What do you want me to do? McDavitt asks. Cover you or go with the vehicles?
Go with the SUVs!
Ten-four.
Kelly winces, then looks longingly across the field. Im tempted to go into that building and see what they left behind. He keys his Star Trek. Did they take the dogs with them?
Negative.
Okay, were bugging out. Well see you a couple miles downriver.
Through the trees I see three pairs of headlights cutting through the dark, moving north at gravel-road speed. Carl Simss voice replaces McDavitts.
I can take out those dogs for you, no problem.
Kelly considers this. No. We dont know that well get anything from the building. If you waste the dogs, theyll know we know about this place. Find out where the SUVs gothats all.
With a last look across the field, Kelly shakes his head. Far to my right, the headlights turn away, and I see taillights that remind me of those I saw on Cemetery Road the night Tim died.
All this work, I mutter, and its come to nothing.
Maybe not nothing. Well see what Danny turns up.
Should we just call the Highway Patrol and have them stopped on some pretext?
No, theyre clean now, away from the scene. Honestly, Ill be surprised if the plates on those SUVs are traceable. But well find out who owns this land and see if we can learn something that way.
As Kelly turns away from the field, a pale shadow flashes across my sight from right to left. I fall backward as Kelly goes down with a thud. Scrambling to my feet, I see a huge white dog mauling his left arm, trying to reach his throat. I yank out my Star Trek and yell, Danny! Carl! We need help!
Kellys gun is still in his gear bag, and the bag is behind him. As I crab-walk toward it, my eyes on the attacking doga Bully Kutta, I see nowthe dog whips its head from side to side, trying to rip off Kellys blocking arm. Kellys struggling to get his right hand under the dogs belly. Yanking the gear bag clear of the fight, I struggle with
the zipper, but before I get it open, the Bully Kutta arches its back, its four paws galloping in midair as it tries to wrench away from Kelly, who is jerking a knife from the dogs scrotum to its rib cage. When I see a loop of intestine spill out in silence, I know that this dog too has had its vocal cords removed. As the animal rolls on the ground in its death throes, Kelly cinches his belt around his left biceps as a tourniquet.
Are you okay? I ask. I couldnt get the bag open!
Its okay. Find me a rock.
A rock?
A rock! Half an inch thickflat, if possible.
Three feet away I find a flat pebble smoothed round by the river. Kelly takes it and wedges it under his tourniquet, against the artery, I guess. Both sides of his forearm show puncture wounds, and the flesh is ripped near his inner elbow.
This isnt good, he says, staring at the wounds. I dont even know
A sound like running hoofbeats makes us whirl. This time the flying shadow is black, not white. Before I can even backpedal, I hear a bullwhip crack, and the wolf-size dog slides harmlessly to my feet, a quivering pile of muscle and bone. I leap backward, but Kelly just shakes his head and holds up his wired earpiece.
That dog knocked it out of my ear, he says.
What just happened? I ask, trying to get my breath. Did you shoot that dog?
Hell no. Kelly pulls his pistol from the gear bag and shows it to me. Carl shot it from the chopper.
Kelly inserts his earpiece and says, Thanks, buddy. You cut that kind of close.
Youre lucky I even saw the damn thing, Carl replies. I missed with my first shot. That was the second.
McDavitts voice cuts through the chatter. Whats the situation down there, Delta? You want me to follow the vehicles or do you need a hospital? My partner says it looks like a dog got to one of you.
Were fine, Kelly lies. We need to ID those vehicles.
I already got a license plate.
I want to know where theyre headed.
Okay.
Are there any more of these monster dogs out there? That old Ranger sure was right. I didnt hear a damned thing till it hit me.
The two dogs by the building are still there. I dont know where those came from.
Kelly chuckles darkly. I think theyre the deer you thought you saw bedded down. Theyre big, man.
Penn? Penn, are you there?
Kelly looks sharply at me as the new voice breaks into the conversation, but I recognize the tone immediately. Its my father.
Im here, I tell him. Whats the matter?
Jenny was just run off the road in Bath. Her car flipped.
I swallow hard as an image of my sister lying dead beside an English motorway flashes through my mind. Is she alive?
Yes. She called me from the hospital, and I spoke to her doctor. Shes in mild shock, but she could easily have been killed.
When did it happen?
About an hour ago. Shed dropped the kids with a friend and was on her way to the university.
A wave of heat rushes over my face as guilt suffuses me. Where are you?
On my way to the safe house. Kelly insisted that we have an empty house within ten miles of the operation to review any evidence we collected without having to go to a place Sands could know about. Caitlins with me, adds my father.
Doc? Kelly cuts in. I know youre upset, but go easy on the names, okay?
Fuck that, says my father. Ive had it with these sons of bitches.
How soon will you reach the house? Kelly asks, his eyes moving right and left like those of a man thinking fast.
Twenty minutes. And I want you there. I want everybody there.
Kelly looks down at the corpse of the white dog. His left hand is balled into a fist, probably against pain, but I sense that hes weighing the possibility of progress against the immediate crises. His entire posture communicates frustration; he looks as though hes about to kick the dead dog.
Pave Low? he says into the Star Trek.
Here.
Come get us.
Ten-four. You want me to set down right where you are?
No. We cant be sure that buildings empty. Well find a sandbar downstream. A mile, maybe.
Ill be flying right over the water, coming upstream. Out.
I key my Star Trek again. Dad, were on the way.
I heard. Dont waste any time.
As I shove the walkie-talkie into my pocket, the sound of my father angrily carving a Sunday roast makes me turn. But its a trick of the mind. Kelly has the Bully Kuttas head wedged between his knees, and hes sawing through the lower part of its neck like a man being paid for piecework, not by the hour.
What are you
doing
?
Rabies, he grunts without looking up. The spinal column slows him down for a few seconds, but Kellys obviously field-dressed a lot of game in his time. I dont know if this fuckers had his shots or not. You gotta get the brainstem and everything for that test. When the head tears free, Kelly lifts it by its wrinkled face and stuffs it into his gear bag. Then he straps on his pack, heaves the dogs carcass over his right shoulder, and stands with a groan. What are you waiting for? Pick up the other one.
Where are we going?
To throw them in the river.
With a strange buzzing in my head, I kneel beside the black dog, lever my right arm under it, then wrestle it over my shoulder in an awkward firemans carry. The damn thing must weigh a hundred pounds, and it stinks. Im winded before I cover twenty yards, but Kellys already far ahead.
This is one time I should have let him do the job alone.
When I reach the rivers edge, the white carcass is already spinning slowly downstream under the stars, and Kelly is stuffing the dogs head into the rear cargo hold of his kayak. With the last of my strength, I stagger downstream from the boats and heave my burden into the current. The Bully Kutta disappears with a splash, then bobs to the surface.
They actually went after my sister, I say with breathless disbelief. I havent heard my dad sound that upset since Ruby died.
Kelly squats and rinses his wounded forearm with river water. Ill tell you what I think, he says softly, scrubbing the half-clotted blood from his skin.
What?
He looks up, his mild blue eyes like those of a choirboy. I think Jonathan Sands has become a one-bullet problem.
CHAPTER
34
A one-bullet problem? Caitlin asks, echoing Kellys repeated phrase. You mean you want to kill Sands? In cold blood?
Kelly looks around the circle of faces in the room. Along with Kelly and Caitlin, Carl Sims, my father, and I are seated in chairs in the den of a lake house owned by Chris Shepard, my fathers youngest partner. Because its after Labor Day, most of the houses used as second homes by Natchezians are empty now. As I drew the curtains over the broad glass doors on the far wall, I saw the narrow black line of Lake Concordia, the oxbow lake that carries the name of the parish, behind the house. I also saw James Ervin, whos guarding us from the lake side, while his brother Elvin guards the road entrance. Danny McDavitt is sitting in the chopper across the lake road, in the cotton field where we landed.
Actually, says Kelly, my blood is still pretty hot at this point.
Mine too, says my father. Gutless bastards.
While my father dressed Kellys wounded arm, we listened to his account of Jenny being attacked on the highway (not even the British police believe it was an accident), then brought Dad up to speed on the events on the river. While we talked, Carl tied the Bully Kuttas severed head in a trash bag, then stored it in the refrigerator, so that its brain can be examined by the path lab in the morning. Coming after the events beside the river tonight, this scene was so surreal that
I could scarcely separate thought from emotion. Kellys assertion that the time has come to kill Jonathan Sands seems perfectly natural to me, given the situation. I can tell by Caitlins hard-set face that she doesnt agree. She doesnt want to antagonize my father, but shes not going to be silent when the matter at hand is assassination.
Look, I want the guy to go down, she says. Hes scum, okay? No question. But you cant just kill him. I mean, if its all right for you to decide who lives and dies, the same goes for everyone else. Who empowered you? If youre free to do that, where does it end? Back in the cave, thats where.
Kelly listens patiently until she stops. Let me tell you a secret, Caitlin. Were still in the cave. Its just bigger, and we wear nicer clothes. We make alliances and try to be civil, we save the weak instead of leaving them out in the cold to die. But guys like Sands, Quinn, Po
they play by the ancient rules. To them, life is a zero-sum game. You win or lose, live or die. And the most important rule of all is, you take everything you can, when you can, until somebody draws a line and says, No more.
Is that your view of life?
If it were, I wouldnt be offering to kill a man in front of witnesses. You probably studied existentialism in college, right? Survey of philosophy course? Im not trying to patronize you, okay? But I
am
an existentialist. A soldier. Asleep or awake, in uniform or out. Theres war in Afghanistan, but theres war here too. When Sands threatened to kill Penns child, he opened hostilities and declared the rules of engagement. We know from Linda Churchs note that Sands probably murdered Ben Li, or else ordered it done. Its a miracle Linda isnt dead too
if
shes still alive, which we dont know for sure. Im sure theyre hunting for her as we speak.
Caitlin shivers at this thought.
Kelly nods with certainty. Given where things stand now, we have only one practical solution. Remove Sands from the equation.
Youre willing to do that? Dad asks. If we say here and now that thats what we want
then Sands will die?
Kelly nods soberly. Quinn too, I think. Unavoidable.
Caitlin shakes her head in amazement. And youll go back to Afghanistan and never lose a nights sleep over it?
Ill sleep better.
What strikes me most about Kellys cool assertion is that a couple of hours ago, he was unwilling to put a dying dog out of its misery. But that mystery will have to wait. I look at my father, whos rubbing his white beard with arthritically curled hands.
Its tempting, Dad says. When I think of Jenny rolling over in that car, I could do it myself.
Im sorry to be a drag here, guys, Caitlin says. But this is
way
over the line. What does killing Sands even accomplish? If Edward Po is the problem, whos to say he wont carry on the vendetta and send men here to kill Penn and every member of his family?
Shes got a point, Carl says. Youd be crazy not to consider that.
Ive considered it, Kelly says. Edward Po is a businessman. Whatever hes up to here, he ultimately views it in terms of profit and loss. You cant go around murdering government officials in small-town America. It draws the wrong kind of attention. Thats bad business. Sands is Pos cats-paw, his control mechanism for Golden Parachute. If Sands dies, Po will simply order Craig Weldon to put someone else in that job.
Yet youre arguing that Sands
will
murder government officials, Caitlin points out. Or their families.
I think hes proved that he will. I dont think Sands is motivated primarily by money.