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Authors: L. M. Ironside

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BOOK: The Crook and Flail
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mawat – mother; also used to refer to mother-figures such as nurses

Medjay – An Egyptian citizen of Nubian descent

rekhet – people of the common class; peasants

sepat – nome, or district

seshep – sphinx

sesheshet – sistrum; ceremonial rattle

tjati – vizier; governor of a sepat or district

Waser – Osiris, god of the afterlife, the underworld, and the dead

Waset – Thebes

 

 

A Note to the Reader

 

Reader, if you have finished The Crook and Flail, then chances are good you've also read The Sekhmet Bed, and I must thank you doubly.

Two years after self-publishing The Sekhmet Bed, I am still somewhat surprised by its continued popularity and the enthusiastic feedback I regularly receive from readers.  I never really intended to write the book you have just finished reading.  I figured that The Sekhmet Bed would meet its rather inauspicious end as some forgotten mess of electrons, just another self-published book in a sea of them, and I would leave the Thutmosides behind and move on to bigger and better things.  I never could have predicted that my Egyptian historical novels would become the biggest and the best thing about my writing, but I am grateful and humbled that it is so.  Reader response has been so warm and welcoming of The Sekhmet Bed – of me as a writer – that I have gladly committed myself to continuing the story of the Thutmosides, and am planning other forays into Egyptian historical fiction, too.

Another wholly unexpected result of self-publishing is how much I have come to love it.  Its most rewarding aspect for me is the close nature of my ties to my readers.  I love that nothing stands between you and I – no agent to filter your letters, not even an editor to shape my style or my subjects.  I take reader input into my work and my career very seriously; your opinion and your suggestions do matter to me.  I read every review, though I respond to almost none. 

But your honesty in your book reviews does not impact only me and help to shape the books I write for the better.  Reviews matter to other readers, too – they help readers sort through a sea of books, not only indie, but traditionally published as well, to find the reads they will love.

For indie authors, it is still so difficult to be taken seriously, although some of us may be writing as well as any author you will read from New York.  (I won't presume to say whether I am; that is up to you to decide.)  Right now, a wealth of honest reviews is still the best – perhaps the only way for good indie authors to find the eager, supportive audiences they rely on.  Here in the indie world, even more than anywhere else, readers are at the helm of every career: it is you, Reader, who decides the success of the indie authors whose works you enjoy.  But I think that's the way it ought to be.  I am sure you agree.  It's about time the opinions of readers hold the weight they deserve; it's about time the lovers of books decide which books succeed, and not executives or publicists.

I encourage you to take a few moments to
share your honest thoughts about The Crook and Flail
on Amazon, on Goodreads, on your blog...wherever you typically review books.  The time you put into a thoughtful review makes a very real difference in the way I write.

As always, thank you for supporting independent authors.  You have made a difference in my life just by buying this book, and I am grateful to you.

 

Acknowledgments

 

My first, my biggest, my sincerest thanks are due to the readers who supported my first novel, The Sekhmet Bed.  Support of that book, and the success of its sales, has frankly overwhelmed me, though in a good way – a very good way.  I thank every reader who bought The Sekhmet Bed, for without their interest The Crook and Flail truly never would have come to be.

I owe my gratitude to my two beta readers, Rebecca Lochlann and Debra Giuffrida, who read the book in record time and gave me much-needed input on the plot and characters.

My thanks to the community at the Writers' Cafe on Kboards.com, which is, I am now convinced, the only sane and sensible community of writers on the internet.  If you, reader, are looking for advice on writing or on publishing, learn from my mistakes and don't waste your time anywhere else.

Gratitudt ie to my two main sources for historical research, Joyce Tyldesley and Barbara Mertz, by far the best writers on the subject of Egyptology.

Thanks to Johnny B. Truant, Sean Platt,  and David Wright of The Self-Publishing Podcast.  Believe it or not, you guys are actually pretty useful.

Thanks as always to Paul Harnden, my wild goose and the brother of my heart.  He is the breath of life to me.

 

- L. M. Ironside

Seattle, WA, 2013

 

About the Author

 

L. M. Ironside lives in Seattle.  When she’s not writing, she enjoys camping and backpacking, road tripping, rockhounding, and painting.  She welcomes emails from readers; contact her via her web site,
lmironside.com

 

The Crook and Flail

L. M. Ironside

First Ebook Edition

Copyright © 2013 – Libbie M. Grant

All rights reserved.

This book is available in print at most online retailers.

 

 

Cover design: Running Rabbit Press

Cover art: “Cleopatra Testing Poisons on Those Condemned to Death” Alexandre Cabanel, 1887

 

RUNNING RABBIT PRESS

Seattle, WA

 

 

 

Also by This Author:

 

The Sekhmet Bed – The She-King, Book One

Sovereign of Stars – The She-King, Book Three (summer, 2013)

 

 

Writing as Libbie Hawker:

 

Baptism for the Dead

Tin Moan (forthcoming, 2013)

Table of Contents

Chapter One

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty-Seven

Historical Notes

Notes on the Language Used

Acknowledgments

About the Author

PART ONE:

BOOK: The Crook and Flail
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