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Authors: James Joyce

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A Portrait of the Artist as a Young Man (17 page)

BOOK: A Portrait of the Artist as a Young Man
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The coming of September did not trouble him this year for he was not to be sent back to Clongowes. The practice in the park came to an end when Mike Flynn went into hospital. Aubrey was at school and had only an hour or two free in the evening. The gang fell asunder and there were no more nightly forays or battles on the rocks. Stephen sometimes went round with the car which delivered the evening milk: and these chilly drives blew away his memory of the filth of the cowyard and he felt no repugnance at seeing the cowhairs and hayseeds on the milkman’s coat. Whenever the car drew up before a house he waited to catch a glimpse of a wellscrubbed kitchen or of a softlylighted hall and to see how the servant would hold the jug and how she would close the door. He thought it should be a pleasant life enough, driving along the roads every evening to deliver milk, if he had warm gloves and a fat bag of gingernuts in his pocket to eat from. But the same foreknowledge which had sickened his heart and made his legs sag suddenly as he raced round the park, the same intuition which had made him glance with mistrust at his trainer’s flabby stubblecovered face as it bent heavily over his long stained fingers, dissipated any vision of the future. In a vague way he understood that his father was in trouble and that this was the reason why he himself had not been sent back to Clongowes. For some time he had felt the slight changes in his house; and these changes in what he had deemed unchangeable were so many slight shocks to his boyish conception of the world. The ambition which he felt astir at times in the darkness of his soul sought no outlet. A dusk like that of the outer world obscured his mind as he heard the
mare’s hoofs clattering along the tramtrack on the Rock Road and the great can swaying and rattling behind him.

He returned to Mercedes and, as he brooded upon her image, a strange unrest crept into his blood. Sometimes a fever gathered within him and led him to rove alone in the evening along the quiet avenue. The peace of the gardens and the kindly lights in the windows poured a tender influence into his restless heart. The noise of children at play annoyed him and their silly voices made him feel, even more keenly than he had felt at Clongowes, that he was different from others. He did not want to play. He wanted to meet in the real world the unsubstantial image which his soul so constantly beheld. He did not know where to seek it or how: but a premonition which led him on told him that this image would, without any overt act of his, encounter him. They would meet quietly as if they had known each other and had made their tryst, perhaps at one of the gates or in some more secret place. They would be alone, surrounded by darkness and silence: and in that moment of supreme tenderness he would be transfigured. He would fade into something impalpable under her eyes and then in a moment, he would be transfigured. Weakness and timidity and inexperience would fall from him in that magic moment.

* * *

Two great yellow caravans had halted one morning before the door and men had come tramping into the house to dismantle it. The furniture had been hustled out through the front garden which was strewn with wisps of straw and rope ends and into the huge vans at the gate. When all had been safely stowed the vans had set off noisily down the avenue: and from the window of the railway carriage, in which he had sat with his redeyed mother, Stephen had seen them lumbering heavily along the Merrion Road.

The parlour fire would not draw that evening and Mr Dedalus rested the poker against the bars of the grate to attract the flame. Uncle Charles dozed in a corner of the half furnished uncarpeted room and near him the family portraits leaned against the wall. The lamp on the table shed a weak light over the boarded floor, muddied by the feet of the vanmen. Stephen sat on a footstool beside his father listening to a long and incoherent monologue. He understood little or nothing of it at first but he became slowly aware that his
father had enemies and that some fight was going to take place. He felt too that he was being enlisted for the fight, that some duty was being laid upon his shoulders. The sudden flight from the comfort and revery of Blackrock, the passage through the gloomy foggy city, the thought of the bare cheerless house in which they were now to live made his heart heavy: and again an intuition or foreknowledge of the future came to him. He understood also why the servants had often whispered together in the hall and why his father had often stood on the hearthrug, with his back to the fire, talking loudly to uncle Charles who urged him to sit down and eat his dinner.

—There’s a crack of the whip left in me yet, Stephen, old chap, said Mr Dedalus, poking at the dull fire with fierce energy. We’re not dead yet, sonny. No, by the Lord Jesus (God forgive me) nor half dead.

Dublin was a new and complex sensation. Uncle Charles had grown so witless that he could no longer be sent out on errands and the disorder in settling in the new house left Stephen freer than he had been in Blackrock. In the beginning he contented himself with circling timidly round the neighbouring square or, at most, going half way down one of the side streets: but when he had made a skeleton map of the city in his mind he followed boldly one of its central lines until he reached the customhouse. He passed unchallenged among the docks and along the quays wondering at the multitude of corks that lay bobbing on the surface of the water in a thick yellow scum, at the crowds of quay porters and the rumbling carts and the illdressed bearded policeman. The vastness and strangeness of the life suggested to him by the bales of merchandise stocked along the walls or swung aloft out of the holds of steamers wakened again in him the unrest which had sent him wandering in the evening from garden to garden in search of Mercedes. And amid this new bustling life he might have fancied himself in another Marseilles but that he missed the bright sky and the sunwarmed trellisses of the wineshops. A vague dissatisfaction grew up within him as he looked on the quays and on the river and on the lowering skies and yet he continued to wander up and down day after day as if he really sought someone that eluded him.

He went once or twice with his mother to visit their relatives: and, though they passed a jovial array of shops lit up and adorned for Christmas, his mood of embittered silence did not leave him. The
causes of his embitterment were many, remote and near. He was angry with himself for being young and the prey of restless foolish impulses, angry also with the change of fortune which was reshaping the world about him into a vision of squalor and insincerity. Yet his anger lent nothing to the vision. He chronicled with patience what he saw, detaching himself from it and testing its mortifying flavour in secret.

He was sitting on the backless chair in his aunt’s kitchen. A lamp with a reflector hung on the japanned wall of the fireplace and by its light his aunt was reading the evening paper that lay on her knees. She looked a long time at a smiling picture that was set in it and said musingly:

—The beautiful Mabel Hunter!

A ringletted girl stood on tiptoe to peer at the picture and said softly:

—What is she in, mud?

—In the pantomime, love.

The child leaned her ringletted head against her mother’s sleeve, gazing on the picture, and murmured as if fascinated:

—The beautiful Mabel Hunter!

As if fascinated, her eyes rested long upon those demurely taunting eyes and she murmured again devotedly:

—Isn’t she an exquisite creature?

And the boy who came in from the street, stamping crookedly under his stone of coal, heard her words. He dropped his load promptly on the floor and hurried to her side to see. But she did not raise her easeful head to let him see. He mauled the edges of the paper with his reddened and blackened hands, shouldering her aside and complaining that he could not see.

He was sitting in the narrow breakfast room high up in the old darkwindowed house. The firelight flickered on the wall and beyond the window a spectral dusk was gathering upon the river. Before the fire an old woman was busy making tea and, as she bustled at her task, she told in a low voice of what the priest and the doctor had said. She told too of certain changes she had seen in her of late and of her odd ways and sayings. He sat listening to the words and following the ways of adventure that lay open in the coals, arches and vaults and winding galleries and jagged caverns.

Suddenly he became aware of something in the doorway. A skull
appeared suspended in the gloom of the doorway. A feeble creature like a monkey was there, drawn thither by the sound of voices at the fire. A whining voice came from the door, asking:

—Is that Josephine?

The old bustling woman answered cheerily from the fireplace:

—No, Ellen. It’s Stephen.

—O… O, good evening, Stephen.

He answered the greeting and saw a silly smile break over the face in the doorway.

—Do you want anything, Ellen? asked the old woman at the fire.

But she did not answer the question and said:

—I thought it was Josephine. I thought you were Josephine, Stephen.

And, repeating this several times, she fell to laughing feebly.

He was sitting in the midst of a children’s party at Harold’s Cross. His silent watchful manner had grown upon him and he took little part in the games. The children, wearing the spoils of their crackers, danced and romped noisily and, though he tried to share their merriment, he felt himself a gloomy figure amid the gay cocked hats and sunbonnets.

But when he had sung his song and withdrawn into a snug corner of the room he began to taste the joy of his loneliness. The mirth, which in the beginning of the evening had seemed to him false and trivial, was like a soothing air to him, passing gaily by his senses, hiding from other eyes the feverish agitation of his blood while through the circling of the dancers and amid the music and laughter her glance travelled to his corner, flattering, taunting, searching, exciting his heart. In the hall the children who had stayed latest were putting on their things: the party was over. She had thrown a shawl about her and, as they went together towards the tram, sprays of her fresh warm breath flew gaily above her cowled head and her shoes tapped blithely on the glassy road.

It was the last tram. The lank brown horses knew it and shook their bells to the clear night in admonition. The conductor talked with the driver, both nodding often in the green light of the lamp. On the empty seats of the tram were scattered a few coloured tickets. No sound of footsteps came up or down the road. No sound broke the peace of the night save when the lank brown horses rubbed their noses together and shook their bells.

They seemed to listen, he on the upper step and she on the lower. She came up to his step many times and went down to hers again between their phrases and once or twice stood close beside him for some moments on the upper step, forgetting to go down, and then went down. His heart danced upon her movements like a cork upon a tide. He heard what her eyes said to him from beneath their cowl and knew that in some dim past, whether in life or in revery, he had heard their tale before. He saw her urge her vanities, her fine dress and sash and long black stockings, and knew that he had yielded to them a thousand times. Yet a voice within him spoke above the noise of his dancing heart, asking him would he take her gift to which he had only to stretch out his hand. And he remembered the day when he and Eileen had stood looking into the hotel grounds, watching the waiters running up a trail of bunting on the flagstaff and the fox terrier scampering to and fro on the sunny lawn, and how, all of a sudden, she had broken out into a peal of laughter and had run down the sloping curve of the path. Now, as then, he stood listlessly in his place, seemingly a tranquil watcher of the scene before him.

—She too wants me to catch hold of her, he thought. That’s why she came with me to the tram. I could easily catch hold of her when she comes up to my step: nobody is looking. I could hold her and kiss her.

But he did neither: and, when he was sitting alone in the deserted tram, he tore his ticket into shreds and stared gloomily at the corrugated footboard.

The next day he sat at his table in the bare upper room for many hours. Before him lay a new pen, a new bottle of ink and a new emerald exercise. From force of habit he had written at the top of the first page the initial letters of the jesuit motto: A.M.D.G. On the first line of the page appeared the title of the verses he was trying to write: To E—— C——. He knew it was right to begin so for he had seen similar titles in the collected poems of Lord Byron. When he had written this title and drawn an ornamental line underneath he fell into a daydream and began to draw diagrams on the cover of the book. He saw himself sitting at his table in Bray the morning after the discussion at the Christmas dinnertable, trying to write a poem about Parnell on the back of one of his father’s second moiety notices. But his brain had then refused to grapple with the theme and, desisting, he had covered the page with the names and addresses of certain of his classmates:

Roderick Kickham
John Lawton
Anthony MacSwiney
Simon Moonan

Now it seemed as if he would fail again but, by dint of brooding on the incident, he thought himself into confidence. During this process all those elements which he deemed common and insignificant fell out of the scene. There remained no trace of the tram itself nor of the trammen nor of the horses: nor did he and she appear vividly. The verses told only of the night and the balmy breeze and the maiden lustre of the moon. Some undefined sorrow was hidden in the hearts of the protagonists as they stood in silence beneath the leafless trees and when the moment of farewell had come the kiss, which had been withheld by one, was given by both. After this the letters L.D.S. were written at the foot of the page and, having hidden the book, he went into his mother’s bedroom and gazed at his face for a long time in the mirror of her dressingtable.

BOOK: A Portrait of the Artist as a Young Man
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