Voices in the Night (7 page)

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Authors: Steven Millhauser

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I understood that it was imperative to remain calm, that a solution would present itself, but I found it difficult to concentrate my attention. My mother’s position on the chairs seemed perilous. When I bent over to make certain she was safe, I saw that her dress was twisted and the top buttons had come undone. A knob of collarbone thrust up like a knuckle.

Carefully, tenderly, I lifted her in my arms. Her face was smooth and calm. In her hardened state, she seemed to be content. I looked about the kitchen, which was sinking out of sight. I had the sense of a forest springing up outside.

Holding my mother tightly in my curled arms, I returned to the blackness of the living room. I could see nothing. Her bed lay far away. I thought of the couch, which stood hidden across immense stretches of dark. Even if I could find my way there, even if I could lay her gently down, I imagined her rolling slowly off the cushions and cracking against the edge of the coffee table. Maybe I wasn’t thinking clearly, maybe I wasn’t thinking at all, but as I gazed frantically around the dark I found myself calling to mind the corner near the piano, where the tall vase had once stood. She had always loved that vase.

Still holding my mother sideways in my arms, as if I were carrying her across a stream, I made my way along the rug to the space between the piano and the rocking chair. They rose up darker than the dark. “Are you all right?” I whispered. My mother said nothing. I tipped my arms to one side until I felt her foot touch the rug. Carefully I stood her upright. Gently I leaned her at an angle against the side of the piano. “There,” I said. I drew up the rocking chair so that it rested against the edge of her tilted foot, then stepped away.

In the stillness of the living room my mother stood leaning against the piano, as though she were listening intently to someone playing
the slow movement of a sonata. She seemed at peace, there in her favorite room, lounging against the old piano, as she used to do. It was she who had taught me to play the piano, when I was seven, and she often liked to stay quiet like that, listening to me play. She was safer here, it seemed to me, than anywhere else, I said to myself, at least for the time being, I thought. For a while I stood in the dark, watching my mother at rest in her corner. Then I came forward and kissed her stony shoulder. “It was good seeing you again,” I said. I would make the necessary calls, I would see to it that she was looked after properly. I stepped back and gave a little wave.

When I reached the front hall I turned to look at the living room, which was no longer there. My visit had had its ups and downs, not everything had gone as smoothly as I might have liked, but we had talked a little, my mother and I, we had sat in the old places. Now she was resting at a safe angle against the side of the piano. She would be all right, I felt, in her way. I cast a farewell glance in her direction, giving a final wave into the dark, and as I turned toward whatever was left of the day or night I took what consolation I could in knowing that we’d had a good visit, taken all in all, and that I was bound to be out that way, once again, in a while.

MERMAID FEVER

T
he mermaid washed up on our public beach in the early morning of June 19, at approximately 4:30 a.m., according to the most reliable estimates. At 5:06 a.m. the body was discovered by George Caldwell, a forty-year-old postal worker who lived two blocks from the water and was fond of his early-morning swim. Caldwell found her lying just below the tide line; he thought she was a teenager who had drowned. The body lay on its side among strings of seaweed and scattered mussel shells. Caldwell stepped back. He did not want trouble. He immediately called 911 on his cell and stood waiting in the near-dark some ten feet from the drowned girl until two police cars and an ambulance pulled up in the beach parking lot. The sun had not yet come up but a band of sky over the water was turning pearly gray. “I thought she was a high school girl,” Caldwell later told a reporter; we read it in the
Listener
. “It was still dark out there. I thought she was wearing some sort of a dress with the top torn off. I could tell she didn’t look right. I didn’t want to get too close.” The body was taken to the Vanderhorn Funeral Home on Broadbridge Avenue and examined by the coroner and three local doctors. The initial report stated that the body “had the appearance of a mermaid” but that further tests would have to be conducted before a definitive statement could be issued. Two marine biologists from a nearby
university arrived a few hours later and confirmed the accuracy of the initial examination, stating in their confidential report that there could be no doubt the mermaid was authentic.

From the beginning our town was torn between the impulse to disclose everything and the desire to protect our streets from media invasion. Officials cooperated as fully as possible with outside investigators but refused to allow photographs of our mermaid. They also refused to relinquish ownership of the body, which was claimed as town property. A special committee, appointed to handle mermaid affairs, voted to permit the release of the body for twenty-four hours into the care of a hospital in Hartford, where further tests were performed and tissue samples collected.

The mermaid was said to be sixteen years old and in excellent health. The cause of death was blood loss from a large wound in the lower fishbody, which appeared to have been attacked by a shark. We learned that she had human lungs, a human heart, a human stomach, and part of a human intestinal tract; below the waist, where the skin grew seamlessly into scales, the inner organs, including the reproductive system, were those of a large saltwater fish. She had green eyes, a small straight nose, small ears lying flat against the head, and well-formed teeth. Her hair was abundant and lustrous, a mixture of straw and blond, and fell in long undulations to her waist. The scales were gray-green, with brown and black markings. They were spread across the back of the fishbody and came around to the front, leaving on the belly a strip of whiteness about ten inches wide that tapered to four inches at the tail. The forked tail fin grew parallel to the human shoulders; such an arrangement suggested that the mermaid swam on her stomach, with the fin held horizontally, in the manner of a dolphin or whale, although one scientist stated emphatically that they were only making the best possible guess, since nothing at all was known about the habits of mermaids and she might sometimes have swum on her side, with the fin in a vertical position.

An immediate question arose: What should be done with our mermaid?
The body was being held at the funeral home, where experts were invited to find ways of preventing decomposition. The Committee, in an emergency session, voted unanimously that a discovery of this kind was too important to be kept away from the residents of our town, who deserved to see the natural wonder for themselves. The issue was urgent; already there was talk of a disturbing odor. A team of biologists from a research lab in New Haven proposed a method of arterial injection with a newly developed non-formaldehyde solution that preserved organs and prevented shrinkage; in this way the mermaid might be kept on display for several weeks or more. A debate ensued about a suitable location for such an exhibit. Some suggested the town hall, others the library, but quite apart from questions of space it wasn’t difficult to find persuasive arguments against the display of a half-naked sixteen-year-old girl in public institutions intended for business or study. It was finally decided to house the display at the Historical Society, which had a small room for temporary exhibits. Objections were raised by those who felt that the body of a mermaid washed up on a beach had no place in a building dedicated to the history of our town, but they were outnumbered by those who argued that the Historical Society was the closest thing we had to a museum.

A custom manufacturer of museum display cases was hired to construct a tempered glass case, eight feet high, in which the body of the mermaid was to be kept in a clear liquid preservative intended to prevent desiccation and permit easy viewing. Inside the glass case the designer placed a large boulder, closely resembling one of the black basalt rocks on our jetty; on it the mermaid was seated. Her torso was upright and her fishbody lay stretched across the rock, where it was held down by concealed grips. At the bottom of the case grew several water plants with long, spiky leaves.

The exhibit opened on June 26 at 9:00 in the morning. Within days it proved to be the largest attraction in the eighty-four-year history
of our Historical Society. Cars with out-of-state plates lined the sycamore-shaded street, with its shuttered eighteenth-century houses and its new steel-and-glass recreational facility. Mothers and daughters, groups of wisecracking high school boys, visiting Girl Scout troops, and grandparents stooped over canes waited in line for nearly an hour before they found themselves face-to-face with the mermaid in her glass case. So many people reached out to touch the glass that one morning a blue velvet rope appeared, suspended between brass posts two feet from the display.

She sat on her rock with one hand resting by her side and one arm partly raised, the forearm lying on a bit of green netting stretched over small steel uprights driven into the stone. Her long hair was carefully draped over each breast so that it concealed the nipple and most of the breast itself, though there was only so much that could be hidden, and complaints were regularly made that the exhibit was unsuitable for public viewing. Her green eyes were open, her lips closed in what some thought was a faint smile. Her cheekbones were high, her air reflective; she might have been a local girl sitting in the ice-cream parlor, except for something vaguely foreign in her look, perhaps a slight narrowness in the ears, or something about the forehead, it was difficult to tell. Children pointed and whispered, older boys made coarse jokes—all this was to be expected. What no one had foreseen was the way she stayed in our minds long afterward. Day after day we returned to stand before the glass case and stare at our mermaid. She looked just to the right or left of us, or a little above, as if she were gazing off at a place we could never see.

It wasn’t long after her appearance among us that Rick Halsey, captain of the high school swim team, told a reporter standing near the display case that the mermaid was the best thing that had ever happened to our town and that he was going to throw a pool party in her honor. At the back of his parents’ house was a large in-ground swimming pool where he and his teammates liked to practice at night.
Halsey was an easygoing young man with a wide circle of friends; the party was well attended. Girls arrived in mermaid bathing suits composed of bikini tops and long skirt-like bottoms that tightened at the ankles. Many of the lower halves glittered with sewn-on scales made of sequins. It was later said that a few female guests dispensed with tops and covered their breasts with nothing but their long hair. The party was reported in the “Friends and Neighbors” section of the
Listener
, with a color photograph of two laughing mermaids stretched out in lounge chairs by the poolside. The idea caught on quickly; mermaid parties sprang up all over town. Diana Barone, a local seamstress, created for her daughter the first bottom that concealed the feet and spread out in the shape of a tail fin. The wearer had to walk with her feet pointed to the sides. The new constriction in walking, which resulted in little mincing steps, proved surprisingly popular among high school and college girls.

It was only a matter of days before mermaid suits began appearing at our beach. You would see girls taking off their T-shirts and jeans to reveal the triangle tops and string bikinis of last season, only to reach into their beach bags and remove the new fishtail bottoms, styled in glittering scales of many colors. A local store offered an array of new suits, of which the most poplar was the Mermaidini: a skintight scaly bottom with zip-off tail fin and a bold bikini top with a realistic breast and nipple printed on each cup. Even bolder was the cheveux top, or Mermette, which consisted of easy-to-attach clip-in hair extensions designed to cover the bare chest. All over the beach you could see them, the mermaids of our town: lying on their stomachs on beach towels, with their lower scales glistening in the sun; sitting on the rocks of the jetty and combing their long hair; laughing wildly as boys scooped them up and carried them wriggling down to the low waves, where they threw the mermaids high out over the water—for a moment you could see them hovering there, in the blue air, the shining sea-girls of summer.

Such changes in public fashion do not pass unnoticed in our town. From the first day, protests had arisen against the creature in the display case, who, whatever else she might be, was also a naked teenager indecently exposing her breasts in public. The protests intensified as the new styles erupted on our beach. Mermaid suits, it was said, encouraged women to display their breasts for the delectation of male voyeurs; the constriction of fish-bottoms at the ankles caused women to walk in a new, provocative manner, more suitable for the bedroom than the beach. The tight-ankled style, moreover, disabled women in a backward-looking way reminiscent of the corset and the hobble skirt. Defenders of the new costumes pointed out that the scaly bottoms covered the lower body entirely and were far more modest than the string and thong bikinis they replaced; the painted breasts, which some found so disturbing, concealed the real breasts far more completely than the skimpy tops of recent fashion. Even the much-criticized cheveux tops were broad and thick and protected the breasts from view, at least when the women were out of the water. As for the issue of constriction, the defenders yielded no ground: the tight fishtails, they claimed, were worn in a spirit of play, of sheer fun, even of bravado, which narrow-minded ideologues bound by crippling dogmas were incapable of comprehending.

As charges and countercharges burst forth at town meetings and in the local paper, young mothers with toddlers began appearing at the beach in the new costumes; children emerged from cars in gaudy fishtail suits; and even older women were soon wearing modified, looser versions, which, whatever their drawbacks when it came to ambulation, were welcomed as a convenient method of protecting the lower body from the sun’s malignant rays and, in some cases, of concealing varicose veins or fatty accumulations on the hips and thighs.

But the new beach fashions, however striking, were only the most visible sign of a fascination that struck much deeper. We knew that a mermaid had washed up on our beach. Wasn’t it likely, wasn’t it more
than likely, that others should be nearby? From the first announcement of her appearance among us, mermaid sightings were reported daily. Each claim was immediately and scrupulously investigated. A second-grade math teacher, Martha Lloyd, was sitting on a blanket on the beach at dusk when she saw a mermaid rise from the water not far from shore. The mermaid looked directly at her before diving under. What struck Mrs. Lloyd was the uncanny resemblance of the young mermaid to the one in our display case—the face was older, but the cheekbones and eyebrows looked so familiar that Mrs. Lloyd was certain she had seen the girl’s mother. The next night two witnesses reported seeing a mermaid sitting on the last rock of the jetty. In the moonlight they could see her slightly bowed head, her darkly gleaming scales. There were more unusual sightings: a mermaid seated on the rim of the rotunda in the duck pond in the public park at nightfall, a mermaid under a backyard spruce tree. Joseph Ernst, a retired building contractor, saw a mermaid in his bedroom one night, but she disappeared when he approached. Eight-year-old Jenny Wheeler ran screaming from her bubble bath when she saw a child mermaid rising from the far end of the tub, but when she returned to the bathroom with her mother, the mer-child was no longer there.

Partly in order to verify reports of mermaid sightings, and partly in order to record evidence more accurately, an association of concerned citizens was formed, which became known as Watchers in the Night. Members, who ranged from waitresses and yard workers to doctors and financial advisers, divided their time between visiting locations where mermaids had been sighted and patrolling the beach at all hours of the night. Wearing binoculars around their necks, and carrying notebooks and ballpoint pens, they walked along the shore, sat far out on the jetty, climbed onto tall lifeguard chairs and watched the waters of the Sound. From the public beach and the adjacent private beach they gathered long hairs, fish scales, broken mirrors, barrettes, fragments of comb, bits of bone, and turned them over to
the Historical Society, which sent them off to a laboratory for testing. The specimens were invariably identified as familiar seashore debris, except for two of the bones, which came from a dead cat. One branch of the Watchers made it their business to set nets a few hundred yards out in the water, in order to catch mermaids who might stray toward shore.

Along with the sightings, which produced belief and skepticism in equal measure, came reports of a more elusive kind. These accounts were little more than rumors or stories, which drifted through the air like odors of exotic flowers. It was said that staring into the eyes of our mermaid could make you see things that weren’t there. It was said that Richie Gorham, a college junior who had spent many hours before the glass display case, left his house one night to wander down to the beach. At the end of the jetty he saw a mermaid, who lured him onto the rocks and then into the middle of the Sound, where she pulled him down to an underwater grotto. Gorham was found the next day lying facedown in the north woods, where he was suffering from a raging migraine and unable to remember anything about the last day and night. One woman, swimming alone in the last light of dusk, said that a mermaid had swum up against her and tried to drag her off; she fought violently and escaped to the beach with a bloody scratch along the length of her forearm. People who lived near the beach reported that they could hear mermaids singing at night—it was a high, haunting, deeply sad melody, like nothing on this earth. The singing filled the listener with restlessness, yearning, and a kind of heavy, weary ecstasy. One young man, glimpsing a mermaid at night, was so filled with longing that he went to bed and would not eat for days; his joints ached, his heart was heavy, he kept hearing sighs and whispers. Now and then a girl or grown woman would be struck: the victim would hear a mermaid call to her in the middle of the night, and she would rise from her bed and walk down to the water, where she stood looking for a long time as small waves broke at her feet.

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