The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) (74 page)

From where I stood, I was unable to see inside the gate, for the wall was stupendously thick. The music poured from that mysterious entrance in an ever-strengthening flood, and sought to draw me on with its weird seduction, eager for unimaginable things. It was hard to resist; hard to rally my will-power and turn back. I tried to concentrate on the thought of danger — but the thought was tenuously unreal.

At last, I tore myself away and retraced my footsteps, very slowly and lingeringly, till I was beyond reach of the music. Even then, the spell persisted, like the effects of a drug; and all the way home I was tempted to return and follow those shining giants into the city.

August 5th. — I have visited the new dimension once more. I thought I could resist that summoning music, and I even took some cotton-wadding with which to stuff my ears if it should affect me too strongly. I began to hear the supernal melody at the same distance as before, and was drawn onward in the same manner. But, this time, I entered the open gate!

I wonder if I can describe that city? I felt like a crawling ant upon its mammoth pavements, amid the measureless Babel of its buildings, of its streets and arcades. Everywhere there were columns, obelisks and the perpendicular pylons of fane-like structures that would have dwarfed those of Thebes and Heliopolis. And the people of the city! How is one to depict them, or give them a name!

I think that the gleaming entities I first saw are not the true inhabitants, but are only visitors, perhaps from some other world or dimension, like myself. The real people are giants, too; but they move slowly, with solemn, hieratic paces. Their bodies are nude and swart, and their limbs are those of caryatides — massive enough, it would seem, to uphold the roofs and lintels of their own buildings. I fear to describe them minutely, for human words would give the idea of something monstrous and uncouth, and these beings are not monstrous, but they have merely developed in obedience to the laws of another evolution than ours; the environmental forces and conditions of a different world.

Somehow, I was not afraid when I saw then — perhaps the music had dragged me till I was beyond fear. There was a group of them just inside the gate, and they seemed to pay me no attention whatever as I passed them. The opaque, jet-like orbs of their huge eyes were impassive as the carven eyes of androsphinxes, and they uttered no sound from their heavy, straight, expressionless lips. Perhaps they lack the sense of hearing, for their strange, semi-rectangular heads were devoid of anything in the nature of external ears.

I followed the music, which was still remote and seemed to increase little in loudness. I was soon overtaken by several of those beings whom I had previously seen on the road outside the walls; and they passed me quickly and disappeared in the labyrinth of buildings. After them there came other beings of a less gigantic kind, and without the bright shards or armor worn by the first-comers. Then, overhead, two creatures with long, translucent, blood-colored wings, intricately veined and ribbed, came flying side by side and vanished behind the others. Their faces, featured with organs of unsurmisable use, were ant those of animals, and I felt sure that they were beings of a high order of development.

I saw hundreds of those slow-moving, somber entities whom I have identified as the true inhabitants, but none of them appeared to notice me. Doubtless they were accustomed to seeing far weirder and more unusual kinds of life than humanity. As I went on, I was overtaken by dozens of improbable-looking creatures, all going in the same direction as myself, as if drawn by the same siren melody.

Deeper and deeper I went into the wilderness of colossal architecture, led by that remote, ethereal, opiate music. I soon noticed a sort of gradual ebb and flow in the sound, occupying an interval of ten minutes or more; but, by imperceptible degrees, it grew sweeter and nearer. I wondered how it could penetrate that manifold maze of builded stone and be heard outside the walls....

I must have walked for miles, in the ceaseless gloom of those rectangular structures that hung above me, tier on tier, at an awful height in the amber zenith. Then, at length, I came to the core and secret of it all. Preceded and followed by a number of those chimerical entities, I emerged on a great square, in whose center was a temple-like building more immense than the others. The music poured, imperiously shrill and loud, from its many-columned entrance.

I felt the thrill of one who approaches the sanctum of some hierarchal mystery, when I entered the halls of that building. People who must have come from many different worlds or dimensions went with me, and before me, along the titanic colonnades, whose pillars were graven with indecipherable runes and enigmatic bas-reliefs. The dark, colossal inhabitants of the town were standing or roaming about, intent, like all the others, on their own affairs. None of these beings spoke, either to me or to one another, and though several eyed me casually, my presence was evidently taken for granted.

There are no words to convey the incomprehensible wonder of it all. And the music? I have utterly failed to describe that, also. It was as if some marvelous elixir had been turned into sound-waves — an elixir conferring the gift of superhuman life, and the high, magnificent dreams which are dreamt by the Immortals. It mounted in my brain like a supernal drunkenness, as I approached the hidden source. I do not know what obscure warning prompted me, now, to stuff my ears with cotton before I went any farther. Though I could still hear it, still feel its peculiar, penetrant vibration, the sound became muted when I had done this, and its influence was less powerful henceforth. There is little doubt that I owe my life to this simple and homely precaution.

The endless rows of columns grew dim for a while as the interior of a long, basaltic cavern; and then, some distance ahead, I perceived the glimmering of a soft light on the floor and pillars. The light soon became an over-flooding radiance, as if gigantic lamps were being lit in the temple's heart; and the vibrations of the hidden music pulsed more strongly in my nerves.

The hall ended in a chamber of immense, indefinite scope, whose walls and roof were doubtful with unremoving shadows. In the center, amid the pavement of mammoth blocks, there was a circular pit, above which seemed to float a fountain of flame that soared in one perpetual, slowly lengthening jet. This flame was the sole illumination, and also, was the source of the wild, unearthly music. Even with my purposely deafened ears, I was wooed by the shrill and starry sweetness of its singing; and I felt the voluptuous lure and the high, vertiginous exaltation.

I knew immediately that the place was a shrine, and that the transdimensional beings who accompanied me were visiting pilgrims. There were scores of them — perhaps hundreds; but all were dwarfed in the cosmic immensity of that chamber. They were gathered before the flame in various attitudes of worship; they bowed their exotic heads, or made mysterious gestures or adoration with unhuman hands and members. And the voices of several, deep as booming drums, or sharp as the stridulation of giant insects, were audible amid the singing of the fountain.

Spellbound, I went forward and joined them. Enthralled by the music and by the vision of the soaring flame, I paid as little heed to my outlandish companions as they to me. The fountain rose and rose, until its light flickered on the limbs and features of throned, colossal, statues behind it — of heroes, gods or demons from the earlier cycles of alien time, staring in stone from a dusk of illimitable mystery.

The fire was green and dazzling, pure as the central flame of a star; it blinded me, and when I turned my eyes away, the air was filled with webs of intricate colour, with swiftly changing arabesques whose numberless, unwonted hues and patterns were such as no mundane eye had ever beheld. And I felt a stimulating warmth that filled my very marrow with intenser life....

III. The Lure of the Flame

The music mounted with the flame; and I understood, now, its recurrent ebb and flow. As I looked and listened, a mad thought was born in my mind — the thought of how marvelous and ecstatical it would be to run forward and leap headlong into the singing fire. The music seemed to tell me that I should find in that moment of flaring dissolution all the delight and triumph, all the splendor and exaltation it had promised from afar. It besought me; it pleaded with tones of supernal melody, and despite the wadding in my ears, the seduction was well-nigh irresistible.

However, it had not robbed me of all sanity. With a sudden start of terror, like one who has been tempted to fling himself from a high precipice, I drew back. Then I saw that the same dreadful impulse was shared by some of my companions. The two entities with scarlet wings, whom I have previously mentioned, were standing a little apart from the rest of us. Now, with a great fluttering, they rose and flew toward the flame like moths toward a candle. For a brief moment the light shone redly through their half-transparent wings, ere they disappeared in the leaping incandescence, which flared briefly and then burned as before.

Then, in rapid succession, a number of other beings, who represented the most divergent trends of biology, sprang forward and immolated themselves in the flame. There were creatures with translucent bodies, and some that shone with all the hues of the opal; there were winged colossi, and Titans who strode as with seven-league boots; and there was one being with useless, abortive wings, who crawled rather than ran, to seek the same glorious doom as the rest. But among them there were none of the city's people: these merely stood and looked on, impassive and statue-like as ever.

I saw that the fountain had now reached its greatest height, and was beginning to decline. It sank steadily, but slowly, to half its former elevation. During this interval, there were no more acts of self-sacrifice, and several of the beings beside me turned abruptly and went away, as if they had overcome the lethal spell.

One of the tall, armored entities, as he left, addressed me in words that were like clarion-notes, with unmistakable accents of warning. By a mighty effort of will, in a turmoil of conflicting emotions, I followed him. At every step, the madness and delirium of the music warred with my instincts of self-preservation. More than once, I started to go back. My homeward journey was blurred and doubtful as the wanderings of a man in opium-trance; and the music sang behind me, and told me of the rapture I had missed, of, the flaming dissolution whose brief instant was better than aeons of mortal life....

August 9th. — I have tried to go on with a new story, but have made no progress. Anything that I can imagine, or frame in language, seems flat and puerile beside the world of unsearchable mystery to which I have found admission. The temptation to return is more cogent than ever; the call of that remembered music is sweeter than the voice of a loved woman. And always I am tormented by the problem of it all, and tantalized by the little which I have perceived and understood.

What forces are these whose existence and working I have merely apprehended? Who are the inhabitants of the city? And who are the beings that visit the enshrined flame? What rumor or legend has drawn them from outland realms and ulterior planets to that place of inenarrable danger and destruction? And what is the fountain itself, what the secret of its lure and its deadly singing? These problems admit of infinite surmise, but no conceivable solution.

I am planning to go back once more... but not alone. Someone must go with me, this time, as a witness to the wonder and the peril. It is all too strange for credence: I must have human corroboration of what I have seen and felt and conjectured. Also, another might understand where I have failed to do more than apprehend.

Who shall I take? It will be necessary to invite someone here from the outer world — someone of high intellectual and aesthetic capacity. Shall I ask Philip Hastane, my fellow fiction-writer? He would be too busy, I fear. But there is the Californian artist, Felix Ebbonly, who has illustrated some of my fantastic novels....

Ebbonly would be the man to see and appreciate the new dimension, if he can come. With his bent for the bizarre and unearthly, the spectacle of that plain and city, the Babelian buildings and arcades, and the Temple of the Flame, will simply enthrall him. I shall write immediately to his San Francisco address.

August 12th. — Ebbonly is here: the mysterious hints in my letter, regarding some novel pictorial subjects along his own line, were too provocative for him to resist. Now, I have explained fully and given him a detailed account of my adventures. I can see that he is a little incredulous, for which I hardly blame him. But he will not remain incredulous for long, for tomorrow we shall visit together the City of the Singing Flame.

August 13th. — I must concentrate my disordered faculties, must choose my words and write with exceeding care. This will be the last entry in my journal, and the last writing I shall ever do. When I have finished, I shall wrap the journal up and address it to Philip Hastane, who can make such disposition of it as he sees fit.

I took Ebbonly into the other dimension today. He was impressed, even as I had been, by the two isolated boulders on Crater Ridge.