Read The Zinn Reader Online

Authors: Howard Zinn

The Zinn Reader (29 page)

BOOK: The Zinn Reader
5.33Mb size Format: txt, pdf, ePub
ads

PART
THREE

WAR

1

J
UST AND
U
NJUST
W
AR

I enlisted in the Army Air Corps in World War II and was an eager bombardier, determined to do everything I could to help defeat Fascism. Yet, at the end of the war, when I collected my little mementos—my photos, logs of some of my missions—I wrote on the folder, without really thinking, and surprising myself: "Never Again." In the years after the war, I began to plumb the reasons for that spontaneous reaction, and came to the conclusions which I describe in the following essay, published as a chapter in my book
Declarations of Independence
(HarperCollins, 1990).

Years before (in
Postwar America,
Bobbs Merrill, 1973), I had written an essay called "The Best of Wars," in which I questioned— I was unaware of anyone else asking the same question—the total acceptance of World War II. After my own experience in that war, I had moved away from my own rather orthodox view that there are just wars and unjust wars, to a universal rejection of war as a solution to any human problem. Of all the positions I have taken over the years on questions of history and politics, this has undoubtedly aroused the most controversy. It is obviously a difficult viewpoint to present persuasively. I try to do that here, and leave it to the reader to judge whether I have succeeded.

There are some people who do not question war. In 1972, the general who was head of the U.S. Strategic Air Command told an interviewer, "I've been asked often about my moral scruples if I had to send the planes out with hydrogen bombs. My answer is always the same. I would be concerned only with my professional responsibility."

It was a Machiavellian reply. Machiavelli did not ask if making war was right or wrong. He just wrote about the best way to wage it so as to conquer the enemy. One of his books is called
The Art of War.

That title might make artists uneasy. Indeed, artists—poets, novelists, and playwrights as well as musicians, painters, and actors—have shown a special aversion to war. Perhaps because, as the playwright Arthur Miller once said, "When the guns boom, the arts die." But that would make their interest too self-centered; they have always been sensitive to the fate of the larger society round them. They have questioned war, whether in the fifth century before Christ, with the plays of Euripedes, or in modern times, with the paintings of Goya and Picasso.

Machiavelli was being
realistic.
Wars were going to be fought. The only question was how to win them.

Some people have believed that war is not just inevitable but desirable. It is adventure and excitement, it brings out the best qualities in men—courage, comradeship, and sacrifice. It gives respect and glory to a country. In 1897, Theodore Roosevelt wrote to a friend, "In strict confidence...! should welcome almost any war, for I think this country needs one."

In our time, fascist regimes have glorified war as heroic and ennobling. Bombing Ethiopia in 1935, Mussolini's son-in-law Count Ciano described the explosions as an aesthetic thrill, as having the beauty of a flower unfolding.

In the 1980s two writers of a book on war see it as an effective instrument of national policy and say that even nuclear war can, under certain circumstances, be justified. They are contemptuous of "the pacifist passions: self-indulgence and fear," and of "American statesmen, who believe victory is an archaic concept." They say, "The bottom line in war and hence in political warfare is who gets buried and who gets to walk in the sun."

Most people are not that enamored of war. They see it as bad, but also as a possible means to something good. And so they distinguish between wars that are just and those that are unjust. The religions of the West and Middle East—Judaism, Christianity, and Islam—approve of violence and war under certain circumstances. The Catholic church has a specific doctrine of "just" and "unjust" war, worked out in some detail. Political philosophers today argue about which wars, or which actions in wars, may be considered just or unjust.

Beyond both viewpoints—the glorification of war and the weighing of good and bad wars—there is a third: that war is too evil to ever be just. The monk Erasmus, writing in the early sixteenth century, was repelled by war of any kind. One of his pupils was killed in battle and he reacted with anguish:

Tell me, what had you to do with Mars, the stupidest of all the poet's gods, you who were consecrated to the Muses, nay to Christ? Your youth, your beauty, your gentle nature, your honest mind—what had they to do with the flourishing of trumpets, the bombards, the swords?

Erasmus described war: "There is nothing more wicked, more disastrous, more widely destructive, more deeply tenacious, more loathsome." He said this was repugnant to nature: "Whoever heard of a hundred thousand animals rushing together to butcher each other, as men do everywhere?"

Erasmus saw war as useful to governments, for it enabled them to enhance their power over their subjects: "...once war has been declared, then all the affairs of the State are at the mercy of the appetites of a few."

This absolute aversion to war of any kind is outside the orthodoxy of modern thinking. In a series of lectures at Oxford University in the 1970s, English scholar Michael Howard talked disparagingly about Erasmus. He called him simplistic, unsophisticated, and someone who did not see beyond the "surface manifestations" of war. He said,

With all [Erasmus's] genius he was not a profound political analyst, nor did he ever have to exercise the responsibilities of power. Rather he was the first in that long line of humanitarian thinkers for whom it was enough to chronicle the horrors of war in order to condemn it.

Howard had praise for Thomas More: "Very different was the approach of Erasmus's friend, Thomas More; a man who had exercised political responsibility and, perhaps in consequence, saw the problem in all its complexity." More was a realist; Howard says,

He accepted, as thinkers for the next two hundred years were to accept, that European society was organized in a system of states in which war was an inescapable process for the settlement of differences in the absence of any higher common jurisdiction. That being the case, it was a requirement of humanity, of religion and of common sense alike that those wars should be fought in such a manner as to cause as little damage as possible.... For better or worse war was an institution which could not be eliminated from the international system. All that could be done about it was, so far as possible, to codify its rationale and to civilize its means.

Thus, Machiavelli said: Don't question the ends of the prince, just tell him how best to do what he wants to do, make the means more
efficient.
Thomas More said: You can't do anything about the ends, but try to make the means more
moral.

In the 400 years following the era of Machiavelli and More, making war more humane became the preoccupation of certain liberal "realists." Hugo Grotius, writing a century after More, proposed laws to govern the waging of war
(Concerning the Law of War and Peace).
The beginning of the twentieth century saw international conferences at The Hague in the Netherlands and at Geneva in Switzerland which drew up agreements on how to wage war.

These realistic approaches however, had little effect on the reality of war. Rather than becoming more controlled, war became more uncontrolled and more deadly, using more horrible means and killing more noncombatants than ever before in the history of mankind. We note the use of poison gas in World War I, the bombardment of cities in World War II, the atomic destruction of Hiroshima and Nagasaki near the end of that war, the use of napalm in Vietnam, and the chemical warfare in the Iran-Iraq war of the early 1980s.

Albert Einstein, observing the effects of attempts to "humanize" wars, became more and more anguished. In 1932, he attended a conference of sixty nations in Geneva and listened to the lengthy discussions of which weapons were acceptable and which were not, which forms of killing were legitimate and which were not.

Einstein was a shy, private person, but he did something extraordinary for him: he called a press conference in Geneva. The international press turned out in force to hear Einstein, already world famous for his theories of relativity. Einstein told the assembled reporters, "One does not make wars less likely by formulating rules of warfare...War cannot be humanized. It can only be abolished." But the Geneva conference went on, working out rules for "humane" warfare, rules that were repeatedly ignored in the world war soon to come, a war of endless atrocities.

In early 1990 President George Bush, while approving new weapons systems for nuclear warheads (of which the United States had about 30,000) and refusing to join the Soviet Union in stopping nuclear testing, was willing to agree to destroy chemical weapons, but only over a ten-year period. Such are the absurdities of "humanizing" war.

Liberal States and Just Wars: Athens

The argument that there are just wars often rests on the social system of the nation engaging in war. It is supposed that if a "liberal" state is at war with a "totalitarian" state, then the war is justified. The beneficent nature of a government is assumed to give brightness to the wars it wages.

Ancient Athens has been one of the most admired of all societies, praised for its democratic institutions and its magnificent cultural achievements. It had enlightened statesmen (Solon and Pericles), pioneer historians (Herodotus and Thucydides), great philosophers (Plato and Aristotle), and an extraordinary quartet of playwrights (Aeschylus, Sophocles, Euripides, and Aristphanes). When it went to war in 431 B.C. against its rival power, the city-state of Sparta, the war seemed to be between a democratic society and a military dictatorship.

The great qualities of Athens were described early in that war by the Athenian leader Pericles at a public celebration for the warriors, dead or alive. The bones of the dead were placed in chests; there was an empty litter for the missing. There was a procession, a burial, and then Pericles spoke. Thucydides recorded Pericles' speech in his
History of the Peloponnesian War.

Before I praise the dead, I should like to point out by what principles of action we rose to power, and under what institutions and through what manner of life our empire became great. Our form of government does not enter into rivalry with the institutions of others... It is true that we are called a democracy, for the administration is in the hands of the many and not of the few.... The law secures equal justice to all alike.... Neither is poverty a bar.... There is no exclusiveness in our public life.... At home the style of our life is refined.... Because of the greatness of our city the fruits of the whole earth flow in upon us.... And although our opponents are fighting for their homes and we on foreign soil, we seldom have any difficulty in overcoming them.... I have dwelt upon the greatness of Athens because I want to show you that we are contending for a higher prize than those who enjoy none of these privileges.

Similarly, American presidents in time of war have pointed to the qualities of the American system as evidence for the justness of the cause. Woodrow Wilson and Franklin Roosevelt were liberals, which gave credence to their words exalting the two world wars, just as the liberalism of Truman made going into Korea more acceptable and the idealism of Kennedy's New Frontier and Johnson's Great Society gave an early glow of righteousness to the war in Vietnam.

But we should take a closer look at the claim that liberalism at home carries over into military actions abroad.

The tendency, especially in time of war, is to exaggerate the difference between oneself and the opponent, to assume the conflict is between total good and total evil. It was true that Athens had certain features of political democracy. Each of ten tribes selected 50 representatives, by lot, to make a governing council of 500. Trial juries were large, from 100 to 1,000 people, with no judge and no professional lawyers; the cases were handled by the people involved.

Yet, these democratic institutions only applied to a minority of the population. A majority of the people—125,000 out off 225,000— were slaves. Even among the free people, only males were considered citizens with the right to participate in the political process.

Of the slaves, 50,000 worked in industry (this is as if, in the United States in 1990, 50 million people worked in industry as slaves) and 10,000 worked in the mines. H.D. Kitto, a leading scholar on Greek civilization and a great admirer of Athens, wrote: "The treatment of the miners was callous in the extreme, the only serious blot on the general humanity of the Athenians.... Slaves were often worked until they died." (To Kitto and others, slavery was only a "blot" on an otherwise wonderful society.)

The jury system in Athens was certainly preferable to summary executions by tyrants. Nevertheless, it put Socrates to death for speaking his mind to young people.

Athens was more democratic than Sparta, but this did not affect its addiction to warfare, to expansion into other territories, to the ruthless conduct of war against helpless peoples. In modern times we have seen the ease with which parliamentary democracies and constitutional republics have been among the most ferocious of imperialists. We recall the British and French empires of the nineteenth century and the United States as a world imperial power in this century.

Throughout the long war with Sparta, Athens' democratic institutions and artistic achievements continued. But the death toll was enormous. Pericles, on the eve of war, refused to make concessions that might have prevented it. In the second year of war, with the casualties mounting quickly, Pericles urged his fellow citizens not to weaken: "You have a great polis, and a great reputation; you must be worthy of them. Half the world is yours—the sea. For you the alternative to empire is slavery."

BOOK: The Zinn Reader
5.33Mb size Format: txt, pdf, ePub
ads

Other books

The Ballroom Café by Ann O'Loughlin
Gabriel's Bride by Amy Lillard
The Exodus Is Over by C. Chase Harwood
Muse (Descended From Myth) by McFadden, Erin
Harmony by Carolyn Parkhurst
Me Before You by Sylvia M. Roberts