The Curious Incident of the Dog in the Night-Time (19 page)

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Authors: Psmith93

Tags: #Novel; Asperger; Autism

BOOK: The Curious Incident of the Dog in the Night-Time
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And then he walked away backward.

So I went to the shop that said Information and I could feel my heart beating very hard and I could hear a noise like the sea in my ears. And when I got to the window I said, "Is this London?" but there was no one behind the window.

And then someone sat behind the window and she was a lady and she was black and she had long fingernails which were painted pink and I said, "Is this London?"

And she said, "Sure is, honey."

And I said, "Is this London?"

And she said, "Indeed it is."

And I said, "How do I get to 451c Chapter Road, London NW2 5NG?"

And she said, "Where is that?"

And I said, "It's 451c Chapter Road, London NW2 5NG. And sometimes you can write it 451c Chapter Road, Willesden, London NW2 5NG."

And the lady said to me, "Take the tube to Willesden Junction, honey. Or Willesden Green. Got to be near there somewhere."

And I said, "What sort of tube?"

And she said, "Are you for real?"

And I didn't say anything.

And she said, "Over there. See that big staircase with the escalators? See the sign? Says Underground. Take the Bakerloo Line to Willesden Junction or the Jubilee to Willesden Green. You OK, honey?"

And I looked where she was pointing and there was a big staircase going down into the ground and there was a big sign over the top of it like this

UNDERGROUND

And I thought, "I can do this," because I was doing really well and I was in London and I would find my mother. And I had to think to myself, "The people are like cows in a field," and I just had to look in front of me all the time and make a red line along the floor in the picture of the big room in my head and follow it.

And I walked across the big room to the escalators. And I kept hold of my Swiss Army knife in my pocket and I held on to Toby in my other pocket to make sure he didn't escape.

And the escalators was a staircase but it was moving and people stepped onto it and it carried them down and up and it made me laugh because I hadn't been on one before and it was like something in a science fiction film about the future. But I didn't want to use it so I went down the stairs instead.

And then I was in a smaller room underground and there were lots of people and there were pillars which had blue lights in the ground around the bottom of them and I liked these but I didn't like the people, so I saw a photo booth like one I went into on 25 March 1994 to have my passport photo done, and I went into the photo booth because it was like a cupboard and it felt safer and I could look out through the curtain.

And I did detecting by watching and I saw that people were putting tickets into gray gates and walking through. And some of them were buying tickets at big black machines on the wall.

And I watched 47 people do this and I memorized what to do. Then I imagined a red line on the floor and I walked over to the wall where there was a poster which was a list of places to go and it was alphabetical and I saw Willesden Green and it said £2:20 and then I went to one of the machines and there was a little screen which said PRESS TICKET TYPE and I pressed the button that most people had pressed, which was ADULT SINGLE and £2:20, and the screen said INSERT £2:20 and I put three £1 coins into the slot and there was a clinking noise and the screen said TAKE TICKET AND CHANGE and there was a ticket in a little hole at the bottom of the machine and a 50p coin and a 20p coin and a lOp coin and I put the coins in my pocket and I went up to one of the gray gates and I put my ticket into the slot and it sucked it in and it came out on the other side of the gate. And someone said, "Get a move on," and I made the noise like a dog barking and I walked forward and the gate opened this time and I took my ticket like other people did and I liked the gray gate because that was like something in a science fiction film about the future, too.

And then I had to work out which way to go, so I stood against a wall so people didn't touch me, and there was a sign for Bakerloo Line and District and Circle Line but not one for Jubilee Line like the lady had said, so I made a plan and it was to go to Willesden Junction on the Bakerloo Line.

And there was another sign for Bakerloo Line and it was like this

<- Bakerloo Line

-r Harrow & Wealdstone '

Kenton

North wick Pari*

South Kenton

North WflmbJav

Wembley Central

Stonebridge Park

Harlesden

Willesden Junction ^

Kensal Green

Queen's Parte 3p

Kilbum Park

Maids Vale

Warwick Avenue

Paddington ^£ 0 Ed gware Road

MarylebORe ^

Baker Street

Regent's Park

Oxford Circus

Piccadilly Circus

Charing Cross =t

Embankment

Waterloo ^

Lambeth North

Elephant & Castie s*i

©©

And I read all the words and I found Willesden Junction, so I followed the arrow that said ^and I went through the left-hand tunnel and there was a fence down the middle of the tunnel and the people were walking straight ahead on the left and coming the other way on the right like on a road, so I walked along the left and the tunnel curved left and then there were more gates and a sign said Bakerloo Line and it pointed down an escalator, so I had to go down the escalators and I had to hold on to the rubber rail but that moved too so I didn't fall over and people were, standing close to me and I wanted to hit them to make them go away but I didn't hit them because of the caution.

And then I was at the bottom of the escalators and I had to jump off and I tripped and bumped into someone and they said, "Easy," and there were two ways to go and one said Northbound and I went that way because Willesden was on the top half of the map and the top is always north on maps.

And then I was in another train station but it was tiny and it was in a tunnel and there was only one track and the walls were curved and they were covered in big adverts and they said WAY OUT and London's Transport Museum and Take time out to regret your career

choice and JAMAICA and * British Rail and *=*No Smoking and Be Moved and Be Moved and Be Moved and For Stations beyond Queen's Park take the first train and change at Queen's Park if necessary and Hammersmith and City Line and You're closer than my family ever gets. And there were lots of people standing in the little station and it was underground so there weren't any windows and I didn't like that, so I found a seat which was a bench and I sat at the end of the bench.

And then lots of people started coming into the little station. And someone sat down on the other end of the bench and it was a lady who had a black briefcase and purple shoes and a brooch shaped like a parrot. And the people kept coming into the little station so that it was even more crowded than the big station. And then I couldn't see the walls anymore and the back of someone's jacket touched my knee and I felt sick and I started groaning really loudly and the lady on the bench stood up and no one else sat down. And I felt like I felt like when I had flu and I had to stay in bed all day and all of me hurt and I couldn't walk or eat or go to sleep or do maths.

And then there was a sound like people fighting with swords and I could feel a strong wind and a roaring started and I closed my eyes and the roaring got louder and I groaned really loudly but I couldn't block it out of my ears and I thought the little station was going to collapse or there was a big fire somewhere and I was going to die. And then the roaring turned into a clattering and a squealing and it got slowly quieter and then it stopped and I kept my eyes closed because I felt safer not seeing what was happening. And then I could hear people moving again because it was quieter. And I opened my eyes but I couldn't see anything at first because there were too many people. And then I saw that they were getting onto a train that wasn't there before and it was the train which was the roaring. And there was sweat running down my face from under my hair and I was moaning, not groaning, but different, like a dog when it has hurt its paw, and I heard the sound but I didn't realize it was me at first.

And then the train doors closed and the train started moving and it roared again but not as loud this time and 5 carriages went past and it went into the tunnel at the end of the little station and it was quiet again and the people were all walking into the tunnels that went out of the little station.

And I was shaking and I wanted to be back at home, and then I realized I couldn't be at home because Father was there and he told a lie and he killed Wellington, which meant that it wasn't my home anymore, my home was 451c Chapter Road, London NW2 5NG, and it scared me, having a wrong thought like, "I wish I was back at home again," because it meant my mind wasn't working properly.

And then more people came into the little station and it became fuller and then the roaring began again and I closed my eyes and I sweated and felt sick and I felt the feeling like a balloon inside my chest and it was so big I found it hard to breathe. And then the people went away on the train and the little station was empty again. And then it filled up with people and another train came with the same roaring. And it was exactly like having flu that time because I wanted it to stop, like you can just pull the plug of a computer out of the wall if it crashes, because I wanted to go to sleep so that I wouldn't have to think because the only

thing I could think was how much it hurt because there was no room for anything else in my head, but I couldn't go to sleep and I just had to sit there and there was nothing to do except to wait and to hurt.

223. And this is another description because Siobhan said I should do descriptions and it is a description of the advert that was on the wall of the little train station opposite me, but I can't remember all of it because I thought I was going to die. And the advert said

DREAM HOLIDAY, THINK KUONI IN MALAYSIA

and behind the writing there was a big photograph of 2 orangutans and they were swinging on branches and there were trees behind them but the leaves were blurred because the camera was focusing on the orangutans and not the leaves and the orangutans were moving.

And orangutan comes from the Malaysian word oranghutan, which means man of the woods, but oranghutan isn't Malaysian for orangutan.

And adverts are pictures or television programs to make you buy things like cars or Snickers or use an Internet Service Provider. But this was an advert to make you go to Malaysia on a holiday. And Malaysia is in Southeast Asia and it is made up of peninsular Malaysia and Sabah and Sarawak and Labuan and the capital is Kuala Lumpur and the highest mountain is Mount Kinabalu, which is 4,101 meters high, but that wasn't on the advert.

And Siobhan says people go on holidays to see new things and relax, but it wouldn't make me relaxed and you can see new things by looking at earth under a microscope or drawing the shape of the solid made when 3 circular rods of equal thickness intersect at right angles. And I think that there are so many things just in one house that it would take years to think about all of them properly. And also, a thing is interesting because of thinking about it and not because of being new. For example, Siobhan showed me that you can wet your finger and rub the edge of a thin glass and make a singing noise. And you can put different amounts of water in different glasses and they make different notes because they have what are called different resonant frequencies, and you can play a tune like Three Blind Mice. And lots of people have thin glasses in their houses and they don't know you can do this.

And the advert said

Malaysia, truly Asia.

Stimulated by the sights and smells, you realise that you have arrived in a land of contrasts. You seek out the traditional, the natural and the cosmopolitan. Your memories stretch from city days to nature reserves to lazy hours on the beach. Prices from £575 per person.

Call us on 01306 747000, see your travel agent or visit the world at www.kuoni.co.uk.

A world of difference.

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