You've Got to Read This (25 page)

No doubt Ray knew what he had wrought. He never bragged, but humble as he was in his dealings with other people, he did not pretend humility about his work. He had a pretty good idea what he was doing, and what he'd done. Still, a story like this demands a response. You might know you've written something extraordinary, but you can't help wondering if other people know it too. That's the point, after all, unless you're keeping a diary. Anyway, it gave me great satisfaction to track him down—he was on the road somewhere—and tell him how his story had affected me. And I feel the same kind of pleasure now, introducing "Cathedral" in this volume. It is good to be able to say, This is good.

But I did not jump to that conclusion. At first, as I've mentioned, I found myself resisting the story. It's hard to say now exactly what my problem was then, but it had to do with the tone. It seemed, in its terse, brittle factuality, to verge on self-parody: "His wife had died. So he was visiting the dead wife's relatives in Connecticut. He called my wife from his in-laws'. Arrangements were made." That affectless voice has its source, naturally, in the character of the narrator, a hard, grudging man whose idea of a joke is to ask his blind guest, Robert, which side of the train he sat on. He seems incapable of generosity, understanding, love, or pity. He doesn't even have a name.

There seems to be nothing to him. Ray had an amused contempt for the term "minimalism" as a way of describing his work, but after the first few
INTRODUCTION BY TOBIAS WOLFF - 1 37

pages of "Cathedral" I started to wonder if he hadn't written a truly minimal story.

And then everything changes. There is no one moment you can point to and say, There's the hinge. It comes on you by almost imperceptible degrees, a gathering apprehension of the fear that drives the narrator's harshness and cruel humor. He's a frightened man, trapped in terrible, self-enforced solitude and unable to imagine a way out of it. Robert's blindness and the recent death of his wife form a mirror image of the narrator's fear of dependency and loss. No wonder, as he says, "A blind man in my house was not something I looked forward to."

He reveals his humanity almost in spite of himself. It may seem a stunted, ineducable sort of humanity, but wonder enough that it's there at all. And then something else happens. The narrator begins to enjoy Robert's company. He even allows himself to say so. And in the course of a night spent "watching" a special on cathedrals—that's right, he's got Robert planted in front of the tube—the two men come together to build a cathedral of their own, a space of perfect fellowship and freedom, wherein each is granted a miracle of sight by taking on the vision of the other. The effect is complex and mysterious, laying bare our hunger for human connection and the unexpected possibilities inherent in that connection. It is a triumphant ending, yet achieved without any falsification of voice or character.

The apparently minimal terms of the story have become the foundations of a soaring act of artistry and hope.

Cathedral

R a y m o n d C a r v e r

This blind man, an old friend of my wife's, he was on his way to spend the night. His wife had died. So he was visiting the dead wife's relatives in Connecticut. He called my wife from his in-laws'. Arrangements were made. He would come by train, a five-hour trip, and my wife would meet him at the station. She hadn't seen him since she worked for him one summer in Seattle ten years ago. But she and the blind man had kept in touch.

They made tapes and mailed them back and forth. I wasn't enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to.

That summer in Seattle she had needed a job. She didn't have any money.

The man she was going to marry at the end of the summer was in officers'

training school. He didn't have any money, either. But she was in love with the guy, and he was in love with her, etc. She'd seen something in the paper:
HELP WANTED—
Reading to Blind Man,
and a telephone number. She phoned and went over, was hired on the spot. She'd worked with this blind man all summer. She read stuff to him, case studies, reports, that sort of thing. She helped him organize his little office in the county social-service department.

They'd become good friends, my wife and the blind man. How do I know these things? She told me. And she told me something else. On her last day in the office, the blind man asked if he could touch her face. She agreed to this.

She told me he touched his fingers to every part of her face, her nose—even her neck! She never forgot it. She even tried to write a poem about it. She was always trying to write a poem. She wrote a poem or two every year, usually after something really important had happened to her.

When we first started going out together, she showed me the poem. In the poem, she recalled his fingers and the way they had moved around over her face. In the poem, she talked about what she had felt at the time, about what went through her mind when the blind man touched her nose and lips. I can remember I didn't think much of the poem. Of course, I didn't tell her that. Maybe I just don't understand poetry. I admit it's not the first thing I reach for when I pick up something to read.

Anyway, this man who'd first enjoyed her favors, the officer-to-be, he'd been her childhood sweetheart. So okay. I'm saying that at the end of the summer she let the blind man run his hands over her face, said good-bye to 138

RAYMOND CARVER • 139

him, married her childhood etc., who was now a commissioned officer, and she moved away from Seattle. But they'd kept in touch, she and the blind man. She made the first contact after a year or so. She called him up one night from an Air Force base in Alabama. She wanted to talk. They talked.

He asked her to send him a tape and tell him about her life. She did this.

She sent the tape. On the tape, she told the blind man about her husband and about their life together in the military. She told the blind man she loved her husband but she didn't like it where they lived and she didn't like it that he was a part of the military-industrial thing. She told the blind man she'd written a poem and he was in it. She told him that she was writing a poem about what it was like to be an Air Force officer's wife. The poem wasn't finished yet. She was still writing it. The blind man made a tape. He sent her the tape. She made a tape. This went on for years. My wife's officer was posted to one base and then another. She sent tapes from Moody AFB, McGuire, McConnell, and finally Travis, near Sacramento, where one night she got to feeling lonely and cut off from people she kept losing in that moving-around life. She got to feeling she couldn't go it another step. She went in and swallowed all the pills and capsules in the medicine chest and washed them down with a bottle of gin. Then she got into a hot bath and passed out.

But instead of dying, she got sick. She threw up. Her officer—why should he have a name? he was the childhood sweetheart, and what more does he want?—came home from somewhere, found her, and called the ambulance. In time, she put it all on a tape and sent the tape to the blind man. Over the years, she put all kinds of stuff on tapes and sent the tapes off lickety-split. Next to writing a poem every year, I think it was her chief means of recreation. On one tape, she told the blind man she'd decided to live away from her officer for a time. On another tape, she told him about her divorce. She and I began going out, and of course she told her blind man about it. She told him everything, or so it seemed to me. Once she asked me if I'd like to hear the latest tape from the blind man. This was a year ago. I was on the tape, she said. So I said okay, I'd listen to it. I got us drinks and we settled down in the living room. We made ready to listen.

First she inserted the tape into the player and adjusted a couple of dials.

Then she pushed a lever. The tape squeaked and someone began to talk in this loud voice. She lowered the volume. After a few minutes of harmless chitchat, I heard my own name in the mouth of this stranger, this blind man I didn't even know! And then this: "From all you've said about him, I can only conclude—" But we were interrupted, a knock at the door, something, and we didn't ever get back to the tape. Maybe it was just as well. I'd heard all I wanted to.

Now this same blind man was coming to sleep in my house.

"Maybe I could take him bowling," I said to my wife. She was at the draining board doing scalloped potatoes. She put down the knife she was using and turned around.

140 - CATHEDRAL

"If you love me," she said, "you can do this for me. If you don't love me, okay. But if you had a friend, any friend, and the friend came to visit, I'd make him feel comfortable." She wiped her hands with the dish towel.

"I don't have any blind friends," I said.

"You don't have
any
friends," she said. "Period. Besides," she said, "goddamn it, his wife's just died! Don't you understand that? The man's lost his wife!"

I didn't answer. She'd told me a little about the blind man's wife. Her name was Beulah. Beulah! That's a name for a colored woman.

"Was his wife a Negro?" I asked.

"Are you crazy?" my wife said. "Have you just flipped or something?"

She picked up a potato. I saw it hit the floor, then roll under the stove.

"What's wrong with you?" she said. "Are you drunk?"

"I'm just asking," I said.

Right then my wife filled me in with more detail than I cared to know. I made a drink and sat at the kitchen table to listen. Pieces of the story began to fall into place.

Beulah had gone to work for the blind man the summer after my wife had stopped working for him. Pretty soon Beulah and the blind man had themselves a church wedding. It was a little wedding—who'd want to go to such a wedding in the first place?—just the two of them, plus the minister and the minister's wife. But it was a church wedding just the same. It was what Beulah had wanted, he'd said. But even then Beulah must have been carrying the cancer in her glands. After they had been inseparable for eight years—my wife's word,
inseparable
—Beulah's health went into a rapid decline. She died in a Seattle hospital room, the blind man sitting beside the bed and holding on to her hand. They'd married, lived and worked together, slept together—had sex, sure—and then the blind man had to bury her. All this without his having ever seen what the goddamned woman looked like.

It was beyond my understanding. Hearing this, I felt sorry for the blind man for a little bit. And then I found myself thinking what a pitiful life this woman must have led. Imagine a woman who could never see herself as she was seen in the eyes of her loved one. A woman who could go on day after day and never receive the smallest compliment from her beloved. A woman whose husband could never read the expression on her face, be it misery or something better. Someone who could wear makeup or not—what difference to him? She could, if she wanted, wear green eye-shadow around one eye, a straight pin in her nostril, yellow slacks, and purple shoes, no matter. And then to slip off into death, the blind man's hand on her hand, his blind eyes streaming tears—I'm imagining now—her last thought maybe this: that he never even knew what she looked like, and she on an express to the grave. Robert was left with a small insurance policy and half of a twenty-peso Mexican coin. The other half of the coin went into the box with her. Pathetic.

So when the time rolled around, my wife went to the depot to pick him
RAYMOND CARVER • 141

up. With nothing to do but wait—sure, I blamed him for that—I was having a drink and watching the TV when I heard the car pull into the drive. I got up from the sofa with my drink and went to the window to have a look.

I saw my wife laughing as she parked the car. I saw her get out of the car and shut the door. She was still wearing a smile. Just amazing. She went around to the other side of the car to where the blind man was already starting to get out. This blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say. The blind man reached into the backseat and dragged out a suitcase. My wife took his arm, shut the car door, and, talking all the way, moved him down the drive and then up the steps to the front porch. I turned off the TV. I finished my drink, rinsed the glass, dried my hands. Then I went to the door.

My wife said, "I want you to meet Robert. Robert, this is my husband.

I've told you all about him." She was beaming. She had this blind man by his coat sleeve.

The blind man let go of his suitcase and up came his hand.

I took it. He squeezed hard, held my hand, and then he let it go.

"I feel like we've already met," he boomed.

"Likewise," I said. I didn't know what else to say. Then I said, "Welcome. I've heard a lot about you." We began to move then, a little group, from the porch into the living room, my wife guiding him by the arm. The blind man was carrying his suitcase in his other hand. My wife said things like, "To your left here, Robert. That's right. Now watch it, there's a chair.

That's it. Sit down right here. This is the sofa. We just bought this sofa two weeks ago."

I started to say something about the old sofa. I'd liked that old sofa. But I didn't say anything. Then I wanted to say something else, small-talk, about the scenic ride along the Hudson. How going
to
New York, you should sit on the right-hand side of the train, and coming
from
New York, the left-hand side.

"Did you have a good train ride?" I said. "Which side of the train did you sit on, by the way?"

"What a question, which side!" my wife said. "What's it matter which side?" she said.

"I just asked," I said.

"Right side," the blind man said. "I hadn't been on a train in nearly forty years. Not since I was a kid. With my folks. That's been a long time. I'd nearly forgotten the sensation. I have winter in my beard now," he said. "So I've been told, anyway. Do I look distinguished, my dear?" the blind man said to my wife.