The Seven Wonders: A Novel of the Ancient World (Novels of Ancient Rome) (16 page)

There are rare moments in life when the mind refuses to accept what the eye beholds, because the thing beheld simply cannot exist in the world as we know it; it has no place in nature, is thus unnatural and therefore
cannot
be. Almost always the mind is correct and the eye is mistaken, duped by an optical illusion; but until this tug-of-war between mind and eye is resolved, a kind of stupor grips the beholder. So it was when I beheld Zeus—for surely this was not a mere statue, but the god himself.

At last the guide ceased chattering and stepped past me, inviting the group to follow. With Antipater still holding my arm—a good thing, for I needed his touch to steady me—I moved forward. Each step brought me closer to the god. Larger and larger he loomed, until I felt almost suffocated by his presence. As vast as it was, the temple could hardly contain him. Indeed, were he to rise from his throne, the temple would have been unroofed and the columns scattered.

The dim lighting contributed to the eerie effect. The doorway faced east, to catch the rays of the rising sun, and to allow Zeus to gaze out at the stadium in the distance; by late afternoon, the daylight that penetrated the temple was soft and uncertain, supplemented by braziers on tripods and by torches set in sconces along the high galleries on either side. A long pool directly before the throne of Zeus reflected his image, along with flickering points of light from the flames. The pool added yet another element of unreality, for there was something very strange about the surface. It seemed somehow denser than water, shimmering with a reflectivity more akin to polished black marble. When we reached the edge of the pool and stared down at it, I realized that it was not filled with water at all, but with olive oil. This was the reservoir used by the descendants of Phidias who daily anointed the statue.

The voice of the guide gradually penetrated my consciousness. “The throne of the god is itself a remarkable creation, larger and more opulent than the grandest monument to be found in many a city. Fierce-looking sphinxes form the arms of the chair; their wings curve up to support the god’s elbows. The massive struts and sides of the throne are covered with exquisite paintings and sculptures depicting tales of gods and heroes. Not even the smallest portion of the throne is without ornament; every surface is decorated with elaborately carved marble, or plated with precious metals, or encrusted with sparkling jewels. If Phidias had created nothing more than the Throne of Zeus, we would still say he was the greatest of all artists.

“But behold Zeus himself! The awesome serenity of his visage beneath the golden wreath upon his brow, the majesty of his broad chest and powerful arms, the elegance of the golden drapery that falls from one shoulder and covers his loins. In his left hand he holds a scepter surmounted by a golden eagle. In his right palm he displays to us winged Nike, goddess of victory. Some say that Phidias took his inspiration from the
Iliad;
when Zeus merely nodded his head, says Homer, ‘All Olympus to the center shook!’ Others think that Phidias must have beheld Zeus with his own eyes.”

“I can believe it!” I whispered.

“Now, if you will follow me back toward the antechamber, we shall ascend to the gallery, and you will be privileged to behold the statute at even closer quarters.”

As we made our way up a narrow spiral staircase in single file, my attention was briefly drawn from the statue. In a daze I took in the sumptuous architectural details of the temple interior. This was a smaller structure than the great Temple of Artemis in Ephesus, but impressive nonetheless. What amazing wealth these Greeks had accumulated in previous centuries, and what remarkable artists and engineers had lived among them!

When we reached the gallery I paused to lean over the parapet and look down at the long reflecting pool, which seen from above was utterly black. Another group of tourists had just entered and were gazing in awe at the statue.

Antipater hissed at me, and I hastened to join the rest of our group at the western end of the gallery. Our guide was silent, which seemed appropriate, for no words could adequately capture the sensation of standing so near the god. Pressed against the balustrade, I stood as close as any mortal could to the face of Zeus Almighty. Had the god turned his head, we would have been eye to eye. Even seen this close, the details of his golden beard, ivory flesh, and lapis eyes were uncanny. Had he blinked, or raised his mighty chest with a sigh, or shaken his head to unloose the golden curls upon his shoulders, I would not have been surprised, for in that moment I had no doubt that the vessel created by Phidias did in fact contain the god.

I flinched, for by the flickering light I perceived a tremor of intent. Zeus was about to turn his face to mine! I braced myself, for were the god to speak, his voice would surely be more deafening than a thunderclap.

Then I blinked, and realized the movement I perceived had been an illusion, for no one around me had reacted to it, and the statue remained just as it was.
Fool!
I said to myself.
Everyone knows the gods in temples never speak aloud. They express themselves through oracles, or dreams, or flights of birds that only augurs can decipher
.

Still, as the tour reached its end and the guide led us back to the entrance, I kept looking over my shoulder, feeling the gaze of Zeus upon me.

As we exited the temple and reemerged into daylight, I blinked and shook my head, as if awakening from a dream. The guide seemed unfazed. After all, he gave this tour many times each day, and was privileged to actually touch the statue to anoint the ivory. He handed each of us a small wooden disk. “Use it today, and this token will allow you to visit the workshop of Phidias for half the usual donation requested. The workshop still contains the actual tools and molds used by the master sculptor and his assistants.”

“Shall we press on to see the workshop, Gordianus?” said Antipater.

I sighed, feeling suddenly exhausted. “I think I should lie down for a while. It must be the heat.” I felt a bit chagrined, because it was usually Antipater who grew tired first.

“Very well, let’s return to our host’s pavilion. The crowd will be up and milling about until long past sundown, but there’s no reason we shouldn’t go to bed early.”

“Should we buy a bit of food from one of the vendors, so as to have something to eat later?”

“Oh, I suspect there will be plenty to eat and drink in the pavilion, anytime we need it. Our host can afford to be generous.”

The sun was low on the horizon as we crossed the Altis. The statues all around cast long shadows. One of the longest was that of a warrior atop a horse. His Roman armor made him conspicuous among the naked bronze athletes. I paused to read the Greek inscription on the pedestal:

TO THE HONOR OF LUCIUS MUMMIUS

COMMANDER-IN-CHIEF OF THE ROMANS

THE CITY OF ELLIS ERECTS THIS STATUE

IN RECOGNITION OF HIS VIRTUE

AND THE KINDNESS HE HAS SHOWN

TO ELLIS AND TO THE REST OF THE GREEKS

I gazed up at the figure of Mummius. His bland face showed no emotion. One hand held the reins of his horse. The other was raised in a gesture of peace.

“So here it is, the statue the guide mentioned. What do you think of it, Teacher?” I turned my head, only to see that Antipater was striding quickly on. I hurried to catch up.

*   *   *

Back at our quarters, I fell onto my cot and was asleep at once.

In the middle of the night I woke, prompted by a need to pass water. I stumbled out the flap, still half-asleep, and made my way to a nearby trench that had been dug for the purpose. The moon was nearly full, filling the valley with a dull white light and casting stark black shadows. Not everyone was dozing; above the general quiet I heard echoes of drinking songs and bits of distant conversation, and here and there I saw the glow of a few campfires that were still burning.

I returned to the tent, lifted the flap to our quarters, and was about to duck back inside when I heard a voice coming from elsewhere within the pavilion.

“Something will have to be done about him, and soon!” The speaker seemed to have raised his voice in a sudden burst of emotion. He sounded oddly familiar. Someone answered him, but in a much lower tone that was barely audible.

The first man spoke again. “Harmless? It’s all an act! The fellow’s dangerous, I tell you. Deadly dangerous! I think he’s a spy for the Romans.”

This prompted another hushed reply, and then the first man spoke again. His voice was naggingly familiar. “Whether he’s a spy or not, he’s still liable to expose us as agents of Mithridates. The Sidonian must die!”

At this, I was wide awake. Not only had Antipater been recognized, but someone was talking about killing him—someone in the very pavilion where we were sleeping!

I ducked under the flap. The little room was so dark that I could barely make out the shape of Antipater on his cot, apparently sound asleep. But when I reached out to shake him awake, what I took to be his shoulder turned out to be only a pillow and some folds of a blanket.

“Teacher?” I whispered.

Antipater was gone.

I stood stock-still in the silence and listened. I no longer heard the others elsewhere in the pavilion. Had they heard me whisper? I considered trying to find my way through the maze of flaps and dividers to confront them—whoever they were—but decided that would be madness. If they thought Antipater was a Roman spy, they would know that I was his traveling companion, and would surely wish me harm as well. What had Antipater been thinking, to arrange for us to lodge in a pavilion full of agents for the King of Pontus?

And where
was
Antipater?

I could not possibly stay in the tent. Nor did it make sense to go about shouting for Antipater, waking others and calling attention to myself. I left our sleeping quarters and under the bright moonlight I threaded my way past smaller tents nearby as well as a number of men sleeping in the open on blankets. By a lucky chance I found an unclaimed spot under an olive tree. Sitting with my back against the trunk, hidden amid deep moon-shadows, I had a clear view of the flap to our quarters. I settled in to watch for Antipater, thinking he would surely return soon. Perhaps, like me, he had gone out to relieve himself, or, unable to sleep, had taken a nocturnal stroll. I would watch for his return, and stop him before he entered the tent where someone—perhaps even our host?—was plotting to kill him.

I underestimated the power of Somnus—or Hypnos, as the Greeks call the god of sleep. Though I fought to keep my eyes open, a power stronger than myself kept shutting them, and the next thing I knew, someone was shaking me awake. I opened my eyes and was startled to see, crouching beside me, a stranger with an eye patch and a lumpy nose—then realized it was Antipater.

“Teacher! Are you all right?”

“Of course I am. And you, Gordianus? Could you not sleep inside the tent?”

By the soft light of dawn, people all around were waking and stirring. In starts and stops, for I was not yet fully awake, I tried to explain to him what I had overheard during the night.

Antipater was silent for a long moment, then shook his head. “It was a dream, Gordianus. What you heard were voices from a dream.”

I shook my head. “No, Teacher, I was wide awake—as awake as I am right now.”

He raised an eyebrow. “Which is still half-asleep, I think. Perhaps you heard something, yes, but I’m sure you misunderstood.”

“No, Teacher, I’m absolutely certain.…”

But was I? The day before, I had been certain that Zeus was about to speak to me, and that had been an illusion. Suddenly the events of the night seemed murky and unreal. “But where were you last night, Teacher? Where did you go?”

He smiled. “It was too hot and stuffy inside the tent for me to sleep. Like you, I found a spot outdoors and slept like a stone. Now wake up, sleepyhead! Let’s have a bite to eat in our host’s pavilion.”

“Are you mad? They may poison you!”

“Gordianus, your fears are groundless, I assure you. But if you wish, we can purchase our breakfast from a vendor on our way to the Bouleuterion.”

“The what?”

“The building in which the athletes will take their solemn oath. They must all promise, before a statue of Zeus clutching thunderbolts, to compete fairly, obey the judges, accept no bribes, and foreswear the use of magic. They do so in small groups, then come out to be greeted by the crowd. It’s a wonderful chance to see all the athletes at close quarters.”

“Didn’t we already see them all yesterday, in the procession?”

Antipater rolled his eyes, then without another word he stood up and headed off. I followed, stumbling a bit, for my limbs were still heavy with sleep.

Outside the Bouleuterion, a crowd had already gathered, but something was amiss. No sooner had we arrived than a complete stranger turned to Antipater and asked, “Is it true, what people are saying?”

“What is that?”

“That Protophanes of Magnesia won’t be allowed to take the oath this morning—which means he won’t be able to compete in the pankration!”

“But why not?”

“Because he laid hands on that Cynic yesterday. Had Protophanes not touched the old fool, there’d be no problem. But because he manhandled the fellow, and because it happened on the Altis enclosure wall, the judges think Protophanes may have broken some sacred law or other.”

“It’s ridiculous!” said another man. “Protophanes only did what we all wanted to do.”

“But he shouldn’t have touched the philosopher,” said another, piously wagging his forefinger.

“They say it may all be up to Simmius the Cynic,” said another.

“How’s that?” said Antipater.

“It seems that none of the judges actually saw what happened—they were too far ahead and didn’t look back in time. So they’ve called on Simmius to testify. If he shows up this morning and declares that Protophanes laid hands on him atop the Altis wall, then it’s all over for Protophanes. Four years of training and his chance for fame and glory—gone like a puff of smoke! And all because of a technicality.”