The Invention of Solitude (11 page)

BOOK: The Invention of Solitude
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Permanent solutions never interested him. He went on patching and patching, a little piece here, a little piece there, never
allowing his boat to sink, but never giving it a chance to float either.

The way he dressed: as if twenty years behind the times. Cheap synthetic suits from the racks of discount stores; unboxed pairs of shoes from the bins of bargain basements. Beyond giving proof of his miserliness, this disregard of fashion reinforced the image of him as a man not quite in the world. The clothes he wore seemed to be an expression of solitude, a concrete way of affirming his absence. Even though he was well off, able to afford anything he wanted, he looked like a poor man, a hayseed who had just stepped off the farm.

In the last years of his life, this changed a little bit. Becoming a bachelor again had probably given him a jolt: he realized that he would have to make himself presentable if he wanted to have any kind of social life. It was not that he went out and bought expensive clothes, but at least the tone of his wardrobe changed: the dull browns and grays were abandoned for brighter colors; the outmoded style gave way to a flashier, more dapper image. Checkered pants, white shoes, yellow turtlenecks, boots with big buckles. But in spite of these efforts, he never looked quite at home in these costumes. They were not an integral part of his personality. It made you think of a little boy who had been dressed up by his parents.

Given his curious relationship to money (his desire for wealth, his inability to spend), it was somehow appropriate that he made his living among the poor. Compared to them, he was a man of enormous riches. And yet, by spending his days among people who had next to nothing, he could keep before his eyes a vision of the thing he most feared in the world: to be without money. It put things in perspective for him. He did not consider himself stingy—but sensible, a man who knew the value of a dollar. He had to be vigilant. It was the only thing that stood between him and the nightmare of poverty.

When the business was at its peak, he and his brothers owned nearly a hundred buildings. Their terrain was the
grim industrial region of northern New Jersey—Jersey City, Newark—and nearly all their tenants were black. One says “slumlord,” but in this case it would not have been an accurate or fair description. Nor was he in any way an absentee landlord. He was
there
, and he put in hours that would have driven even the most conscientious employee to go out on strike.

The job was a permanent juggling act. There was the buying and selling of buildings, the buying and repairing of fixtures, the managing of several teams of repair men, the renting of apartments, the supervision of the superintendents, listening to tenant complaints, dealing with the visits of building inspectors, constant involvement with the water and electric companies, not to speak of frequent visits to court—both as plaintiff and defendant—to sue for back rent, to answer to violations. Everything was always happening at once, a perpetual assault from a dozen directions at the same time, and only a man who took things in his stride could have handled it. On any given day it was impossible to do everything that had to be done. You did not go home because you were finished, but simply because it was late and you had run out of time. The next day all the problems would be waiting for you—and several new ones as well. It never stopped. In fifteen years he took only two vacations.

He was soft-hearted with the tenants—granting them delays in paying their rent, giving clothes to their children, helping them to find work—and they trusted him. Old men, afraid of being robbed, would give him their most valuable possessions to store in his office safe. Of all the brothers, he was the one people went to with their troubles. No one called him Mr. Auster. He was always Mr. Sam.

While cleaning out the house after his death, I came across this letter at the bottom of a kitchen drawer. Of all the things I found, I am happiest to have retrieved this. It somehow balances the ledger, provides me with living proof whenever my mind begins to stray too far from the facts. The letter is addressed to “Mr. Sam,” and the handwriting is nearly illegible.

April 19, 1976
Dear Sam,
I know you are so surprised to hear from me. first of all maybe I better introduce my self to you. I’m Mrs. Nash. I’m Albert Groover Sister in law—Mrs. Groover and Albert that lived at 285 pine Street in Jersey City so long and Mrs. Banks thats my Sister too. Any way. if you can remember.
You made arrangement to get the apartment for my children and I at 327 Johnston Ave right around the Corner from Mr. & Mrs. Groover my Sister.
Anyway I move away left of owing a 40. rent. this was the year of 1964 but I didn’t for get I owed this earnest debt. So now here is your money. thanks for being so very nice to the children and I at that time. this is how much I appreciated what you done for us. I hope you can recall back to the time. So you was never forgotten by me.
About 3 weeks ago I called the office but weren’t in at that time. may the Good Lord ever to Bless you. I hardly comes to Jersey City if so I would stop by see you.
No matter now I am happy to pay this debt. All for now.
Sincerely
Mrs. JB. Nash

As a boy, I would occasionally go the rounds with him as he collected rent. I was too young to understand what I was seeing, but I remember the impression it made on me, as if, precisely because I did not understand, the raw perceptions of these experiences went directly into me, where they remain today; as immediate as a splinter in the thumb.

The wooden buildings with their dark, inhospitable hallways. And behind each door, a horde of children playing in a bare apartment; a mother, always sullen, overworked, tired, bent over an ironing board. Most vivid is the smell, as if poverty were more than a lack of money, but a physical sensation, a stench that invaded your head and made it impossible to think. Every time I walked into a building with my father, I would hold my breath, not daring to breathe, as if that smell
were going to hurt me. Everyone was always happy to meet Mr. Sam’s son. I was given innumerable smiles and pats on the head.

Once, when I was a bit older, I can remember driving with him down a street in Jersey City and seeing a boy wearing a T-shirt I had outgrown several months before. It was a very distinctive shirt, with a peculiar combination of yellow and blue stripes, and there was no question that this was the one that had been mine. Unaccountably, I was overcome with a feeling of shame.

Older still, at thirteen, fourteen, fifteen, I would sometimes go in with him to earn money working with the carpenters, painters, and repair men. Once, on an excruciatingly hot day in the middle of summer, I was given the job of helping one of the men tar a roof. The man’s name was Joe Levine (a black man who had changed his name to Levine out of gratitude to an old Jewish grocer who had helped him in his youth), and he was my father’s most trusted and reliable handyman. We hauled several fifty gallon barrels of tar up to the roof and got to work spreading the stuff over the surface with brooms. The sunlight beating down on that flat black roof was brutal, and after half an hour or so I became extremely dizzy, slipped on a patch of wet tar, fell, and somehow knocked over one of the open barrels, which then spilled tar all over me.

When I got back to the office a few minutes later, my father was greatly amused. I realized that the situation was amusing, but I was too embarrassed to want to joke about it. To my father’s credit, he did not get angry at me or make fun of me. He laughed, but in a way that made me laugh too. Then he dropped what he had been doing, took me to the Woolworth’s across the street, and bought me some new clothes. It had suddenly become possible for me to feel close to him.

As the years went by, the business started to decline. The business itself was not at fault, but rather the nature of the business: at that particular time, in that particular place, it was no longer possible to survive. The cities were falling apart, and no one seemed to care. What had once been a more or less fulfilling
activity for my father now became simple drudgery. In the last years of his life he hated going to work.

Vandalism became such a severe problem that doing any kind of repairs became a demoralizing gesture. No sooner was plumbing installed in a building than the pipes would be ripped out by thieves. Windows were constantly being broken, doors smashed, hallways gutted, fires started. At the same time, it was impossible to sell out. No one wanted the buildings. The only way to get rid of them was to abandon them and let the cities take over. Tremendous amounts of money were lost in this way, an entire life’s work. In the end, at the time of my father’s death, there were only six or seven buildings left. The whole empire had disintegrated.

The last time I was in Jersey City (at least ten years ago) the place had the look of a disaster area, as if it had been pillaged by Huns. Gray, desolate streets; garbage piled everywhere; derelicts shuffling aimlessly up and down. My father’s office had been robbed so many times that by now there was nothing left in it but some gray metal desks, a few chairs, and three or four telephones. Not even a typewriter, not one touch of color. It was not really a work place anymore, but a room in hell. I sat down and looked out at the bank across the street. No one came out, no one went in. The only living things were two stray dogs humping on the steps.

How he managed to pick himself up and go in there every day is beyond my understanding. Force of habit, or else sheer stubbornness. Not only was it depressing, it was dangerous. He was mugged several times, and once was kicked in the head so viciously by an attacker that his hearing was permanently damaged. For the last four or five years of his life there was a faint and constant ringing in his head, a humming that never went away, not even while he was asleep. The doctors said there was nothing that could be done about it.

In the end, he never went out into the street without carrying a monkey wrench in his right hand. He was over sixty-five years old, and he did not want to take any more chances.

Two sentences that suddenly come to mind this morning as I am showing Daniel how to make scrambled eggs.

“‘And now I want to know,’ the woman says, with terrible force, ‘I want to know whether it is possible to find another father like him anywhere in the world.”’ (Isaac Babel)

“Children have always a tendency either to depreciate or to exalt their parents, and to a good son his father is always the best of fathers, quite apart from any objective reason there may be for admiring him.” (Proust)

I realize now that I must have been a bad son. Or, if not precisely bad, then at least a disappointment, a source of confusion and sadness. It made no sense to him that he had produced a poet for a son. Nor could he understand why a young man with two degrees from Columbia University should take a job after graduation as an ordinary seaman on an oil tanker in the Gulf of Mexico, and then, without rhyme or reason, take off for Paris and spend four years there leading a hand to mouth existence.

His most common description of me was that I had “my head in the clouds,” or else that I “did not have my feet on the ground.” Either way, I must not have seemed very substantial to him, as if I were somehow a vapor or a person not wholly of this world. In his eyes, you became part of the world by working. By definition, work was something that brought in money. If it did not bring in money, it was not work. Writing, therefore, was not work, especially the writing of poetry. At best it was a hobby, a pleasant way to pass the time in between the things that really mattered. My father thought that I was squandering my gifts, refusing to grow up.

Nevertheless, some kind of bond remained between us. We were not close, but stayed in touch. A phone call every month or so, perhaps three or four visits a year. Each time a book of my poetry was published I would dutifully send it to him, and he would always call to thank me. Whenever I wrote an article for a magazine, I would set aside a copy and make sure I gave it to him the next time I saw him.
The New York Review of Books
meant nothing to him, but the pieces in
Commentary
impressed him. I think he felt that if the Jews were publishing me, then perhaps there was something to it.

Once, while I was still living in Paris, he wrote to tell me he had gone to the public library to read some of my poems that had appeared in a recent issue of
Poetry
. I imagined him in a large, deserted room, early in the morning before going to work: sitting at one of those long tables with his overcoat still on, hunched over words that must have been incomprehensible to him.

I have tried to keep this image in mind, along with all the others that will not leave it.

The rampant, totally mystifying force of contradiction. I understand now that each fact is nullified by the next fact, that each thought engenders an equal and opposite thought. Impossible to say anything without reservation: he was good, or he was bad; he was this, or he was that. All of them are true. At times I have the feeling that I am writing about three or four different men, each one distinct, each one a contradiction of all the others. Fragments. Or the anecdote as a form of knowledge.

Yes.

The occasional flash of generosity. At those rare times when the world was not a threat to him, his motive for living seemed to be kindness. “May the good Lord ever to Bless you.”

Friends called him whenever they were in trouble. A car stuck somewhere in the middle of the night, and my father would drag himself out of bed and come to the rescue. In certain ways it was easy for others to take advantage of him. He refused to complain about anything.

A patience that bordered on the superhuman. He was the only person I have ever known who could teach someone to drive without getting angry or crumpling in a fit of nerves. You could be careening straight toward a lamp post, and still he would not get excited.

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