Read When We Were Animals Online
Authors: Joshua Gaylord
One day after school, he showed up on my doorstep with two wooden mallets and a large bag hoisted over his shoulder.
“What’s this?” I asked.
“Croquet!” he said. “It’s the game of kings.”
“Is it?”
So we drove the wickets into the frozen ground of my backyard, and, bundled in our coats, we hammered our colored wooden balls through them. It felt good—like reclaiming for civilization the very same lawn where I had woken up in shame just a couple weeks before.
Afterward we went up to my room. While I organized my homework into prioritized piles, I could feel his eyes on me.
“I’m something to you now,” I said, turning to him.
“You were always something to me,” he said. “But for a while you were too much of a something to me. You were all the way up here, and I was all the way down here.” He used the full stretch of his arms to make his point.
“So now I’m all the way down there with you?”
“Not quite.” He smiled. “But at least you’re close enough that I can see you from where I am.”
“And where’s Blackhat Roy on that scale?”
Peter shook his head. “It’s good he’s gone. That guy was bad news. Really, Lumen, you don’t even know how bad.”
He was restless and disinclined to study. While I copied dates from the world history textbook onto note cards, he browsed the books on my shelves. Once, I had to stop him.
“Hey,” I said. “Don’t open that. Put it back.”
He held in his hands a composition notebook he’d plucked from my shelves.
“What is it?” he asked.
“Just notes.”
“What kind of notes? School notes?”
“No. Other kinds of notes. Lists and things.”
He gave me a teasing smile.
“Like what? What kinds of lists? Give me one example, and I’ll put it back.”
“I don’t know. Like a list of my favorite authors.”
“Hm. Interesting.”
But he put the notebook back, as he had promised.
For ten minutes he helped me sort note cards into thematic categories. Then, without warning, he leaned over and kissed me. He pushed his chest against mine, and I liked how our breathing became one breathing. With my eyes closed, I could almost forget about everything.
I still held fans of note cards in my hands, and I didn’t know what to do with them. When he finally stopped kissing me, I tried to remember where the cards belonged—but my mind was no longer functioning by the logic of categories.
“Is your father at home?” he asked.
“No.”
“When will he be home?”
“Six, usually.”
Peter looked at his wristwatch.
“That’s two hours,” he said. He kissed me again, and I dropped the note cards to the floor and wound my arms around his neck. But when he moved against me, we jostled the desk and my purple pencil cup tipped over with a loud clatter that startled me.
“I think we should stop,” I said.
“How come?”
“I don’t know. It’s a big deal.”
He backed up and eyed me with a playful smile.
“Okay,” he said. “Fair enough. But we’re at an impasse, because I think we should keep going.”
“You do? How come?”
“The usual reasons, I guess.”
“Like what?” I liked this game. “I’m prepared to listen to logic.”
He posed himself thoughtfully on the edge of my bed, a prosecutor prepared to make a complex case.
I laughed.
“You know,” I said. “I’ve never done it before.”
“Uh-huh,” he said. “Acknowledged. And is it your plan never to do it at all, or do you have an intention to one day make love?”
“It’s not my plan
never
to do it.” I went over to him where he sat on the bed and stood before him. He looked up at me, and I leaned down to kiss him. He put his hands on my waist. Then he backed away for a moment, again with that sly, strategic smile.
“I see,” he said. “So it’s a matter of situation. Timing, choice of partner, and the like?”
“I guess.”
“So in terms of timing—you just started breaching, I understand?”
“Kind of.”
“And you know the types of activities breachers participate in?”
“Yes.”
“And in terms of choice of partner—would you say that you have a mostly complete sense of the potential romantic partners available to you here in town?”
“Yes.”
He grinned—and I grinned, too.
“I don’t think I’m being immodest when I say that this is a case that makes itself.”
“Maybe,” I said. I kissed him again. I wanted badly to be with him, but I didn’t know how to say yes to such things. “I just don’t think it’s a good idea.”
“You don’t?”
I shook my head.
“Okay,” he said, undeterred. “How about a little competition? How about if I can guess the authors on your favorite authors list? How many do you have on the list?”
“Ten.”
“Let’s say if I can guess three, we’ll call it fate. And when fate tells you to do something, you know you better do it.”
“What, with unlimited guesses? That bet’s stacked in your favor.”
“Well, I’d say it’s in both of our favors, but okay. How about ten guesses?”
“Three correct out of ten guesses from my list of ten favorite authors?”
“Right.”
I narrowed my eyes at him, and he narrowed his at me.
“Okay,” I said.
I went to the shelf and took down the composition notebook and flipped to the page that had my list of favorite authors. I inscribe it here for the record:
C
HARLES
D
ICKENS
W
ILLIAM
S
HAKESPEARE
J
UDY
B
LUME
J
ACK
K
EROUAC
E
MILY
B
RONTË
C. S. LewisU
RSULA
K. L
E
G
UIN
T
RUMAN
C
APOTE
R
UMER
G
ODDEN
James ThurberV. C. A
NDREWS
P. G. W
ODEHOUSE
“Okay,” Peter said, leaning eagerly forward. “Let’s see. How about Shakespeare?”
“No fair,” I said. “That was an easy one.”
“Your predictability is not my problem. How about Mark Twain?”
“Huh-uh.”
“F. Scott Fitzgerald?”
I shook my head.
“Really?” he said.
“He’s probably number eleven.”
“So a good guess.”
“Yeah, a good guess.” I moved toward him and gave him a kiss. “That’s for your good guess.” Then I backed away again.
“All right, all right.” He rubbed his palms together and stared at the ceiling. After a while he said, “Dickens.”
“Because of
David Copperfield,
” I said. “Not for
Tale of Two Cities
.”
“So I’m right? Two out of four. That leaves me six guesses for the last one. How do you like my odds?”
“I don’t like them at all.”
“Remember: fate.”
“I remember.”
“Okay, let’s see.” He glanced over at my bookshelves.
“Hey, no unfair advantages.”
“Sorry.”
He covered his face with his hands.
“Ernest Hemingway,” he said eventually.
I gave him a look.
“Okay, no critiques on the wrong guesses, please. Oh, I know. Who’s that guy who wrote the Buddha book?”
“Hermann Hesse?”
“Yeah.”
“No.”
“Sylvia Plath?”
I shook my head.
“Kurt Vonnegut?”
“No.”
“Oh, wait, I know—
Lord of the Flies.
”
“That’s not an author.”
“What was his name?”
“William Golding. And no.”
“Damn it. How many guesses is that?”
“You have one more.”
He was quiet for a long time, his face buried in his hands, and I liked how his sandy hair hung tousled over his fingers.
Suddenly he sat up, looking pleased with himself. He reached out for me and pulled me to him so we were sitting next to each other on the bed. Then he leaned in close. I could smell his skin.
“I got it,” he said. “Do you believe I’ve got it?”
“No,” I said, my voice almost a whisper.
“Well, I do. I’ve got it. Are you ready?”
“I’m ready.”
He said it slowly, each syllable a victory:
“J. D. Salinger.”
I looked at him for a long time, that pristine boy with his acrobatic teetering between glory and shame. Our faces were impossibly close. We shared the heated air—what he breathed out, I breathed in.
“Well?” he said. “That’s it, isn’t it? I got it, didn’t I?”
And I said, “You got it.”
We live our lives by measures of weeks, months, years, but the creatures we truly are, those are exposed in fractions of moments.
It was nothing. Three words. Two of them were even plosives, or stop syllables.
You got it
. Nothing at all. It was a flake of a moment, a fingernail of time—but it was there in that narrow margin between one thing and another that I saw who I really was.
He placed his hands lightly on my chest as though to encase my lack of breasts and protect them from harm. Just as you do with newly planted saplings.
The look on his face, beneath features scarred by moonlit nights in the wild, was awfully earnest—and I didn’t think that anything Peter Meechum wanted to do could be very bad. It was a legitimate, daylight thing—it was something done all over the world all the time. It had nothing to do with that ugly, lecherous, queasy feeling in my stomach during the three nights of the full moon. This was something else entirely.
As an act, it was cool, somber, polite.
He removed his clothes, and he told me I should remove mine as well. After that, I lay down, and he scooted his body over mine. His chest against me was bony and raw.
“Are you okay?” he asked.
“Yes.”
“Are you ready?”
“Uh-huh. Yes.”
I didn’t know what to expect. There was a pinch, a slight off feeling, as of something being lodged where it shouldn’t be. Like a piece of spinach between your teeth. It hurt a little, but not so much. Peter was very careful and considerate.
“Okay?” he said.
“Okay,” I said. “You don’t have to keep asking.”
So he closed his eyes and went about his business. I watched him, a little firebrand of industry, chugging away at his given chore. It made me think of those chain gangs from movies, the prisoners all shackled together, swinging their pickaxes in unison. The idea made me smile, but I didn’t want him to think I was laughing at him, so I turned my head and hid my face in the pillow.
His face grew a deep red color, and then I knew he was done, because he fell off me to the side and made sounds that suggested pride and relief.
I felt something leaking out of me, so I went to the bathroom. I took some of the stuff on my fingers to examine it, because it was new to me. It was slippery and a little sticky, and it smelled like pancake batter. I thought about all the invisible, microbial creatures swimming around in it, and it made me a little nauseated, so I washed my hands. But I wished them all well, his little sperms, as I sent them down the drain.
I wasn’t on the pill, but I was pretty sure you couldn’t get pregnant when you were amenorrheic.
I was suddenly shy again, so I wrapped a towel around myself before I went back to the bedroom. Peter was still collapsed on the bed, all used up.
“You have to get dressed,” I said. “Before my father gets home.”
“Okay, but kiss me first. Come here.”
He held his arms out, so I went to him. He wanted a long kiss, one of those drawn-out ones from before—but it seemed to me that our sex had changed the kind of kisses called for. So I gave him a quick peck and an amiable pat on the bare shoulder. His skin was flushed and clammy.
He stepped into his underwear and his pants.
“Are you getting dressed, too?” he said.
“Yes.”
“What are you waiting for?”
“I don’t know. I don’t want you to see me.”
“You are aware we just had sex, right?”
“I know, but still.”
“Tell you what,” he said, turning to face the closet door. “I promise not to peek. Let me know when you’re decent again.”
Which I thought was, after all, a very nice thing.
* * *
And also: I’m
still waiting. With everything that happened after that day—all the things I have done.
When will I be decent again?
M
y husband closes the door of his office and turns to look out the window while he eats the lunch I packed for him in the morning. He rotates his head in a small circle, meditatively, as though working out some stiffness in his neck. When he takes a bite of his sandwich, he leans forward, then leans back again to chew it, his eyes squinting at the sunlight coming through the window. With his empty left hand, he taps his fingertips together in sequence—which makes it look as though he’s counting something, but I don’t think he is. Sometimes, between bites, it’s almost as though he has forgotten entirely what he’s doing. He just sits, his eyes gone far out over the land, his whole body very, very still, until he remembers to take another bite.
I lean back behind the trunk of my tree so that he cannot see me. There’s a sandwich of my own tucked in my purse, and I take it out and eat it along with my husband, taking in the same view he sees. I imagine what it must be like to have an office, a desk, a computer to keep track of your appointments, and people visiting you all day, asking you questions and getting you to put your signature on documents.
A man who works for the school walks by with a rake. He waves at me. I smile at him but make no gesture. It is what a ladybug would do, I imagine, smiling indifferently at the world and continuing on her way.
I peek around the tree trunk, and when it is safe, I continue watching Jack. There’s one young woman who visits him frequently—she looks like a teacher. During dinner, he usually recounts his day to me in some detail, but he has never told me about her. She wears her hair in a ponytail and speaks in a very animated fashion and does a funny thing where she sits on his desk while she talks. I wonder if they have had sex, locked in his office after hours or suddenly, fervently, in her car in the deserted parking lot under the buzzing lamplight. She is very pretty, and she laughs easily.
Later, when I go to pick my son up at school, the children are all running to and fro on the playground. My son is being chased—or he is chasing, it’s impossible to tell—and as I watch, he trips and falls and begins to cry. He sits up and raises his scraped palms to the air. I can see that they are streaked sooty black and pocked with gravel, and they are bleeding a little. Hands are things that never stay undamaged for very long. They go everywhere, and they feel the suffering of all the tactile world. That’s why people use fingerprints to identify you—the scarred record of everything you have touched.
My boy cries, as children do when they are in pain.
His teacher, Miss Lily, is suddenly beside me.
“Mrs. Borden,” she says.
“Yes?”
“Marcus,” she says, pointing. “Your son.”
“Oh, yes,” I say and go to fetch Marcus and tend to his bloody hands. We wash them in cool water, and I tell him about mountain streams and all the animals that cool their paws in them.
He asks me have I ever been to a mountain stream, and I tell him I have.
He asks me have I ever had my hands scraped like his. I tell him I have, indeed, had that—and much, much worse.
* * *
We all prepare
faces to go outside. The world at large does not see us for who we really are, does not see the version of ourselves that’s exposed maybe only in front of mirrors in our tiny bedrooms. So we look out our windows, and we dress ourselves for the day, and we put on our masks, and we become the performance of an hour or two—before we can find a place to be alone and breathe again, just for a moment.
Somewhere along the line, we are taught to restrict ourselves for the benefit of the outside world and to be only truly free behind closed doors. Somehow the outside and the inside reverse themselves.
But what if it didn’t have to be this way? What if upon stepping outside we shed everything that was not ourselves? We might feel our skin pressed up against all other skins. Discover how meager are the boundaries between our flesh and the flesh of others, the pulpy flesh of trees, the gritty flesh of soil, the tarry flesh of tarmac cooling after collecting a day’s worth of sunlight. What if we clambered roughshod over the surface of the earth? Wouldn’t the world be our true home?
* * *
I became, after
that first moon, a creature drawn to dark, enclosed spaces. The maps I drew were now heavy with ink, cut through with narrow paths of white. After school, I would sometimes sit in the very back row of the darkened auditorium, watching Mr. Hunter and the drama club rehearse for the school play. I didn’t know what the play was—something about union workers in the oil fields.
Mr. Hunter paced back and forth below the stage, trying to explain the significance of the oil. He spoke of the blood of the land—faces gone black with crude, raised to the grimy rain of the stuff. He urged them to think about their own connection to the land, those reveled-in, mucky parts of themselves.
He always seemed to know I was there. He would come to the back and sit next to me, and we would watch the actors declaiming.
“They don’t get it, do they?” he said to me. “How can they not get it?”
“They might be a lot of different things,” I said, “but they can only be one thing at a time.”
He gazed at me with eyes that were accustomed to the dark, and I looked away, embarrassed.
I found myself returning to the quarry—the place where, two years before, Hondy Pilt was chased from the mouth of the mine by a possum. I liked the definition of the place, the artful ridges, the geometrical clefts, the shaved planes of earth—like God’s precise fingerprint. I bundled myself up against the cold and lay flat on the frozen earth at its very lowest point.
Once I heard the approach of others and fled to the mouth of the mine, where I watched in darkness a boy and a girl kissing each other on the berm, creating little landslides of pebbled stone. It was an hour before they were through. To keep myself occupied, I felt my way deeper into the mine, one hand flat against the wall, one directly in front of me so I wouldn’t run into anything in the pitch black, my feet moving an inch at a time so I wouldn’t tumble into an unseen shaft.
I liked it in there. The closeness. The dark. The feeling of being inside out.
What I did was I started mapping the mine.
In our garage, I found an old lantern, which I revived by cleaning the contacts and loading it with fresh D batteries. This was preferable to a regular flashlight for exploring the mine shafts because its light shone in all directions at once. I also carried a penlight in my pocket and held it in my teeth when I paused to inscribe some new part of the map in my notebook. I drew the map as I went. If I reached the edge of a notebook page, I continued on another page and coded both pages with letters and numbers that identified the sequence. I measured distances by my paces and noted those as well on long, straight passages. I drew in features of the mine as place markers. I knew to go left at the overturned mine cart because right was a dead end. I drew a picture of a collapsed wooden frame that looked like a crucifix because it marked the passage to a three-way split in the tunnels. For places where there were no natural markers, I brought along a hammer and nailed ribbons into the ground. The different colors of ribbon meant different things, and I wrote codes on them in marker that referred to the codes in my map notebook.
I carried a baggie of trail mix, too, for when I got hungry. And a stick to scare away possums and rats.
It was cold underground, and damp. The walls were wet with icy water, as though the thaw of spring had not penetrated to this stratum of the earth. I wore a plastic slicker, because sometimes the caverns rained on me, the water droplets echoing loudly in the confines of stone.
I was frightened each time I went—and I thought that I might die. People did die all the time in old mines. There were wide vertical shafts of pure black that seemed bottomless when I listened for the sound of the stones I dropped in them. But it was also peaceful there. And living and dying were not everything to me then.
It was clear that no one had gone deep into the mine in a very long time. The ground up to the first intersection was cluttered with empty bottles, flattened potato chip bags, torn sweaters, tin cans that had been shot through with holes or fashioned into marijuana-smoking devices, even a rotted teddy bear half buried in the packed dirt. But beyond that first intersection the atmosphere was thick with dust, and with my stick I had to brush away spiderwebs that quivered to and fro in the currents of stale air. Once I accidentally dislodged a rock and found a swarm of white spiders that ran off every which way and hid themselves in other fissures of stone.
What was I looking for? What did I seek?
I fantasized about finding some ancient miner who had lost his way in the caverns and never found his way out. He would have set up house somewhere deep underground, a pretty little cave of a living room lit by torches, a patchwork area rug made of discarded miner’s clothing.
He would greet me, knowing me on sight, of course, as a fellow dweller of the substrata. We would speak in the secret language that I knew must exist between travelers in the dark.
Sometimes I hummed as I went, and my voice in those caverns was like the sound of my voice in my own head when I closed the flaps of my ears.
I was accustomed to being alone.
I had been spelunking empty caverns my whole life. What I sought were the tunnels that led back underneath the town, the ones that would disclose all the buried truths of the place. There might be whole cities under the surface of the earth, populated by wise men who could see in the dark and who knew, better than I or anyone, how the secret gears of the world worked. And I could speak with them. And they would love me and call me their little light from above, and they would take me in as one of their own.
I had grown sick with questions—and what I searched for was a kingdom of answers.
* * *
Routine is importan
t
for people like me. It keeps us anchored in reality. It’s how we keep from spinning off into the ether.
After I went breach, I did my best to establish a new set of routines to accommodate the disturbances my life became subject to—to diminish their significance by making them normal. Every morning before I brushed my teeth, I examined the sheets of my bed. I knew I would find no blood, but the checking itself became the point. I made my demon disappointment into a simple pattern and so exorcised it. That’s how you keep things safe.
Peter started coming over regularly after school, three afternoons a week—three because that is a fairy-tale number and because I liked putting symbols on those days in my calendar to anticipate and memorialize them.
We had sex on those three afternoons every week. We never said much—never said a thing afterward. The act was bigger than words. I was illiterate in the language of bodies, so I abandoned myself to it, and it was lovely not to think so much—simply to feel the firecracker spark of nerves starting in my toes and skittering up my legs.
When it was done, we were diligent about our homework.
I was frequently embarrassed. I knew what we were doing was natural—but not all nature was the same. The stars didn’t care about sweat and kisses and panting. They glistened prettily way up there in their heavens. They beatified the sky with their cool, gemlike indifference.
So why shouldn’t I?
* * *
January’s Brittle Moon
came.
I didn’t want to see anyone else, so I didn’t go to the woods. Instead I ran in the other direction, to the center of town. In a parking lot, I found a woman still out after dark. I stood watching her, naked, unashamed. I felt as though I could hurt her. The town, it was mine. The parking lot was mine. She saw me in the distance. What I must have looked like—the tiny, pale-skinned naked girl with her little fists clenched! The woman ran. When she saw me, she ran to her car, fumbled her keys, dropped them to the ground, picked them up again, finally got the car door open, launched herself inside, and closed herself in.
I twitched for wanting to claw at her face. I wondered when was the last time her skin was opened up.
Two thoughts occurred to me simultaneously:
Why was this woman afraid of me?
Why wasn’t she more afraid of me?
I went to the town square, where there was a clock tower, a monument to the soldiers of some war, a gazebo surrounded by grass and trees and shrubbery. It was the place where, last month, the breachers had attacked the girls and boys from the next town.
I trampled over the grass, the frost crystals tickling my toes. The storefronts were all lit up by buzzing street lamps. In the far distance I could hear the low, tidal hiss of the freeway that carried traffic past our little town. But there were no cars going by on the streets around me. No one drove on the three nights of the full moon. Adults lived in dread of running over the wild breachers bounding across dark streets.
Also, they didn’t want to see. Once, out of curiosity, I crept up on a house down the block from where I lived. The lights were on in the front room, and I could see someone in there, sleeping on a recliner in front of the television. I put my face against the pane of glass and even tasted it with the tip of my tongue. It was metallic, cold. Then, as though he could sense me there watching him, the man woke suddenly and turned to the window. Our eyes met. I recognized him. We’d never spoken, but I knew him from the neighborhood. He wore a straw hat when he watered his lawn and always smiled at me when I passed by on the way home from school.
Now, seeing me, he looked at his watch and clambered up from the recliner. For a moment he seemed undecided about what to do. I was surprised, standing naked before his window, that I wasn’t more self-conscious. But I wanted to see him for what he truly was. I wanted to watch. Finally he came to the window. We looked at each other again, but then his eyes dropped, as if in shame or modesty—and then, very slowly, so as not to incite me, perhaps, he drew the curtains closed.