The Damage (David Blake 2) (3 page)

‘Angel Productions’ started out as a supplier of cine films. Those big, round loops of film that were spliced onto cumbersome, plastic wheels and ran on noisy projectors that could be beamed onto screens or, if your gathering was less discerning, plain white walls. Peter did well because his stuff was stronger than the material so beloved of the dirty mac brigade down in Soho. You could hardly show his stuff in cinemas. This was back in the days when, if you were really daring, you went to see,
No Sex Please, We’re British
or
Confessions of a Window Cleaner
,
and Robin Asquith was considered the height of naughtiness. Of course, most respectable people didn’t watch anything that strong but, as Peter assured Bobby, ‘There are always some folk out there who want their sex dirty and real.’ For Peter, those people were manna from heaven.

Long before the advent of the internet, if you wanted to see actual sex performed in front of you by real people, it was sleazy, illicit and expensive, and Peter Dean was the man who could get it for you. He’d sell you his films under the counter at his studio or in the back room of one of Bobby’s pubs and they’d cost you. ‘When you take these home,’ he’d tell you, ‘you keep them hidden from your wife, your kids and the law. And you don’t know me. You’ve never met me, not once, do you hear?’

These days, you can watch stuff a hundred times more explicit than those old films on the internet, and all of it for free, which is why Peter Dean found himself living in reduced circumstances, renting a squalid flat above a branch of Blockbusters, an irony he seemed wholly unaware of.

Peter’s fall from grace had been a gradual one. Having ridden the crest of the cine film era, he initially adapted well to the VHS age, when the films got naughtier and nastier and he found he could sell more and more of them. He even ran some large shops at one point, partly funded by Bobby’s largesse. Bobby Mahoney ensured there was plenty of cash available for Peter to keep on paying the girls and making the films that were recorded onto those black, plastic cassettes that seemed so portable then and so bulky now, in the digital age. His stuff usually consisted of grainy footage of ‘Wives next door’ performing pathetic little stripteases before half-heartedly playing with themselves, until the window cleaner turned up, caught them at it and ‘punished’ them in the only way he knew how, with a good, hard shag. Bobby Mahoney continued to fund Peter because he knew a universal truth; where there’s sex there’s money.

In the eighties Peter was minted. He had the cars and the big house and he held legendary parties, with proper champagne and the finest quality drugs. ‘Pure Bolivian!’ he’d assure everybody.

Where there’s money and drugs and parties, there’s girls, and Peter had more than his fair share of them too. He had his pick in fact – and not all of them porn stars, though he did insist on ‘auditioning’ all of those as well. ‘You’ve got to show me what you’re capable of love, before I go to the time, the trouble and the expense of filming it,’ he’d tell them solemnly. Some walked, but most of them shrugged and let him get on with it. Not a single girl appeared in Peter’s films without first performing on his casting couch. ‘Not a bad way to earn a living is it?’ he confided to Bobby with a wink.

But the high life couldn’t last, and things got a lot harder for Peter with the advent of the DVD. The stuff he was churning out all of a sudden seemed old and a bit pathetic. He was loyal you see, perhaps a bit too loyal, keeping faith in the same lasses who’d paraded for him in skimpy schoolgirl uniforms in the eighties and ‘reinventing’ them for his ‘Bored Housewives’ series. By this stage, his housewives looked bored even while the window cleaner was giving them one on the kitchen table. Sales dwindled and ‘Bored Housewives 14’ actually lost money, which was unheard of in porn.

By the time the internet caught on, Peter was really struggling. How could he compete with his ‘Northern MILFS’ on DVD at £20 a pop when your discerning viewer could watch Pamela Anderson or Abi Titmuss doing stronger stuff? ‘You’ve got that Paris Hilton and Britney Spears showing their growlers for nothing these days,’ he told Joe Kinane in disgust, while explaining his latest business setback, ‘no one’s even paying them to do it!’

The sensible thing for Peter to have done was retire but he didn’t have quite enough put away for that. He regretted splashing so much cash around in his thirties; all those parties, all that champagne and all that coke didn’t come cheap but Peter hadn’t worried about any of it at the time. The money had been pouring in back then and he had thought it would all go on forever. Porn doesn’t come with a final salary pension and, like many of the ‘actors’ in his little films, Peter wondered what he could do afterwards, once the gloss had gone from his empire. So, near bankrupt and thrice divorced, he sold his house and, instead of buying a little bungalow in Barnard Castle, rented a tiny flat above the video store and ploughed what was left of his money into the reincarnation of ‘Angel Productions’.

‘Ladies and Gentlemen, I give you Phoenix Films!’ Peter Dean was back.

Times may have changed but it wasn’t too late for Peter to change with them. He still thought of himself as an ideas-man, and now he was going to cater for the extreme end of the market. He would sell movies to ‘connoisseurs’ of the hard stuff. ‘We’ll cater for all tastes, no matter how weird they might appear to the so-called
normal
man in the street.’

There were little movies about barely-legal babysitters caught in the act of self-love by couples returning home early who were ‘punished’ in sadistic threesomes, fake ‘snuff’ movies in which the actresses appeared to have been brutally raped then ‘murdered’ for real afterwards, except the ‘actresses’ weren’t good enough to fake fear quite as well as they faked their orgasms, and the same faces tended to crop up again and again to be murdered over and over in front of Peter’s camera. ‘I will make films on demand on any subject you desire,’ he’d tell potential backers, ‘it’s all dependent on the price.’ There was rape, torture, masochism, sadism, onanism or bestiality. The sex was middle aged, old aged and under aged, with first timers, part timers and old timers. There were threesomes, foursomes and moresomes, and household items crammed into every orifice. Peter set up rooms full of girls and boys who swapped with each other, then forgot who they’d been shagging just moments earlier. The drugs helped with that. Nobody remembers anybody in the hard core porn world, except the name and number of their dealer.

Trouble was, whatever Peter Dean did, no matter how filthy, it was never quite enough. He just couldn’t compete with the internet. Every dirty thought Peter had in his sleazy life was already out there, magnified a thousand times and all just a mouse click away, most of it uploaded for free by Joe Public and his filthy ‘ex-girlfriend’, motivated by revenge on each other after they’d split up or, if they were still together, fuelled by the illicit thrill of knowing their most private, intimate moments were being watched every night by millions of strangers they’d never meet. How could Peter rival that?

He didn’t see it coming. Now, in his sixties, Peter Dean was a poster boy for failure. It took a couple of years but slowly, steadily, the money began to run out. That was when Peter decided on one last desperate throw of the dice. He went to see David Blake.

Bobby Mahoney hadn’t been seen around in a while, so there was no way Peter could speak to the man himself. Bobby was in semi-retirement somewhere hot, or so the story went, though there were other, more cynical voices than Peter’s who claimed he was really six feet under, killed by a rival gang or an ambitious lieutenant. Peter didn’t believe that but either way he realised he would have to deal with a new face in Bobby’s firm. The main man these days was David Blake; still a young guy, mid-thirties, clever enough by all accounts but not a hard man particularly, though it seemed that the real hard men in the Mahoney crew were more than happy to work for him. Blake gave the orders now, anybody who was anybody in the city knew that, and so Peter Dean had his receding hair cut neatly at a proper barbers in the town, then put on his best full-length dark brown leather coat, the one that made him feel like Humphrey Bogart playing Philip Marlowe, and set off to speak to Blake at the Cauldron, an old nightclub that doubled as an HQ for Bobby’s lads.

He was more than a bit put out on arrival to be told by a shaven-headed man in a leather jacket that, ‘a meeting with the boss is impossible. You didn’t make an appointment.’

‘Fuck that,’ he replied, because the bloke didn’t look particularly scary, ‘I know Blake’s here. I’ve known him for years and he’ll bloody well see me,’ then he’d tried to push by, an act that proved to be ill advised. Peter was stunned to be lifted off his feet, spun round and planted very firmly against the wall, his glasses falling to the ground and his cheek grazed by the brickwork until it drew blood. It said a lot for Peter’s parlous situation that he was more concerned about the condition of his spectacles than his own physical state. Bones could mend but he couldn’t afford a new pair of glasses.

At that point David Blake himself walked out into the corridor to see what was happening, spotted Peter being pressed against the wall and actually laughed at the sight.

‘Put him down, Palmer,’ he’d said, ‘you wouldn’t touch him if you knew where he’d been.’

It was an ominous start. He was however released from Palmer’s grip. ‘You’ve got five minutes, Peter,’ Blake told him as he was admitted to the great man’s office and they both sat down either side of an imposing wooden desk. Peter looked round the room. Half a dozen of Blake’s associates were there but he hardly recognised anyone. The guys he was used to dealing with were all gone. These fellas were all hard-looking bastards in their twenties and thirties, who looked like they had just stepped off a night club’s doors. Except for Kinane, the firm’s legendary enforcer, and Hunter, who was one of the few old guard remaining, a man who had virtually grown up in Bobby Mahoney’s crew, Peter couldn’t have put a name to any of them.

Blake was young to be running a firm, but then everybody looked young to Peter these days. Peter guessed he was in his mid-thirties, around six feet tall, dressed in a smart suit with no tie and in possession of a full head of dark hair Peter immediately envied.

‘What do you want to see me about?’ asked Blake without any preamble.

Peter launched into his practised spiel, including the jargon he’d learned from the business books he’d been reading lately. ‘I have a bit of a liquidity problem,’ he explained to Bobby’s young protégé, ‘but all I really need is some working capital. If you can provide the start-up cash then I can leverage an amazing new idea, one that promises a very high return on your investment.’ It was a fine speech, even if he did say so himself, and he was pretty certain Blake was interested, judging by the faint smile that played on the younger man’s lips as he listened.

‘Go on then,’ he urged Peter, ‘what’s the big idea?’

He knew Blake was hooked then. Peter leaned forward in his seat, but not too close because Palmer adjusted his position at the same time, as if to intercept him before he got too near to the boss. God these security types were jumpy.

Peter cleared his throat and pressed on, ‘What’s the most successful adult site on the world wide web?’ he asked.

Blake blinked like he had never given it much thought, ‘YouPorn?’

‘Correct!’ said Peter, wagging his finger at the younger man, as if Blake was a particularly bright student, ‘and why is it so successful?’

‘Because it’s free,’ answered Blake, ‘obviously,’ and Peter was unable to hide his disappointment.

‘Well no,’ he said, ‘I mean, yes it is free but that’s not the reason it’s so successful.’

‘Isn’t it?’ Blake gave him a questioning look and then raised an eyebrow at the guys in his entourage, who chuckled sycophantically. ‘Then what’s the reason Peter? You tell me.’

Peter spread his palms, ‘The name,’ and, when there was no acknowledgement of his powers of perception, he explained further, ‘that’s how everyone knew where to find them. There’s millions of porn sites out there on the internet but ‘You Porn’ took a name that was almost like one of the massively successful non-porn sites already out there,’ he paused, ‘You Tube, you know?’

‘Yeah, I know,’ admitted Blake, ‘that was a clever gimmick but I think the fact that they were the first to supply bucketloads of hard core porn for free, was their
actual
USP, don’t you?’

Peter didn’t know what a USP was so he just nodded, ‘Perhaps, but I still think it’s the name. It’s all in the name,’ he said grandly, holding a hand up and sweeping it across an imaginary billboard in front of him.

Blake sighed and said, ‘Peter, you have sixty seconds to get to the point. I have a flight to catch.’

‘Right, yes, of course, no problem,’ and Peter reached into the large, black document case he’d brought with him and fished out the A3-sized bit of card he’d had mocked up for the occasion, with what little remained of the cash from the sale of his house. He took off the cloth cover that obscured the art work and handed it to Blake reverentially. On it was a graphic artist’s rendition of the website Peter was going to create using David Blake’s money. Here was the idea that was going to put Peter right back where he belonged; at the very top of the pile.

Blake looked at the mock-up. He took his time and he peered at it intently. Peter held his breath. First Blake seemed to frown and Peter’s heart sank but then his face broke into a smile and it felt as if a great burden had been lifted from Peter’s shoulders. Thank God, he thought, the man with the money likes my idea. Everything was going to be alright after all. Peter’s troubles were over. He was so happy he could have leaned over and kissed Blake but, just then, something odd happened; Blake’s smile turned into a broad grin and then, horribly, unbelievably, it morphed into a chuckle. Blake looked at Peter and laughed, he looked back at the art work and laughed some more, then he started to really let rip. Blake showed the art work to Palmer and he laughed too, then they all leaned over, took a good look at it and joined in, all of them, everyone in Blake’s pathetic, arse-licking, little crew of tough guys started to laugh at Peter and his brilliant idea. What the fuck was wrong with these people?