Which Lie Did I Tell? (55 page)

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Authors: William Goldman

Tags: #Biography & Autobiography, #Film & Video, #Nonfiction, #Performing Arts, #Retail

BOOK: Which Lie Did I Tell?
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Ankle-Breaking Scene,
Misery,
4.1
,
11.1
,
11.2
,
17.1
Astaire, Fred,
11.1
,
14.1
Attenborough, Richard:
and
Bridge Too Far,
1.1
and
Chaplin,
18.1
,
18.2
audiences:
test,
5.1
,
5.2
Australia Scene,
Butch Cassidy,
14.1
Awful Truth, The
(film),
4.1
Baldacci, David,
Executive Power
by,
8.1
,
8.2
,
8.3
,
8.4
,
8.5
,
8.6
Barfing in the Snow Scene,
Fargo,
13.1
Bates, Kathy:
and
Misery,
4.1
,
11.1
Batman
(film),
7.1
,
18.1
Beatty, Warren:
and
Dick Tracy,
4.1
and
Misery,
4.1
,
4.2
and
Superman,
11.1
Bergman, Ingmar:
author’s fantasy of meeting with,
12.1
,
12.2
and
Seventh Seal,
12.1
and
Shame,
14.1
as top director,
4.1
,
4.2
,
5.1
Bergman, Ingrid, in
Casablanca,
7.1
Bernstein, Carl, and
All the President’s Men,
8.1
,
10.1
,
11.1
,
13.1
,
13.2
,
18.1
Act I of,
18.1
,
18.2
Act II of,
18.1
,
18.2
Act III of,
18.1
,
18.2
,
18.3
beginning scene of,
18.1
,
18.2
,
18.3
,
18.4
bodega scene in,
18.1
,
18.2
character and,
18.1
,
18.2
,
18.3
drowning scene in,
18.1
,
18.2
,
18.3
fastballs for,
18.1
,
18.2
,
18.3
kidnapping scene of,
18.1
,
18.2
,
18.3
,
18.4
tone and,
18.1
,
18.2
,
18.3
and what happens next?,
18.1
,
18.2
,
18.3
,
18.4
Blackbeard,
1.1
,
14.1
Bledsoe Scene,
Butch Cassidy,
16.1
Bogart, Humphrey:
and
Casablanca,
7.1
,
7.2
,
14.1
and
Maltese Falcon,
4.1
,
18.1
,
18.2
roles in style of,
18.1
,
18.2
,
18.3
Bonnet, Stede,
1.1
,
14.1
Boys and Girls Together
(Goldman),
14.1
,
14.2
Brando, Marlon,
2.1
,
4.1
Bridges of Madison County, The
(film),
8.1
,
8.2
,
8.3
Bridge Too Far, A
(film):
Levine and,
1.1
,
5.1
shooting,
1.1
,
15.1
Butch Cassidy and the Sundance Kid
(film):
beginning of,
14.1
,
14.2
bicycle scene in,
14.1
,
14.2
ending of,
8.1
,
13.1
,
14.1
Jump-off-the-Cliff Scene in,
14.1
,
14.2
,
14.3
legends of,
14.1
,
14.2
,
14.3
,
15.1
mixed genres in,
3.1
,
5.1
,
10.1
prequel to,
4.1
,
4.2
screenwriter’s passion for,
5.1
,
13.1
,
14.1
,
14.2
,
14.3
shooting of,
5.1
,
8.1
sneak previews of,
5.1
,
5.2
source material for,
7.1
,
11.1
South America and,
7.1
,
12.1
,
14.1
,
14.2
Superposse in,
7.1
,
12.1
,
14.1
,
16.1
writing of,
14.1
,
14.2
,
14.3
CAA (Creative Artists Agency), and
Memoirs of an Invisible Man,
2.1
,
2.2
Caan, James:
and
Misery,
4.1
,
4.2
,
11.1
,
16.1
and
Superman,
11.1
“Cabaret” (Kander),
14.1
,
14.2
Cagney, James:
in
Love Me or Leave Me,
18.1
roles in style of,
2.1
,
5.1
,
7.1
,
18.1
,
18.2
,
18.3
camera:
speed of,
12.1
,
12.2
,
12.3
Cameron, James,
2.1
,
9.1
and
Titanic,
13.1
,
18.1
Cannes Film Festival,
2.1
,
4.1
,
5.1
Carrey, Jim,
2.1
,
9.1
Casablanca
(film),
4.1
,
7.1
casting:
importance of,
3.1
,
7.1
and the unknown,
4.1
,
15.1
Castle Rock studios:
and
Absolute Power,
8.1
,
8.2
,
8.3
,
8.4
,
8.5
,
8.6
and
Good Will Hunting,
18.1
and
Misery,
4.1
,
4.2
,
4.3
,
4.4
and
When Harry Met Sally,
10.1
and
Year of the Comet,
5.1
Chaplin, Charlie,
4.1
,
18.1
Chaplin
(film),
18.1
,
18.2
character, importance of,
18.1
,
18.2
,
18.3
characters, numbers of,
8.1
,
8.2
Charley
(film):
Chase, Chevy, and
Memoirs of an Invisible Man,
2.1
,
2.2
Chekhov, Anton,
4.1
,
8.1
,
12.1
China Syndrome, The
(film),
7.1
,
7.2
score of,
7.1
,
13.1
Towne as screenwriter for,
9.1
,
13.1
,
13.2
,
13.3
,
13.4
cinematographers,
13.1
,
13.2
Cleese, John,
8.1
,
8.2
,
14.1
,
14.2
Coen, Joel and Ethan:
and
Chinatown,
13.1
and
Fargo,
13.1
working methods of,
13.1
,
13.2
Columbia University, grad school,
14.1
,
14.2

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