The M.R. James Megapack (51 page)

“I suppose it
is
Worby, and not a substitute,” thought Lake to himself, as he walked up the nave. There was, in fact, nothing untoward. Worby showed him the papers which he had come to fetch out of the Dean’s stall, and asked him what he thought of the spectacle: Lake agreed that it was well worth seeing. “I suppose,” he said, as they walked towards the altar-steps together, “that you’re too much used to going about here at night to feel nervous—but you must get a start every now and then, don’t you, when a book falls down or a door swings to.”

“No, Mr. Lake, I can’t say I think much about noises, not nowadays: I’m much more afraid of finding an escape of gas or a burst in the stove pipes than anything else. Still there have been times, years ago. Did you notice that plain altar-tomb there—fifteenth century we say it is, I don’t know if you agree to that? Well, if you didn’t look at it, just come back and give it a glance, if you’d be so good.” It was on the north side of the choir, and rather awkwardly placed: only about three feet from the enclosing stone screen. Quite plain, as the Verger had said, but for some ordinary stone panelling. A metal cross of some size on the northern side (that next to the screen) was the solitary feature of any interest.

Lake agreed that it was not earlier than the Perpendicular period: “but,” he said, “unless it’s the tomb of some remarkable person, you’ll forgive me for saying that I don’t think it’s particularly noteworthy.”

“Well, I can’t say as it is the tomb of anybody noted in ’istory,” said Worby, who had a dry smile on his face, “for we don’t own any record whatsoever of who it was put up to. For all that, if you’ve half an hour to spare, sir, when we get back to the house, Mr. Lake, I could tell you a tale about that tomb. I won’t begin on it now; it strikes cold here, and we don’t want to be dawdling about all night.”

“Of course I should like to hear it immensely.”

“Very well, sir, you shall. Now if I might put a question to you,” he went on, as they passed down the choir aisle, “in our little local guide—and not only there, but in the little book on our Cathedral in the series—you’ll find it stated that this portion of the building was erected previous to the twelfth century. Now of course I should be glad enough to take that view, but—mind the step, sir—but, I put it to you—does the lay of the stone ’ere in this portion of the wall (which he tapped with his key) does it to your eye carry the flavour of what you might call Saxon masonry? No? I thought not; no more it does to me: now, if you’ll believe me, I’ve said as much to those men—one’s the librarian of our Free Libry here, and the other came down from London on purpose—fifty times, if I have once, but I might just as well have talked to that bit of stonework. But there it is, I suppose every one’s got their opinions.”

The discussion of this peculiar trait of human nature occupied Mr. Worby almost up to the moment when he and Lake re-entered the former’s house. The condition of the fire in Lake’s sitting-room led to a suggestion from Mr. Worby that they should finish the evening in his own parlour. We find them accordingly settled there some short time afterwards.

Mr. Worby made his story a long one, and I will not undertake to tell it wholly in his own words, or in his own order. Lake committed the substance of it to paper immediately after hearing it, together with some few passages of the narrative which had fixed themselves
verbatim
in his mind; I shall probably find it expedient to condense Lake’s record to some extent.

Mr. Worby was born, it appeared, about the year 1828. His father before him had been connected with the Cathedral, and likewise his grandfather. One or both had been choristers, and in later life both had done work as mason and carpenter respectively about the fabric. Worby himself, though possessed, as he frankly acknowledged, of an indifferent voice, had been drafted into the choir at about ten years of age.

It was in 1840 that the wave of the Gothic revival smote the Cathedral of Southminster. “There was a lot of lovely stuff went then, sir,” said Worby, with a sigh. “My father couldn’t hardly believe it when he got his orders to clear out the choir. There was a new dean just come in—Dean Burscough it was—and my father had been ’prenticed to a good firm of joiners in the city, and knew what good work was when he saw it. Crool it was, he used to say: all that beautiful wainscot oak, as good as the day it was put up, and garlands-like of foliage and fruit, and lovely old gilding work on the coats of arms and the organ pipes. All went to the timber yard—every bit except some little pieces worked up in the Lady Chapel, and ’ere in this overmantel. Well—I may be mistook, but I say our choir never looked as well since. Still there was a lot found out about the history of the church, and no doubt but what it did stand in need of repair. There were very few winters passed but what we’d lose a pinnicle.” Mr. Lake expressed his concurrence with Worby’s views of restoration, but owns to a fear about this point lest the story proper should never be reached. Possibly this was perceptible in his manner.

Worby hastened to reassure him, “Not but what I could carry on about that topic for hours at a time, and do do when I see my opportunity. But Dean Burscough he was very set on the Gothic period, and nothing would serve him but everything must be made agreeable to that. And one morning after service he appointed for my father to meet him in the choir, and he came back after he’d taken off his robes in the vestry, and he’d got a roll of paper with him, and the verger that was then brought in a table, and they begun spreading it out on the table with prayer books to keep it down, and my father helped ’em, and he saw it was a picture of the inside of a choir in a Cathedral; and the Dean—he was a quick spoken gentleman—he says, ‘Well, Worby, what do you think of that?’ ‘Why’, says my father, ‘I don’t think I ’ave the pleasure of knowing that view. Would that be Hereford Cathedral, Mr. Dean?’ ‘No, Worby,’ says the Dean, ‘that’s Southminster Cathedral as we hope to see it before many years.’ ‘In-deed, sir,’ says my father, and that was all he did say—leastways to the Dean—but he used to tell me he felt really faint in himself when he looked round our choir as I can remember it, all comfortable and furnished-like, and then see this nasty little dry picter, as he called it, drawn out by some London architect. Well, there I am again. But you’ll see what I mean if you look at this old view.”

Worby reached down a framed print from the wall. “Well, the long and the short of it was that the Dean he handed over to my father a copy of an order of the Chapter that he was to clear out every bit of the choir—make a clean sweep—ready for the new work that was being designed up in town, and he was to put it in hand as soon as ever he could get the breakers together. Now then, sir, if you look at that view, you’ll see where the pulpit used to stand: that’s what I want you to notice, if you please.” It was, indeed, easily seen; an unusually large structure of timber with a domed sounding-board, standing at the east end of the stalls on the north side of the choir, facing the bishop’s throne. Worby proceeded to explain that during the alterations, services were held in the nave, the members of the choir being thereby disappointed of an anticipated holiday, and the organist in particular incurring the suspicion of having wilfully damaged the mechanism of the temporary organ that was hired at considerable expense from London.

The work of demolition began with the choir screen and organ loft, and proceeded gradually eastwards, disclosing, as Worby said, many interesting features of older work. While this was going on, the members of the Chapter were, naturally, in and about the choir a great deal, and it soon became apparent to the elder Worby—who could not help overhearing some of their talk—that, on the part of the senior Canons especially, there must have been a good deal of disagreement before the policy now being carried out had been adopted. Some were of opinion that they should catch their deaths of cold in the return-stalls, unprotected by a screen from the draughts in the nave: others objected to being exposed to the view of persons in the choir aisles, especially, they said, during the sermons, when they found it helpful to listen in a posture which was liable to misconstruction. The strongest opposition, however, came from the oldest of the body, who up to the last moment objected to the removal of the pulpit. “You ought not to touch it, Mr. Dean,” he said with great emphasis one morning, when the two were standing before it: “you don’t know what mischief you may do.” “Mischief? it’s not a work of any particular merit, Canon.” “Don’t call me Canon,” said the old man with great asperity, “that is, for thirty years I’ve been known as Dr. Ayloff, and I shall be obliged, Mr. Dean, if you would kindly humour me in that matter. And as to the pulpit (which I’ve preached from for thirty years, though I don’t insist on that) all I’ll say is, I
know
you’re doing wrong in moving it.” “But what sense could there be, my dear Doctor, in leaving it where it is, when we’re fitting up the rest of the choir in a totally different
style
? What reason could be given—apart from the look of the thing?” “Reason! reason!” said old Dr. Ayloff; “if you young men—if I may say so without any disrespect, Mr. Dean—if you’d only listen to reason a little, and not be always asking for it, we should get on better. But there, I’ve said my say.” The old gentleman hobbled off, and as it proved, never entered the Cathedral again. The season—it was a hot summer—turned sickly on a sudden. Dr. Ayloff was one of the first to go, with some affection of the muscles of the thorax, which took him painfully at night. And at many services the number of choirmen and boys was very thin.

Meanwhile the pulpit had been done away with. In fact, the sounding-board (part of which still exists as a table in a summer-house in the palace garden) was taken down within an hour or two of Dr. Ayloff’s protest. The removal of the base—not effected without considerable trouble—disclosed to view, greatly to the exultation of the restoring party, an altar-tomb—the tomb, of course, to which Worby had attracted Lake’s attention that same evening. Much fruitless research was expended in attempts to identify the occupant; from that day to this he has never had a name put to him. The structure had been most carefully boxed in under the pulpit-base, so that such slight ornament as it possessed was not defaced; only on the north side of it there was what looked like an injury; a gap between two of the slabs composing the side. It might be two or three inches across. Palmer, the mason, was directed to fill it up in a week’s time, when he came to do some other small jobs near that part of the choir.

The season was undoubtedly a very trying one. Whether the church was built on a site that had once been a marsh, as was suggested, or for whatever reason, the residents in its immediate neighbourhood had, many of them, but little enjoyment of the exquisite sunny days and the calm nights of August and September. To several of the older people—Dr. Ayloff, among others, as we have seen—the summer proved downright fatal, but even among the younger, few escaped either a sojourn in bed for a matter of weeks, or at the least, a brooding sense of oppression, accompanied by hateful nightmares. Gradually there formulated itself a suspicion—which grew into a conviction—that the alterations in the Cathedral had something to say in the matter. The widow of a former old verger, a pensioner of the Chapter of Southminster, was visited by dreams, which she retailed to her friends, of a shape that slipped out of the little door of the south transept as the dark fell in, and flitted—taking a fresh direction every night—about the close, disappearing for a while in house after house, and finally emerging again when the night sky was paling. She could see nothing of it, she said, but that it was a moving form: only she had an impression that when it returned to the church, as it seemed to do in the end of the dream, it turned its head: and then, she could not tell why, but she thought it had red eyes. Worby remembered hearing the old lady tell this dream at a tea-party in the house of the chapter clerk. Its recurrence might, perhaps, he said, be taken as a symptom of approaching illness; at any rate before the end of September the old lady was in her grave.

The interest excited by the restoration of this great church was not confined to its own county. One day that summer an F.S.A., of some celebrity, visited the place. His business was to write an account of the discoveries that had been made, for the Society of Antiquaries, and his wife, who accompanied him, was to make a series of illustrative drawings for his report. In the morning she employed herself in making a general sketch of the choir; in the afternoon she devoted herself to details. She first drew the newly exposed altar-tomb, and when that was finished, she called her husband’s attention to a beautiful piece of diaper-ornament on the screen just behind it, which had, like the tomb itself, been completely concealed by the pulpit. Of course, he said, an illustration of that must be made; so she seated herself on the tomb and began a careful drawing which occupied her till dusk.

Her husband had by this time finished his work of measuring and description, and they agreed that it was time to be getting back to their hotel. “You may as well brush my skirt, Frank,” said the lady, “it must have got covered with dust, I’m sure.” He obeyed dutifully; but, after a moment, he said, “I don’t know whether you value this dress particularly, my dear, but I’m inclined to think it’s seen its best days. There’s a great bit of it gone.” “Gone? Where?” said she. “I don’t know where it’s gone, but it’s off at the bottom edge behind here.” She pulled it hastily into sight, and was horrified to find a jagged tear extending some way into the substance of the stuff; very much, she said, as if a dog had rent it away. The dress was, in any case, hopelessly spoilt, to her great vexation, and though they looked everywhere, the missing piece could not be found. There were many ways, they concluded, in which the injury might have come about, for the choir was full of old bits of woodwork with nails sticking out of them. Finally, they could only suppose that one of these had caused the mischief, and that the workmen, who had been about all day, had carried off the particular piece with the fragment of dress still attached to it.