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Authors: Joseph J.; Darowski

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To a certain degree, the change was mandated by the editor of Marvel Comics at the time, Jim Shooter. Shooter insisted that Phoenix needed to die as a punishment for the genocide she committed, whereas Claremont and Byrne simply wanted her to be depowered. But depowering Jean Grey would have still carried a similarly conservative message, with implications that sexual awakening in women has dire consequences unless removed. Cyclops, who was obviously a participant in Phoenix’s sexual experience, has no such repercussions. In fact, he will go on to be romantically attached to several women before Jean Grey returns.

In a drastic change from the first period, several strong female characters are among the villains the X-Men face. A new version of the villainous team the Brotherhood of Evil Mutants appears during this run, but this time the team is led by a female, Mystique. Mystique has the ability to change her form into any appearance she desires, but her natural state is with blue skin, yellow eyes, and red hair. Another group the X-Men battles is the Hellfire Club, which has a group of four in charge of the organization. Included in this group is Emma Frost, the White Queen, and, albeit briefly, Jean Grey as the Black Queen. Another female leader in this period is Callisto, who serves as leader of the Morlocks, a group of mutants whose deformities have caused them to live in the New York sewers to avoid persecution. With Storm leading the X-Men, Mystique leading the Brotherhood of Evil Mutants, the White Queen as one of the leaders of the Hellfire Club, and Callisto leading the Morlocks, the number of women in roles as leaders is remarkable in this period.

In all, this period is at times progressive and at times problematic in the treatment of minority and female characters. Storm is a leader on the team, but often sexualized in how she is portrayed visually. Jean increases in power, but her sexual appetites are linked to her turn toward genocide. The X-Men are more diverse, but still a team largely comprised of white males. The team is certainly more diverse than the previous period, but the portrayal of the minority and female characters is not without stereotypical problems.

Notes

1. A Google search of “unresolved X-Men subplots” conducted on August 2, 2013, provided nearly 1 million results.

2. His cooperation with Factor 3 was revealed to be a result of a threat on his life from that group. When that threat was removed, he helped the X-Men.

3. To this point Thunderbird has not been resurrected (though his corpse was animated for one storyline). It is always possible in the continuing saga of X-Men comic books that a future writer will resurrect Thunderbird. There was a longtime maxim at Marvel Comics that only Spider-Man’s Uncle Ben and Captain America’s World War II sidekick Bucky stay dead. But then in a 2005 storyline Bucky was brought back from the dead, so any dead character can be revived.

4. It is later revealed that his real name is James Howlet, not Logan, but he can’t remember his original name.

5. Later, Jim Shooter (then the editor in chief for Marvel) will mandate that the relationship between Colossus and Kitty Pryde will end when he discovers she is only a young teenager. In the 1984 miniseries Secret Wars, Colossus finds a new love interest and later dumps Pryde. Subsequent writers, after Pryde has aged an indeterminate amount, resume the relationship between Colossus and Shadowcat.

Image 1. The cover to the first issue of
The X-Men #1
. The entire active roster of the team is present on the cover, though Marvel Girl is positioned at the back of the group and not displaying any obvious power as her teammates do. Cover by Jack Kirby.
The X-Men #1
(Sep. 1963). “X-Men.” Stan Lee (w) and Jack Kirby (a).

Image 2. Even though some of the dialogue in the early issues implied that mutants would face persecution and prejudice for being different from normal humans, initially they were very well received.
The X-Men #1
(Sep. 1963). “X-Men.” Stan Lee (w) and Jack Kirby (a).

Image 3. An example of the X-Men being praised rather than persecuted. In the early issues, the fear of mutants was stated more than shown.
The X-Men #2
(Nov. 1963), “No One Can Stop the Vanisher!” Stan Lee (w) and Jack Kirby (a).

Image 4. Jean Grey (Marvel Girl) was often portrayed as an object of affection for the men on the team. In the early X-Men issues, her primary characterization was as a lovelorn female being pursued by all the men around her. This became uncomfortable when Professor revealed his own romantic interest in his teenaged student.
The X-Men #4
(Mar. 1964), “The Brotherhood of Evil Mutants!” Stan Lee (w) and Jack Kirby (a).

Image 5. In the early X-Men comic books, Jean Grey was often portrayed undertaking traditional domestic roles that American society had reassigned to women following World War II.
The X-Men #4
(Mar. 1964), “The Brotherhood of Evil Mutants!” Stan Lee (w) and Jack Kirby (a).

Image 6. These panels, from the eighth issue of the series, represent the first time normal humans express any fear or distrust of mutants simply because they’re different.
The X-Men #8
(Nov. 1964), “Unus, the Untouchable!” Stan Lee (w) and Jack Kirby (a).

Image 7. Besides being recruited as a cook, as seen in Image 5, Jean Grey served as a nurse following one battle.
The X-Men #13
(Sep. 1965), “Where Walks the Juggernaut!” Stan Lee (w) and Jack Kirby and Werner Roth (a).

Image 8. Professor Xavier’s speech results in him facing criticism, but not in a way that aligns the mutant metaphor with a racial interpretation. Rather, in this panel the prejudice springs from ideological beliefs.
The X-Men #8
(Nov. 1964), “Unus, the Untouchable!” Stan Lee (w) and Jack Kirby (a).

Image 9. Among the first minority characters to appear in the series are this trio of villains from the twenty-fifth issue. El Tigre, Ramon, and Toloc represent several South American stereotypes in their dress and methods of fighting.
The X-Men #25
(Oct. 1966), “The Power and the Pendant.” Roy Thomas (w) and Werner Roth (a).

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