War is a Force That Gives Us Meaning (3 page)

BOOK: War is a Force That Gives Us Meaning
11.2Mb size Format: txt, pdf, ePub
ads

Armed movements seek divine sanction and the messianic certitude of absolute truth. They do not need to get this from religions, as we usually think of religion, but a type of religion: Patriotism provides the blessing. Soldiers want at least the consolation of knowing that they risk being blown up by land mines for a greater glory, for a New World. Dissension, questioning of purpose, the exposure of war crimes carried out by those fighting on our behalf are dangerous to such beliefs. Dissidents who challenge the goodness of our cause, who question the gods of war, who pull back the curtains to expose the lie are usually silenced or ignored.

We speak of those we fight only in the abstract; we strip them of their human qualities. It is a familiar linguistic corruption. During the war in Bosnia, many Muslims called the Serbs “Chetniks,” the Serbian irregulars in World War II, who slaughtered many Muslims. Muslims, for many Serbs in Bosnia, were painted as Islamic fundamentalists. The Croats, to the Serbs and Muslims, were branded “Ustashe,” the fascist quislings who ruled Croatia during World War II. And there were times when, in interviews, it was hard to know if people were talking about what happened a few months ago or a few decades ago. It all merged into one huge mythic campaign. It was as if Josip Broz
Tito, who had held Yugoslavia together for most of the Cold War era, had put the conflicted country into a deep freeze in 1945.

The goal of such nationalist rhetoric is to invoke pity for one's own. The goal is to show the community that what they hold sacred is under threat. The enemy, we are told, seeks to destroy religious and cultural life, the very identity of the group or state. Nationalist songs, epic poems, twisted accounts of history take the place of scholarship and art.

America is not immune. We mourn the victims of the World Trade Center attack. Their pictures cover subway walls. We mourn the firefighters, as well we should. But we are blind to those whom we and our allies in the Middle East have crushed or whose rights have been ignored for decades. They seem not to count.

“The principle of the movement is whoever is not included is excluded, whoever is not with me is against me, so the world loses all the nuances and pluralistic aspects that have become too confusing for the masses,” wrote Hannah Arendt in
The Origins of Totalitarianism
.
3

Before conflicts begin, the first people silenced—often with violence—are not the nationalist leaders of the opposing ethnic or religious group, who are useful in that they serve to dump gasoline on the evolving conflict. Those voices within the ethnic group or the nation that question the state's lust and need for war are targeted. These dissidents are the most dangerous. They give us an alternative language, one that refuses to define the other as “barbarian” or “evil,” one that recognizes the humanity of the enemy, one that does not condone violence as a form of communication. Such voices are rarely heeded. And until we learn once again to speak in our own voice and reject
that handed to us by the state in times of war, we flirt with our own destruction.

And yet, despite all this, I am not a pacifist. I respect and admire the qualities of professional soldiers. Without the determination and leadership of soldiers like General Wesley K. Clark we might not have intervened in Kosovo or Bosnia. It was, in the end, a general, Ulysses S. Grant who saved the union. Even as I detest the pestilence that is war and fear its deadly addiction, even as I see it lead states and groups towards self-immolation, even as I concede that it is war that has left millions of dead and maimed across the planet, I, like most reporters in Sarajevo and Kosovo, desperately hoped for armed intervention. The poison that is war does not free us from the ethics of responsibility. There are times when we must take this poison—just as a person with cancer accepts chemotherapy to live. We can not succumb to despair. Force is and I suspect always will be part of the human condition. There are times when the force wielded by one immoral faction must be countered by a faction that, while never moral, is perhaps less immoral.

We in the industrialized world bear responsibility for the world's genocides because we had the power to intervene and did not. We stood by and watched the slaughter in Chechnya, Sri Lanka, Sierra Leone, Liberia, and Rwanda where a million people died. The blood of the victims of Srebrenica—a designated U.N. safe area in Bosnia—is on our hands. The generation before mine watched, with much the same passivity, the genocides of Germany, Poland, Hungary, Greece, and the Ukraine. These slaughters were, as in Gabriel García Márquez's book
Chronicle of a Death Foretold
, often announced in advance.
4
Hutu radio broadcasts from Kigali called on the Interahamwe in Rwanda to carry out genocide. The U.N. Belgian detachment,
however, like the Dutch peacekeepers in Srebrenica, stood by and watched. The radio in Kigali was never shut down. The rampages began. There was never any secret about Milošević's plans for a greater Serbia or his intent to use force and ethnic cleansing to create it.

I wrote this book not to dissuade us from war but to understand it. It is especially important that we, who wield such massive force across the globe, see within ourselves the seeds of our own obliteration. We must guard against the myth of war and the drug of war that can, together, render us as blind and callous as some of those we battle.

We were humbled in Vietnam, purged, for a while, of a dangerous hubris, offered in our understanding and reflection about the war, a moment of grace. We became a better country. But once again the message is slipping away from us, even as we confront the possibility of devastating biological or nuclear terrorist attacks in Washington or New York. If the humility we gained from our defeat in Vietnam is not the engine that drives our response to future terrorist strikes, even those that are cataclysmic, we are lost.

The only antidote to ward off self-destruction and the indiscriminate use of force is humility and, ultimately, compassion. Reinhold Niebuhr aptly reminded us that we must all act and then ask for forgiveness. This book is not a call for inaction. It is a call for repentance.

1
THE MYTH OF WAR

When our own nation is at war with any other, we detest them under the character of cruel, perfidious, unjust and violent: But always esteem ourselves and allies equitable, moderate, and merciful. If the general of our enemies be successful, 'tis with difficulty we allow him the figure and character of a man. He is a sorcerer: He has a communication with daemons; as is reported of Oliver Cromwell, and the Duke of Luxembourg: He is bloody-minded, and takes a pleasure in death and destruction. But if the success be on our side, our commander has all the opposite good qualities, and is a pattern of virtue, as well as of courage and conduct. His treachery we call policy: His cruelty is an evil inseparable from war. In short, every one of his faults we either endeavour to extenuate, or dignify it with the name of that virtue, which approaches it. It is evident the same method of thinking runs thro' common life.

•
DAVID HUME
A Treatise on Human Nature
, 1740

T
HE ETHNIC CONFLICTS AND INSURGENCIES OF OUR TIME
, whether between Serbs and Muslims or Hutus and Tutsis, are not religious wars. They are not clashes between cultures or civilizations, nor are they the result of ancient ethnic hatreds. They are manufactured wars, born out of the collapse of civil societies, perpetuated by fear, greed, and paranoia, and they are run by gangsters, who rise up from the bottom of their own societies and terrorize all, including those they purport to protect.

Often, none of this is apparent from the outside. We are quick to accept the facile and mendacious ideological veneer that is wrapped like a mantle around the shoulders of those who prosecute the war. In part we do this to avoid intervention, to give this kind of slaughter an historical inevitability it does not have, but also because the media and most of the politicians often lack the perspective and analysis to debunk the myths served up by the opposing sides.

The United States and the West based our responses in Bosnia, or perhaps it is better to say our arguments not to respond, on such myths: the myth of the Serbian warrior who would fight to the death against overwhelming odds; the myth that the Croats, Muslims, and Serbs, who speak the same language and are nearly indistinguishable, were different people; the myth that Yugoslavia, a country that Josip Broz Tito made an important player in international affairs, had failed to give its citizens a national identity. These myths, swallowed whole, permitted us to stand by as 250,000 human beings were killed and Sarajevo spent three and a half years under siege. Although the United States finally intervened, we did so because the United Nations mission collapsed in the summer of 1995, not because of any foresight or courage on the part of the administration of President Bill Clinton.

Look not to religion and mythology and warped versions of history to find the roots of these conflicts, but to the warlords who dominated the Balkans. It took Milošević four years of hate propaganda and lies, pumped forth daily over the airways from Belgrade, before he got one Serb to cross the border into Bosnia and begin the murderous rampage that triggered the war. And although the war was painted from afar as a clash of rival civilizations, the primary task of Milošević in Serbia, Franjo Tudjman in Croatia, and the other ethnic leaderships was to dismantle and silence their own intellectuals and writers of stature and replace them with second-rate, mediocre pawns willing to turn every intellectual and artistic endeavor into a piece of ethnic triumphalism and myth.

Lawrence LeShan in
The Psychology of War
differentiates between “mythic reality” and “sensory reality” in wartime.
1
In sensory reality we see events for what they are. Most of those who are thrust into combat soon find it impossible to maintain the mythic perception of war. They would not survive if they did. Wars that lose their mythic stature for the public, such as Korea or Vietnam, are doomed to failure, for war is exposed for what it is—organized murder.

But in mythic war we imbue events with meanings they do not have. We see defeats as signposts on the road to ultimate victory. We demonize the enemy so that our opponent is no longer human. We view ourselves, our people, as the embodiment of absolute goodness. Our enemies invert our view of the world to justify their own cruelty. In most mythic wars this is the case. Each side reduces the other to objects—eventually in the form of corpses.

“Force,” Simone Weil wrote, “is as pitiless to the man who possesses it, or thinks he does, as it is to its victims; the second it crushes, the first it intoxicates.”
2

When we allow mythic reality to rule, as it almost always does in war, then there is only one solution—force. In mythic war we fight absolutes. We must vanquish darkness. It is imperative and inevitable for civilization, for the free world, that good triumph, just as Islamic militants see us as infidels whose existence corrupts the pure Islamic society they hope to build.

But the goal we seek when we embrace myth is impossible to achieve. War never creates the security or the harmony we desire, especially the harmony we briefly attain during wartime. And campaigns, such as the one in Afghanistan, become starting points for further conflicts, especially as we find that we are unable to root out terrorism or maintain the kind of solidarity that comes in the days just after a terrorist attack.

The chief institutions that disseminate the myth are the press and the state. The press has been culpable since the telegraph made possible the modern war correspondent. And starting with the Crimean War, when the first dispatches were fed by newly minted war correspondents in real time, nearly every reporter has seen his or her mission as sustaining civilian and army morale. The advent of photography and film did little to alter the incentive to boost morale, for the lie in war is almost always the lie of omission. The blunders and senseless slaughter by our generals, the execution of prisoners and innocents, and the horror of wounds are rarely disclosed, at least during a mythic war, to the public. Only when the myth is punctured, as it eventually was in Vietnam, does the press begin to report in a sensory rather than a mythic manner. But even then it is it reacting to a public that has changed its perception of war. The press usually does not lead.

Mythic war reporting sells papers and boosts ratings. Real reporting, sensory reporting, does not, at least not in comparison
with the boosterism we witnessed during the Persian Gulf War and the war in Afghanistan. The coverage in the Persian Gulf War was typical. The international press willingly administered a restrictive pool system on behalf of the military under which carefully controlled groups of reporters were guided around the front lines by officers. It could have never functioned without the cooperation of the press. The press was as eager to be of service to the state during the war as most everyone else.

Such docility on the part of the press made it easier to do what governments do in wartime, indeed what governments do much of the time, and that is lie. When Iraqi troops seized the Saudi border town of Khafji, sending Saudi troops fleeing in panic, the headlong retreat was never mentioned. Two French photographers and I watched as frantic Saudi soldiers raced away from the fighting, dozens crowded on a fire truck that tore down the road. U.S. Marines were called in to push the Iraqis back. We stood on rooftops with young Marine radio operators who called in air strikes as Marine units battled Iraqi troops in the streets.

BOOK: War is a Force That Gives Us Meaning
11.2Mb size Format: txt, pdf, ePub
ads

Other books

Bloom by A.P. Kensey
Megan and Mischief by Kelly McKain
Dead Outside (Book 1) by Oliver, Nick
Beyond the Gap by Harry Turtledove
Jerk: A Bad Boy Romance by Taylor, Tawny
Finding Eden by Dinsdale, Megan
Dessert by Lily Harlem
Help Wanted by Richie Tankersley Cusick
Immortal Blood (1) by Artso, Ramz