself in one voice and answered herself in another. With the energy he had conserved yesterday letting her dress him, he had written a note and pinned it in his pocket.
IF FOUND DEAD SHIP EXPRESS COLLECT TO COLEMAN PARRUM, CORINTH, GEORGIA.
Under this he had continued:
COLEMAN SELL MY BELONGINGS AND PAY THE FREIGHT ON ME & THE UNDERTAKER. ANYTHING LEFT OVER YOU CAN KEEP. YOURS TRULY T. C. TANNER. P.S. STAY WHERE YOU ARE. DON'T LET THEM TALK YOU INTO COMING UP HERE. ITS NO KIND OF PLACE.
It had taken him the better part of thirty minutes to write the paper; the script was wavery but decipherable with patience. He controlled one hand by holding the other on top of it. By the time he had got it written, she was back in the apartment from getting her groceries.

Today he was ready. All he had to do was push one foot in front of the other until he got to the door and down the steps. Once down the steps, he would get out of the neighborhood. Once out of it, he would hail a taxi cab and go to the freight yards. Some bum would help him onto a car. Once he got in the freight car, he would lie down and rest. During the night the train would start South, and the next day or the morning after, dead or alive, he would be home. Dead or alive. It was being there that mattered; the dead or alive did not.

If he had had good sense he would have gone the day after he arrived; better sense and he would not have arrived. He had not got desperate until two days ago when he had heard his daughter and son-in-law taking leave of each other after breakfast. They were standing in the front door, she seeing him off for a three-day trip. He drove a long distance moving van. She must have handed him his leather headgear. “You ought to get you a hat,” she said, “a real one.”

“And sit all day in it,” the son-in-law said, “like him in there. Yah! All he does is sit all day with that hat on. Sits all day with that damn black hat on his head. Inside!”

“Well you don't even have you a hat,” she said. “Nothing but that leather cap with flaps. People that are somebody wear hats. Other kinds wear those leather caps like you got on.”

“People that are somebody!” he cried. “People that are somebody! That kills me! That really kills me!” The son-in-law had a stupid muscular face and a yankee voice to go with it.

“My daddy is here to stay,” his daughter said. “He ain't going to last long. He was somebody when he was somebody. He never worked for nobody in his life but himself and had people—other people—working for him.”

“Yah? Niggers is what he had working for him,” the son-in-law said. “That's all. I've worked a nigger or two myself.”

“Those were just nawthun niggers you worked,” she said, her voice suddenly going lower so that Tanner had to lean forward to catch the words. “It takes brains to work a real nigger. You got to know how to handle them.”

“Yah so I don't have brains,” the son-in-law said.

One of the sudden, very occasional, feelings of warmth for the daughter came over Tanner. Every now and then she said something that might make you think she had a little sense stored away somewhere for safe keeping.

“You got them,” she said. “You don't always use them.”

“He has a stroke when he sees a nigger in the building,” the son-in-law said, “and she tells me…”

“Shut up talking so loud,” she said. “That's not why he had the stroke.”

There was a silence. “Where you going to bury him?” the son-in-law asked, taking a different tack.

“Bury who?”

“Him in there.”

“Right here in New York,” she said. “Where do you think? We got a lot. I'm not taking that trip down there again with nobody.”

“Yah. Well I just wanted to make sure,” he said.

When she returned to the room, Tanner had both hands gripped on the chair arms. His eyes were trained on her like the eyes of an angry corpse. “You promised you'd bury me there,” he said. “Your promise ain't any good. Your promise ain't any good. Your promise ain't any good.” His voice was so dry it was barely audible. He began to shake, his hands, his head, his feet. “Bury me here and burn in hell!” he cried and fell back into his chair.

The daughter shuddered to attention. “You ain't dead yet!” She threw out a ponderous sigh. “You got a long time to be worrying about that.” She turned and began to pick up parts of the newspaper scattered on the floor. She had gray hair that hung to her shoulders and a round face, beginning to wear. “I do every last living thing for you,” she muttered, “and this is the way you carry on.” She stuck the papers under her arm and said, “And don't throw hell at me. I don't believe in it. That's a lot of hardshell Baptist hooey.” Then she went into the kitchen.

He kept his mouth stretched taut, his top plate gripped between his tongue and the roof of his mouth. Still the tears flooded down his cheeks; he wiped each one furtively on his shoulder.

Her voice rose from the kitchen. “As bad as having a child. He wanted to come and now he's here, he don't like it.”

He had not wanted to come.

“Pretended he didn't but I could tell. I said if you don't want to come I can't make you. If you don't want to live like decent people there's nothing I can do about it.”

“As for me,” her higher voice said, “when I die that ain't the time I'm going to start getting choosey. They can lay me in the nearest spot. When I pass from this world I'll be considerate of them that stay in it. I won't be thinking of just myself.”

“Certainly not,” the other voice said, “You never been that selfish. You're the kind that looks out for other people.”

“Well I try,” she said, “I try.”

He laid his head on the back of the chair for a moment and the hat tilted down over his eyes. He had raised three boys and her. The three boys were gone, two in the war and one to the devil and there was nobody left who felt a duty toward him but her, married and childless, in New York City like Mrs. Big and ready when she came back and found him living the way he was to take him back with her. She had put her face in the door of the shack and had stared, expressionless, for a second. Then all at once she had screamed and jumped back.

“What's that on the floor?”

“Coleman,” he said.

The old Negro was curled up on a pallet asleep at the foot of Tanner's bed, a stinking skin full of bones, arranged in what seemed vaguely human form. When Coleman was young, he had looked like a bear; now that he was old he looked like a monkey. With Tanner it was the opposite; when he was young he had looked like a monkey but when he got old, he looked like a bear.

The daughter stepped back onto the porch. There were the bottoms of two cane chairs tilted against the clapboard but she declined to take a seat. She stepped out about ten feet from the house as if it took that much space to clear the odor. Then she had spoken her piece.

“If you don't have any pride I have and I know my duty and I was raised to do it. My mother raised me to do it if you didn't. She was from plain people but not the kind that likes to settle in with niggers.”

At that point the old Negro roused up and slid out the door, a doubled-up shadow which Tanner just caught sight of gliding away.

She had shamed him. He shouted so they both could hear. “Who you think cooks? Who you think cuts my firewood and empties my slops? He's paroled to me. That no-good scoundrel has been on my hands for thirty years. He ain't a bad nigger.”

She was unimpressed. “Whose shack is this anyway?” she had asked. “Yours or his?”

“Him and me built it,” he said. “You go on back up there. I wouldn't come with you for no million dollars or no sack of salt.”

“It looks like him and you built it. Whose land is it on?”

“Some people that live in Florida,” he said evasively. He had known then that it was land up for sale but he thought it was too sorry for anyone to buy. That same afternoon he had found out different. He had found out in time to go back with her. If he had found out a day later, he might still be there, squatting on the doctor's land.

When he saw the brown porpoise-shaped figure striding across the field that afternoon, he had known at once what had happened; no one had to tell him. If that nigger had owned the whole world except for one runty rutted peafield and he acquired it, he would walk across it that way, beating the weeds aside, his thick neck swelled, his stomach a throne for his gold watch and chain. Doctor Foley. He was only part black. The rest was Indian and white.