The Fear Index (39 page)

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Authors: Robert Harris

BOOK: The Fear Index
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THE SECOND AND decisive liquidity crisis of the seven-minute ‘flash crash’ had begun just as Hoffmann dropped the empty jerry can, at 8.45 p.m. Geneva time. All over the world investors were watching their screens and either ceasing to trade or selling up altogether. In the words of the official report: ‘Because prices simultaneously fell across many types of securities, they feared the occurrence of a cataclysmic event of which they were not aware, and which their systems were not designed to handle … A significant number withdrew completely from the markets.’

In the space of fifteen seconds, starting at 8:45:13, high-speed algorithmic programs traded 27,000 E-mini contracts – forty-nine per cent of the overall volume – but only two hundred of these were actually sold: it was all just a game of hot potatoes; there were no real buyers. Liquidity fell to one per cent of its earlier level. At 8:45:27, in the space of 500 milliseconds, as Hoffmann clicked his cigarette lighter, successive sellers piled into the market and the price of the E-mini fell from 1070 to 1062, to 1059 and finally to 1056, at which point the dramatic volatility automatically triggered what is called ‘a CME Globex Stop Price Logic event’: a five-second freeze on all trading on the Chicago S&P Futures exchange, to allow liquidity to come into the market. The Dow was down by just under a thousand points.

 

TIME-CODED RECORDINGS of the open channels of the police radios establish that at precisely the moment the Chicago market froze – 8:45:28 p.m. – an explosion was heard inside the processing facility. Leclerc was running towards the building, lagging behind the gendarmes, when the bang stopped him dead and he crouched down, his arms clasped over his head – an undignified posture for a senior police officer, he reflected afterwards, but there it was. Some of the younger men, with a fearlessness born of inexperience, never paused, and by the time Leclerc was back on his feet they were already running back from around the corner of the building, hauling Gabrielle and Quarry along with them.

Leclerc shouted, ‘Where’s Hoffmann?’

From the building came a roaring sound.

 

FEAR OF THE intruder in the night. Fear of assault and violation. Fear of illness. Fear of madness. Fear of loneliness. Fear of being trapped in a burning building …

The cameras record dispassionately, scientifically, Hoffmann as he recovers consciousness in the large central room. The screens are all blown out. The motherboards are dead, VIXAL extinct. There is no sound except the noise of the flames moving from room to room as they take hold of the wooden partitions, the false floors and ceilings, the kilometres of plastic cable, the plastic components of the CPUs.

Hoffmann gets up on all fours, rises to his knees then lumbers to his feet. He stands swaying. He wrenches off his jacket and holds it in front of him for protection, then runs into the inferno of the fibre-optic room, past the smouldering and stationary robots, through the darkened CPU farm and into the loading bay. He sees the steel shutter is down. How has that happened? He hits the button with the heel of his hand to open it. No response. He repeats the motion frantically, as if hammering it into the wall. Nothing. All the lights are out: the fire must have shorted the circuits. As he turns, his eyes go up to the watching lens and one sees in them a tumult of emotions – rage is there, even a sort of insane triumph: and fear, of course.

 

As fear increases into an agony of terror, we behold, as under all violent emotions, diversified results
.

 

Hoffmann has a choice now. He can either stay where he is and risk being trapped and burned to death. Or he can try to go back into the flames and reach the fire escape in the corner of the tape-robot suite. The calculation in his eyes …

He goes for the latter. The heat has become much more intense in the last few seconds. The flames are casting a brilliant glow. The Perspex cabinets are melting. One of the robots has ignited and is also melting in its central section, so that as he rushes past it, the automaton topples forwards at the midriff in a fiery bow and crashes to the floor behind him.

The ironwork of the staircase is too hot to touch. He can feel the heat of the metal even through the soles of his boots. The steps don’t run all the way up to the roof but only to the next floor, which is in darkness. By the crimson glow of the fire behind him he can make out a large space with three doors leading off it. A noise like a strong wind in a loft is shifting around up here. He can’t quite make out whether it is coming from his left or his right. Somewhere in the distance he hears a crash as a section of the floor gives way. He puts his face in front of the sensor to unlock the first door. When it doesn’t respond, he wipes his face on his sleeves: there is so much sweat and grease on his skin it is possible the sensors can’t recognise him. But even when his face is cleaner it doesn’t respond. The second door won’t open either. The third does, and he steps into utter darkness. The night-vision cameras record him groping blindly around the walls for the next exit, and so it goes on, from room to room, as Hoffmann seeks to escape the maze of the building, until at last, at the end of a passage, he opens a door on to a furnace. A tongue of fire races towards the fresh supply of oxygen like a hungry living thing. He turns and runs. The flames seem to pursue him, lighting ahead the gleaming metal of a staircase. He passes out of camera shot. The fireball reaches the lens a second later. The coverage ends.

 

TO THE PEOPLE viewing it from the outside, the processing facility resembles a pressure cooker. No flames are visible, only smoke issuing from the seams and vents of the building, accompanied by this incessant roar. The fire service plays water on the walls from three different directions to try to cool them down. The concern of the chief fire officer, as he explains to Leclerc, is that cutting open the doors will only feed oxygen to the fire. Even so, infrared equipment keeps detecting shifting black pockets inside the structure where the heat is less intense and where someone might have survived. A team wearing heavy protective gear is preparing to go in.

Gabrielle has been moved back with Quarry to just inside the perimeter fence. Someone has put a blanket round her shoulders. They both stand watching. Suddenly, from the flat roof of the building, a jet of orange flame shoots into the night sky. It resembles in shape, if not in colour, the plume of fire you might see at a refinery, burning off a gaseous waste product. From its base something detaches. It takes a moment for them all to realise that it is the fiery outline of a man. He runs to the edge of the roof, his arms outstretched, then leaps and falls like Icarus.

19

 

Looking to the future … which groups will ultimately prevail, no man can predict; for we well know that many groups, formerly most extensively developed, have now become extinct
.

 

CHARLES DARWIN,
On the Origin of Species
(1859)

 

IT WAS ALMOST midnight and the streets leading to Les Eaux-Vives were quiet, the shops shuttered, the restaurants closed. Quarry and Leclerc sat in the back of a patrol car in silence.

Eventually Leclerc said, ‘You are quite certain you wouldn’t prefer to be taken home?’

‘No. Thank you. I need to get in touch with our investors tonight before they hear about what’s happened on the news.’

‘It will be a major story, no doubt.’

‘No doubt.’

‘Still, if you don’t mind my saying so, after such a trauma, you need to be careful.’

‘I will be, don’t worry.’

‘At least Madame Hoffmann is in a hospital, where they can treat her for delayed shock …’

‘Inspector, I’ll be fine, all right?’

Quarry put his chin in his hand and looked out of the window to discourage further conversation. Leclerc stared out at the street on the other side. To think that barely twenty-four hours earlier he had been starting a routine night shift! Truly, one never knew what life would throw at you. The chief had called from his dinner in Zurich to offer his congratulations on ‘a swift resolution of a potentially embarrassing situation’: the Finance Ministry was pleased; Geneva’s reputation as a centre of investment would be unaffected by this aberration. Still, he felt he had failed somehow – had always been that crucial hour or two behind the game. If only I had gone with Hoffmann to the hospital at dawn, he thought, and insisted that he stay for treatment, then none of it would have happened. He said, almost to himself, ‘I should have handled it better.’

Quarry gave him a sideways look. ‘What’s that?’

‘I was thinking,
monsieur
, that I could have dealt with things better, and then perhaps this whole tragedy could have been avoided. For example, I could have spotted earlier on – right from the start, as a matter of fact – that Hoffmann was in an advanced state of psychosis.’ He thought of the Darwin book and Hoffmann’s crazed assertion that the man in the picture somehow provided a clue as to why he had been attacked.

‘Maybe.’ Quarry sounded unconvinced.

‘Or again, at Madame Hoffmann’s exhibition—’

‘Look,’ said Quarry impatiently, ‘you want the truth? Alex was a weird guy. Always was. I should’ve known what I was getting into the first night I met him. So it’s nothing to do with you, if you’ll forgive me for saying so.’

‘Even so …’

‘Don’t get me wrong: I’m desperately sorry it ended like that for him. But imagine it: all that time, practically running an entire shadow company right under my nose – spying on me, on his wife, on
himself
…’

Leclerc thought of how often he had heard such exclamations of disbelief from wives and husbands, lovers and friends; of how little we know of what actually goes on in the minds of those we think we know best. He said mildly, ‘What will happen to the company without him?’

‘The company? What company? The company is finished.’

‘Yes, I can see that the publicity might be damaging.’

‘Oh really? You think so? “Schizophrenic genius banker goes on rampage, murders two, sets fire to building” – that kind of thing?’

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