The Skeptical Romancer (20 page)

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Authors: W. Somerset Maugham

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But there are places of which the only point is the arrival; they promise the most fantastic adventures of the spirit and give you no more than three meals a day and last year’s films. They are like a face, full of character that intrigues and excites you, but that on close acquaintance you discover is merely the mask of a vulgar soul. Such is Tourane.

I spent one morning there in order to visit the museum in
which there is a collection of Khmer sculpture. The reader may possibly remember that when I wrote of Phnom-Penh I became strangely eloquent (for a person who does not much like others to gush and is shy of superlatives) about a statue to be seen there. This was a Khmer work, and now I may remind him (or tell him if, like me till I went to Indo-China, he never knew that Khmers or their sculpture existed) that this was a mighty nation, the offspring of the aboriginal tribes of Indo-China and an invading race from the plateaux of Central Asia, who founded a far-flung and powerful empire. Immigrants from Eastern India brought them the Sanskrit language, Brahmanism, and the culture of their native land; but the Khmers were vigorous people, and they had a creative instinct that enabled them to make their own use of the knowledge the strangers brought them. They built magnificent temples and adorned them with sculptures, founded, it is true, on the art of India, but which have at their best an energy, a boldness of execution, a fertility, and a brilliant fancy to be found nowhere else in the East. The statue of Harihara
*
at Phnom-Penh testifies to the greatness of their genius. It is a miracle of grace. It calls to mind the archaic statuary of Greece and the Mayan sculpture of Mexico; but it has a character all its own. Those early Greek works have the dewy freshness of the morning, but their beauty is a trifle vacant; the Mayan statues have something primeval in them, they excite awe rather than admiration, for they have in them still the touch of early man who drew in the dark recesses of his caverns magic pictures to cast a spell on the beasts he feared or hunted; but in the Harihara you have a singular and enigmatic union of the archaic and the sophisticated. It has the candour of the primitive quickened by the complexity of the civilized. The Khmer brought a long inheritance of thought to the craft which had so suddenly captivated his fancy. It is as though to the England of the Elizabethan age had come, a bolt from the blue, the art of painting in oil; and the artists, their souls charged with the plays of Shakespeare, the
conflict of religions at the Reformation, and the Armada, had begun to paint with the hand of Cimabue. Something like this must have been the state of mind of the sculptor who made the statue in Phnom-Penh. It has power and simplicity and an exquisite line, but it has also a spiritual quality that is infinitely moving. It has not only beauty, but intelligence.

These great works of the Khmers gain a peculiar poignancy when you reflect that a few ruined temples strewn about the jungle and a few mutilated statues scattered here and there in museums are all that remains of this mighty empire and this restless people. Their power was broken, they were dispersed, becoming drawers of water and hewers of wood, they died out; and now, the rest of them assimilated by their conquerors, their name endures only in the art they so lavishly produced.

*
I am somewhat puzzled by the name given by the French authorities to the deity represented in this statue. I always thought that Hari and Hara were the names under which were commonly known Siva and Vishnu, and to call a god Harihara looks very much like calling a single respectable person Crosseandblackwell. But since I suppose the experts know better than I, I have referred to this statue throughout by the name they give it.

HUË

HUË
is a pleasant little town with something of the leisurely air of a cathedral city in the West of England, and though the capital of an empire it is not imposing. It is built on both sides of a wide river, crossed by a bridge, and the hotel is one of the worst in the world. It is extremely dirty, and the food is dreadful; but it is also a general store in which everything is provided that the colonist may want from camp equipment and guns, women’s hats and men’s reach-me-downs, to sardines,
pâté de foie gras
, and Worcester sauce; so that the hungry traveller can make up with tinned goods for the inadequacy of the bill of fare. Here the inhabitants of the town come to drink their coffee and
fine
in the evening and the soldiers of the garrison to play billiards. The French have built themselves solid, rather showy houses without much regard for the climate or the environment; they look like the villas of retired grocers in the suburbs of Paris.

The French carry France to their colonies just as the English carry England to theirs, and the English, reproached for their insularity, can justly reply that in this matter they are no more singular than their neighbours. But not even the most superficial observer can fail to notice that there is a great difference in the manner in which these two nations behave towards the natives of the countries of which they have gained possession. The
Frenchman has deep down in him a persuasion that all men are equal and that mankind is a brotherhood. He is slightly ashamed of it, and in case you should laugh at him makes haste to laugh at himself, but there it is, he cannot help it, he cannot prevent himself from feeling that the native, black, brown, or yellow, is of the same clay as himself, with the same loves, hates, pleasures and pains, and he cannot bring himself to treat him as though he belonged to a different species. Though he will brook no encroachment on his authority and deals firmly with any attempt the native may make to lighten his yoke, in the ordinary affairs of life he is friendly with him without condescension and benevolent without superiority. He inculcates in him his peculiar prejudices; Paris is the centre of the world, and the ambition of every young Annamite is to see it at least once in his life; you will hardly meet one who is not convinced that outside France there is neither art, literature, nor science. But the Frenchman will sit with the Annamite, eat with him, drink with him, and play with him. In the market place you will see the thrifty Frenchwoman with her basket on her arm jostling the Annamite housekeeper and bargaining just as fiercely. No one likes having another take possession of his house, even though he conducts it more efficiently and keeps it in better repair that ever he could himself; he does not want to live in the attics even though his master has installed a lift for him to reach them; and I do not suppose the Annamites like it any more than the Burmese that strangers hold their country. But I should say that whereas the Burmese only respect the English, the Annamites admire the French. When in course of time these peoples inevitably regain their freedom it will be curious to see which of these emotions has borne the better fruit.

The Annamites are a pleasant people to look at, very small, with yellow flat faces and bright dark eyes, and they look very spruce in their clothes. The poor wear brown of the colour of rich earth, a long tunic slit up the sides, and trousers, with a girdle of apple green or orange round their waists; and on their heads a large flat straw hat or a small black turban with very regular folds. The well-to-do wear the same neat turban, with white trousers, a black silk tunic, and over this sometimes a black lace coat. It is a costume of great elegance.

But though in all these lands the clothes the people wear attract
our eyes because they are peculiar, in each everyone is dressed very much alike; it is a uniform they wear, picturesque often and always suitable to the climate, but it allows little opportunity for individual taste; and I could not but think it must amaze the native of an Eastern country visiting Europe to observe the bewildering and vivid variety of costume that surrounds him. An Oriental crowd is like a bed of daffodils at a market gardener’s, brilliant but monotonous; but an English crowd, for instance that which you see through a faint veil of smoke when you look down from above on the floor of a promenade concert, is like a nosegay of every kind of flower. Nowhere in the East will you see costumes so gay and multifarious as on a fine day in Piccadilly. The diversity is prodigious. Soldiers, sailors, policemen, postmen, messenger boys; men in tail coats and top hats, in lounge suits and bowlers, men in plus fours and caps, women in silk and cloth and velvet, in all the colours, and in hats of this shape and that. And besides this there are the clothes worn on different occasions and to pursue different sports, the clothes servants wear, and workmen, jockeys, huntsmen, and courtiers. I fancy the Annamite will return to Huë and think his fellow countrymen dress very dully.

A NIGHT ON THE RIVER

IT WAS LATE
now, and I was setting out at dawn by car for Hanoi. It seemed hardly worth while to go to bed, and as I drove in my rickshaw to the hotel I asked myself why I should not spend the rest of the night on the river. It would do if I got back in time to change, bathe myself, and have a cup of coffee before starting. I explained to my rickshaw boy what I wanted, and he took me down to the river. There was a landing stage just below the bridge, and here we found half a dozen sampans moored to the side. Their owners were sleeping in them, but at least one of them was sleeping lightly, for he awoke as he heard me walk down the stone steps, and put his head out of the blanket in which he was wrapped. The rickshaw boy spoke to him and he got up. He called to a woman asleep in the boat. I stepped in. The woman untied, and we slipped out into the stream. These boats have a low round awning of bamboo matting, just high enough to sit upright under, and bamboo matting on the boards.
You can shut them up with shutters, but I told the man to leave the front open so that I could look at the night. In the heights of heaven the stars shone very bright, as though up there too there were a party. The man brought me a pot of Chinese tea and a cup. I poured some out and lighted my pipe. We went along very slowly, and the sound of the paddle in the water was the only sound that broke the silence. It was delightful to think that I had all those hours before me to enjoy that sense of well-being, and I thought to myself how when I was once in Europe, imprisoned in stony cities, I would remember that perfect night and the enchanting solitude. It would be the most imperishable of my memories. It was a unique occasion, and I said to myself that I must hoard the moments as they passed. I could not afford to waste one of them. I was laying up treasure for myself. And I thought of all the things I would reflect upon, and of the melancholy that I would subtly savour as you savour the first scented strawberries of the year; and I would think of love, and invent stories, and meditate upon beautiful things like art and death. The paddle hit the water very gently, and I could just feel the boat glide on. I made up my mind to watch and cherish every exquisite sensation that came to me.

Suddenly I felt a bump. What was it? I looked out and it was broad day. The bump was the bump of the boat against the landing stage, and there was the bridge just above me.

“Good God!” I cried, “I’ve been asleep.”

I had slept right through the night, and there was my cup of tea cold by my side. My pipe had fallen out of my mouth. I had lost all those priceless moments and had slept solidly through the hours. I was furious. I might never have the opportunity again to spend a night in a sampan on an Eastern river, and now I should never have those wonderful thoughts and matchless emotions that I had promised myself. I paid for the boat and, still in evening clothes, ran up the steps and went to the hotel. My hired car was waiting for me at the door.

A CLASSMATE IN HAIPHONG

HERE I HAD
the intention of finishing this book, for at Hanoi I found nothing much to interest me. It is the capital of Tonkin,
and the French tell you it is the most attractive town in the East, but when you ask them why, answer that it is exactly like a town, Montpellier or Grenoble, in France. And Haiphong to which I went in order to get a boat to Hong Kong is a commercial town and dull. It is true that from it you can visit the Bay of Along, which is one of the
Sehenswürdigkeiten
of Indo-China, but I was tired of sights. I contented myself with sitting in the café (for here it was none too warm, and I was glad to get out of tropical clothes) and reading back numbers of
L’Illustration
or, for the sake of exercise, taking a brisk walk along straight, wide streets. Haiphong is traversed by canals, and sometimes I caught a glimpse of a scene which in its varied life, with all the native craft on the water, was multicoloured and charming. There was one canal, with tall Chinese houses on each side of it, that had a pleasant curve. The houses were whitewashed, but the whitewash was discoloured and stained; with their grey roofs they made an agreeable composition against the pale sky. The picture had the faded elegance of an old water colour. There was nowhere an emphatic note. It was soft and a little weary and inspired one with a faint melancholy. I was reminded, I scarcely know why, of an old maid I knew in my youth, a relic of the Victorian age, who wore black silk mittens and made crochet shawls for the poor, black for widows and white for married women. She had suffered in her youth, but whether from ill health or unrequited love, no one exactly knew.

But there was a local paper at Haiphong, a small dingy sheet with stubby type the ink of which came off on your fingers, and it gave you a political article, the wireless news, advertisements, and local intelligence. The editor, doubtless hard pressed for matter, printed the names of the persons, Europeans, natives of the country, or Chinese, who had arrived each day at Haiphong or left it, and mine was put in with the rest. On the morning of the day before that on which my boat was to sail for Hong Kong I was sitting in the café of the hotel drinking a Dubonnet before luncheon when the boy came in and said that a gentleman wished to see me. I did not know a soul in Haiphong and asked who it was. The boy said he was an Englishman and lived there, but he could not tell me his name. The boy spoke very little French, and it was hard for me to understand what he said. I was mystified, but told him to show the visitor in. A moment later he came back
followed by a white man and pointed me out to him. The man gave me a look and walked towards me. He was a very tall fellow, well over six feet high, rather fat and bloated, with a red, clean-shaven face and extremely pale blue eyes. He wore very shabby khaki shorts, and a
stengah-shifter
unbuttoned at the neck, and a battered helmet. I concluded at once that he was a stranded beach comber who was going to touch me for a loan and wondered how little I could hope to get off for.

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