This Violent Land (2 page)

 

T
he town began as a “Hell on Wheels” settlement. As an End of Track location during the building of the Union Pacific, there had been high hopes for the town in the beginning. It had a bank, probably the best school building—a large two-story—in that part of the country, and a weekly newspaper, the
Bury Bulletin
. Businesses included a large mercantile store, several saloons and cafés, a large hotel, a leather shop, and a brothel. It boasted a sheriff, a deputy, and a jail. A handful of ranches and a lot of producing mines lay around the town, as well.

Nearly all of it was owned by three men—Muley Stratton, Wiley Potter, and Josh Richards.

Some citizens resented the presence of the three men, believing that they were bad for the town. Others thought differently.

“You have to admit that the town has grown considerably since they arrived,” someone had said.

“Yes, but grown how?” asked another, pointing out that there were more saloons than any other type of business. “Most of the newcomers who work for Potter, Stratton, and Richards are riffraff of the lowest element. Why, I believe most of them are gunfighters and outlaws. How can a town grow, and survive, with such people?”

What was not owned by Stratton, Potter, and Richards was the Pink House.

Billing her place as a “Sporting House for Gentlemen,” Flora Yancey even advertised her services in the town, hiring boys to tack up handbills.

 

The Pink House
Is a
S
PORTING
H
OUSE
for G
ENTLEMEN
Where Beautiful and Cultured
L
ADIES
Will provide you with every
Pleasure

 

She made no apologies about running a brothel. “Why should I be ashamed of it?” she would reply to anyone who questioned her. “I give my girls a clean place to stay and I insist that the gentlemen callers be on their best behavior. If they are not well-behaved, I don't let them return.”

Flora had been in town for more than four years, having arrived as a member of a theater group. The owner of the repertoire company for which she'd worked had lost all the box-office receipts in an after-show poker game. Rather than face his troupe with the disgrace of his betrayal, he'd made an attempt to recover the money at the point of a gun. That attempt had failed, and he was shot dead. He now lay buried in the Bury Cemetery under a marker sporting an epitaph.

 

 

Disgruntled and betrayed, the rest of the theater company had left town, but Flora, seeing potential business opportunities, had stayed. She was a beautiful woman and her role in the theater had inflamed the fantasies of many men. She knew that she had only to play upon those fantasies to become very successful. It was rumored that she had once been the mistress of Crown Prince Ferdinand of Austria. Another rumor had it as Prince Leopold of Belgium.

Whenever questioned as to whether or not the rumors were true, and if so, just which crowned head had she been with, Flora always replied, “A lady never informs upon the indiscretions of gentlemen of station.” She knew that such rumors fed the fantasies of men who wanted to “do it with a woman who had done it with a prince,” so she did nothing to dispel the rumors.

When Flora had made enough money she'd built the Pink House and hired only the most attractive women she could find. She then went into semiretirement, preferring to manage the affairs of “her girls” over providing her personal services to the customers.

Janey Jensen, who had been calling herself Janey Garner, sat in the parlor of the Pink House with Flora, one of her “girls” named Emma—no last name available—and Sally Reynolds, the local schoolteacher.

Sally had met Janey the day she first arrived in Bury and found herself in the middle of a shoot-out. Shortly thereafter, Sally had learned that the Pink House was a brothel, that Flora was the owner or madam of that house, and that Janey Garner was not only the business manager of the PSR Ranch, she was also the mistress of Josh Richards, who was the majority owner of the ranch.

Despite what she'd learned, Sally passed no judgment on anyone. On the contrary, Flora and Janey had become her closest friends. She'd also become friends with all the girls who worked at the Pink House.

At the moment, Emma was Sally's partner in a game of whist. It became obvious that they were losing the hand.

Emma sighed. “Oh dear. I'm afraid I overbid the deal. I'm such a nincompoop.”

“Nonsense, you are just a woman who bids with a degree of unbridled courage,” Sally said, and the others laughed.

As the game continued, conversation picked up.

“You being from the Northeast, you more'n likely didn't see much of the war, did you,” Emma asked Sally, making the sentence more a declarative statement than a question.

“I didn't see any of the war, except for what I read in the newspapers,” Sally replied.

“You were lucky,” Emma said. “I lived in Corinth, Mississippi. We had a very big battle real close by.”

“Yes, I read about Pittsburg Landing,” Sally acknowledged.

Emma shook her head. “No, it was Shiloh.”

“In the South, you called it Shiloh. In the North, we called it Pittsburg Landing.”

“How odd. Well, I remember all those wounded boys being brought into town. I was very young then, but I remember it very well. Wounded boys were lying out on the lawns of people's houses, on their front porches, even.” Emma shook her head again and sighed at the memory. “It was just awful.”

Sally reached across and put her hand on Emma's. “Oh, you poor dear. I'm sure it must have been bad for you.”

“Let's change the subject. I see no reason we should talk about such horrid things.” Janey had her own terrible memories of the war, memories that she didn't want to share. “Tell us about New York,” she said to Sally. “I know you once said you had been there.”

“Yes, I've been there. I have an aunt who lives there.”

“Oh, please do tell us about it,” Emma said.

“It is almost indescribable. Trains whiz along on elevated tracks throughout the city. The streets are crowded with carriages and wagons that never seem to stop. And at night the entire city uses gaslights, so that when you look out your window it is as if you are gazing at a huge, sparkling jewel.

“But it is most impressive at Christmas. All the stores, even the lampposts, are decorated for the holiday. Swags of green are stretched between lampposts from one side of the street to the other so that when you travel, you are traveling under a green canopy.”

“Did you ever attend the Woods Museum and Metropolitan Theater?” Flora asked.

“Yes. I saw a delightful production there, called
Ixion
.”

Flora laughed. “I was in that production.”

“Oh, my!” Sally said. “How wonderful to meet someone famous!”

“I wasn't famous, dear. I was just one of the women wearing tights and a bodice that revealed my bosom.”

“Oh, I would love to go to New York one of these days,” Emma said. “But I know I never will.”

“Why not?” Sally asked.

“Because I think such a large place would just scare me to death,” Emma replied breathlessly.

“Besides, I could never let her go,” Flora said. “If I did, I'm afraid all the cowboys who have fallen in love with her would riot in protest.”

“Yes ma'am, we more'n likely would.” Unnoticed, a cowboy had come into the parlor at that precise moment. He stood there holding his hat in his hand.

“Do you see what I mean?” Flora asked with a little chuckle.

Janey recognized him as one of the cowboys who worked at the PSR Ranch, and she knew that he was probably there for her. “Hello, Cecil, are you looking for me?”

“Yes, ma'am, I am. Mr. Richards, he sent me to fetch you.”

“To
fetch
me? Is that what he said?” The inflection of Janey's voice displayed her irritation at the word.

“Well, uh, no ma'am. He didn't quite put it like that. What he said was, would I go to town and find you and bring you back.”

“What if I don't want to go back?”

“If you don't want to go, I don't reckon there's anything I could do about it,” Cecil said. “But Mr. Richards would more 'n likely be atakin' it out on me if I was to go back to the ranch without you.”

“All right,” Janey said, smiling. “I wouldn't want to see you get in trouble. Go on back. You may tell him that I'll be there, shortly.”

“Ma'am, if it's all the same to you, I'd just as soon ride alongside your surrey.”

Flora set her cards on the table. “You don't have to go back, Janey. You don't have to go back ever. Just tell Richards that you've decided to come work for me.”

Janey laughed. “Ha, wouldn't he like that?”

“Why do you work for him, anyway? You could make as much money here as you do working for him. You could make even more money. I know you don't have any qualms about our business because someone could say you are doing the same thing for Richards.”

“That's true,” Janey said, making no attempt to deny the charge that she was Richards's mistress.

“And, my dear, your position with him is tenuous at best. Someone is going to shoot him dead one of these days. Richards's enterprises, by your own admission, are suspect.”

“That's true as well.”

Janey had no idea that the men she was working for were the same men who had killed her father. She didn't know, and had no way of knowing, that her father was dead. She had no idea that someone named Smoke was looking for her employers. Even if someone had told her that he was, it wouldn't have meant anything to her. She didn't know anyone named Smoke. As far as she knew, her brother, if he was still alive, was named Kirby.

 

 

 

Because there was train service from Denver to Red Cliff, Smoke decided to board his horse at a local livery stable while he was gone.

“Seven?” the hostler asked. “Your horse's name is Seven?”

“Yes.”

“Why did you name him that?”

“I didn't. He named himself. Look.” Smoke pointed to the white markings on the horse's face. The markings formed the perfect numeral seven.

The stable man nodded. “Yeah, I see what you mean. Well, don't you worry none about Seven while you're gone. He's in good hands.”

Seven looked over at Smoke, who smiled and patted him on the face. “You be a good horse for this nice gentleman. Just rest for a while. I'll be back soon.”

Leaving the stable, Smoke walked down to the depot where he bought a round-trip train ticket with a voucher that Marshal Holloway had given him. “Is the train on time?”

“We got a telegram from its last stop,” the ticket agent said. “It's runnin' no more than fifteen minutes or so late. It won't be too much longer. Just have a seat and make yourself comfortable, Deputy.”

“Thanks, I will.” He bought a newspaper, then took a seat on one of the padded benches in the waiting room.

A young mother was sitting just across from him, and he touched the brim of his hat in greeting. She nodded her head in reply. Her son was sitting on the floor in front of her, playing with a carved horse and wagon.

Smoke began carefully reading the newspaper, looking, as he always did, for any mention of the names Richards, Stratton, or Potter. It didn't seem likely that he would find them as easily as seeing their names in the paper, but he didn't want to leave any stone unturned. People like those three might wind up with their names in the paper. If there were no wanted posters out on them, they would have no reason to worry, so he was pretty sure they would be vain enough to have their names in the paper for just about any occasion.

After a long perusal of the paper, he put it aside, writing it off as a fruitless attempt.

“Folks, the train for Golden, Central City, Eagle, Glenwood Springs, and points west has arrived on track number three,” the ticket agent said, holding a speaking tube to his mouth. “If you are holding tickets for that train, you need to proceed to track number three now.”

The town of Red Cliff wasn't announced, but Smoke knew it was between Central City and Eagle.

“Mama, that's our train!” the little boy shouted, and started running toward the door.

“Johnny, come back here!” his mother called out in panic.

Getting up quickly, Smoke ran after the boy, swept him up in his arms, and brought him back to his mother.

“Oh, thank you, sir,” the grateful mother said. “He is so excited about this train trip. I fear he might get too close to the track and get careless.”

Smoke tapped the star on his shirt. “You see this badge?” he said to the boy.

The boy nodded.

“I'm a United States marshal, and if you don't want to get into trouble with me, you'll stay close to your mother. Do you understand?”

“Yes, sir,” the boy replied in an awed voice.

The mother smiled. “Thank you again. He'll stay close to me now. He doesn't want to go to jail. Do you, Johnny?”