The Feminine Mystique (16 page)

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Authors: Betty Friedan

Tags: #Social Science, #Feminism & Feminist Theory

BOOK: The Feminine Mystique
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The ones who fought that battle won more than empty paper rights. They cast off the shadow of contempt and self-contempt that had degraded women for centuries. The joy, the sense of excitement and the personal rewards of that battle are described beautifully by Ida Alexa Ross Wylie, an English feminist:

To my astonishment, I found that women, in spite of knock-knees and the fact that for centuries a respectable woman’s leg had not even been mentionable, could at a pinch outrun the average London bobby. Their aim with a little practice became good enough to land ripe vegetables in ministerial eyes, their wits sharp enough to keep Scotland Yard running around in circles and looking very silly. Their capacity for impromptu organization, for secrecy and loyalty, their iconoclastic disregard for class and established order were a revelation to all concerned, but especially themselves….

The day that, with a straight left to the jaw, I sent a fair-sized CID officer into the orchestra pit of the theatre where we were holding one of our belligerent meetings, was the day of my own coming of age…. Since I was no genius, the episode could not make me one, but it set me free to be whatever I was to the top of my bent….

For two years of wild and sometimes dangerous adventure, I worked and fought alongside vigorous, happy, well-adjusted women who laughed instead of tittering, who walked freely instead of teetering, who could outfast Gandhi and come out with a grin and a jest. I slept on hard floors between elderly duchesses, stout cooks, and young shop-girls. We were often tired, hurt and frightened. But we were content as we had never been. We shared a joy of life that we had never known. Most of my fellow-fighters were wives and mothers. And strange things happened to their domestic life. Husbands came home at night with a new eagerness…. As for children, their attitude changed rapidly from one of affectionate toleration for poor, darling mother to one of wide-eyed wonder. Released from the smother of mother love, for she was too busy to be more than casually concerned with them, they discovered that they liked her. She was a great sport. She had guts…. Those women who stood outside the fight—I regret to say the vast majority—and who were being more than usually Little Women, hated the fighters with the venomous rage of envy…
17

 

Did women really go home again as a reaction to feminism? The fact is that to women born after 1920, feminism was dead history. It ended as a vital movement in America with the winning of that final right: the vote. In the 1930’s and 40’s, the sort of woman who fought for woman’s rights was still concerned with human rights and freedom—for Negroes, for oppressed workers, for victims of Franco’s Spain and Hitler’s Germany. But no one was much concerned with rights for women: they had all been won. And yet the man-eating myth prevailed. Women who displayed any independence or initiative were called “Lucy Stoners.” “Feminist,” like “career woman,” became a dirty word. The feminists had destroyed the old image of woman, but they could not erase the hostility, the prejudice, the discrimination that still remained. Nor could they paint the new image of what women might become when they grew up under conditions that no longer made them inferior to men, dependent, passive, incapable of thought or decision.

Most of the girls who grew up during the years when the feminists were eliminating the causes of that denigrating “genteel nothingness” got their image of woman from mothers still trapped in it. These mothers were probably the real model for the man-eating myth. The shadow of the contempt and self-contempt which could turn a gentle housewife into a domineering shrew also turned some of their daughters into angry copies of man. The first women in business and the professions were thought to be freaks. Insecure in their new freedom, some perhaps feared to be soft or gentle, love, have children, lest they lose their prized independence, lest they be trapped again as their mothers were. They reinforced the myth.

But the daughters who grew up with the rights the feminists had won could not go back to that old image of genteel nothingness, nor did they have their aunts’ or mothers’ reasons to be angry copies of man, or fear to love them. They had come unknowing to the turning-point in woman’s identity. They had truly outgrown the old image; they were finally free to be what they chose to be. But what choice were they offered? In that corner, the fiery, man-eating feminist, the career woman—loveless, alone. In this corner, the gentle wife and mother—loved and protected by her husband, surrounded by her adoring children. Though many daughters continued on the passionate journey their grandmothers had begun, thousands of others fell out—victims of a mistaken choice.

The reasons for their choice were, of course, more complex than the feminist myth. How did Chinese women, after having their feet bound for many generations, finally discover they could run? The first women whose feet were unbound must have felt such pain that some were afraid to stand, let alone to walk or run. The more they walked, the less their feet hurt. But what would have happened if, before a single generation of Chinese girls had grown up with unbound feet, doctors, hoping to save them pain and distress, told them to bind their feet again? And teachers told them that walking with bound feet was feminine, the only way a woman could walk if she wanted a man to love her? And scholars told them that they would be better mothers if they could not walk too far away from their children? And peddlers, discovering that women who could not walk bought more trinkets, spread fables of the dangers of running and the bliss of being bound? Would many little Chinese girls, then, grow up wanting to have their feet securely bound, never tempted to walk or run?

The real joke that history played on American women is not the one that makes people snigger, with cheap Freudian sophistication, at the dead feminists. It is the joke that Freudian thought played on living women, twisting the memory of the feminists into the man-eating phantom of the feminine mystique, shriveling the very wish to be more than just a wife and mother. Encouraged by the mystique to evade their identity crisis, permitted to escape identity altogether in the name of sexual fulfillment, women once again are living with their feet bound in the old image of glorified femininity. And it is the same old image, despite its shiny new clothes, that trapped women for centuries and made the feminists rebel.

The Sexual Solipsism of Sigmund Freud
 

I
t would be half-wrong to say it started with Sigmund Freud. It did not really start, in America, until the 1940’s. And then again, it was less a start than the prevention of an end. The old prejudices—women are animals, less than human, unable to think like men, born merely to breed and serve men—were not so easily dispelled by the crusading feminists, by science and education, and by the democratic spirit after all. They merely reappeared in the forties, in Freudian disguise. The feminine mystique derived its power from Freudian thought; for it was an idea born of Freud, which led women, and those who studied them, to misinterpret their mothers’ frustrations, and their fathers’ and brothers’ and husbands’ resentments and inadequacies, and their own emotions and possible choices in life. It is a Freudian idea, hardened into apparent fact, that has trapped so many American women today.

The new mystique is much more difficult for the modern woman to question than the old prejudices, partly because the mystique is broadcast by the very agents of education and social science that are supposed to be the chief enemies of prejudice, partly because the very nature of Freudian thought makes it virtually invulnerable to question. How can an educated American woman, who is not herself an analyst, presume to question a Freudian truth? She knows that Freud’s discovery of the unconscious workings of the mind was one of the great breakthroughs in man’s pursuit of knowledge. She knows that the science built on that discovery has helped many suffering men and women. She has been taught that only after years of analytic training is one capable of understanding the meaning of Freudian truth. She may even know how the human mind unconsciously resists that truth. How can she presume to tread the sacred ground where only analysts are allowed?

No one can question the basic genius of Freud’s discoveries, nor the contribution he has made to our culture. Nor do I question the effectiveness of psychoanalysis as it is practiced today by Freudian or anti-Freudian. But I do question, from my own experience as a woman, and my reporter’s knowledge of other women, the application of the Freudian theory of femininity to women today. I question its use, not in therapy, but as it has filtered into the lives of American women through the popular magazines and the opinions and interpretations of so-called experts. I think much of the Freudian theory about women is obsolescent, an obstacle to truth for women in America today, and a major cause of the pervasive problem that has no name.

There are many paradoxes here. Freud’s concept of the superego helped to free man of the tyranny of the “shoulds,” the tyranny of the past, which prevents the child from becoming an adult. Yet Freudian thought helped create a new superego that paralyzes educated modern American women—a new tyranny of the “shoulds,” which chains women to an old image, prohibits choice and growth, and denies them individual identity.

Freudian psychology, with its emphasis on freedom from a repressive morality to achieve sexual fulfillment, was part of the ideology of women’s emancipation. The lasting American image of the “emancipated woman” is the flapper of the twenties: burdensome hair shingled off, knees bared, flaunting her new freedom to live in a studio in Greenwich Village or Chicago’s near North Side, and drive a car, and drink, and smoke and enjoy sexual adventures—or talk about them. And yet today, for reasons far removed from the life of Freud himself, Freudian thought has become the ideological bulwark of the sexual counter-revolution in America. Without Freud’s definition of the sexual nature of woman to give the conventional image of femininity new authority, I do not think several generations of educated, spirited American women would have been so easily diverted from the dawning realization of who they were and what they could be.

The concept “penis envy,” which Freud coined to describe a phenomenon he observed in women—that is, in the middle-class women who were his patients in Vienna in the Victorian era—was seized in this country in the 1940’s as the literal explanation of all that was wrong with American women. Many who preached the doctrine of endangered femininity, reversing the movement of American women toward independence and identity, never knew its Freudian origin. Many who seized on it—not the few psychoanalysts, but the many popularizers, sociologists, educators, ad-agency manipulators, magazine writers, child experts, marriage counselors, ministers, cocktail-party authorities—could not have known what Freud himself meant by penis envy. One needs only to know what Freud
was
describing, in those Victorian women, to see the fallacy in literally applying his theory of femininity to women today. And one needs only to know
why
he described it in that way to understand that much of it is obsolescent, contradicted by knowledge that is part of every social scientist’s thinking today, but was not yet known in Freud’s time.

Freud, it is generally agreed, was a most perceptive and accurate observer of important problems of the human personality. But in describing and interpreting those problems, he was a prisoner of his own culture. As he was creating a new framework for our culture, he could not escape the framework of his own. Even his genius could not give him, then, the knowledge of cultural processes which men who are not geniuses grow up with today.

The physicist’s relativity, which in recent years has changed our whole approach to scientific knowledge, is harder, and therefore easier to understand than the social scientist’s relativity. It is not a slogan, but a fundamental statement about truth to say that no social scientist can completely free himself from the prison of his own culture; he can only interpret what he observes in the scientific framework of his own time. This is true even of the great innovators. They cannot help but translate their revolutionary observations into language and rubrics that have been determined by the progress of science up until their time. Even those discoveries that create new rubrics are relative to the vantage point of their creator.

The knowledge of other cultures, the understanding of cultural relativity, which is part of the framework of social scientists in our own time, was unknown to Freud. Much of what Freud believed to be biological, instinctual, and changeless has been shown by modern research to be a result of specific cultural causes.
1
Much of what Freud described as characteristic of universal human nature was merely characteristic of certain middle-class European men and women at the end of the nineteenth century.

For instance, Freud’s theory of the sexual origin of neurosis stems from the fact that many of the patients he first observed suffered from hysteria—and in those cases, he found sexual repression to be the cause. Orthodox Freudians still profess to believe in the sexual origin of all neurosis, and since they look for unconscious sexual memories in their patients, and translate what they hear into sexual symbols, they still manage to find what they are looking for.

But the fact is, cases of hysteria as observed by Freud are much more rare today. In Freud’s time, evidently, cultural hypocrisy forced the repression of sex. (Some social theorists even suspect that the very absence of other concerns, in that dying Austrian empire, caused the sexual preoccupation of Freud’s patients.
2
) Certainly the fact that his culture denied sex focused Freud’s interest on it. He then developed his theory by describing all the stages of growth as sexual, fitting all the phenomena he observed into sexual rubrics.

His attempt to translate all psychological phenomena into sexual terms, and to see all problems of adult personality as the effect of childhood sexual fixations also stemmed, in part, from his own background in medicine, and from the approach to causation implicit in the scientific thought of his time. He had the same diffidence about dealing with psychological phenomena in their own terms which often plagues scientists of human behavior. Something that could be described in physiological terms, linked to an organ of anatomy, seemed more comfortable, solid, real, scientific, as he moved into the unexplored country of the unconscious mind. As his biographer, Ernest Jones, put it, he made a “desperate effort to cling to the safety of cerebral anatomy.”
3
Actually, he had the ability to see and describe psychological phenomena so vividly that whether his concepts were given names borrowed from physiology, philosophy or literature—penis envy, ego, Oedipus complex—they seemed to have a concrete physical reality. Psychological facts, as Jones said, were “as real and concrete to him as metals are to a metallurgist.”
4
This ability became a source of great confusion as his concepts were passed down by lesser thinkers.

The whole superstructure of Freudian theory rests on the strict determinism that characterized the scientific thinking of the Victorian era. Determinism has been replaced today by a more complex view of cause and effect, in terms of physical processes and phenomena as well as psychological. In the new view, behavioral scientists do not need to borrow language from physiology to explain psychological events, or give them pseudo-reality. Sexual phenomena are no more nor less real than, for instance, the phenomenon of Shakespeare’s writing
Hamlet
, which cannot exactly be “explained” by reducing it to sexual terms. Even Freud himself cannot be explained by his own deterministic, physiological blueprint, though his biographer traces his genius, his “divine passion for knowledge” to an insatiable sexual curiosity, before the age of three, as to what went on between his mother and father in the bedroom.
5

Today biologists, social scientists, and increasing numbers of psychoanalysts see the need or impulse to human growth as a primary human need, as basic as sex. The “oral” and “anal” stages which Freud described in terms of sexual development—the child gets his sexual pleasure first by mouth, from mother’s breast, then from his bowel movements—are now seen as stages of human growth, influenced by cultural circumstances and parental attitudes as well as by sex. When the teeth grow, the mouth can bite as well as suck. Muscle and brain also grow; the child becomes capable of control, mastery, understanding; and his need to grow and learn, at five, twenty-five, or fifty, can be satisfied, denied, repressed, atrophied, evoked or discouraged by his culture as can his sexual needs.

Child specialists today confirm Freud’s observation that problems between mother and child in the earliest stages are often played out in terms of eating; later in toilet training. And yet in America in recent years there has been a noticeable decline in children’s “eating problems.” Has the child’s instinctual development changed? Impossible, if by definition, the oral stage is instinctual. Or has the culture removed eating as a focus for early childhood problems—by the American emphasis on permissiveness in child care, or simply by the fact that in our affluent society food has become less a cause for anxiety in mothers? Because of Freud’s own influence on our culture, educated parents are usually careful not to put conflict-producing pressures on toilet training. Such conflicts are more likely to occur today as the child learns to talk or read.
6

In the 1940’s, American social scientists and psychoanalysts had already begun to reinterpret Freudian concepts in the light of their growing cultural awareness. But, curiously, this did not prevent their literal application of Freud’s theory of femininity to American women.

The fact is that to Freud, even more than to the magazine editor on Madison Avenue today, women were a strange, inferior, less-than-human species. He saw them as childlike dolls, who existed in terms only of man’s love, to love man and serve his needs. It was the same kind of unconscious solipsism that made man for many centuries see the sun only as a bright object that revolved around the earth. Freud grew up with this attitude built in by his culture—not only the culture of Victorian Europe, but that Jewish culture in which men said the daily prayer: “I thank Thee, Lord, that Thou hast not created me a woman,” and women prayed in submission: “I thank Thee, Lord, that Thou has created me according to Thy will.”

Freud’s mother was the pretty, docile bride of a man twice her age; his father ruled the family with an autocratic authority traditional in Jewish families during those centuries of persecution when the fathers were seldom able to establish authority in the outside world. His mother adored the young Sigmund, her first son, and thought him mystically destined for greatness; she seemed to exist only to gratify his every wish. His own memories of the sexual jealousy he felt for his father, whose wishes she also gratified, were the basis of his theory of the Oedipus complex. With his wife, as with his mother and sisters, his needs, his desires, his wishes, were the sun around which the household revolved. When the noise of his sisters’ practicing the piano interrupted his studies, “the piano disappeared,” Anna Freud recalled years later, “and with it all opportunities for his sisters to become musicians.”

Freud did not see this attitude as a problem, or cause for any problem, in women. It was woman’s nature to be ruled by man, and her sickness to envy him. Freud’s letters to Martha, his future wife, written during the four years of their engagement (1882–1886) have the fond, patronizing sound of Torvald in
A Doll’s House
, scolding Nora for her pretenses at being human. Freud was beginning to probe the secrets of the human brain in the laboratory at Vienna; Martha was to wait, his “sweet child,” in her mother’s custody for four years, until he could come and fetch her. From these letters one can see that to him her identity was defined as child-housewife, even when she was no longer a child and not yet a housewife.

Tables and chairs, beds, mirrors, a clock to remind the happy couple of the passage of time, an armchair for an hour’s pleasant daydreaming, carpets to help the housewife keep the floors clean, linen tied with pretty ribbons in the cupboard and dresses of the latest fashion and hats with artificial flowers, pictures on the wall, glasses for everyday and others for wine and festive occasions, plates and dishes…and the sewing table and the cozy lamp, and everything must be kept in good order or else the housewife who has divided her heart into little bits, one for each piece of furniture, will begin to fret. And this object must bear witness to the serious work that holds the household together, and that object, to a feeling for beauty, to dear friends one likes to remember, to cities one has visited, to hours one wants to recall…. Are we to hang our hearts on such little things? Yes, and without hesitation….

I know, after all, how sweet you are, how you can turn a house into a paradise, how you will share in my interests, how gay yet painstaking you will be. I will let you rule the house as much as you wish, and you will reward me with your sweet love and by rising above all those weaknesses for which women are so often despised. As far as my activities allow, we shall read together what we want to learn, and I will initiate you into things which could not interest a girl as long as she is unfamiliar with her future companion and his occupation…
7

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