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Authors: Tim Cockey

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The Hearse You Came in On (34 page)

BOOK: The Hearse You Came in On
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“So you’d be surprised to see him here. Would you get out of the car and say hi to him?”

“If I saw Lou Bowman on the street? Sure, I’d say hi.” He chuckled. “I’d ask him to put his blessing on the rest of these stupid lottery tickets. Hey. You never know.”

“Thank you, Officer. I’ll let you get back to your job.”

I was just pulling my head back from the window when suddenly the officer started.

“Hey!” He was pointing down the block. “Look!” I looked. But I didn’t see anything unusual.

The young policeman frowned, and then he shrugged.

“Wow. Power of suggestion, I guess,” he said. “For just a second there I thought I did see Lou Bowman. Some guy came around the corner down there. You didn’t see him? He turned around and went back.”

“He ducked back after he saw your car? Does that qualify as suspicious?”

“Sure.” He looked over at me. “I’ve taken note.”

I went back to the funeral home. You tell me, should I have felt safer now?

I met Fred on his way out. “Those TVs are getting creepy,” he said to me.

I agreed. Everything was.

By late afternoon I was getting worried. No word from Kate. I had left several messages on her machine at her home by now as well as the several at the station.

I called Julia. She answered on the fourth ring. She said that she had heard from her mother about the wake this evening for Edie and that she would see me there.

“Can’t you talk now?” I asked.

“I’m busy now, Hitch.”

There was something in her tone. “Is he there again?”

“Yes.”

“Are you screwing again?”

“That’s right, dear.”

“As we speak?”

“Practically.”

“Am I almost part of a phone sex ménage à trois?”

“You would be if you were invited,” Julia said sweetly.

Click.

I was restless. I called Hutch. He wasn’t in. I asked to be put through to his voicemail. I left the following message:

“Hi, Hutch, Hitch here. I’ve been thinking about it and I’ve decided that I’m pissed off at you for your so-called friendly warning and for these innuendos about Kate. I’ve grown very fond of her and I think that you should wake up. The guy you’re trying to help put in the governor’s mansion is a bastard who takes advantage of people and who fools around behind his wife, who also happens to be a tramp. All this can be proven and you know it. Your insinuations about Kate have no basis in fact, and you know that, too. She’s not the one trying to play me like a fiddle. You are. You’re keeping company with sleaze, Hutch, and if you don’t watch out it’s going to start wearing off on you. If it already hasn’t. Oh, and I know why you’re so certain that I had nothing whatsoever to do with the murder of Guy Fellows. It’s because you
do
know who is involved. You know all too well, don’t you? As if you were practically there yourself. You’ve picked a fine line of business, my friend. I hope you’re enjoying yourself. Hi to the wife.”

It’s amazing what a forum somebody’s voicemail can be. It was a hell of a speech. I doubt I could have pulled it all together like that in person. So what if it was a sucker punch? Hutch deserved it. Enough already.

As I sat there congratulating myself over my armchair heroics, the phone rang and I nearly jumped out of my armchair. I figured it was Hutch, calling me back to tell me how quickly I could go to hell.

It was Kate.

“Kate! Where are you?”

“I’m at a pay phone.”

“Come over.”

“I can’t. I’ve got to run down a few things. There’s someone I have to go see.”

“Run them down over here. Or tell me where you are. I’ll come over and we can run them down together.”

“I can’t. I’ll call you as soon as I can. But listen. I’ve got some information about Epoch Ltd. A picture is definitely developing, Hitch. It’s quite a picture.”

“Tell.”

“I need to do a little more digging. I’ll call you. I promise.”

“Come on, Kate, give me something. Who’s in this picture? What did you find out about this Epoch thing? Christ. Give me something to chew on.”

“Okay, Hitch. Here’s something you can chew on. Chew on Grace Kelly.”

“Amanda Stuart?”

“That’s right. Member in good standing of the board of directors of Epoch Ltd.”

“But—”

“Hitch, I’ve really got to go.”

“No! Kate, I—”

Goddamn click.

I had to tuck that little piece of information in my pocket for later. I showered and shaved. I put on a pair of slightly wrinkled slacks, a denim shirt and a tie, and a sport coat that Aunt Billie once described as “seedy tweedy.” I popped next door and filled a plastic
trash bag with flowers from the Jeff Simons collection. The march of the terra-cotta TVs had finally trickled out.

“This place looks like a nightmare,” Billie commented as I stuffed my trash bag with flowers. She was right. Depending on how you looked at it, the flowers sprouting from the terra-cotta TVs looked either like antennas for the TVs or like they were simply sprouting right out of the dead newsman’s head.

I finished filling my bag with flowers, got Billie’s reassurance that she could handle things on her own for a while, kissed her on the top of the head, shouldered my bag and headed off to the harbor. I noticed as I left that my police guard was gone. I guess Kruk couldn’t push through overtime for the guy. I kept close to the buildings as I picked up my pace.

CHAPTER
35
 

I
held up my trash bag. Sally planted a big wet kiss on my cheek.

“Flowers! Oh, Hitchcock, perfect!” She took the bag from me and emptied it right there on the floor. “Edie would have loved it.”

To no one’s great surprise, Sally proved herself a great hostess for a wake. Word of the demise of both Edie and the dinghy had spread quickly, as had word that drinks were on the house. The place filled up in no time. Sally kept the drinks flowing. Some of the Oyster regulars had taken stabs at sprucing themselves up for the occasion. Al the video guy and Bookstore Bill were there, each sporting ties. Bow for Bill; string for Al. They stood over by Edie—on opposite sides of the coffin—arguing. Generally speaking, shirttails were tucked in and lipstick made a strong showing and an authentic sense of bonhomie worked its way around the room. A woman came into the bar about an hour after I had arrived. She was dressed completely in black, all the way to the veil, which covered her face. Appropriate though it was, the outfit stood in stark contrast to the more loose-goosey garb of Edie’s bereaved revelers. The woman came directly over to me and snarled.

“I bought this special. You said this was a wake. This looks pretty damn casual to me.”

It was Carol.

“You look great,” I said.

Carol raised the veil so that I could see her face. “Call me the Black Widow.” She winked, then lowered the veil again and slid onto a stool with the liquid ease of a person who had been doing this over half her life.

Sally had sent word to the Cat’s Eye Pub over on Thames Street that she was holding an old-fashioned wake; she had managed to pry loose from the place a young fiddler and a leathery-skinned cuss who played a mean pennywhistle. The pennywhistler wore a black eye patch. If you watched closely, you could see when he would switch it every so often from one eye to the other. Sally herself got the dancing started. She hiked up her big skirt and began a sort of square dance and clogging combination that threatened to topple the guest of honor. At one point in the middle of the dancing, Frank stepped slowly from behind the bar and went over to Edie. He solemnly raised a glass to her. I won’t swear to it, but unless the man happened to have gotten a piece of dust in his eye at that exact moment, I believe the little glisten I saw there was an actual tear.

In the midst of all of this dancing and carrying on, Julia arrived. She stood at the door and looked over the crowd. She was dressed in a white jumpsuit with a lime green scarf and she was drop-dead gorgeous as usual. Lots of stuff on the eyes. Lots of lipstick. She caught my eye across the room and blew me a Marilyn Monroe-style kiss. And then Peter Morgan stepped through the door behind her.

He took in the entire scene with a single glance. No question about it, the son of a son of a millionaire was slumming. Guys like Peter Morgan don’t frequent places like the Screaming Oyster. Morgan was dressed in a linen suit and five-thousand-dollar loafers and he looked great.

Julia and her millionaire headed over to the bar. I watched as Julia spoke to her father, who bobbed his head a few times then reached out across the bar and shook hands with Morgan. Morgan gave him one of those two-handed clasps. I felt the
grrrrrrr
rising up in me. I hate those handshakes. The millionaire signaled Frank for a bottle of champagne.

I had been in a conversation with Tony Marino, who had been telling me about deep-sea fishing off the Orkney Islands in Scotland’s North Sea. Of course Tony had never been deep-sea fishing off the Orkney Islands in Scotland’s North Sea. He was just recycling a monologue he had once heard in a bar in Inverness. And Tony is no Jack London. I couldn’t really feel the spray. I wasn’t straining to haul in the nets. I wasn’t bone cold and longing for home. When Tony saw Julia over at the far end of the bar glancing in our direction, he shut down his North Sea documentary. “Go to her,” he keened softly to me. Poor man. He really does hold the franchise on lost love.

I stepped down the bar and greeted the lovebirds.

“Evening, folks. Can I show you to your table?”

“Good evening, Hitch,” said Julia. “I believe you’ve met Peter.”

His hand was already out. “Peter Morgan,” he announced.

“Frank Sinatra,” I said.

We shook. One handed. Good. Julia was eyeing me carefully.

“You’re dead, you know,” Morgan said, gracing my tomfoolery.

“I know. One minute I’m a boozing misogynist from Hoboken, and the next…” I snapped my fingers. “I’m crooning with angels.”

Morgan chuckled. “I actually met the man once. Down in Bermuda. If you can believe this, he was out in the driveway washing his own car. Mercedes 280 L.”

“Gosh, Frank sure was a man of the people, wasn’t he?”

Julia’s radar caught that one immediately. She moved in to cut me off.

“Peter’s not a man of the people, Hitch. He’s a millionaire. Despite the burden of his riches though, he’s a good person.”

“I never said a thing,” I said.

“You’re a local dog on home turf, my sweet. And I do believe you’ve been drinking. I stand ready to kick your tailbone if I have to.”

Peter Morgan was taking in this ping-pong match with an amused expression. With altogether too much charm, he said to Julia, while looking at me, “I’ll kick him if I have to, dear.”

“I’m bigger than you are,” I reminded him. Smiling.

“You boys are so cute.” Julia turned to Morgan. “Peter, I’m going to tell Hitchcock our news.”

“By all means.”

Julia turned to me. A rare blush came over her cheeks. “Hitch, Peter and I are getting married.” Her eyes sparkled mischievously. “I’m going to be rich.”

Morgan had worked the cork out of the bottle.

“Will you join us in a toast?” He signaled to Frank. “Another glass?” I believe he might even have snapped his fingers. Watch out, I thought. That ain’t no hired help there; that’s your future papa-in-law. As Morgan reached for the glass I was able to catch Julia’s eye. I rolled mine. She launched a blazing comet with hers. It was a “be nice” comet. It crashed and burned just past my shoulder.

Morgan handed me a glass of bubbly and we three lifted our glasses. If Morgan said “To us,” I wasn’t sure what I’d do. Luckily he didn’t. He proved smoother than that.

“To Julia Finney. God’s gift to a few very fortunate men.”

Wow. I could maybe quibble about his definition of “few,” but for conciseness, compliment and fake humility it was a gem of a little toast. Julia blushed again as we clinked glasses and sipped. I knew she was annoyed that she was blushing in front of me. It was a rare moment of fluster for Lady J.

We sipped. We took the tickle of the bursting bubbles. It’s a funny thing about champagne. Not everyone knows this, but champagne’s origins are as a flop, a dud, a failed harvest of the white grapes of the Champagne region and an instantly acknowledged inferior step-cousin of the esteemed French wine family. The original champagne was a bona fide disappointment—all that snap and sizzle—and had been gladly turned over to the undiscerning palates of the peasant class. Chalk it up to the great masters of spin that the soda pop of wines would come to be elevated to the ranks of the Rolls-Royce.

Julia and Peter Morgan were downright goo-goo
eyed. Quite a turnaround. Just a week ago these two lovebirds had choked on their tunes in gay Paree. I was dying to know how he had won her back. I started my inquiry so subtly as to be almost completely oblique.

“Did you know that champagne was originally considered an embarrassing flop and was relegated as swill for the lower classes?”

“It was a failed harvest,” Morgan said.

“I’m the one who told you that,” Julia reminded me.

Okay then, time to throw off the cloak of subtlety.

“How did you win her back, Peter?” I asked. “Julia told me your behavior in Paris repulsed her beyond imagination.”

“He exaggerates,” Julia said.

Morgan answered me frankly. “I had a lot on my mind during that trip. I behaved like an ass.”

“Do you always behave like an ass when you have a lot on your mind?” I asked.

Julia said, “Hitch,
you’re
sounding like the ass right now.”

“I’m only trying to look out for the future welfare of my past wife.” I turned to Morgan. “You understand.”

Julia chuckled. “Hitch, I’m surprised to see you pissing on trees this way. I must say, I’m flattered.”

Morgan spoke up. “Julia is just the sort of person I need to remind me not to act like an ass.” He tapped his glass of effervescent peasant swill against hers. “She helps me keep my perspective.”

“Funny, I had always found her to have just the opposite effect.” Since I was in interview mode I turned to the lady herself and put the question to her. “And you, what do you hope to get out of this union?”

BOOK: The Hearse You Came in On
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