Worlds Elsewhere (80 page)

Grant, Stephen H.,
Collecting Shakespeare: The Story of Henry and Emily Folger
(Baltimore, 2014).

Johnson, Susan Lee,
Roaring Camp: The Social World of the California Gold Rush
(New York, 2000).

Kimmel, Stanley,
The Mad Booths of Maryland
(New York, 1940).

Koon, Helene Wickham,
Gold Rush Performers: A Biographical Dictionary of Actors, Singers, Dancers …
(Jefferson, NC, 1994).

*——,
How Shakespeare Won the West: Players and Performances in America's Gold Rush, 1849–65
(Jefferson, NC, 1989).

Lanier, Douglas,
Shakespeare and Modern Popular Culture
(Oxford, 2002).

*Levine, Lawrence W.,
Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America
(Cambridge, MA, 1988).

Mazer, Carey M. (ed.),
Great Shakespeareans: Poel, Granville Barker, Guthrie, Wanamaker
(London, 2013).

Rawlings, Peter (ed.),
Great Shakespeareans: Emerson, Melville, James, Berryman
(London, 2011).

San Francisco Theatre Research
(18 vols), various authors and editors (San Francisco, 1938–42).

Scully, Christopher, ‘Constructed Places: Shakespeare's American Playhouses', unpublished PhD thesis, Tufts University (2008).

Shapiro, James,
Contested Will: Who Wrote Shakespeare
? (New York, 2010).

*Shattuck, Charles H.,
Shakespeare on the American Stage: From the Hallams to Edwin Booth
(Washington DC, 1976).

Smith, Steven Escar, “‘The Eternal Verities Verified”: Charlton Hinman and the Roots of Mechanical Collation',
Studies in Bibliography
53 (2000), 129–61.

*Sturgess, Kim C.,
Shakespeare and the American Nation
(Cambridge, 2004).

Teague, Frances,
Shakespeare and the American Popular Stage
(Cambridge, 2006).

Thorndike, Ashley Horace,
Shakespeare in America
(London, 1927).

*Vaughan, Alden T. and Virginia Mason Vaughan,
Shakespeare in America
(Oxford, 2012).

——,
Shakespeare in American Life
(Washington DC, 2007).

Willoughby, Edwin Eliott, ‘The Reading of Shakespeare in Colonial America',
Papers of the Bibliographical Society of America
31 (1937), 45–56.

Woods, Alan, ‘Frederick B. Warde: America's Greatest Forgotten Tragedian',
Educational Theatre Journal
29 (1977), 333–44.

FILMS AND TELEVISION SERIES

As You Like It,
dir. Kenneth Branagh (UK/USA, 2006).

As You Like It,
dir. Paul Czinner (UK, 1936).

House of Cards,
written by Andrew Davies and Michael Dobbs, dir. Paul Seed (UK, 1990).

House of Cards,
exec. prod. David Fincher, Kevin Spacey, Beau Willimon et al. (USA, 2013–).

The Life and Death of King Richard III,
dir. André Calmettes and James Keane (USA, 1912).

Looking for Richard,
dir. Al Pacino (USA/France, 1996).

Shakespearean Spinach,
dir. Dave Fleischer and Roland Crandall (USA, 1940).

Ten Things I Hate About You,
dir. Gil Junger (USA, 1999).

PRIMARY SOURCES

Dutt, Utpal,
Towards a Revolutionary Theatre
(Calcutta, 1982).

Hansen, Kathryn (ed.),
Stages of Life: Indian Theatre Autobiographies
(London, 2011).

Kendal, Geoffrey with Clare Colvin,
The Shakespeare Wallah
(London, 1986).

Littledale, Harold,
‘Cymbeline
in a Hindoo Playhouse',
Macmillan's Magazine
42 (May–Oct, 1880), 65–68.

The Mahabharata,
trans. and abridged J. D. Smith (London, 2009).

Ramanathan, Ramu,
Shakespeare and She,
unpublished play (2008).

The Ramayana: A Modern Translation,
trans. Ramesh Menon (New Delhi, 2003).

‘Report of the Select Committee of the House of Lords on Colonisation from Ireland, Together with the Minutes of Evidence, 1847',
The Edinburgh Review
91 (January, 1850), 1–62.

Tagore, Rabindranath,
Selected Writings on Literature and Language,
ed. Sukanta Chaudhuri, Sankha Ghosha and Sisir Kumar Das (New Delhi, 2001).

SECONDARY SOURCES

Banerji, Arnab, ‘Rehearsals for a Revolution: The Political Theatre of Utpal Dutt',
Southeast Review of Asian Studies
34 (2012), 222–30.

Bharucha, Rustom,
Theatre and the World: Performance and the Politics of Culture
(London, 1993).

Bhatia, Nandi, ‘Different Othello(s) and Contentious Spectators: Changing Responses in India',
Gramma
15 (2007), 155–74.

——, ‘Shakespeare and the Codes of Empire in India',
Alif: Journal of Comparative Poetics
18 (1998), 96–126.

*Bishop, Tom and Alexander C. Y. Huang (eds),
Shakespeare International Yearbook 12: Special Section, Shakespeare in India
(Burlington, VT, 2012).

Bose, Mihir,
Bollywood: A History
(Stroud, 2006).

Burnett, Mark Thornton,
Shakespeare and World Cinema
(Cambridge, 2013).

Chatterjee, Sudipto and Jyotsna Singh, ‘Moor or Less? The Surveillance of
Othello,
Calcutta 1848', in Christy Desmet and Robert Sawyer (eds),
Shakespeare and Appropriation
(London, 1999), 65–84.

Dionne, Craig and Parmita Kapadia (eds),
Bollywood Shakespeares
(New York, 2014).

De, Esha Niyogi, ‘Modern Shakespeares in Popular Bombay Cinema: Translation, Subjectivity and Community',
Screen
43 (2002), 19–40.

Gandhi, L., ‘Unmasking Shakespeare: the Uses of English in Colonial and Postcolonial India', in Philip Mead and Marion Campbell (eds),
Shakespeare's Books: Contemporary Cultural Politics and the Persistence of Empire
(Melbourne, 1993), 81–97.

Gunawardana, A. J., ‘Theatre as a Weapon: An Interview with Utpal Dutt',
The Drama Review
15 (1971), 224–37.

*Gupt, Somnath,
The Parsi Theatre: Its Origins and Development,
trans. Kathryn Hansen (Calcutta, 2005).

Hansen, Kathryn, ‘Parsi Theatre and the City: Location, Patrons, Audiences',
Sarai Reader 2002: The Cities of Every day Life
[
http://archive.sarai.net/files/original/5d3bed5cd962dd90f66e4847f03237a3.pdf
].

*Lal, Ananda (ed.),
The Oxford Companion to Indian Theatre
(Oxford, 2004).

Lal, Ananda and Sukanta Chaudhuri (eds),
Shakespeare on the Calcutta Stage: A Checklist
(Calcutta, 2001).

Loomba, Ania, ‘Shakespearian Transformations', in John J. Joughin (ed.),
Shakespeare and National Culture
(Manchester, 1997), 109–41.

Menon, Madhavi,
Unhistorical Shakespeare: Queer Theory in Shakespearean Literature and Film
(London, 2008).

Miola, Robert S.,
Shakespeare's Reading
(Oxford, 2000).

Pande, Mrinal, “‘Moving beyond themselves”: Women in Hindustani Parsi Theatre and Early Hindi Films',
Economic and Political Weekly
41/17 (April, 2006), 1646–53.

Shah, C. R., ‘Shakespearean Plays in Indian Languages', 2 parts,
The Aryan Path
(November and December 1955), 483–88, 541–44.

Singh, Jyotsna, ‘Different Shakespeares: The Bard in Colonial/Postcolonial India',
Theatre Journal
41 (1989), 445–58.

*Sisson, C. J.,
Shakespeare in India: Popular Adaptations on the Bombay Stage
(London, 1926).

Tejaswini, Ganti,
Bollywood: A Guidebook to Popular Hindi Cinema,
2nd edn (London, 2012).

Trivedi, Poonam, ‘“Filmi” Shakespeare',
Literature/Film Quarterly
35 (2007), 148–58.

*Trivedi, Poonam and Dennis Bartholomeusz (eds),
India's Shakespeare: Translation, Interpretation and Performance
(Newark, DE, 2005).

Venning, Dan, ‘Cultural Imperialism and Intercultural Encounter in Merchant Ivory's
Shakespeare Wallah', Asian Theatre Journal
28 (2011), 149–67.

Verma, Rajiva, ‘
Hamlet
on the Hindi screen',
Hamlet Studies
24 (2002), 81–93. Viswanathan, Gauri,
Masks of Conquest: Literary Study and British Rule in India
(New York, 1989).

Wells, Henry W. and H. H. Anniah Gowda,
Shakespeare Turned East: A Study in Comparison of Shakespeare's Last Plays with some Classical Plays of India
(Mysore, 1976).

*Yajnik, R. K.,
The Indian Theatre
(London, 1933).

FILMS

10 ml Love,
dir. Sharat Katariya (India, 2010).

36 Chowringhee Lane,
dir. Aparna Sen (India, 1981).

Angoor,
dir. Gulzar (India, 1982).

Bhranti Bilas,
dir. Manu Sen (India, 1963).

Bobby,
dir. Raj Kapoor (India, 1973).

Bodyguard,
dir Siddique (India, 2011).

Dil Chahta Hai,
dir. Farhan Akhtar (India, 2001).

Do Dooni Char,
dir. Debu Sen (India, 1968).

Haider,
dir. Vishal Bhardwaj (India, 2014).

Hamlet: A Free Adaptation,
dir. Kishore Sahu (India, 1954).

Ishaqzaade,
dir. Habib Faisal (India, 2012).

Kaliyattam,
dir. Jayaraaj Rajasekharan Nair (India, 1997).

Kannaki,
dir. Jayaraaj Rajasekharan Nair (India, 2002).

The Last Lear,
dir. Rituparno Ghosh (India, 2007).

Life Goes On,
dir. Sangeeta Datta (India, 2009).

Main Nashe Mein Hoon,
dir. Naresh Saigal (India, 1959).

Maqbool,
dir. Vishal Bhardwaj (India, 2003).

Omkara,
dir. Vishal Bhardwaj (India, 2006).

Shakespeare Wallah,
dir. James Ivory (USA, 1965).

PRIMARY SOURCES

Donne, John,
The Complete English Poems,
ed. C. A. Patrides (London, 1985).

Goldblatt, David,
Photographs
(Rome, 2006).

Gollancz, Israel (ed.), A
Book of Homage to Shakespeare
(Oxford, 1916).

Mandela, Nelson,
Long Walk to Freedom
(Boston, 1994).

Okri, Ben,
A Way of Being Free
(London, 1997).

Plaatje, Solomon,
Dintshontsho tsa bo-Juliuse Kesara
[
Julius Caesar
] (Johannesburg, 1937).

——,
Diphosho-phosho
[
The Comedy of Errors
] (Morija, 1930).

——,
Mhudi,
ed. Stephen Gray (London, 1978).

——,
Native Life in South Africa,
ed. Brian Willan (Harlow, 1987).

——,
Selected Writings,
ed. Brian Willan (Johannesburg, 1997).

Quarshie, Hugh,
Second Thoughts about Othello
(Chipping Campden, 1999).

SECONDARY SOURCES

Bartels, Emily, ‘Making More of the Moor: Aaron, Othello, and Renaissance Refashionings of Race',
Shakespeare Quarterly
41 (1990), 433–54.

——, ‘Too many Blackamoors: Deportation, Discrimination, and Elizabeth I',
Studies in English Literature 1500–1900
46 (2006), 305–22.

*Bohannan, Laura, ‘Shakespeare in the Bush',
Natural History
75/7 (1966), 28–33.

Brockbank, Philip, ‘Shakespeare's Stratford and South Africa',
Shakespeare Quarterly
38 (1987), 479–81.

Buntman, Fran Lisa,
Robben Island and Prisoner Resistance to Apartheid
(Cambridge, 2003).

Couzens, Tim, ‘A Moment in the Past: William Tsikinya-Chaka',
Shakespeare in Southern Africa
2 (1988), 60–66.

Couzens, Tim and Brian Willan, ‘Solomon T. Plaatje, 1876–1932' [Plaatje centenary issue],
English in Africa,
4 (1977).

Desai, Ashwin,
Reading Revolution: Shakespeare on Robben Island
(Pretoria, 2012).

*Distiller, Natasha, ‘Authentic Protest, Authentic Shakespeare, Authentic Africans: Performing
Othello
in South Africa',
Comparative Drama
46 (2012), 339–54.

——,
Shakespeare and the Coconuts
(Johannesburg, 2012).

——,
South Africa, Shakespeare, and Post-Colonial Culture
(Lewinston, NY, 2005).

Gray, Stephen,
Sources of the First Black South African Novel in English: Solomon Plaatje's Use of Shakespeare and Bunyan in ‘Mhudi'
(Pasadena, CA, 1976).

*Holmes, Jonathan, “‘A world elsewhere”: Shakespeare in South Africa',
Shakespeare Survey
55 (2002), 271–84.

Hutton, Barbara,
Robben Island: Symbol of Resistance
(Johannesburg, 1994).

Johnson, David,
Shakespeare and South Africa
(Oxford, 1996).

Johnson, Lemuel A.,
Shakespeare in Africa (and other venues): Import and the Appropriation of Culture
(Trenton, NJ, 1998).

Kahn, Coppélia, ‘Remembering Shakespeare Imperially: the 1916 Tercentenary',
Shakespeare Quarterly
52 (2001), 456–78.

Lindfors, Bernth,
Ira Aldridge,
2 vols (Rochester, NY, 2011).

Marshall, Herbert and Mildred Stock,
Ira Aldridge: The Negro Tragedian
(Carbondale, IL, 1958).

Molema, Seetsele Modiri,
Lover of his People: A Biography of Sol Plaatje,
trans. and ed. D. S. Matjila and Karen Haire (Johannesburg, 2012).

Orkin, Martin,
Shakespeare Against Apartheid
(Craighall, 1987).

Peterson, Bhekizizwe, ‘Apartheid and the Political Imagination in Black South African Theatre',
Journal of Southern African Studies
16 (1990) 229–45.

*Quince, Rohan,
Shakespeare in South Africa: Stage Productions During the Apartheid Era
(New York, 2000).