The Night In Question (20 page)

“Stole what?”

“The coat,” he said. “Robinson’s overcoat. Don’t tell me you didn’t know that.”

“Well, I didn’t.”

“Then you must’ve been living in a cave or something. You know Robinson, right? Robinson was my roommate. He had this camel’s hair overcoat, this really just beautiful overcoat. I kind of got obsessed with it. I thought about it all the time. Whenever he went somewhere without it, I’d put it on and stand in front of the mirror. Then one day I just took the fucker. I stuck it in my locker over at the gym. Robinson was really upset. He’d go to his closet ten, twenty times a day, like he thought the coat had just gone for a walk or something. So anyway, I brought it back. Robinson came into the room right when I was hanging it up.” Crosley bent forward suddenly, then leaned back.

“You’re lucky they didn’t kick you out.”

“I wish they had,” he said. “The dean wanted to play Jesus. He got all choked up over the fact that I’d brought it back.” Crosley rubbed his arms. “Man, did I want that coat. It was ridiculous how much I wanted that coat. You know?” He looked right at me. “Do you know what I’m talking about?”

I nodded.

“Really?”

“Yes.”

“Good.” Crosley lay back against the pillow, then lifted his feet onto the bed. “Say,” he said, “I think I figured out how come García invited me.”

“Yeah?”

“He was mad at his stepmother, right? He wanted to punish her.”

“So?”

“So I’m the punishment. He probably heard I was the biggest douchebag in school, and figured whoever came with me would have to be a douchebag too. That’s my theory, anyway.”

I started laughing. It killed my stomach but I couldn’t
stop. Crosley said, “Come on, man, don’t make me laugh,” and he started too, laughing and moaning at the same time.

We lay without talking, then Crosley said, “El Negro.”

“Yeah.”

“What are you going to do with your C-note?”

“I don’t know. What are you going to do?”

“Buy a woman.”

“Buy a woman?”

“I haven’t gotten laid in a really long time. In fact,” he said, “I’ve never gotten laid.”

“Me either.”

I thought about his words.
Buy a woman
. He could actually do it. I could do it myself. I didn’t have to wait, didn’t have to burn like this for month after month until Jane decided she was ready to give me relief. Three months was a long time to wait. It was an unreasonable time to wait for anything if you had no good reason to wait, if you could just buy what you needed. And to think that you could buy this—buy a mouth for your mouth, and arms and legs to wrap you tight. I had never considered this before. I thought of the money in my book. I could almost feel it there. Pure possibility.

Jane would never know. It wouldn’t hurt her at all, and in a certain way it might help, because it was going to be very awkward at first if neither of us had any experience. As a man, I should know what I was doing. Everything would be a lot better that way.

I told Crosley that I liked his idea. “The time has come to lose our innocence,” I said.

“Exactamente,”
he said.

And so we sat up and took counsel, leaning toward each other from the beds, holding our swollen bellies, whispering back and forth about how this thing might be done, and where, and when.

L
ady’s suffocating. Robert can’t stand to have the windows down because the air blowing into the car bothers his eyes. The fan is on but only at the lowest speed, as the sound annoys him. Lady’s head is getting heavy, and when she blinks she has to raise her eyelids by an effort of will. The heat and dampness of her skin give her the sensation of a fever. She’s beginning to see things in the lengthening moments when her eyes are closed, things more distinct and familiar than the dipping wires and blur of trees and the silent staring man she sees when they’re open.

“Lady?” Robert’s voice calls her back, but she keeps her eyes closed.

That’s him to the life. Can’t stand her sleeping when he’s not. He’d have some good reason to wake her, though. Never a mean motive. Never. When he’s going to ask somebody for a favor he always calls first and just passes the time, then calls back the next day and says how great it was talking to them, he enjoyed it so much he forgot to ask if they’d mind doing something for him. Has no idea he does this. She’s never heard him tell a lie, not even to make a story better. Tells the most boring stories. Just lethal. Considers
every word. Considers everything. Early January he buys twelve vacuum cleaner bags and writes a different month on each one so she’ll remember to change them. Of course she goes as long as she can on every bag and throws away the extras at the end of the year, because otherwise he’d find them and know. Not say anything—just know. Once she threw away seven. Sneaked them outside through the snow and stuffed them in the garbage can.

Considerate. Everything a matter of principle. Justice for all, yellow brown black or white they are precious in his sight. Can’t say no to any charity but always forgets to send the money. Asks her questions about his own self.
Who’s that actress I like so much? What’s my favorite fish?
Is calm in every circumstance. Polishes his glasses all the time. They gleam so you can hardly see his eyes. Has to sleep on the right side of the bed. The sheets have to be white. Any other color gives him nightmares, forget about patterns. Patterns would kill him. Wears a hardhat when he works around the house. Says her name a hundred times a day. Always has. Any excuse.

He loves her name. Lady. Married her name. Shut her up in her name. Shut her up.

“Lady?”

Sorry, sir. Lady’s gone.

She knows where she is. She’s back home. Her father’s away but her mother’s home and her sister Jo. Lady hears their voices. She’s in the kitchen running water into a glass, letting it overflow and pour down her fingers until it’s good and cold. She lifts the glass and drinks her fill and sets the glass down, then walks slow as a cat across the kitchen and down the hall to the bright doorway that opens onto the porch where her mother and sister are sitting. Her mother straightens up and settles back again as Lady goes to the railing and leans on her elbows and looks down the street and then out to the fields beyond.

Lordalmighty it’s hot.

Isn’t it hot, though.

Jo is slouched in her chair, rolling a bottle of Coke on her forehead. I could just die.

Late again, Lady?

He’ll be here.

Must have missed his bus again.

I suppose.

I bet those stupid cornpones were messing with him like they do, Jo says. I wouldn’t be a soldier.

He’ll be here. Else he’d call.

I wouldn’t be a soldier.

Nobody asked you.

Now, girls.

I’d like to see you a soldier anyway, sleeping all day and laying in bed eating candy. Mooning around. Oh, General, don’t make me march, that just wears me out. Oh, do I have to wear that old green thing, green just makes me look sick, haven’t you got one of those in red? Why, I can’t eat lima beans, don’t you know about me and lima beans?

Now, Lady …

But her mother’s laughing and so is Jo, in spite of herself. Oh, the goodness of that sound. And of her own voice. Just like singing. General, honey, you know I can’t shoot that nasty thing, how about you ask one of those old boys to shoot it for me, they just love to shoot off their guns for Jo Kay.

Lady!

The three of them on the porch, waiting but not waiting. Sufficient unto themselves. Nobody has to come.

But Robert is on his way. He’s leaning his head against the window of the bus and trying to catch his breath. He missed the first bus and had to run to catch this one because his sergeant found fault with him during inspection and stuck him on a cleanup detail. The sergeant hates his
guts. He’s an ignorant cracker and Robert is an educated man from Vermont, an engineer just out of college, quit Shell Oil in Louisiana to enlist the day North Korea crossed the parallel. The only Yankee in his company. Robert says when they get overseas there won’t be any more Yankees and Southerners, just Americans. Lady likes him for believing that, but she gives him the needle because she knows it isn’t true.

He changed uniforms in a hurry and didn’t check the mirror before he left the barracks. There’s a smudge on his right cheek. Shoe polish. His face is flushed and sweaty, his shirt soaked through. He’s watching out the window and reciting a poem to himself. He’s a great one for poems, this Robert. He has poems for running and poems for drill and poems for going to sleep, and poems for when the rednecks start getting him down.

That’s the poem he uses to fortify himself. He thinks it over and over even when they’re yelling in his face. It keeps him strong. Lady laughs when he tells her things like this, and he always looks at her a little surprised and then he laughs too, to show he likes her sass, though he doesn’t. He thinks it’s just her being young and spoiled and that it’ll go away if he can get her out of that house and away from her family and among sensible people who don’t think everything’s a joke. In time it’ll wear off and leave her quiet and dignified and respectful of life’s seriousness—leave her pure Lady.

That’s what he thinks some days. Most days he sees no hope at all. He thinks of taking her home, into the house of
his father, and when he imagines what she might say to his father he starts hearing his own excuses and apologies. Then he knows that it’s impossible. Robert has picked up some psychology here and there, and he believes he understands how he got himself into this mess. It’s rebellion. Subconscious, of course. A subconscious rebellion against his father, falling in love with a girl like Lady. Because you don’t fall in love. No. Life isn’t a song. You choose to fall in love. And there are reasons for that choice, just as there’s a reason for every choice, if you get to the bottom of it. Once you figure out your reasons, you master your choices. It’s as simple as that.

Robert is looking out the window without really seeing anything.

It’s impossible. Lady is just a kid, she doesn’t know anything about life. There’s a rawness to her that will take years to correct. She’s spoiled and willful and half-wild, except for her tongue, which is all wild. And she’s Southern, not that there’s anything wrong with that per se, but a particular kind of Southern. Not trash, as she would put it, but too proud of not being trash. Irrational. Superstitious. Clannish.

And what a clan it is, clan Cobb. Mr. Cobb a suspender-snapping paint salesman always on the road, full of drummer’s banter and jokes about nigras and watermelon. Mrs. Cobb a morning-to-night gossip, weepily religious, content to live on her daughters’ terms rather than raise them to woman’s estate with discipline and right example. And the sister. Jo Kay. You can write that sad story before it happens.

All in all, Robert can’t imagine a better family than the Cobbs to beat his father over the head with. That must be why he’s chosen them, and why he has to undo that choice. He’s made up his mind. He meant to tell her last time, but there was no chance. Today. No matter what. She won’t understand.
She’ll cry. He will be gentle about it. He’ll say she’s a fine girl but too young. He’ll say that it isn’t fair to ask her to wait for him when who knows what might happen, and then to follow him to a place she’s never been, far from family and friends.

He’ll tell Lady anything but the truth, which is that he’s ashamed to have picked her to use against his father. That’s his own fight. He’s been running from it for as long as he can remember, and he knows he has to stop. He has to face the man.

He will, too. He will, after he gets home from Korea. His father will have to listen to him then. Robert will make him listen. He will tell him, he will face his father and tell him …

Robert’s throat tightens and he sits up straight. He hears himself breathing in quick shallow gasps and wonders if anyone else has noticed. His heart is kicking. His mouth is dry. He closes his eyes and forces himself to breathe more slowly and deeply, imitating calm until it becomes almost real.

They pass the power company and the Greyhound station. Red-faced soldiers in shiny shoes stand around out front smoking. The bus stops on a street lined with bars and the other men get off, hooting and pushing one another. There’s just Robert and four women left on board. They turn off Jackson and bump across the railroad tracks and head east past the lumberyard. Black men are throwing planks into a truck, their shirts off, skin gleaming in the hazy light. Then they’re gone behind a fence. Robert pulls the cord for his stop, waits behind a wide woman in a flowered dress. The flesh swings like hammocks under her arms. She takes forever going down the steps.

The sun dazzles his eyes. He pulls down the visor of his cap and walks to the corner and turns right. This is Arsenal Street. Lady lives two blocks down where the street runs
into fields. There’s no plan to the way it ends—it just gives out. From here on there’s nothing but farms for miles. At night Lady and Jo Kay steal strawberries from the field behind their house, dish them up with thick fresh cream and grated chocolate. The strawberries have been stewing in the heat all day and burst open at the first pressure of the teeth. Robert disapproves of reaping another man’s harvest, though he eats his share and then some. The season’s about over. He’ll be lucky if he gets any tonight.

He’s thinking about strawberries when he sees Lady on the porch, and at that moment the sweetness of that taste fills his mouth. He stops as if he just remembered something, then comes toward her again. Her lips are moving but he can’t hear her, he’s aware of nothing but the taste in his mouth, and the closer he comes the stronger it gets. His pace quickens, his hand goes out for the railing. He takes the steps as if he means to devour her.

No, she’s saying, no. She’s talking to him and to the girl whose life he seeks. She knows what will befall her if she lets him have it. Stay here on this porch with your mother and your sister, they will soon have need of you. Gladden your father’s eye yet awhile. This man is not for you. He will patiently school you half to death. He will kindly take you among unbending strangers to watch him fail to be brave. To suffer his carefulness, and to see your children writhe under it and fight it off with every kind of self-hurting recklessness. To be changed. To hear yourself, and not know who is speaking. Wait, young Lady. Bide your time.