Then We Came to the End (12 page)

“I was trying to concentrate on his resume,” she said to us, “and I was also watching the door because I didn’t want anyone to walk in and see me with the guy. I already knew the sick and twisted thing: that sorry drip was back in the building. But I didn’t say that, because I was trying to be nice.”

“The sick and twisted thing,” Yop confessed, “is that I
want
to work. Can you believe that? I
want
to work. Isn’t that sick? You understand what I’m saying here, Karen? I’ve just been terminated, and inside my head I’m still working!”

“Oh my god,” said Marcia, looking up from his resume. “My name is Marcia.”

“At that point,” Marcia said to us, “I was
through.
He doesn’t even know my
name?
”

“What did I say?” said Yop.

“You just called me Karen,” replied Marcia.

“Karen?” Yop looked away and shook his head. “Did I? I said Karen? I’m sorry,” he said. “I know you’re not Karen, you’re Marcia, I know that. You and me worked together a long time, I know who you are. You’re Marcia, you’re from Berwyn.”

“Bridgeport.”

“I know who you are,” said Yop. “Karen’s someone else. Karen’s the Chinese girl.”

“Korean.”

“My mind is just totally fried this morning, that’s all,” he said. “I hope you forgive me. Anyway, the point I was trying to make . . .”

“WHAT?” Marcia cried at us from her perch on the recliner. “WHAT is the point you’re trying to make, you stuttering jackass?
Berwyn?
I could not
believe
that the guy got my name wrong.”

“The point I was trying to make,” Yop continued, “is that I find myself thinking about the fund-raiser. Can you believe that?”

“What fund-raiser?” asked Marcia.

“The fund-raiser,” Yop replied. “The fund-raiser we have to come up with ads for.”

“Oh, for breast cancer,” said Marcia, nodding. “The pro bono project.” She was reminded that in a few minutes she had a double meeting to attend.

“But then I thought,
he
doesn’t!” cried Marcia. “I just wanted to say to him, ‘Oh my god, Chris — you don’t
work
here anymore. Give the fund-raiser ads up. Leave the building. Proofread your own frickin’ resume! But my god,” she said, “he wouldn’t stop talking. He says to me, ‘Can you believe I can’t stop working in my head? I keep working and working and working — isn’t that sick and twisted?’ Well,
yeah.
Yeah it’s sick and twisted.
You don’t work here anymore!
But I didn’t say that. I was trying to be nice. I do try to be nice sometimes. So even though he didn’t know my name I went on proofreading his stupid resume, which had
so
many mistakes. How did we ever hire that guy to be a copywriter? I’m pointing them out to him, all these misspellings and typos and things, when he says, totally out of the blue — I mean, I have
no
idea where this comes from. I know something’s wrong, though, because he’s not talking talking talking, he’s just looking at me, so I look up from his resume and I says, ‘What?’ and he says, ‘It’ll happen to you, too, you know. Don’t think it won’t.’ And I says, ‘What will happen to me?’ ‘Getting fired,’ he says. ‘It’ll happen to you just like it’s happened to everyone else, and then you won’t be above everybody like how you act now.’ I could not believe what I was hearing,” she said to us. “I was proofreading the fucking guy’s resume —
me!
— making
improvements
on the thing, and he tells me that I’m going to get laid off? And not just that, but also that I hold myself above everybody else? Just because I hold myself above that sorry drip doesn’t mean I hold myself above everybody. I was trying to help him get a new job, for god’s sake! Wasn’t that nice of me? I mean, what an ass crack! Isn’t he a total ass crack,” she asked us, “to say to me, ‘Oh, and by the way, this bad thing that just happened to me? It’s going to happen to you, too.’ What if Brizz had done that? What if Brizz had said, ‘Thanks for visiting me in the hospital, guys, but just so you know, one day you’ll all be dying, too, and when that day comes, you won’t be able to breathe, either, you’ll be in such pain and misery, and then you’ll die. So good luck, you jerks.’ So I ripped his resume up into little pieces and threw them in his face, and one little piece stuck on his forehead, he was sweating so much. And I said something really mean to him. I couldn’t help it, I says, ‘You sweat so gross it makes me sick.’ I shouldn’t have said that. But I loved saying it, because it
is
gross when he sweats. What a fucking jerk! Telling me I’m going to get laid off. You guys have to remember,” she said. “You have to understand. I’ve been on
eggshells
since the input yesterday.”

We asked Marcia why she should be on eggshells. She looked around conspiratorially, unusual for her, because she typically didn’t give a damn who heard her say what. Marcia was never on eggshells. She was born and raised in Bridgeport, she changed her own oil, she listened to Mötley Crüe.

“Because
I’m
the one who took Tom Mota’s chair,” she confessed. “You understand? Tom’s chair is in
my
office. It’s always been the rule that when someone leaves, if you get in there first you can take their chair. I got in there first, I took Tom’s chair. I didn’t know anything about serial numbers. Not until that tool started jabber-assing about them yesterday at the input. Since then I’ve been on eggshells. It’s made me crazy. I want to get rid of it, but because he took Ernie’s chair down to Tom’s office, trying to pretend it was really Tom’s and not Ernie’s, I can’t take Tom’s real chair down there because then Tom would have
two
chairs. Isn’t that going to look suspicious? But if they look and see I have the chair with Tom’s serial numbers on it — don’t you see, I have the chair with the serial numbers! What should I do? Who knew about these serial numbers? I didn’t. Did you?”

She was as breathless and worked up as Yop himself. We told her to get ahold of herself. Chris Yop was not let go just because he was caught with Tom Mota’s buckshelves. He was let go because he can’t even draw up his own resume without filling it with typos. Lynn Mason and the other partners couldn’t trust million-dollar ad campaigns to sloppy copywriters — that is, if we ever had million-dollar ad campaigns again. That’s why Chris Yop was let go.

All the same, we thought it would be prudent of her to go into Tom’s office and swap Ernie’s chair with Tom’s. It was a delicate time, and in delicate times it made sense to take every precaution. Better to be caught with Ernie’s chair than with Tom’s. And just as we said that, we caught ourselves talking about such things as which chair Marcia would be better off being caught with, and we realized then how far we had fallen.

JOE SHOWED UP TO
the double meeting carrying his day planner, which was predictable and annoying. We were irked by the steadfast familiarity of that goddamn day planner. Sometimes we almost thought we could like Joe if just one time out of ten he left that leather-bound diary behind at his desk. But no. The couch and the two loveseats and the leather recliners were all taken so Joe had to sit on the floor.

At a double meeting a couple things always happened. Joe split us up into teams, one art director for every copywriter. Ideally, after the double meeting, each team would get together and brainstorm ideas. How it worked in practice was always a little different, however. The copywriter went off on his own and the art director did the same, generating ideas independently of one another. Then they got together to battle it out. Who was wittier, who had more savvy, who had sailed it out of the park. We all had the same prayer:
please let it be me.
Regardless of who that me was, he or she tried to be very discreet about it, but there was no denying it, they reigned victorious for a day while the rest of us returned to our desks to chew silently on our own spines. We had lost, and our dimwittedness made us vulnerable to low opinion, whispered denigrations, and the dread prospect of being next.

So imagine our surprise, and our chagrin, when we sat down at the couches with our coffees to double meet — during which time we only refined details, we only requested clarifications — and Karen Woo announced that she already had ad concepts. She had an entire
campaign.
“You know what, I’m sick of seeing attractive sixtyish-type women smiling into the camera and saying, ‘Look at me, I’m a survivor. I defeated breast cancer.’ That’s bullshit,” she said. “This industry needs to cut through the happy-smiley clutter and get nasty with some truth.”

We looked at her with our chins floating in our coffee cups. Hold up! we wanted to shout. You can’t have concepts. We haven’t even double met yet!

“What’s your idea?” asked Joe.

Her idea? We’ll tell you her idea, Joe. To slaughter. Nobody talks about it, nobody says a word, but the real engine running the place is the primal desire to kill. To be the best ad person in the building, to inspire jealousy, to defeat all the rest. The threat of layoffs just made it a more efficient machine.

“It surprises me that you have concepts already, Karen,” said Larry Novotny. Karen and Larry didn’t get on so well. “It really surprises me.”

“Initiative,” Karen said smugly.

“I don’t want to speak for anybody else,” Larry added, “but to be honest, it really surprises the hell out of all of us.”

Karen leaned forward on the sofa and turned to Larry in his recliner, his eyes hard to see under the arced canopy of his Cubs cap. He was wearing one of his boring flannel shirts. They had a stare-down. Karen and Larry didn’t get on because Larry was an Art Director and Karen a Senior Art Director and titles meant everything. Every AD wanted to be a SAD. If you were a SAD you had your eyes on becoming an Acker. Acker was our phonetic translation of Associate Creative Director. Ackers wanted to be Creetors (Creative Directors), and every Creetor envied the Eveeps. You could either be a Creveep (Creative Executive Vice President) or an Ackveep (Account Services Executive Vice President), but both species hoped equally to be invited one day into partnership. What the partners dreamed of was the stuff of Magellan, da Gama, Columbus, et al.

The point was we took this shit very seriously. They had taken away our flowers, our summer days, and our bonuses, we were on a wage freeze and a hiring freeze, and people were flying out the door like so many dismantled dummies. We had one thing still going for us: the prospect of a promotion. A new title: true, it came with no money, the power was almost always illusory, the bestowal a cheap shrewd device concocted by management to keep us from mutiny, but when word circulated that one of us had jumped up an acronym, that person was just a little quieter that day, took a longer lunch than usual, came back with shopping bags, spent the afternoon speaking softly into the telephone, and left whenever they wanted that night, while the rest of us sent e-mails flying back and forth on the lofty topics of Injustice and Uncertainty.

“Karen,” said Joe. “What’s your idea?”

Karen broke off from Larry and turned to Joe.

“Take a look,” said Karen. She unveiled three polished concepts she called the “Loved Ones” campaign. From the stock houses she had secured close-ups of individual faces, all male. The first was a black boy, the second an Asian man, the last an older white gentleman. They looked directly at the camera without expression. We all thought, she’s been on Photonica’s website for the past eighteen hours looking for these gems. The headlines were an exercise in simplicity and the art of the tease. Each was a quote. With some work in Photoshop, Karen had the black boy holding a white placard that read, “My Aunt.” The Asian man’s placard said, “My Mother.” The old white guy’s said, “My Wife.” That was it, the images and the headlines. They were arresting enough, Karen believed, that anyone coming across them would be prompted to read the body copy, where a first-person testimonial explained the anguish of losing a loved one to breast cancer and the dire need for a cure.

“Bit of a downer,” suggested Larry, “don’t you think?”

“No, Larry. I don’t think. It’s gripping and honest and motivating, is what it is.”

“Not very palatable.”

“It is too palatable, Larry!”

“It’s like seeing African kids starve on the TV, Karen. Maybe we can get Sally Struthers involved.”

“Joe,” said Karen.

“Larry,” said Joe.

“I’m just saying, Joe,” said Larry.

We hated Karen Woo. We
hated
hating Karen Woo because we feared we might be racists. The white guys especially. But it wasn’t just the white guys. Benny, who was Jewish, and Hank, who was black, hated Karen too. Maybe we hated Karen not because she was Korean but because she was a woman with strong opinions in a male-dominated world. But it wasn’t just the men; Marcia couldn’t stand her and she was a woman. And Marcia loved Donald Sato, so she couldn’t be a racist. Donald wasn’t Korean but he was Asian of some kind, and everybody liked him as much as Marcia did even though he didn’t say a whole lot. One time, Donald did say, as he turned away from his computer for a brief moment, toward a group of four or five of us, “My grandpa has this weird collection of Chinese ears.” We had been discussing something, it wasn’t like it just came out of nowhere. But at the same time, it wasn’t unusual for an entire day to go by where Donald said only, “Uh, maybe,” like four or five times, half of them without even directing his attention away from his computer, and then five o’clock hit and no more Donald. Now he’s telling us about his grandpa’s — “What do you mean, a collection of ears?” asked Benny. “Are you talking real ears, like real ears?” “Ears from the heads of Chinese people, yes,” Donald assented, having turned back to his computer screen. “A whole sack of them.” The mystery deepened. “A sack? What kind of a sack?” Sam Ludd, who smoked a lot of pot and frequently smelled like Funyuns, turned to Benny to communicate something to him in the secret language of laughter. “But seriously,” Benny persisted, pivoting on the window ledge to look at Donald straight on, “what the fuck are you talking about, Don?” “And what would constitute a nonweird collection of Chinese ears?” asked Sam, who lasted about two and a half seconds after layoffs began. “They’re from the war,” Don told the screen. “He doesn’t like to talk about it.” “But you’ve seen it?” said Benny. “There’s more than just one,” said Don. “No, the sack, the sack,” said Benny. Don looked at him and nodded. “Yeah.” “Well did he, like, cut them off himself? did he buy them? were they given to him as a gift? Don, talk to me.” “I don’t really know much more. I know he was in the war. Maybe he cut them off, I don’t know. That’s not something you can really ask your grandpa.” “Okay, but . . .” Benny was flustered, “you shouldn’t bring it up then, man, if you don’t have more information.” “I think you’re wrong, Don,” said Sam. “I think you can ask a grandpa if he cut the ears off Chinese people.” “What did they look like?” asked Benny. “Can you tell me that?” Don told the screen he didn’t really know what they looked like. They looked like ears. Dead old shriveled ears. And the sack was just a felt thing with a drawstring. Benny nodded and bit his cheek.