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Authors: Louise Erdrich

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BOOK: The Painted Drum
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“Lonny Germaine,” I sound like a fussy schoolteacher, “would you care to explain?”

Lonny puts his gun into its hip holster, his fair cheeks suddenly mottled by embarrassment. He is a milk-white and black-haired transplanted French Canadian with round blue eyes and a pink bud of a mouth. He would perhaps have been a heartthrob in some past century, but for these times his looks are unattractively lush.

“The state police,” he says.

I cry out, suddenly, like a suspect in a crime drama. “Where’s your warrant?”

Lonny puts up the palms of his hands. “They said I should use extreme caution, use police procedure upon entering. They said there was a big patch—biggest ever in this part of the state—right out back of your place in a clearing in the woods. And you”—Lonny nods his head earnestly at me—“or some other lady was out there harvesting it.”

“Patch of what? Who?”

“Marijuana! They saw it from the helicopter.”

“Okay, I remember that helicopter.”

“Yeah.”

“So you decide to barge in here like some TV cop.”

“Well, you never know,” says Lonny, complacent and not at all defensive.

“Never know what? You’ve known us since you were a little boy. And you think we turned into drug lords?”

“It does pay,” Lonny says. “And they saw this woman out there.”

“It was me,” I say, “I was picking these blackberries!” I raise my dripping spoon. “For this jam!”

Lonny, confused now, snaps the holster on his gun and walks back out to the car to reconnoiter with the squawk box. For a while, as the two of us veer between outrage and amusement, and as I keep stirring the berries, we hear the staticky burps of conversation from the open car window. Suddenly Lonny puts his siren on again and bucks off, speeds away, up the road. Apparently he’s been instructed to harvest the crop, for perhaps an hour later, just as we’ve got used to the silence and started the rest of our day, the siren wails again. He gets so few opportunities to use it! Down the hill flies Lonny, and we jump to the window in time to see that the trunk of the police car is tied shut over a huge pile of what must be marijuana plants. As he bumps over the frost heaves in the gravel road bed, the tall fronds of the plants bob and wave, spilling out the sides of the trunk’s lid.

“So then, who planted it?” I ask Elsie. “Are you holding out on me?”

“Kit Tatro planted it,” she says. I’m surprised she knows this. But she goes on to say that she’s noticed him popping in and out of the woods across the field.

“I thought he was hunting,” I say.

“You don’t keep track of the hunting seasons, do you?”

I guess not. Tatro seems so much a part of the woods around here, almost part of the scenery, that I’ve never questioned much about his comings and goings. With a sigh and a little
whoosh
, the blackberries boil over the pot’s rim and cascade across the white enamel of the stove.

 

My father would have made a great thing of how Lonny burst into our kitchen. There would have been a hue and cry at the next town meeting. Delicious outrage. Letters to the Editor. There might have been a lawsuit. We just let it go. In the same way, we do not bother the spiders. I leave them alone. Father once had them sprayed to death, but they came right back.
Look and observe
, he said to us, pointing out the spiders,
the wolf spiders and the flies—one and the same—the devoured becomes the devourer.
He surrendered the field to the spiders, but continued to enforce his boundaries with nature selectively, kept birds from nesting in the eaves, but allowed cats to wander in and out of the loose rocks of the foundation. That was another thing my parents fought about. The cats. Elsie spayed. Father let them go feral.

These things may seem trivial, but they grew mighty. Great fury composed of need, duty, competition, sexual ambivalence, and pride existed between my parents. My father used his achingly snobbish sensitivities, his depressions, his startling sweetness, exactly the way trainers of horses use reins and whips in clever ways. It always astonishes me that relatively small humans can control horses weighing a ton and a half. Likewise my mother’s power, which has since shown itself to be considerable, was somehow channeled by means that were nearly invisible. Some days he just seemed to wear her out with his small naggings, other days it was the big thoughts that flummoxed her and bent her to his will. In the case of the blue enamel kettle, it was not the money alone he objected to, it was that she had spent a great amount upon a pot that was just shy of being the
best
pot. There was, he knew—although pots were more in her line of expertise—a sort of pot made only in one tiny village factory somewhere in Portugal.
Not France
, he shrieked. To have spent this amount of money on a pot that wasn’t quite the best that could be found was cretinous.

Cretinous was lighter fluid, the word I mean. Flames shot to the ceiling when my father said it. Other words they used in arguments had similar effects. They always used elevated words for simple insults. Neanderthalic for stupid, myopic for shortsighted, petulant for mean, and so on, as if they paged through Roget’s before they fought. We learned a great deal of vocabulary from their fights. Arrogate, obfuscate, phantasmagoria, stipple, hirsute, quell, atrophy, craven, natter, gnomic, pornographic. These were not words ordinarily encountered on grade school vocabulary tests, but I, at least, began to use them in my everyday writing assignments and soon enough was treated differently, as though I was really smart.

 

Brush jewelweed and its seeds pop six feet. Orb weavers make a very distinctive seam down the center of their webs. The juicier the berry, the sharper its thorns. What’s the difference between smart and self-protective? They are the same, I think. Only when you are secure enough not to fear immediate survival can you display creative intelligence in anything you do. For instance, once we had enough money to live comfortably, my mother proceeded to make us almost wealthy by dealing boldly in the most extraordinary rugs. She foraged for rugs in the dry, rotting attics of down-at-the-heel scions of Yankee landowners, scrounged for rugs at neighborhood yard sales, hassled over rugs that came from overseas in bales smelling of sheep fat and burnt dung. She slipped out of rummage sales with Navajo rugs woven with careful flaws to let the bad spirits out of the design. She bought the rugs and sold them and bought them again. To her, it was a dance of happy shadows, and sometimes the money was abstract, or even distracting, as was she, the buyer. It was the rug itself that chose its place in the world. She told me this with the same gravity my father used pronouncing on his book. I didn’t take it the same way, though, because the notion made her happy. She believed in it the way she believed in blue.

There was a blue she worried over then, and covets even now. She still regards blue objects with ferocity, assessing and comparing their blueness to the particular hot blue she claims made queens of courtesans and fools of kings. A dye of indigo and radioactive cobalt. A blue of furious innocence within the ochre of the pattern and the cinnamon and the dried blood of the other wools. It is a blue so intense it looks as though it were made on another planet. It is the blue behind your eyelids when you press past the yellow lights. It is the O.D. blue, I tell myself, of ecstasy and death. I’ll avoid it, thanks anyway. I’ve survived that blue and I will not look upon it anymore.

Oh yes, and my father also had blue eyes, though his were paler and a bit washed-out, with amber flecks.

 

“Between the eater and the eaten,” said my father, absurd when drunk. “Perfect unity. I have proved it with a mathematical formula.” We nodded. “I’m glad someone understands how faith eats reason and becomes a new beast. Or some two.”

He liked to work in his upstairs office after dinner, and we sneaked past him, or tried to be in bed before he came down the stairs. Still, I remember him always holding hard to the stair rail, blurred and loquacious. This one night, he’d caught us and so we sat on the bottom step with him, ready to bolt. He talked to us and praised us and compared our looks and held our hands. He tried to teach us how to whistle by putting our fingers between our teeth, but couldn’t do it himself and dribbled spit, which I pointed out. He kept trying to whistle in novel, boyish ways until at last he grew furious at our polite silence and we jumped up and ran.

“Get back here, you little shits!” he yelled as we leapt up the stairs. “If I really am your dad, and I’m not sure I am your father, why don’t you little twats tell me to go to hell?”

“Shut up,” said my mother, charging down toward him, for once forgetting that they fought with elevated diction.

The novelty of the
shut up
silenced him. We squeezed past her, thrilled we’d been called twats, which we understood. You’d think that the appalling thing he said would have upset us or caused us to lose sleep, but it didn’t. Although, as I said, we loved him, not only the word but his idea excited us, for we then spent an hour whispering, imagining that he was not our father. It gave us inspiration to picture our father as, for instance, the man up the road who tapped maple trees, pounding hollow tubes into the bark, adjusting the buckets underneath with a kindly, brown hand. Or our father as the man who ran the pygmy zoo in summer, a wretched attempt at attracting tourists, of which there were none. The zoo man displayed pygmy breeds—tiny goats, dwarf rabbits, and miniature stubby-legged horses; he loved, he said, all the runts of the world. And although I was tall, his philosophy was one I appreciated. When my parents fought, they grew like giants while I shrank.

 

My father was becoming frustrated with his work, and from the upstairs bedroom he had converted into his office, I would hear him talking as he worked. Sometimes it was to argue a position along and we’d hear the muted rise and fall of certainties, though we could rarely get the words. Other times he seemed to be pleading with someone else, his voice a low wail. “Opposite ends?” I heard him cry once. “But no! Each lives by its contrary!” We melted away from the chattering sounds, usually left the house entirely, when we heard the high crackle of his voice.

Those were the times we roamed far, picked berries, waged our jewelweed wars, made investigations into the habits of the salamanders, tracked deer and coyotes, observed the spiders. One day, we returned from puttering in the woods, hoping it was all over, to find him eating a bowl of cereal in the kitchen clad in nothing but a pair of boxers made of that peculiar boxer-short material, thin cotton printed with intricate red-brown squares and diamonds. I was familiar with the melting physique of my father, the drooping muscles of his chest and arms. But I hadn’t ever seen him in the boxers, legs mean and knobby, white feet tender. I turned away, but my sister turned toward him.

“Everything is elusive and in the air, but this, this is real.”

The wonder in his voice caused me to look back. He was looking at Netta as he stroked a four-inch pile of neatly stacked white paper, his typescript. It didn’t register to me at first that his work was finished. The way he nodded, grinning, saying
yes, yes
, alerted me to the response he was after and caused me to fear that
yes
, certainly, he had gone nuts.

 

The year he finished his book and developed its chapters for his lectures, the year he began to make increasingly impenetrable pronouncements, was the year that he grew a cult. The cult was like a fungus. That’s how we saw it—the students in his thrall grew on him like mushrooms. In the classroom, his erratic nature became a kind of charisma. His students began to show up at our house, looking thin and fanatical in worn-out expensive clothes, their hair thickly matted or combed through with oil. Their eyes blazed through the walls. They saw everything. They slept on our floors. We stayed in our room. I developed a horror of running across them ensconced here and there in the house, smoking, muttering, surrounded by books and half-finished term papers.

He began to give them lectures in our wide, sweet kitchen. They lived on cigarettes. Saucers of butts collected. They lived on bitter black coffee and on Elsie’s cooking, which they ate with famished ardor but never complimented. At first, I think, she was amused by the flotsam, and she pitied the students. Soon they bored her. And then one of them burned a neat round hole in a very old Tibetan rug and she kicked the lot of them right out the door. She rousted them from their sleeping corners and the basement couch. She chased them from the attic and the loft in the garage. She drove them back to the college and dumped them at the stone gates. They were lucky she didn’t spay them like the feral cats. But then afterward, as my father, in his office, faced the lonely task of counting up his polite rejection slips from mystified editors, and rebundling his manuscript and sending it back out, she began to leave us. She took long buying trips and when she came home she was distracted, her attention had lifted from us. We could feel it. We had to call her over and over to get her to answer a question. We had to pester her and pull on the hem of her skirt or the fabric of her dress to get her to listen.

These are times a child remembers very clearly—the absence of the two of them. The clearing around my sister and me. I can remember a specific fantasy, I don’t know if my sister shared it. I imagined something deliciously awful happened to one of us, and saw our parents holding hands as they sat at the bedside. Still, we were not technically abandoned, not at all, for our father never actually left the house. For days, he didn’t move from his office, where he’d set himself a haven of safety, shielded himself with stacks of books, papers, files in boxes and in cabinets. Elsie utterly ignored his presence. I did not dare to go to him, nor did my sister ever part the waters of the papers that lapped up the sides of his desk. Sometimes, though, as we passed his office door we heard a dry, cold, rustling sound. It was the sound that waves make when water is frozen a few feet out from the shore, the sound of waves lapping against fresh ice. Almost a music, not a papery sound at all.

BOOK: The Painted Drum
2.5Mb size Format: txt, pdf, ePub
ads

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