The Greatest Russian Stories of Crime and Suspense (48 page)

At length poor Akakiy Akakievitch breathed his last. They sealed up neither his room nor his effects, because, in the first place, there were no heirs, and, in the second, there was very little to inherit beyond a bundle of goose-quills, a quire of white official paper, three pairs of socks, two or three buttons which had burst off his trousers, and the mantle already known to the reader. To whom all this fell, God knows. I confess that the person who told me this tale took no interest in the matter. They carried Akakiy Akakievitch out and buried him.

And St. Petersburg was left without Akakiy Akakievitch, as though he had never lived there. A being disappeared who was protected by none, dear to none, interesting to none, and who never even attracted to himself the attention of those students of human nature who omit no opportunity of thrusting a pin through a common fly, and examining it under the microscope. A being who bore meekly the jibes of the department, and went to his grave without having done one unusual deed, but to whom, nevertheless, at the close of his life appeared a bright visitant in the form of a cloak, which momentarily cheered his poor life, and upon whom, thereafter, an intolerable misfortune descended, just as it descends upon the mighty of this world!

Several days after his death, the porter was sent from the department to his lodgings, with an order for him to present himself there immediately; the chief commanding it. But the porter had to return unsuccessful, with the answer that he could not come; and to the question, “Why?” replied, “Well, because he is dead! he was buried four days ago.” In this manner did they hear of Akakiy Akakievitch’s death at the department, and the next day a new official sat in his place, with a handwriting by no means so upright, but more inclined and slanting.

But who could have imagined that this was not really the end of Akakiy Akakievitch, that he was destined to raise a commotion after death, as if in compensation for his utterly insignificant life? But so it happened, and our poor story unexpectedly gains a fantastic ending.

A rumour suddenly spread through St. Petersburg that a dead man had taken to appearing on the Kalinkin Bridge and its vicinity at night in the form of a tchinovnik seeking a stolen cloak, and that, under the pretext of its being the stolen cloak, he dragged, without regard to rank or calling, every one’s cloak from his shoulders, be it cat-skin, beaver, fox, bear, sable; in a word, every sort of fur and skin which men adopted for their covering. One of the department officials saw the dead man with his own eyes and immediately recognised in him Akakiy Akakievitch. This, however, inspired him with such terror that he ran off with all his might, and therefore did not scan the dead man closely, but only saw how the latter threatened him from afar with his finger. Constant complaints poured in from all quarters that the backs and shoulders, not only of titular but even of court councillors, were exposed to the danger of a cold on account of the frequent dragging off of their cloaks.

Arrangements were made by the police to catch the corpse, alive or dead, at any cost, and punish him as an example to others in the most severe manner. In this they nearly succeeded; for a watchman, on guard in Kirushkin Alley, caught the corpse by the collar on the very scene of his evil deeds, when attempting to pull off the frieze coat of a retired musician. Having seized him by the collar, he summoned, with a shout, two of his comrades, whom he enjoined to hold him fast while he himself felt for a moment in his boot, in order to draw out his snuff-box and refresh his frozen nose. But the snuff was of a sort which even a corpse could not endure. The watchman having closed his right nostril with his finger, had no sooner succeeded in holding half a handful up to the left than the corpse sneezed so violently that he completely filled the eyes of all three. While they raised their hands to wipe them, the dead man vanished completely, so that they positively did not know whether they had actually had him in their grip at all. Thereafter the watchmen conceived such a terror of dead men that they were afraid even to seize the living, and only screamed from a distance, “Hey, there! go your way!” So the dead tchinovnik began to appear even beyond the Kalinkin Bridge, causing no little terror to all timid people.

But we have totally neglected that certain prominent personage who may really be considered as the cause of the fantastic turn taken by this true history. First of all, justice compels us to say that after the departure of poor, annihilated Akakiy Akakievitch he felt something like remorse. Suffering was unpleasant to him, for his heart was accessible to many good impulses, in spite of the fact that his rank often prevented his showing his true self. As soon as his friend had left his cabinet, he began to think about poor Akakiy Akakievitch. And from that day forth, poor Akakiy Akakievitch, who could not bear up under an official reprimand, recurred to his mind almost every day. The thought troubled him to such an extent that a week later he even resolved to send an official to him, to learn whether he really could assist him; and when it was reported to him that Akakiy Akakievitch had died suddenly of fever, he was startled, hearkened to the reproaches of his conscience, and was out of sorts for the whole day.

Wishing to divert his mind in some way, and drive away the disagreeable impression, he set out that evening for one of his friends’ houses, where he found quite a large party assembled. What was better, nearly every one was of the same rank as himself, so that he need not feel in the least constrained. This had a marvellous effect upon his mental state. He grew expansive, made himself agreeable in conversation, in short, he passed a delightful evening. After supper he drank a couple of glasses of champagne—not a bad recipe for cheerfulness, as every one knows. The champagne inclined him to various adventures; and he determined not to return home, but to go and see a certain well-known lady of German extraction, Karolina Ivanovna, a lady, it appears, with whom he was on a very friendly footing.

It must be mentioned that the prominent personage was no longer a young man, but a good husband and respected father of a family. Two sons, one of whom was already in the service, and a good-looking, sixteen-year-old daughter, with a rather retrousse but pretty little nose, came every morning to kiss his hand and say, “Bonjour, papa.” His wife, a still fresh and good-looking woman, first gave him her hand to kiss, and then, reversing the procedure, kissed his. But the prominent personage, though perfectly satisfied in his domestic relations, considered it stylish to have a friend in another quarter of the city. This friend was scarcely prettier or younger than his wife; but there are such puzzles in the world, and it is not our place to judge them. So the important personage descended the stairs, stepped into his sledge, said to the coachman, “To Karolina Ivanovna’s,” and, wrapping himself luxuriously in his warm cloak, found himself in that delightful frame of mind than which a Russian can conceive no better, namely, when you think of nothing yourself, yet when the thoughts creep into your mind of their own accord, each more agreeable than the other, giving you no trouble either to drive them away or seek them. Fully satisfied, he recalled all the gay features of the evening just passed, and all the mots which had made the little circle laugh. Many of them he repeated in a low voice, and found them quite as funny as before; so it is not surprising that he should laugh heartily at them. Occasionally, however, he was interrupted by gusts of wind, which, coming suddenly, God knows whence or why, cut his face, drove masses of snow into it, filled out his cloak-collar like a sail, or suddenly blew it over his head with supernatural force, and thus caused him constant trouble to disentangle himself.

Suddenly the important personage felt some one clutch him firmly by the collar. Turning round, he perceived a man of short stature, in an old, worn uniform, and recognised, not without terror, Akakiy Akakievitch. The official’s face was white as snow, and looked just like a corpse’s. But the horror of the important personage transcended all bounds when he saw the dead man’s mouth open, and, with a terrible odour of the grave, gave vent to the following remarks: “Ah, here you are at last! I have you, that—by the collar! I need your cloak; you took no trouble about mine, but reprimanded me; so now give up your own.”

The pallid prominent personage almost died of fright. Brave as he was in the office and in the presence of inferiors generally, and although, at the sight of his manly form and appearance, every one said, “Ugh! how much character he had!” at this crisis, he, like many possessed of an heroic exterior, experienced such terror, that, not without cause, he began to fear an attack of illness. He flung his cloak hastily from his shoulders and shouted to his coachman in an unnatural voice, “Home at full speed!” The coachman, hearing the tone which is generally employed at critical moments and even accompanied by something much more tangible, drew his head down between his shoulders in case of an emergency, flourished his whip, and flew on like an arrow. In a little more than six minutes the prominent personage was at the entrance of his own house. Pale, thoroughly scared, and cloakless, he went home instead of to Karolina Ivanovna’s, reached his room somehow or other, and passed the night in the direst distress; so that the next morning over their tea his daughter said, “You are very pale to-day, papa.” But papa remained silent, and said not a word to any one of what had happened to him, where he had been, or where he had intended to go.

This occurrence made a deep impression upon him. He even began to say: “How dare you? do you realise who stands before you?” less frequently to the under-officials, and if he did utter the words, it was only after having first learned the bearings of the matter. But the most noteworthy point was, that from that day forward the apparition of the dead tchinovnik ceased to be seen. Evidently the prominent personage’s cloak just fitted his shoulders; at all events, no more instances of his dragging cloaks from people’s shoulders were heard of. But many active and apprehensive persons could by no means reassure themselves, and asserted that the dead tchinovnik still showed himself in distant parts of the city.

In fact, one watchman in Kolomna saw with his own eyes the apparition come from behind a house. But being rather weak of body, he dared not arrest him, but followed him in the dark, until, at length, the apparition looked round, paused, and inquired, “What do you want?” at the same time showing a fist such as is never seen on living men. The watchman said, “It’s of no consequence,” and turned back instantly. But the apparition was much too tall, wore huge moustaches, and, directing its steps apparently towards the Obukhoff bridge, disappeared in the darkness of the night.

LEO TOLSTOY

GOD SEES THE TRUTH,
BUT WAITS

Count Lev (Leo) Nikolayevich Tolstoy (1828–1910) lost both his parents before he was ten and grew up with German and French tutors. He was a poor student but, coming from a wealthy family, was able to pursue a dissolute life while in his twenties, then joined the army, fighting in the Caucasus and then in the Crimean War. During quiet times, he began to write, selling his first story when he was twenty-four. Tired of his life as a libertine, he married in 1862 and, in an effort at candor, showed his wife his diaries, leading to lifelong distrust and jealousy. They had thirteen children, eight of whom survived to maturity. It was in the 1860s and ’70s that he produced his greatest work, notably
War and Peace
, published in six volumes (1868-1869) and
Anna Karenina
, published serially in 1873 and then in book form in three volumes (1878). In the late 1870s, he stopped writing fiction and devoted himself to works on his newfound philosophy, which was a combination of Christianity and anarchy, renouncing all forms of violence and power, even against evil or to maintain governmental control. This led to a revolt against capitalism in favor of agrarian communism. When he wrote
What Is Art?
(1897), he preached that all art must be moral in its purpose and conception, dismissing all his work except for two short stories, “God Sees the Truth, but Waits” and “The Prisoner of the Caucasus” (both 1872).

“God Sees the Truth, but Waits” was first published in 1872. It has also been reprinted under the titles “The Long Exile” and “The Man of God.” It was made into a short film in 1999.