The Hermit's Story

Title Page

Table of Contents

Copyright

Dedication

Acknowledgments

The Hermit's Story

Swans

The Prisoners

The Fireman

The Cave

Presidents' Day

Real Town

Eating

The Distance

Two Deer

Coming Soon from Rick Bass

Read More from Rick Bass

About the Author

FIRST MARINER BOOKS EDITION
2003

 

Copyright © 2002 by Rick Bass

 

All rights reserved

 

For information about permission to reproduce selections from this book, write to Permissions, Houghton Mifflin Harcourt Publishing Company, 215 Park Avenue South, New York, New York 10003.

 

www.hmhbooks.com

 

The Library of Congress has cataloged the print edition as follows:

Bass, Rick, date.
The hermit's story : stories / by Rick Bass,
p. cm.
Contents: The hermit's story—Swans—The prisoners—The fireman—The cave—Presidents' Day—Real town—Eating—The distance—Two deer.

ISBN: 978-0-618-38044-2

1. United States—Social life and customs—20th century—Fiction. I. Title.
PS
3552.
A
8213
H
47 2002
813'.54—dc21 2001051616

 

eISBN 978-0-547-34668-7
v2.0513

 

 

 

 

Elizabeth

I'm very grateful to my family—Elizabeth, Mary Katherine, and Lowry—for their support, and to my editors who worked on these stories—Harry Foster, Camille Hykes, Elizabeth Kluck-hohn, Tara Masih, and Alison Kerr Miller—and to Julie Burns for her help, as well, and to my agent, Bob Dattila, and typist, Angi Young. I'm proud to have Russell Chatham's painting on the cover, and I appreciate his cover design and the book design by Anne Chalmers. Thanks also for editorial help to George Plimpton, James Linville, Michael Griffith, and Lois Rosenthal, and to the editors of magazines in which these stories first appeared, in various forms: “The Hermit's Story,” “The Cave,” and “Two Deer” in the
Paris Review;
“Swans” in
Story;
“The Prisoners” in
Hayden's Ferry Review;
“The Fireman” in the
Kenyon Review;
“Presidents' Day” in
Southwest Review;
“Real Town” in
Epoch;
“Eating” in the
Southern Review;
and “The Distance” in the
Black Warrior Review.
“The Hermit's Story” and “The Fireman” also appeared in
The Best American Short Stories 1999
and
2001,
respectively, and “The Fireman” appeared in
Pushcart Prize 2002.

These stories are based on the imagination and the characters in them do not represent any persons known to me, living or not.

A
N ICE STORM
, following seven days of snow; the vast fields and drifts of snow turning to sheets of glazed ice that shine and shimmer blue in the moonlight, as if the color is being fabricated not by the bending and absorption of light but by some chemical reaction within the glossy ice; as if the source of all blueness lies somewhere up here in the north—the core of it beneath one of those frozen fields; as if blue is a thing that emerges, in some parts of the world, from the soil itself, after the sun goes down.

Blue creeping up fissures and cracks from depths of several hundred feet; blue working its way up through the gleaming ribs of Ann's buried dogs; blue trailing like smoke from the dogs' empty eye sockets and nostrils—blue rising as if from deep-dug chimneys until it reaches the surface and spreads laterally and becomes entombed, or trapped—but still alive, and drifting—within those moonstruck fields of ice.

Blue like a scent trapped in the ice, waiting for some soft re-lease, some thawing, so that it can continue spreading.

It's Thanksgiving. Susan and I are over at Ann and Roger's house for dinner. The storm has knocked out all the power down in town—it's a clear, cold, starry night, and if you were to climb one of the mountains on snowshoes and look forty miles south toward where town lies, instead of seeing the usual small scatterings of light—like fallen stars, stars sunken to the bottom of a lake, but still glowing—you would see nothing but darkness—a bowl of silence and darkness in balance for once with the mountains up here, rather than opposing or complementing our darkness, our peace.

As it is, we do not climb up on snowshoes to look down at the dark town—the power lines dragged down by the clutches of ice—but can tell instead just by the way there is no faint glow over the mountains to the south that the power is out: that this Thanksgiving, life for those in town is the same as it always is for us in the mountains, and it is a good feeling, a familial one, coming on the holiday as it does—though doubtless too the townspeople are feeling less snug and cozy about it than we are.

We've got our lanterns and candles burning. A fire's going in the stove, as it will all winter long and into the spring. Ann's dogs are asleep in their straw nests, breathing in that same blue light that is being exhaled from the skeletons of their ancestors just beneath and all around them. There is the faint smell of cold-storage meat—slabs and slabs of it—coming from down in the basement, and we have just finished off an entire chocolate pie and three bottles of wine. Roger, who does not know how to read, is examining the empty bottles, trying to read some of the words on the labels. He recognizes the words
the
and
in
and
USA.
It may be that he will never learn to read—that he will be unable to—but we are in no rush; he has all of his life to accomplish this. I for one believe that he will learn.

Ann has a story for us. It's about a fellow named Gray Owl, up in Canada, who owned half a dozen speckled German shorthaired pointers and who hired Ann to train them all at once. It was twenty years ago, she says—her last good job.

She worked the dogs all summer and into the autumn, and finally had them ready for field trials. She took them back up to Gray Owl—way up in Saskatchewan—driving all day and night in her old truck, which was old even then, with dogs piled up on top of one another, sleeping and snoring: dogs on her lap, dogs on the seat, dogs on the floorboard.

Ann was taking the dogs up there to show Gray Owl how to work them: how to take advantage of their newfound talents. She could be a sculptor or some other kind of artist, in that she speaks of her work as if the dogs are rough blocks of stone whose internal form exists already and is waiting only to be chiseled free and then released by her, beautiful, into the world.

Basically, in six months the dogs had been transformed from gangling, bouncing puppies into six wonderful hunters, and she needed to show their owner which characteristics to nurture, which ones to discourage. With all dogs, Ann said, there was a tendency, upon their leaving her tutelage, for a kind of chitinous encrustation to set in, a sort of oxidation, upon the dogs leaving her hands and being returned to someone less knowledgeable and passionate, less committed than she. It was as if there were a tendency for the dogs' greatness to disappear back into the stone.

So she went up there to give both the dogs and Gray Owl a checkout session. She drove with the heater on and the windows down; the cold Canadian air was invigorating, cleaner. She could smell the scent of the fir and spruce, and the damp alder and cottonwood leaves beneath the many feet of snow. We laughed at her when she said it, but she told us that up in Canada she could taste the fish in the water as she drove alongside creeks and rivers.

She got to Gray Owl's around midnight. He had a little guest cabin but had not heated it for her, uncertain as to the day of her arrival, so she and the six dogs slept together on a cold mattress beneath mounds of elk hides: their last night together. She had brought a box of quail with which to work the dogs, and she built a small fire in the stove and set the box of quail next to it.

The quail muttered and cheeped all night and the stove popped and hissed and Ann and the dogs slept for twelve hours straight, as if submerged in another time, or as if everyone else in the world were submerged in time—and as if she and the dogs were pioneers, or survivors of some kind: upright and exploring the present, alive in the world, free of that strange chitin.

***

She spent a week up there, showing Gray Owl how his dogs worked. She said he scarcely recognized them afield, and that it took a few days just for him to get over his amazement. They worked the dogs both individually and, as Gray Owl came to understand and appreciate what Ann had crafted, in groups. They traveled across snowy hills on snowshoes, the sky the color of snow, so that often it was like moving through a dream, and, except for the rasp of the snowshoes beneath them and the pull of gravity, they might have believed they had ascended into some sky-place where all the world was snow.

They worked into the wind—north—whenever they could. Ann would carry birds in a pouch over her shoulder and from time to time would fling a startled bird out into that dreary, icy snowscape. The quail would fly off with great haste, a dark feathered buzz bomb disappearing quickly into the teeth of cold, and then Gray Owl and Ann and the dog, or dogs, would go find it, following it by scent only, as always.

Snot icicles would be hanging from the dogs' nostrils. They would always find the bird. The dog, or dogs, would point it, Gray Owl or Ann would step forward and flush it, and the beleaguered bird would leap into the sky again, and once more they would push on after it, pursuing that bird toward the horizon as if driving it with a whip. Whenever the bird wheeled and flew downwind, they'd quarter away from it, then get a mile or so downwind from it and push it back north.

When the quail finally became too exhausted to fly, Ann would pick it up from beneath the dogs' noses as they held point staunchly, put the tired bird in her game bag, and replace it with a fresh one, and off they'd go again. They carried their lunch in Gray Owl's daypack, as well as emergency supplies—a tent and some dry clothes—in case they should become lost, and around noon each day (they could rarely see the sun, only an eternal ice-white haze, so that they relied instead only on their internal rhythms) they would stop and make a pot of tea on the sputtering little gas stove. Sometimes one or two of the quail would die from exposure, and they would cook that on the stove and eat it out there in the tundra, tossing the feathers up into the wind as if to launch one more flight, and feeding the head, guts, and feet to the dogs.

Seen from above, their tracks might have seemed aimless and wandering rather than with the purpose, the focus that was burning hot in both their and the dogs' hearts. Perhaps someone viewing the tracks could have discerned the pattern, or perhaps not, but it did not matter, for their tracks—the patterns, direction, and tracing of them—were obscured by the drifting snow, sometimes within minutes after they were laid down.

Toward the end of the week, Ann said, they were finally running all six dogs at once, like a herd of silent wild horses through all that snow, and as she would be going home the next day there was no need to conserve any of the birds she had brought, and she was turning them loose several at a time: birds flying in all directions; the dogs, as ever, tracking them to the ends of the earth.

It was almost a whiteout that last day, and it was hard to keep track of all the dogs. Ann was sweating from the exertion as well as the tension of trying to keep an eye on, and evaluate, each dog, and the sweat was freezing on her as if she were developing an ice skin. She jokingly told Gray Owl that next time she was going to try to find a client who lived in Arizona, or even South America. Gray Owl smiled and then told her that they were lost, but no matter, the storm would clear in a day or two.

They knew it was getting near dusk—there was a faint dulling to the sheer whiteness, a kind of increasing heaviness in the air, a new density to the faint light around them—and the dogs slipped in and out of sight, working just at the edges of their vision.

The temperature was dropping as the north wind increased—“No question about which way south is,” Gray Owl said, “so we'll turn around and walk south for three hours, and if we don't find a road, we'll make camp”—and now the dogs were coming back with frozen quail held gingerly in their mouths, for once the birds were dead, the dogs were allowed to retrieve them, though the dogs must have been puzzled that there had been no shots. Ann said she fired a few rounds of the cap pistol into the air to make the dogs think she had hit those birds. Surely they believed she was a goddess.