The Lost World (33 page)

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Authors: Michael Crichton

Tags: #child_prose

BOOK: The Lost World
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Malcolm

"
You feel okay?" Thorne said.

"Better all the time," Malcolm said. He sighed. His body relaxed. "You know, there's a reason why people like morphine," he said.

Sarah Harding adjusted the inflatable plastic splint around Malcolm's leg. She said to Thorne, "How long until the helicopter comes?"

Thorne glanced at his watch. "Less than five hours. Dawn tomorrow."

"For sure?"

"Yes, absolutely."

Harding nodded. "Okay. He'll be okay."

"I'm fine," Malcolm said, in a dreamy voice. "I'm just sad that the experiment is over. And 'it was such a good experiment, too. So elegant. So unique. Darwin never knew."

Harding said to Thorne, "I'm going to clean this out now. Hold his leg for me." More loudly, she said, "What didn't Darwin know, Ian?"

"That life is a complex system," he said, "and everything that goes along with that. Fitness landscapes. Adaptive walks. Boolean nets. Self-organizing behavior. Poor man. Ouch! What are you doing there?"

"Just tell us," Harding said, bent over the wound. "Darwin had no idea…"

"That life is so unbelievably complex," Malcolm said. "Nobody realizes it. I mean, a single fertilized egg has a hundred thousand genes, which act in a coordinated way, switching on and off at specific times, to transform that single cell into a complete living creature. That one cell starts to divide, but the subsequent cells are different. They specialize. Some are nerve. Some are gut. Some are limb. Each set of cells begins to follow its own program, developing, interacting. Eventually there are two hundred and fifty different kinds of cells, all developing together, at exactly the right time. Just when the organism needs a circulatory system, the heart starts pumping. Just when hormones are needed, the adrenals start to make them. Week after week, this unimaginably complex development proceeds perfectly - perfectly. It's incredible. No human activity comes close.

"I mean, you ever build a house? A house is simple in comparison. But even so, workmen build the stairs wrong, they put the sink in backward, the tile man doesn't show up when he's supposed to. All kinds of things go wrong. And yet the fly that lands on the workman's lunch is perfect. Ow! Take it easy."

"Sorry," she said, continuing to clean his wound.

"But the point," Malcolm said, "is that this intricate developmental process in the cell is something we can barely describe, let alone understand. Do you realize the limits of our understanding? Mathematically, we can describe two things interacting, like two planets in space. Three things interacting - three planets in space - well, that becomes a problem. Four or five things interacting, we can't really do it. And inside the cell, there's one hundred thousand things interacting. You have to throw up your hands. It's so complex - how is it even possible that life ever happens at all? Some people think the answer is that living forms organize themselves. Life creates its own order, the way crystallization creates order. Some people think life crystallizes into being, and that's how the complexity is managed.

"Because, if you didn't know any physical chemistry, you could look at a crystal and ask all the same questions. You'd see those beautiful spars, those perfect geometric facets, and you could ask, What's controlling this process? How does the crystal end up so perfectly formed - and looking so much like other crystals? But it turns out a crystal is just the way molecular forces arrange themselves in solid form. No one controls it. It happens on its own. To ask a lot of questions about a crystal means you don't understand the fundamental nature of the processes that led to its creation.

"So maybe living forms are a kind of crystallization. Maybe life just happens. And maybe, like crystals, there's a characteristic order to living things that is generated by their interacting elements. Okay. Well, one of the things that crystals teach us is that order can arise very fast. One minute you have a liquid, with all the molecules moving randomly. The next minute, a crystal forms, and all the molecules are locked in order. Right?"

"Right…"

"Okay. Now. Think of the interaction of life forms on the planet to make an ecosystem. That's even more complex than a single animal. All the arrangements are very complicated. Like the yucca plant. You know about that?"

"Tell me."

"The yucca plant depends on a particular moth which gathers pollen into a ball, and carries the ball to a different plant - not a different flower on the same plant - where it rubs the ball on the plant, fertilizing it. Only then does the moth lay its eggs. The yucca plant can't survive without the moth. The moth can't survive without the plant. Complex interactions like that make you think maybe behavior is a kind of crystallization, too."

"You're speaking metaphorically?" Harding said.

"I'm talking about all the order in the natural world," Malcolm said. "And how perhaps it can emerge fast, through crystallization. Because complex animals can evolve their behavior rapidly. Changes can occur very quickly. Human beings are transforming the planet, and nobody knows whether it's a dangerous development or not. So these behavioral processes can happen faster than we usually think evolution occurs. In ten thousand years human beings have gone from hunting to farming to cities to cyberspace. Behavior is screaming forward, and it might be nonadaptive. Nobody knows. Although personally, I think cyberspace means the end of our species."

"Yes? Why is that?"

"Because it means the end of innovation," Malcolm said. "This idea that the whole world is wired together is mass death. Every biologist knows that small groups in isolation evolve fastest. You put a thousand birds on an ocean island and they'll evolve very fast. You put ten thousand on a big continent, and their evolution slows down. Now, for our own species, evolution occurs mostly through our behavior. We innovavate new behavior to adapt. And everybody on earth knows that innovation only occurs in small groups. Put three people on a committee and they may get something done. Ten people, and it gets harder. Thirty people, and nothing happens. Thirty million, it becomes impossible. That's the effect of mass media - it keeps anything from happening. Mass media swamps diversity. It makes every place the same. Bangkok or Tokyo or London: there's a McDonald's on one corner, a Benneton on another, a Gap across the street. Regional differences vanish. All differences vanish. In a mass-media world, there's less of everything except the top ten books, records, movies, ideas. People worry about losing species diversity in the rain forest. But what about intellectual diversity - our most necessary resource? That's disappearing faster than trees. But we haven't figured that out, so now we're planning to put five billion people together in cyberspace. And it'll freeze the entire species. Everything will stop dead in its tracks. Everyone will think the same thing at the same time. Global uniformity. Oh, that hurts. Are you done?"

"Almost," Harding said. "Hang on."

"And believe me, it'll be fast. If you map complex systems on a fitness landscape, you find the behavior can move so fast that fitness can drop precipitously. It doesn't require asteroids or diseases or anything else. It's just behavior that suddenly emerges, and turns out to be fatal to the creatures that do it. My idea was that dinosaurs - being complex creatures - might have undergone some of these behavioral changes. And that led to their extinction."

"What, all of them?"

"It just takes a few," Malcolm said. "Some dinosaur roots in the swamps around the inland sea, changes the water circulation, and destroys the plant ecology that twenty other species depend on. Bang! They're gone. That causes still more dislocations. A predator dies off, and its prey grow unchecked. The ecosystem becomes unbalanced. More things go wrong. More species die. And suddenly it's over. It could have happened that way."

"Just behavior…"

"Yes," Malcolm said. "Anyway, that was the idea. And I had this nice thought that we might prove it…But now it's finished. We have to get out of here. You better tell the others."

Thorne clicked on the radio. "Eddie? It's Doc."

There was no answer.

"Eddie?"

The radio crackled. And then they heard a noise that at first sounded like static. It was a moment before they realized it was a high-pitched human scream.

The High Hide

T
he first of the raptors hissed as it began jumping up, clattering against the high hide shaking the structure. Its claws raked against the metal, and it fell down again. Eddie was astonished at how high it jumped - the animal could leap eight feet straight up, again and again, without apparent effort. Its jumps attracted the other animals, which slowly came back to circle the hide.

Soon the hide was surrounded by leaping, snarling raptors. It swayed back and forth as the animals slammed into it, clawed for purchase, and fell back again. But more ominously, Levine saw, they were learning. Already, some of them had begun to use their clawed forearms to grip the structure, holding on while their legs got footing. One of the raptors came within a few feet of their little shelter before finally falling back. The falls never seemed to hurt the animals. They immediately leapt up, and jumped again.

Eddie and the kids scrambled to their feet. Levine said, "Get back! Don't look out," and he pushed the kids into the center of the shelter.

Eddie was bent over his knapsack, and held up an incandescent flare. He poppcd it and flung it over the side; two of the raptors fell away. The flare sputtered an the wet ground, casting harsh red shadows. But the raptors kept coming. Eddie pulled up one of the aluminum bars from the floor, leaned over the side railing brandishing the bar like a club.

One of the raptors had already climbed high enough to dart forward, jaws gaping, at Eddie's neck. Surprised, Eddie shouted and jerked his head back; the raptor narrowly missed him, but its jaws closed on his shirt. Then the raptor fell back, jaws clenched tight, and its weight pulled Eddie forward over the failing.

He yelled "Help me! Help!" as he started to topple over the side; Levine threw his arms around him, dragging him back. Levine looked past Eddie's shoulder at the raptor, which was now dangling in space, hissing furiously, still gripping the shirt. Eddie pounded the raptor on the snout with his bar. But the raptor held on like a bulldog. Eddie was bent precariously over the railing; he might fall at any moment.

He jabbed the bar into the animal's eye, and abruptly the raptor released its grip. The two men fell back into the shelter. When they got to their feet, they saw raptors climbing up the sides of the hide. As they appeared at the rail, Eddie swung at them with the strut, knocking them back.

"Quick!" he shouted to the kids. "Up on the roof! Quick!" Kelly started climbing one of the struts, then pushed herself easily up onto the roof. Arby stood there, his expression blank. She looked back down and said, "Come on, Arb!"

The boy was frozen, his eyes wide with fear. Levine ran to help him, lifted him up. Eddie was swinging the strut in wide arcs, the metal smacking against the raptors.

One of the raptors caught the strut in its jaws and jerked it hard. Eddie lost his balance, twisted, and fell backward, toppling over the side. He cried "Nooo!" as he fell. Immediately all the animals dropped down to the ground. They heard Eddie screaming in the night. The raptors snarled.

Levine was terrified. He was still holding Arby in his arms, Pushing him up to the roof "Go on," he kept saying. "Go on. Go on."

From the roof, Kelly was saying, "You can do it, Arb."

The boy gripped the roof, pulling himself up, his legs churning in panic. He kicked Levine hard in the mouth and Levine dropped him. He saw the boy slide away, and drop backward to the ground.

"Oh Christ," Levine said. "Oh Christ."

Thorne was underneath the trailer, unhooking the cable. He released it, crawled out, and sprinted for the Jeep. He heard the whirr of a motor and saw that Sarah had gotten onto the motorbike, and was already racing off, a Lindstradt rifle slung across her shoulder.

He got behind the wheel, turned on the engine, and waited impatiently while the cable winched in, the hook sliding across the grass. It seemed to take forever. Now the cable was snaking around the tree. He waited. He looked over and saw the light from Sarah's bike moving off through the foliage, heading down toward the high hide.

At last the winch motor stopped. Thorne threw the car in gear, and roared away from the clearing. The radio clicked. "Ian," he said.

" Don't worry about me," Malcolm said, in a dreamy voice. "I'm just fine."

Kelly was lying flat on the angled roof of the shed, looking down over the side. She saw Arby hit the ground, on the other side of the structure from Eddie. He seemed to hit hard. But she didn't know what happened to him, because she had turned away to grip the wet roof, and when she looked back down again, Arby was gone.

Gone.

Sarah Harding drove fast on the muddy jungle road. She wasn't sure where she was, but she thought by following the terrain downward she would eventually come out onto the plain. At least that was her hope.

She accelerated, came around a curve, and suddenly saw a big tree blocking the road. She braked to a stop, spun the bike around, and headed back again. Farther up the road, she saw Thorne's twin headlights, turning off to the right. She followed his Jeep, racing her engine in the night.

Levine stood in the center of the high hide, frozen with terror. The raptors were no longer jumping, no longer trying to climb the structure. He heard them down on the ground, snarling. He heard the sharp crunch of bones. The boy had never made a sound.

Cold sweat broke out all over his body.

Then he heard Arby shout, "Back! Get back!"

Up on the roof, Kelly twisted around, trying to see down on the other side. In the dying light of the flare, she saw that Arby was inside the cage. He had managed to close the door, and was reaching his hand back through the bars, to turn the key in the lock. There were three raptors near him; they leapt forward when they saw his hand, and he pulled it back quickly. He shouted, "Get back!" The raptors began to bite the cage, turning their heads sideways to gnaw the bars. One of the animals got its lower jaw tangled up in the looped elastic band that hung from the key. The raptor pulled its head away, stretching the elastic, and suddenly the key snapped out of the lock, smacking against its neck.

The raptor squealed in surprise and stepped backward. The elastic was now looped tight around the lower jaw, the key glinting in the light. The raptor scratched at it with its forearms, trying to pull the elastic loop off, but it was caught around the curved back teeth, and the animal's efforts just made the elastic snap on the skin. Soon it gave up, and began rubbing its snout in the dirt, trying to get the key off.

Meanwhile the other raptors managed to pull the cage free from the superstructure, and knock it over onto the ground. They ducked their heads, slashing Arby behind the bars. When they realized that wouldn't work, they kicked and stomped the cage repeatedly. More animals joined them. Soon seven raptors were clustered over the cage. They kicked it and it rolled away from the hide. Their bodies blocked her view of Arby.

She heard a faint sound, and looked up to see two headlights in the distance. It was a car.

Someone was coming.

Arb was in hell. Inside the cage, he was surrounded by black snarling shapes. The raptors couldn't get their jaws through the spaces in the bars, but their hot saliva dripped down on him, and when they kicked their claws came through, slashing his arms and shoulders as he rolled. His body was bruised. His head hurt from banging against the bars. His world was swirling, terrifying pandemonium. He knew only one thing with certainty.

The raptors were rolling him away from the hide.

As the car came closer, Levine went to the railing and looked down. In the light of the red flare, he saw three raptors dragging what remained of Eddie's body toward the jungle. They paused frequently to fight over it, snapping at each other, but they still managed to haul it away.

Then he saw that another group of raptors were kicking and pushing the cage. They rolled it down the game trail, and into the forest.

Now he could hear the rumble of the jeep engine, as the car came closer. He saw Thorne's silhouette behind the wheel.

He hoped he had a gun. Levine wanted to kill every one of these damned animals. He wanted to kill them all.

Up on the roof, Kelly watched the raptors kicking the cage, rolling it away. One raptor remained behind, turning around and around in circles, like a frustrated dog. Then she saw it was the raptor that had caught its jaw in the elastic loop. The key still dangled along its check, glinting in the red light. The raptor jerked its head up and down, trying to get free.

The Jeep came roaring forward, and the raptor seemed confused by the sudden bright lights. Thorne accelerated, trying to hit it with his car. The raptor turned and ran off, out into the plain.

Kelly scrambled off the roof, and headed down.

Thorne threw open the door as Levine jumped into the car. "They got the kid," Levine said, pointing along the trail.

Kelly was still coming down, shouting, "Wait!"

Thorne said, "Get back up there. Sarah's coming! We'll get Arby!"

"But - "

"We can't lose them!" Thorne grinned the engine, and started to drive down the game trail, chasing the raptors.

In the trailer, Ian Malcolm listened to the voices shouting over the radio. He heard the panic, the confusion.

Black noise, he thought. Everything going to hell at once.

A hundred thousand things interacting.

He sighed, and closed his eyes.

Thorne drove fast. The jungle was dense around them. The trail ahead began to narrow, the big palms edging closer, slapping the car. He said, "Can we make it?"

"It's wide enough," Levine said. "I walked it earlier today. Paras use this trail."

"How could this happen?" Thorne said. "The cage was attached to the scaffolding."

"I don't know," Levine said. "It broke off."

"How? How?"

"I didn't see. A lot happened."

"And Eddie?" Thorne said grimly.

"It was fast," Levine said.

The Jeep plunged through the jungle, bouncing hard as it followed the game trail; they banged their heads on the cloth roof. Thorne drove recklessly. Up ahead, the raptors were moving fast; he could hardly see the last of the animals, sprinting in the darkness up ahead.

"They wouldn't listen to me!" Kelly shouted, as Sarah pulled up on the motorcycle.

"About what?"

"The raptor took the key! Arby's locked in the cage and the raptor took the key!"

"Where?" Sarah said.

"There!" she said, pointing across the plain. In the moonlight they could just see the dark shape of the fleeing raptor. "We need the key!"

Get on," Sarah said, unshouldering her rifle. Kelly climbed behind her on the bike. Sarah thrust the gun into her hands. "Can you shoot?"

"No. I mean, I never - "

"Can you drive a bike?"

"No, I - "

"Then you have to shoot," Sarah said. "Now, look: trigger's here. Okay? Safety's here. Twist it like this. Okay? It'll be a rough ride, so don't release it until we get close."

"Close to what?"

But Sarah didn't hear her. She grinned the engine, and the bike accelerated, heading out into the plain, chasing the fleeing raptor. Kelly put one arm around Sarah, and tried to hold on.

The Jeep bounced along the jungle trail, splashing through muddy pools. "I don't remember it this rough," Levine said, clutching the armhold. "Maybe you should slow down - "

"Hell no," Thorne said. "If we lose sight of him, it's over. We don't know where the raptor nest is. And in this jungle, at night…Ah, hell."

Up ahead, the raptors were leaving the trail, running off into the underbrush. The cage was gone. Thorne could not see the terrain very well, but it looked like a sheer hill, going almost straight down.

" You can't do it," Levine said. "It's too steep."

"I have to do it, " Thorne said.

"Don't be crazy," Levine said. "Face facts. We've lost the kid, Doe. It's too bad, but we've lost him."

Thorne glared at Levine. "He didn't give up on you," he said. "And we're not giving up on him."

Thorne spun the wheel and drove the Jeep over the edge. The car nosed down sickeningly, gained speed, and began a steep descent.

"Shit!" Levine yelled. "You'll kill us all"

"Hang on!"

Bouncing, they plunged downward into darkness.

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