The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction

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Authors: Rachel P. Maines

Tags: #Medical, #History, #Psychology, #Human Sexuality, #Science, #Social Science, #Women's Studies, #Technology & Engineering, #Electronics, #General

BOOK: The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction
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PRAISE FOR
THE TECHNOLOGY OF ORGASM

“As historian Rachel Maines describes in her exhaustively researched if decidedly offbeat work, the vibrator was developed to perfect and automate a function that doctors had long performed for their female patients: the relief of physical, emotional and sexual tension through external pelvic massage, culminating in orgasm.”—Natalie Angier,
New York Times

“Wryly chronicles the attitude toward women’s sexuality in the medical and psychological professions and shows, with searing insight, how some ancient biases are still prevalent in our society … A pioneering and important book, this window into social and technological history also provides a marvelously clear view of contemporary ideas about women’s sexuality.”—
Publishers Weekly

“In her exemplary historical analysis of the machines that go bump and grind in the night, Rachel Maines uncovers more than a mundane evolution of technology. After explaining how she came to take the vibrator seriously, she makes an excellent case why everyone else should, too.”—Elizabeth Millard, In
These Times

“An astonishing, amusing, and at times painful history of orgasm in women … One doctor accused [Maines] of writing ‘more to titillate than to enlighten.’ However, in her painstakingly researched and thoroughly engaging book, Maines proves
that both effects are possible.”—Anna Watson,
Natural Health

“An enormously entertaining and valuable contribution to the study of this country’s sexual heritage.”—Marianna Beck,
Libido


The Technology of Orgasm
is a stunning book, not just for its depth of research and command of its subject but also for its humor and irony and pointed conjectures about gaps in medical knowledge.”—Lindsay Lane,
Austin Chronicle

“With lively writing and solid research, an independent scholar provides an engaging case study of vibrators.”—
Choice

“Maines’s genuine enthusiasm for research and social inquiry make this book enjoyable and informative; at the same time it is rife with paradigm-shifting revelations.”—Carolyn Kuebler,
Rain Taxi Review of Books

“Meticulously documents what amounts to a secret history of female sexual arousal … I don’t believe it would be an exaggeration to say that Maines’s argument contributes to the great tradition of brilliant, scientifically-based debunking begun by the likes of Galileo.”—Annalee Newitz,
New York Press

“This book is a masterpiece of material culture history, an important and original work of scholarship. Maines takes an apparently trivial artifact and demonstrates that it is, in fact, of enormous cultural significance.”—Ruth Schwartz Cowan, author of A
Social History of American Technology

“Refreshing … By applying a gendered analysis to the material culture of vibrators, Maines extends the history of technology to embrace cultural history, the history of medicine, and the history of sexuality. Her engaging style, peppered throughout with dry wit, makes this short book a delightful read for historians (and nonhistorians) of all stripes.”—Elizabeth Siegel Watkins,
Journal of American History

THE
TECHNOLOGY
OF
ORGASM

J
OHNS
H
OPKINS
S
TUDIES
IN THE
H
ISTORY OF
T
ECHNOLOGY

Merritt Roe Smith
Series Editor

T
HE
T
ECHNOLOGY
OF
O
RGASM

“Hysteria,”
the Vibrator,
and Women’s
Sexual
Satisfaction

RACHEL P. MAINES

For my
mother,
who
taught me
that
intellectual
freedom
is worth
fighting for

 

© 1999 The Johns Hopkins University Press

All rights reserved. Published 1999

Printed in the United States of America on acid-free paper

Johns Hopkins Paperbacks edition, 2001

2  4  6  8  9  7  5  3

The Johns Hopkins University Press

2715 North Charles Street

Baltimore, Maryland 21218-4363

www.press.jhu.edu

A catalog record for this book is available from the British Library.

The Library of Congress has cataloged the hardcover edition of this book as follows:

Maines, Rachel P.

The technology of orgasm : “hysteria,” the vibrator, and women’s sexual
satisfaction / Rachel P. Maines.

p. cm. — (Johns Hopkins studies in the history of technology ;
new ser., no. 24)

Includes bibliographical references and index.

ISBN 0-8018-5941-7 (alk. paper)

1. Women—Sexual behavior—History. 2. Female orgasm—History.
3. Anorgasmy—History. 4. Masturbation—History. 5. Vibrators—History.
I. Title. II. Series.

HQ29.M35   1998

306.7′082′09—dc21                             98-20213

 

ISBN 0-8018-6646-4 (pbk.)

CONTENTS

Preface

Acknowledgments xvii

1
T
HE
J
OB
N
OBODY
W
ANTED

The Androcentric Model of Sexuality

Hysteria as a Disease Paradigm

The Evolution of the Technology

2
F
EMALE
S
EXUALITY AS
H
YSTERICAL
P
ATHOLOGY

Hysteria in Antiquity and the Middle Ages

Hysteria in Renaissance Medicine

The Eighteenth and Nineteenth Centuries

The Freudian Revolution and Its Aftermath

3
“M
Y
G
OD
, W
HAT
D
OES
S
HE
W
ANT
?”

Physicians and the Female Orgasm

Masturbation

“Frigidity” and Anorgasmia

Female Orgasm in the Post-Freudian World

What Ought to Be, and What We’d Like to Believe

4
“I
NVITING THE
J
UICES
D
OWNWARD”

Hydropathy and Hydrotherapy

Electrotherapeutics

Mechanical Massagers and Vibrators

Instrumental Prestige in the Vibratory Operating Room

Consumer Purchase of Vibrators after 1900

5
R
EVISING THE
A
NDROCENTRIC
M
ODEL

Orgasmic Treatment in the Practice of Western Medicine

The Androcentric Model in Heterosexual Relationships

The Vibrator as Technology and Totem

Notes

Note on Sources

Index

PREFACE

When I was a teenager a family friend said I was the kind of kid who would come home from school and ask permission to undertake some risky venture by saying, “But Mummy! You have to let me!
Nobody’s
doing it!” I’ve since decided that this is the judgment of my character I would want carved on my tombstone. The research I have set forth in this book is perhaps the most conspicuous example to date of my fascination with topics that nobody is doing.

When I first encountered vibrator advertisements in turn-of-the-century women’s magazines in 1977, my reaction to their turgid prose was to assume that I simply had a dirty mind. I was, after all, twenty-seven years old, between marriages, a very angry feminist, and inclined to interpret everything I saw or read as some manifestation of the war between the sexes. A few years earlier, still in the throes of my first marriage, I had received Shere Hite’s original questionnaire about women’s sexuality; the prospect of responding to it was too depressing to contemplate. The same year I saw the vibrator ads, I read
The Hite Report
, which shed new light not only on my own experiences but on those of my women friends.

I am often asked, when I present papers at meetings, how I managed to find this esoteric topic. My usual reply is that I didn’t—it found me. The advertisements I found fell on a prepared mind, or at the very least, on prepared hormones. Since graduating from college in 1971 (in classics, with emphasis on ancient science and technology), I had been interested in the textile arts, and I spent two years wondering naively why it was so difficult to find any serious, well-researched histories of the subject.
In 1973 it dawned on me that this could only be because women did it. For me this was the “click” experience reported by so many feminists of the early seventies. All of a sudden I was fighting mad, determined to write serious needlework history come hell or high water. After all, nobody was doing it.
1

Needlework proved to be an exciting and illuminating focus of research. It had a very rich primary literature plus a heritage of more artifacts than any one human being could live long enough to examine, but twenty years ago there were very few secondary sources and virtually no bibliographic access. Because my early interests had been in late nineteenth- and early twentieth-century American crochet, tatting, knitting, and embroidery, which were at that time poorly represented in the cataloged collections of large museums, there was nothing for it but to dive headfirst into the enormous unindexed sea of popular needlework publications, by the simple but laborious method of sitting down with whatever piles of them I could find and turning one page after another. In 1976 I was invited to present a paper on needlework history at a conference on women’s history organized by Louise Tilly at the University of Michigan; it was later published as “American Needlework in Transition, 1880–1930.”
2
As I doggedly turned the pages of Modern
Priscilla
and
Woman’s Home Companion
in search of trends among the needlework patterns, my attention frequently strayed to the advertisements along the sides of the pages. It is a strong-minded historian indeed who can resist the lure of advertisements in historical periodicals; I am incapable of such iron self-discipline. Besides, I had an excuse: I was also looking for evidence that support from yarn and thread advertising was responsible for the large number of needlework periodicals published in the United States between 1880 and 1930.

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