The Miracle Strip (27 page)

Life was going to settle down for me and Fluffy. No more looking for lost dogs and missing owners, no more running and chasing. In fact, life was going to be boring, and for once I welcomed it.

I looked over at John Nailor. He was behind the wheel of a hot car and obviously enjoying himself. I would miss him, I realized with a start. I would miss the excitement of sparring. I wouldn't look out into the audience and find him sitting there, not with the case closed and other things for him to attend to. He turned into the Lively Oaks and roared down to my driveway, pulling the car up onto the pad and stopping inches from the bottom step. I felt distinctly sad.

“Sierra,” he said, his voice suddenly brisk and businesslike, “did you leave your door open?”

I looked up and felt the now-familiar fear grip my chest and squeeze hard. My door was wide open, light streaming from the trailer into the predawn darkness.

“No,” I answered, “I didn't. I could have sworn I locked it and I know the lights were off.”

Nailor's gun was drawn and he was easing out of the car. Whoever was inside hadn't rushed out when they heard us roar up. Maybe the Outlaws had come and gone. Nailor signaled to the unmarked car following us, and the other detective picked up his radio. After a moment the other detective left his car, his gun drawn, and joined Nailor at the foot of the steps.

I didn't stay in the car. I didn't figure it would be safe and I had to know what was going on. From inside the trailer, drifting out into the early-morning air, came the distinct odor of freshly brewed coffee.

“Hit me, boys,” I heard Raydean cry.

“Raydean,” I mouthed to him silently. At that, Nailor laughed softly and holstered his gun. The other detective pushed his gun back into his holster and returned to the car to head off the uniformed backup that I could now hear in the distance.

I ran up the steps, wondering who Raydean's early-morning company was, into the kitchen and straight into my pop.

Pop stood there, a scowl on his face, wearing an oven mitt and holding a fresh pot of coffee. Raydean and my brother Al sat at the card table in the living room. Suddenly I was sixteen years old, out past my curfew, and caught by my father.

“What in the hell? What's on your face? Where's your shirt, for Christ's sake? Where the hell have you been?” he asked.

“Pop,” I cried, hugging him and making a face at Al over Pop's back. “What're you doing here?”

Pop wasn't making nice. He put the coffeepot down and folded his arms across his chest. “Your brother Alonzo, finally he comes to me and tells me you're in trouble down here. He says you think you can handle it, but he smells different. He wises up and figures he needs to tell me. You're damn right he needed to tell me,” he said, the scowl now directed at Al. “We come down here as fast as we could, not like two men on a vacation to the shore, no, like an old man coming to rescue his grown-up daughter.”

“Pop, I—”

“Enough,” Pop roared. Raydean straightened in her seat and looked like maybe Pop was one of them Flemish she was so concerned about. Al was making a face like didn't he tell me so.

“And who is this?” Pop asked, looking at Nailor.

“Detective John Nailor, sir. If it's any help to you, sir, your daughter's situation has been resolved successfully and she is no longer in any difficulty.”

“You mean,” said Pop, “she pulled her ass out of the fire, all by herself, like she always does, tempting Lady Luck again.”

“Exactly,” said Nailor, grinning.

Pop wandered a couple of feet over to one of my barstools and sat down, mopping his brow with a handkerchief.

“'At's a hell of a note, isn't it, Detective? A man can't even protect his own daughter. Always the tomboy, always taking her licks and no helping her. Sweet Mother of God, it's all I can do to keep up.” Pop started to laugh and then Nailor and Al started. The tension had broken.

“What the hell,” Pop said, rising from his stool. “I made a pot of coffee and this lovely lady has entertained us all night long. Youse two draw up a couple of chairs, let's play a hand or two.”

We followed Pop over to the table where Raydean dealt the cards. She was still wearing her shiny yellow rainslicker, but this time she had a housedress on underneath. When Pop sat down next to her, she reached over tenderly and patted his arm.

“Hit me, big man,” she whispered softly. “Luck be a lady, right?”

Pop squeezed her hand and picked up the cards. “She was tonight,” he murmured.

I picked up my cards and looked across the table at John Nailor. He was slowly picking up his cards, one at a time, and sticking them in his hand, but he wasn't watching the cards. He was watching me.

 

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— Nancy Bartholomew's —

LATEST BOOK

Drag Strip

AVAILABLE IN HARDCOVER FROM ST. MARTIN'S PRESS

John Nailor and Vincent Gambuzzo are trying to drive me crazy. If they were working together on this project, I'm sure I'd be in a straitjacket somewhere, gulping down Prozac cocktails. As it is, I'm still one up on both of them, but they're gaining on me.

John Nailor is a detective with the Panama City Police Department, and up until he kissed this little brown-headed woman, I thought he was pretty interested in me. It wasn't like we were dating. We had shared an encounter of a personal and dangerous nature and I thought that in the near future we would evolve into something a bit more horizontal. But when he looked over at me before he kissed her, I knew I'd gotten it all wrong.

I guess he's not really my type anyway. He's too clean-cut. His hair is straight and brown, and he wears suits, with crisp oxford-cloth shirts and ties. He's not even quite as tall as me when I wear my five-inch stilettos, but still, there's something about him that makes me forget that I prefer a biker with a panhead Harley. Maybe it's his eyes. When I stare at him, he never backs down. That is, until he kissed that woman right in front of me. He looked away then.

Vincent Gambuzzo, on the other hand, drives me crazy for an entirely different reason. He's my boss. He figures it's his job to make my life a living hell. The Tiffany, where I work, is his little kingdom. He figures if he micromanages his exotic dancers, especially me, his headliner, then his club will one day be as well-known as the Gold Club in Atlanta. I say what Vincent knows about managing talent could be stuck on the head of a pin and you'd still have room left over.

Take, for example, tonight. I'm out on the runway doing my tribute to Dorothy and The Wizard of Oz when Vincent comes barreling right down front with some young guy in a black satin jacket. Vincent can never do anything small. He weighs about three hundred pounds, all of which he squeezes into a black suit and black silk collarless shirt. He talks loud and he wears black wraparound sunglasses 24/7, even with it dark as ink in the club.

“Hey, Rita,” he shouts, “bring Mr. Rhodes here a gin and tonic. And bring me my usual.”

Did he not have any respect for a working artist? Judy Garland is crooning “Somewhere Over the Rainbow,” I'm reaching behind my back to undo my red sequin bra, and guys are down front panting. He completely blew the moment.

Vincent didn't even notice. He was too busy arranging for Mr. Big Shot's comfort. For somebody who's always intimating that he's mob connected and therefore fearless, he sure was kissing up to this Mr. Rhodes. It was sickening, but then, I know Vincent is no more connected to the mob than my third-grade teacher, Sister Mary Rose. So he needs all the big-shot connections he can get. Of course, that still doesn't justify why he saw fit to drag me into the whole thing. If Vincent Gambuzzo hadn't dragged me into his little plan for Mickey Rhodes and the Dead Lakes Motor Speedway, then I wouldn't have seen John Nailor kissing that bimbo and I certainly wouldn't have gotten myself in such big-time trouble.

Vincent waited until I was down to my pasties and my red sequin shoes to point me out to his visitor. He leaned across the table and bellowed: “Now you'll want her for sure. That's what you get when you use the Tiffany talent.”

I'm thinking whatever scheme Vincent Gambuzzo is trying to promote, Sierra Lavotini will avoid like the black plague. I don't do lap dances and I don't have nothing but a hands-off relationship with the clientele. Vincent had to be out of his mind, and the dirty look I shot him told him so.

Vincent laughed. “She's a feisty one, that Sierra, but she draws a crowd.”

I'm thinking to have a little talk with Gambuzzo after his friend leaves, maybe remind him that Sierra Lavotini is perhaps connected to the “Big Moose” Lavotini syndicate out of Cape May, New Jersey. That usually kept Vincent in his place. He didn't need to find out that I was in no way related to Mr. Moose.

When I clicked my heels three times for the finale and started saying “There's no place like home” to my crowd of admirers, Vincent started talking again. I'm sure he ruined my tips by a good fifty percent.

“Sure,” he was saying. “Pick any two girls you want. I'll have them up to the Speedway for opening night. It's no problem.”

I snapped my garter, trying to get Vincent's attention, but he ignored me. If he thought I was going up to some racetrack and stand around while greasy-fingered motorheads rubbed their hands all over my ass, well, he was mistaken.

Of course, if the money was right, I might consider it.

*   *   *

Ruby Diamond was born to strip. I knew it from the moment she walked into the Tiffany. You can tell a natural at a glance. It's the way she moves. Ruby's walk was a caress. She was comfortable with herself and vulnerable, all at once. When she got up on stage to audition, the men in the club stopped to watch, and not because her figure was outstanding, which it was. They stopped because something in them reached out to her.

Ruby walked out on stage and the music started, but she didn't move for a full thirty seconds. She just stood there, looking out like she was searching past the bright lights for something or someone. She stood there, biting her lower lip gently, wearing nothing but an FSU T-shirt and a bikini. She had long brown hair, coiled into a sleek French twist, and large liquid brown eyes. For one moment, every man in the place imagined that Ruby was a virgin and she was going to offer herself to only him.

They moved, like a herd, down to the front of the stage, their faces changing into soft, comforting older-but-wiser lovers. She seemed to look at each man, a smile playing softly across her face, and then she began to move. She held those men in the palm of her hand, and before she'd even lost her T-shirt, her garter was full of bills.

The men didn't whistle and call out like they do the ones who strip to get naked. They whispered encouragement. They smiled like newlywed husbands on their honeymoon night. They were entranced. Ruby, in her soft, open way, was seeming to give herself up to them, but I was watching her eyes and I knew the truth. Ruby was a pro, just like me. She was new and her act lacked refinement, but she was pro material nonetheless.

Later, after Vincent hired her, I gave her the backstage tour. That's when I got the scoop, just like I do with all the new girls.

“So what do you think?” I asked. I swept my arm around the locker room, including the long makeup bar with its wall-to-wall mirror and the rusty metal lockers.

Ruby was glowing. “It's great. Just great.” In the light of the dressing room I could see she was no more than nineteen, about the age I was when I started.

“First job?” I asked.

She turned to me, her eyes gleaming with the knowledge she'd just conquered the room.

“Yeah,” she breathed. “Yeah. But I won a wet T-shirt contest on the beach last month.” As if that counted for something.

I knew the look. She'd just discovered that there was something she could do really well. She could make men want her, and for that, she could make a lot of money. I felt the same way my first time. Most of the time I still feel that way. There's nothing like standing at the edge of the runway, towering over a crowd of men, and realizing they're yours. You own them.

“I just moved here from Wewahitchka,” she said abruptly. “I got my own place and everything, but my roommate, she took off on me. I didn't know how I was gonna make the rent. Then I saw the audition sign, and it was just like my psychic said: ‘Don't turn down any opportunities; this is your lucky cycle.' ”

Ruby was running on adrenaline now, driven to give me every detail of her short life.

“I don't know if I can really do this,” she said honestly. “I mean, Mr. Gambuzzo said we were supposed to have themes and choreography and, well, I can dance and I took lessons from Miss Loraine at the Wewa Dance Studio, but this is different.” Her voice slowed and she seemed overtaken by the enormity of her situation. She looked at me as if she were seeing me for the first time.

“What in the world am I gonna do?” she asked. Her legs seemed to give out under her and she sank into one of the chairs by the makeup bar. “Aw, man,” she sighed.

“Ruby, get a grip,” I said. “You're new. You're green. And you got talent. Without talent, technique ain't nothing but T-and-A working a pole. Vincent is a windbag, and nobody expects you to be a pro right off. You'll learn the moves from the rest of us. Pretty soon it'll come natural, from inside somewhere.”

“Like when you know something but nobody ever taught you and so you start thinking you must've done it in a past life?”

No, I thought, nothing like that. “Past life?” I shrugged.“Whatever. All's I know is, when I stepped on stage my first time, I felt just like you did. At first you're scared, but when you see their faces, and you see that money sliding into your garter, you get this rush that's better than anything you ever did before. That's when you know you're a dancer. If you don't fight it, it'll come and take you over. Then you're on a big stage making big bucks, and don't nobody own you. Not ever.”