What?
Shoot her?
Kelly shakes his head. I cant be sure the wound wouldnt show, and I cant get close enough to stick the gun in her mouth.
We cant leave her like this, I insist.
He sighs like a soldier being forced to consider the feelings of civilians. You want to put her out of her misery? He shines his flashlight back on the softball bat. There you go.
A wave of nausea rolls through me. They already hit her with that, I stammer, recoiling at the thought.
They werent trying to help her. They were having a party. If you hit the cervical spine as hard as you can, death should be instantaneous.
I look down at the dog, then back at Kelly.
You wanted to come, he says, shining the light in my eyes. If you want to finish it, finish it.
This is not like Kelly at all. Whenever weve worked together, hes always been ready and willing to do whatever dirty work was
required. Ive never completely understood the dynamic between us, or what motivated him to go beyond what I consider the call of duty. Hes always operated by a private code, one I thought I understood. Its as though together, we function as a complete mana rational mind capable of enforcing its decisions with implacable force. But in the past, I realize now, Kellys willingness to kill has always been demonstrated while he was protecting me or my family. This situation falls outside those parameters. In fact, letting the dog die in agony is probably the safer choice, from that perspective. But I can see that Kelly feels for the animal. Is he testing me? Is the iron fist performing a gut check on the mind that wields it? Or is he trying to find out whether Ill let my emotions override my reason? Knowing theres no sure answer to any of these questions, I walk to the tree and lift the bat, certain that the last person who did so was the one who battered the helpless dog into what huddles at my feet now.
Wait, says Kelly.
I stand over the shivering dog, waiting to feel the bat taken from my hands.
Danny thinks hes got something. Uh-huh
Right
How far? He checks his watch, then says, Shit, we can do that. Well come in the boats
. No, no, if you drop us in close enough, theyll hear the chopper. Stay well clear. If they leave before we get there, try to get a license plate, but dont let them know youre there. Ill radio our coordinates en route
. Right. Out.
Whats going on? I ask.
Danny saw something suspicious earlier on the FLIR, down past where the VIP boat turned around. He went back and checked it out. Its a big metal building, and its throwing off heat. Theres a couple of SUVs out front with men sitting behind the wheel like drivers waiting for people.
What do you think it is?
Tonights dogfight. I think they tried to pull a fast one on us. They knew we might be following the boat, so they handled transport a different way.
Where are they?
An island. About five miles downriver.
Five miles?
Yeah. If we dig in, we can make it in twenty or twenty-five minutes.
Wont the fight be over by then?
Not necessarily. A single dogfight can go two hours or more. But we dont have time to waste. Put the bat back, and lets move.
Damn it, Kelly, just shoot the dog. We can throw her in the river. Theyll never know.
Bullshit. Dogs arent like cats to these people. They were punishing this dog, probably for losing a fight. They know she cant move, and when they come back, theyll expect to find her here, dead. Come on.
Kelly takes two backward steps, but he doesnt turn away. I feel the weight of his gaze upon me. Theres a pregnant tension between us, but I wont kill a helpless creature because a man is testing me. Stepping over the dogs rump with my left foot, I brace my foot against a tree root, then grip the bats taped handle with both hands and raise it over my right shoulder. The terrier lifts her head, trying to look back at me, but before her eyes find mine I swing the bat with all my strength, aiming for the neck, where the spine meets the skull. In the adrenaline-flushed second that the bat completes its arc, instinct tells me to shut my eyes, but I keep them open, knowing that to look away could result in more torture.
The bat doesnt ring on impact, but it jolts my arms and rattles my spine down to my pelvis as a wet crack like a boy stomping on a sodden limb echoes through the trees. The awful whistling has stopped. The dog lies motionless. I stumble back to the other tree, lean the bat against it, then march past Kelly toward the river.
As I wedge my knees through the cockpit of my kayak, he walks into the shallow water and looks down at me. You did the right thing. But I think thats enough for tonight. I should take it from here.
Thrusting my legs forward, I set my feet against the pedals, jerk the lanyard that flips down my rudder, and push away from the sandbar. Ill see you down there.
CHAPTER
32
Walt Garrity takes a sip of ice-cold Makers Mark and gazes around the vast gaming floor of the
Magnolia Queen.
Most casino boats are floating barns filled with slot machines and few table games, but the
Magnolia Queen
is magnificent, harkening back to the days of the floating palaces that cruised the river after the Civil War. The
Queen
has a three-hundred-foot salon built in the style known as steamboat Gothic, with Gothic arches, stained-glass skylights, gilt pendants, and eight massive chandeliers. There are hundreds of slot machines, yes, but there are also table games of every type.
Walt spent the first part of the evening putting on the same kind of show hed given on the
Zephyr
last night, making a spectacle of himself at the craps table and tipping everyone beyond all reason. Hes stayed with Nancy because since their scene in the RV theyve had a certain understanding about the sexual component of their relationship that he doesnt want to explain to a succession of prostitutes.
She stands a few feet away, losing wads of Penn Cages money at the blackjack table. Nancy doesnt seem to mind Walts frequent absences, so long as the flow of chips and alcohol continues uninterrupted. She probably assumes that a man of his age is making repeated trips to the restroom. In fact, Walt has conducted a casual but very thorough inspection of Golden Parachutes floating casino. This is the second time theyve been aboard the
Queen
today. They
first visited it after lunch, then spent some time on both the
Zephyr
and the
Evangeline.
Walt was glad to learn that the opulence of the
Magnolia Queen
would justify J. B. Gilchrists spending most of his time in Natchez aboard her, and not the lesser boats.
During his first visit, Walt twice saw Jonathan Sandsthe first time coming down the escalator from the upper deck where Walt now knows Sandss office is, and the second in the cashiers cage, talking to some employees. Despite his bespoke suit, Sands moved like an alert and graceful animal padding through a herd of less sentient creatures. Most of the gamblers on the boat blunder around like shoppers in a mall, their eyes on the slot machines, the tables, or the young women that seem so plentiful. Sandss eyes miss nothing. He actually made eye contact with Walt long enough to register that he was being watched as he descended the escalator. Even after seeing Sands only twice, Walt knows the Irishman will be a difficult man to outwit, much less capture.
Walt has paid some attention to the women as well. Several of the younger ones are Chinese, and from their behavior he guessed they were prostitutes. Nancy confirmed this when Walt asked about them and showed more than a little jealousy when she did. Apparently this perk of the
Magnolia Queen
is becoming well-known to out-of-town businessmen, who dont seem to mind that the girls speak little or no English. Walt understands the attraction. As a young soldier in 1953, he fell in love with a young Japanese girl during an extended R&R in Kobe, Japan. Most of the women hed met in Korea were prostitutes, but Kaeko was a nurse he met by chance in a restaurant. Walt had married his high school sweetheart before shipping out, and hed sworn to be faithful while he was overseas. Kaeko had tested his vow to the limit, not physically so much as by slowly and completely inhabiting his soul.
The Chinese girls on the
Magnolia Queen
look different from Kaeko, but their resemblance is enough to trigger a feeling in Walt that shames the twinge of lust he felt when Nancy bared her bottom in the van.
Why do you keep running off? Nancy asks. Youre tired of me, arent you?
No, Im just taking it all in. Ive been on a lot of boats, but I havent seen one like this in many a year.
Thus reassured, Nancy begins chattering mindlessly, but Walt suddenly becomes aware that several people are looking up over his shoulder. When he turns, he sees one of the most beautiful women he has ever encountered descending the escalator. She looks like a princess being carried down steps in a royal litter. She wears a jade green dress that lies close against her petite body, and her hair is long and straight. What strikes Walt, though, as it must have the other watchers, is the sense of self-possession radiated by the girl. Reaching behind him, he takes hold of Nancys cheap dress and turns her so that she can see the escalator.
Daddy, Im
playing,
she protests. Hit, she tells the dealer. Stay.
Do you know who that is? Walt asks.
Who?
That girl on the escalator.
Nancy turns and stares for a few seconds. No, I never seen that one before. She looks like she thinks her you-know-what dont stink, though.
Nancys harsh voice intrudes on Walts reverie like the squawk of a crow startling a man contemplating a pristine dawn. He cannot imagine that the girl on the escalator could be for sale. If she were, the price for a night with her would have to be ten times that for a night with the Nancys so common on the boats. But Walt knows one thing: If her time is for sale, he intends to buy as much as he can afford.
CHAPTER
33
As we near the island, I start to ease my kayak along the sandy shore, but Kelly pulls alongside and points. Farther down. That brushll keep the boats out of sight if a patrol comes down to the main bank.
I nod and wait for him to lead the way. I almost vomited during our sprint downriver from the first stop. Sweat is pouring off me, but not from the eighty-strokes-per-minute pace Kelly set. Not even from the shock of killing the dog, which was an act of mercy by any measure. What has shaken me to the core is that the glimpse of hell I saw under the trees was less than five miles from the place where I grew up. My meditation on the ironies of Tims heroic quest as Kelly and I paddled down from Natchez has filled me with shame, and any doubt about our purpose tonight has vanished. Standing among the chains and hooks and infernal machines, I felt as though Id stumbled into a death camp, one designed for animals rather than humans. The eerie whistling of the dog breathing through its skull will haunt me to my grave.
Penn? You with me?
Right behind you.
Kelly turns his rudder and knifes silently toward the shore. He pulls parallel to an overgrown bank that looks a little steep for my tastenot to mention snakythen braces his paddle and climbs out
of his cockpit. As I pull in behind him and follow suit, Kelly drags his boat behind some kudzu, then unloads his pack and takes out his night-vision scope.
Come on, he says, seizing the grab handle on my bow and dragging the Seda into the weeds.
I insert the earbud Kelly gave me for my Star Trekwhich Ive discovered is on the blinkand follow Kelly up the bank. According to Danny McDavitt, no dogs or guards are on the river side of the towhead, only a couple of men by the building that he believes could be the site of tonights dogfight.
When I get up to the sandy hump where Kelly stands, I see that were in a line of trees beside a marshy field. Across the field, faint yellow light spills from a windowless metal building that looks like a small warehouse, and beyond this stands a black wall of trees.
Turn off your Star Trek, Kelly says.
Why?
Youre going to be with me, and we dont need any noise-pollution accidents. Also, we want Danny to airlift us off the river later, and your radio is our spare batteries.
Before I obey his order, he lifts his Star Trek and says, How we looking on sentries, Pave Low?
Pave Low
is McDavitts code name for tonight; its the model of helicopter he flew in the air force.
You got a couple of dogs prowling on the far side of the building, he answers. Pay attention.
What about the field?
Nothing. Some deer bedded down in the tree line about seventy meters to the north of you.
Standing in near darkness, its strange to know that Danny McDavitt is looking down on us with a Gods-eye view that sees every warm-blooded creature around us.
Hold up, McDavitt says in my ear. Do you see that?
Across the field, a horizontal bar of light appears, growing rapidly into a rectangle.
Thats an overhead door, says Kelly. Shit!
As the rattling whine of a chain drive reaches us, a black SUV roars out of the building, followed by two more just like it. Their headlights flash on when they leave the spill from the open door.
Were too late? Kelly says in disbelief. What the
?