The Passage (68 page)

The viral spun toward him, facing him squarely. Something was glinting at the base of its neck, some kind of jewelry. But there was no time to wonder about this; Hollis had his angle, his opening. Leigh entered the room then. She’d been sleeping in the office and heard nothing. As Leigh broke into a scream, Hollis aimed the crossbow and fired.

A good shot, a clean shot, dead center on the sweet spot: he felt its rightness, its perfection, the instant it leapt from the stock. And in the split second of the arrow’s flight, a distance of fewer than five meters, he knew. The glinting key on the lanyard; the look of mournful gratitude in the viral’s eyes. The thought came to Hollis fully formed, a single word that arrived on his lips at the same instant that the arrow—the merciful, awful, unrecallable arrow—struck home in the center of the viral’s chest.

“Arlo.”

Hollis had just killed his brother.

·   ·   ·

Sara—though she did not remember this and never would—first learned about the Walker in a dream: a confusing and unpleasant dream in which she was a little girl again. She was making johnnycake. The kitchen where she worked—she was standing on a stool, beating the heavy batter in a wide, wooden bowl—was both the kitchen of the house where she lived and the kitchen in the Sanctuary, and it was snowing: a gentle snow that did not fall from the sky, because there was no sky, but seemed to appear out of the air before her face. Strange, the snow; it almost never snowed and certainly not indoors that Sara could recall, but she had more important things to worry about. It was the day of her release, Teacher would come for her soon, but without the johnnycake, she would have nothing to eat in the outside world; in the outside world, Teacher had explained to her, that was the only thing people ate.

Then there was a man. It was Gabe Curtis. He was sitting at the kitchen table before an empty plate. “Is it ready?” he asked Sara, and then, turning to the girl sitting next to him, said, “I always liked johnnycake.” Sara wondered, with vague alarm, who this girl was—she tried to look at her but somehow could not see her; wherever Sara looked for her was always the very spot the girl had just departed—and the fact reached her mind, slowly and then all at once, that she was in a new place now. She was in the room Teacher had brought her to, the place of the telling, and her parents were there, waiting; they were standing at the door. “Go with them, Sara,” Gabe said. “It’s time for you to go. Run and keep on running.” “But you’re dead,” said Sara, and when she looked at her parents, she saw that where their faces should have been were regions of blankness, as if she were viewing them through a current of water; something was wrong with their necks. There was a pounding sound now, without the room, and the sound of a voice, calling her name. “You’re all dead.”

Then she was awake. She had fallen asleep in a chair by the cold hearth. It was the door that had awakened her; someone was outside, calling her name. Where was Michael? What time was it?

“Sara! Open up!”

Caleb Jones? She opened the door as he was reaching to hit it again, his fist freezing in the air.

“We need a nurse.” The boy was breathing hard. “Someone’s been shot.”

She was instantly awake, reaching for her kit on the table by the door. “Who?”

“Lish brought her in.”

“Lish? Lish is shot?”

Caleb shook his head, still trying to catch his breath. “Not her. The girl.”

“What girl?”

His eyes were amazed. “She’s a Walker, Sara.”

By the time they reached the Infirmary the sky beyond the lights had begun to pale. No one was there, which struck her as strange. From what Caleb had told her, she’d expected a crowd. She mounted the steps and rushed into the ward.

Lying on the nearest cot was a girl.

She was lying face-up, the bolt still embedded in her shoulder; a dark shape was pinned beneath her back. Alicia was standing over her, her jersey spattered with blood.

“Sara, do something,” Alicia said.

Sara moved quickly forward and eased her hand behind the girl’s neck to check her airway. The girl’s eyes were closed. Her breathing was rapid and shallow, her skin cool and clammy to the touch. Sara felt her neck for a pulse; her heart was banging like a bird’s.

“She’s in shock. Help me roll her over.”

The bolt had entered the girl’s left shoulder just below the spoon-shaped curve of her clavicle. Alicia wedged her hands under the girl’s shoulders while Caleb took her feet, and together they eased the girl onto her side. Sara retrieved a pair of scissors and sat behind her to cut the blood-soaked knapsack away, then the girl’s flimsy T-shirt, snipping it at the neck and tearing the rest of it free, revealing the slender frame of an early adolescent—the small, curving buds of her breasts and her pale skin. The bolt’s barbed tip was poking through a star-shaped wound just above the line of her scapula.

“I have to clip this off. I’ll need something bigger than these shears.”

Caleb nodded and ran from the room. As he passed through the curtain, Soo Ramirez rushed in. Her long hair had come undone; her face was streaked with dirt. She stopped abruptly at the foot of the cot.

“I’ll be goddamned. She’s just a kid.”

“Where the hell is Other Sandy?” Sara demanded.

The woman appeared dazed. “Where on earth did she come from?”

“Soo, I’m all alone in here. Where’s
Sandy?”

Soo lifted her face, focusing on Sara. “She’s … in the Sanctuary, I think.”

Footsteps and voices, a buzz of commotion from without: the outer room was filling with onlookers now.

“Soo, get these people out of here.” Sara lifted her voice to the curtain. “Everybody, out! I want this building cleared now!”

Soo nodded and darted outside. Sara checked the girl’s pulse again. Her skin appeared to have taken on a faintly mottled appearance, like a winter sky on the edge of snow. How old was she? Fourteen? What was a fourteen-year-old girl doing out in the dark?

She turned to Alicia. “You brought her in?”

Alicia nodded.

“Did she say anything to you? Was she alone?”

“God, Sara.” Her eyes seemed to float. “I don’t know. Yes, I think she was alone.”

“Is that blood yours or hers?”

Alicia dropped her eyes to the front of her jersey, seeming to notice the blood for the first time. “Hers, I think.”

More commotion from without the room, and Caleb’s voice yelling, “Coming through!” He burst through the curtain, waving a heavy cutter, and thrust it into Sara’s hands.

A greasy old thing, but it would do. Sara poured spirits over the blades of the cutter and then her hands, wiping them dry on a rag. With the girl still lying on her side, she used the cutters to clip the arrowhead free, and poured more alcohol over everything. Then she directed Caleb to wash his hands as she had done while she took a skein of wool from the shelf and snipped off a long piece, rolling it into a compress.

“Hightop, when I back the bolt out, I want you to hold this against the entry wound. Don’t be gentle, press hard. I’m going to suture the other side, see if I can slow this bleeding.”

He nodded uncertainly. He was in over his head, Sara knew, but the truth was they all were. Whether or not the girl survived the next few hours depended on the extent of the bleeding, how much damage there was inside. They rolled the girl onto her back again. While Caleb and Alicia braced her shoulders, Sara took hold of the bolt and began to pull. Sara could sense, through the bolt’s metal shaft, the fibrous gristle of destroyed tissue, the clack of fractured bone. There was no way to be gentle; it was best to do it fast. With a hard tug, the bolt pulled away in a sighing gush of blood.

“Flyers, it’s her.”

Sara turned her head to see Peter standing in the doorway. What did he mean,
it’s her?
As if he knew her, as if he knew who this girl was? But of course that was impossible.

“Turn her on her side. Peter, help them.”

Sara positioned herself behind the girl, taking up a needle and a spool of thread, and began to stitch the wound. There was blood everywhere now, pooling on the mattress, dripping onto the floor.

“Sara, what should I do?” Caleb’s compress was sodden already.

“Just keep pressure on it.” She drew the needle through the girl’s skin, pulling a stitch taut. “I need more light over here, someone!”

Three stitches, four, five, each one pulling the edges of the wound together. But it was no use, she knew. The bolt must have nicked the subclavian artery. That’s where all the blood was coming from. The girl would be dead within minutes. Fourteen years old, Sara thought. Where did you come from?

“I think it’s stopping,” Caleb said.

Sara was tying off the last stitch. “That can’t be right. Just keep pressure on it.”

“No, really. Look for yourself.”

They rolled the girl onto her back again, and Sara pulled the sodden compress aside. It was true: the bleeding had slowed. The entry wound even looked smaller, pink and puckered at the edges. The girl’s face was gently composed, as if she were napping. Sara placed her fingers at the girl’s throat; a hard, regular beat met her fingertips. What in the world?

“Peter, hold that lantern over here.”

Peter swung the lantern over the girl’s face; Sara gently peeled back the lid of her left eye—a dark, dewy orb, the disklike pupil contracting to reveal the ribbed iris, the color of wet earth. But something was different; something was there.

“Bring it closer.”

As Peter shifted the lantern, blazing the eye with light, she felt it. A sensation like falling, as if the earth had opened under her feet—worse than dying, worse than death. A terrible blackness all around and she was falling, falling forever into it.

“Sara, what’s wrong?”

She was on her feet, backing away. Her heart was lurching in her chest, her hands were shaking like leaves in the wind. Everyone was looking at her; she tried to speak but no words came. What had she seen? But it wasn’t something she’d seen, it was something she’d
felt
. Sara thought the word: alone. Alone! That’s what she was, what they all were. That was what her parents were, their souls falling forever in blackness. They were alone!

She became aware that others were in the ward now. Sanjay and, beside him, Soo Ramirez. Two more Watchers hovered behind them. Everyone was waiting for her to say something; she could feel the heat of all their eyes upon her.

Sanjay stepped forward. “Will she live?”

She took a breath to calm herself. “I don’t know.” Her voice felt weak in her throat. “It’s a bad wound, Sanjay. She’s lost a lot of blood.”

Sanjay regarded the girl a moment. He appeared to be deciding what to think of her, how to account for her impossible presence. Then he turned toward Caleb, who was standing by the cot with the blood-soaked compress in his hands. Something seemed to harden in the air; the men at the door came forward, hands on their blades.

“Come with us, Caleb.”

The two men—Jimmy Molyneau and Ben Chou—grabbed the boy by the arms; he was too surprised to resist.

“Sanjay, what are you doing?” Alicia said. “Soo, what the hell is this about?”

It was Sanjay who answered. “Caleb is under arrest.”

“Arrest?” the boy squealed. “What am I under arrest for?”

“Caleb opened the gate. He knows the law as well as anyone. Jimmy, get him out of here.”

Jimmy and Ben began to pull the struggling boy toward the curtain. “Lish!” he cried.

She quickly blocked their way, positioning herself in front of the door. “Soo, tell them,” Alicia said. “It was me. I was the one who went over. If you want to arrest someone, arrest me.”

Standing beside Sanjay, Soo said nothing.

“Soo?”

But the woman shook her head. “I can’t, Lish.”

“What do you mean you can’t?”

“Because it isn’t up to her,” Sanjay said. “Teacher is dead. Caleb is under arrest for murder.”

TWENTY-SEVEN

By midmorning, everyone in the Colony knew the story of the night before, or some version of it. A Walker had appeared outside the walls; Caleb had opened the gate, letting in a viral. The Walker, a young girl, was in the Infirmary, dying, shot by a bolt from a Watcher’s cross. The Colonel was dead, an apparent suicide—how he’d gotten over the Wall, no one knew—and Arlo too, killed in the Sanctuary by his brother.

But worst of all was Teacher.

They found her under the window in the Big Room; Hollis’s line of sight had been obscured by a line of empty cots. Probably she had heard the viral coming down off the roof and tried to make a stand. A blade was in her hand.

There had been many Teachers, of course. But in a truer sense there had only been one. Each woman who took the job down through the years became that person. The Teacher who had died that night was actually a Darrell—April Darrell. She was the woman Peter remembered laughing at his questions about the ocean, though she had been younger then, not much older than he was now, and pretty in a soft, pale way, like an older sister who was kept indoors by some physical ailment; she was the woman Sara recalled from the morning of her release, leading her with her chain of questions, like a flight of stairs taking her down to a dark basement in which lay the terrible truth, then giving her into her mother’s arms, to weep over the world and what it was. It was a hard job, being Teacher, everyone knew that, a thankless job, to live locked away with the Littles with barely any grown-up company except for women who were pregnant or nursing, with nothing on their minds but babies; and it was also true that because Teacher was the one to tell you—tell everyone—she bore the collective resentment of this trauma. Except for First Night, when she might make a brief appearance in the Sunspot, Teacher hardly ever set foot outside the Sanctuary, and when she did, it was as if she moved in an invisible container of betrayal. Peter felt sorry for her, but it was also true that he could barely bring himself to meet her eye.