Read A Portrait of the Artist as a Young Man Online

Authors: James Joyce

Tags: #Literature & Fiction, #Classics, #Contemporary, #Genre Fiction, #Biographical, #Literary, #British & Irish, #Contemporary Fiction, #Literary Fiction

A Portrait of the Artist as a Young Man (20 page)

BOOK: A Portrait of the Artist as a Young Man
3.41Mb size Format: txt, pdf, ePub
ads

When he came out on the steps he saw his family waiting for him at the first lamp. In a glance he noted that every figure of the group was familiar and ran down the steps angrily.

—I have to leave a message down in George’s Street, he said to his father quickly. I’ll be home after you.

Without waiting for his father’s questions he ran across the road and began to walk at breakneck speed down the hill. He hardly knew where he was walking. Pride and hope and desire like crushed herbs in his heart sent up vapours of maddening incense before the eyes of his mind. He strode down the hill amid the tumult of suddenrisen vapours of wounded pride and fallen hope and baffled desire. They streamed upwards before his anguished eyes in dense and maddening fumes and passed away above him till at last the air was clear and cold again.

A film still veiled his eyes but they burned no longer. A power, akin to that which had often made anger or resentment fall from him, brought his steps to rest. He stood still and gazed up at the sombre porch of the morgue and from that to the dark cobbled laneway at its side. He saw the word
Lotts
on the wall of the lane and breathed slowly the rank heavy air.

—That is horse piss and rotted straw, he thought. It is a good odour to breathe. It will calm my heart. My heart is quite calm now. I will go back.

* * *

Stephen was once again seated beside his father in the corner of a railway carriage at Kingsbridge. He was travelling with his father by
the night mail to Cork. As the train steamed out of the station he recalled his childish wonder of years before and every event of his first day at Clongowes. But he felt no wonder now. He saw the darkening lands slipping past him, the silent telegraphpoles passing his window swiftly every four seconds, the little glimmering stations, manned by a few silent sentries, flung by the mail behind her and twinkling for a moment in the darkness like fiery grains flung backwards by a runner.

He listened without sympathy to his father’s evocation of Cork and of scenes of his youth, a tale broken by sighs or draughts from his pocketflask whenever the image of some dead friend appeared in it or whenever the evoker remembered suddenly the purpose of his actual visit. Stephen heard but could feel no pity. The images of the dead were all strange to him save that of uncle Charles, an image which had lately been fading out of memory. He knew, however, that his father’s property was going to be sold by auction and in the manner of his own dispossession he felt the world give the lie rudely to his phantasy.

At Maryborough he fell asleep. When he awoke the train had passed out of Mallow and his father was stretched asleep on the other seat. The cold light of the dawn lay over the country, over the unpeopled fields and the closed cottages. The terror of sleep fascinated his mind as he watched the silent country or heard from time to time his father’s deep breath or sudden sleepy movement. The neighbourhood of unseen sleepers filled him with strange dread as though they could harm him; and he prayed that the day might come quickly. His prayer, addressed neither to God nor saint, began with a shiver, as the chilly morning breeze crept through the chink of the carriage door to his feet, and ended in a trail of foolish words which he made to fit the insistent rhythm of the train; and silently, at intervals of four seconds, the telegraphpoles held the galloping notes of the music between punctual bars. This furious music allayed his dread and, leaning against the windowledge, he let his eyelids close again.

They drove in a jingle across Cork while it was still early morning and Stephen finished his sleep in a bedroom of the Victoria Hotel. The bright warm sunlight was streaming through the window and he could hear the din of traffic. His father was standing before the dressingtable, examining his hair and face and moustache with great
care, craning his neck across the waterjug and drawing it back sideways to see the better. While he did so he sang softly to himself with quaint accent and phrasing:

’Tis youth and folly
Makes young men marry
,
So here, my love, I’ll
No longer stay
.
What can’t be cured, sure
,
Must be injured, sure
,
So I’ll go to
Amerikay
.
My love she’s handsome
,
My love she’s bonny
:
She’s like good whisky
When it is new;
But when ’tis old
And growing cold
It fades and dies like
The mountain dew
.
The consciousness of the warm sunny city outside his window and the tender tremors with which his father’s voice festooned the strange sad happy air, drove off all the mists of the night’s ill humour from Stephen’s brain. He got up quickly to dress and, when the song had ended, said:

—That’s much prettier than any of your other
come-all-yous
.

—Do you think so? asked Mr Dedalus.

—I like it, said Stephen.

—It’s a pretty old air, said Mr Dedalus, twirling the points of his moustache. Ah, but you should have heard Mick Lacy sing it! Poor Mick Lacy! He had little turns for it, grace notes he used to put in that I haven’t got. That was the boy who could sing a
come-all-you
, if you like.

Mr Dedalus had ordered drisheens for breakfast and during the meal he crossexamined the waiter for local news. For the most part they spoke at crosspurposes when a name was mentioned, the waiter having in mind the present holder and Mr Dedalus his father or perhaps his grandfather.

—Well, I hope they haven’t moved the Queen’s College anyhow, said Mr Dedalus, for I want to show it to this youngster of mine.

Along the Mardyke the trees were in bloom. They entered the grounds of the college and were led by the garrulous porter across the quadrangle. But their progress across the gravel was brought to a halt after every dozen or so paces by some reply of the porter’s.

—Ah, do you tell me so? And is poor Pottlebelly dead?

—Yes, sir. Dead, sir.

During these halts Stephen stood awkwardly behind the two men, weary of the subject and waiting restlessly for the slow march to begin again. By the time they had crossed the quadrangle his restlessness had risen to fever. He wondered how his father, whom he knew for a shrewd suspicious man, could be duped by the servile manners of the porter; and the lively southern speech which had entertained him all the morning now irritated his ears.

They passed into the anatomy theatre where Mr Dedalus, the porter aiding him, searched the desks for his initials. Stephen remained in the background, depressed more than ever by the darkness and silence of the theatre and by the air it wore of jaded and formal study. On the desk before him he read the word
Fœtus
cut several times in the dark stained wood. The sudden legend startled his blood: he seemed to feel the absent students of the college about him and to shrink from their company. A vision of their life, which his father’s words had been powerless to evoke, sprang up before him out of the word cut in the desk. A broadshouldered student with a moustache was cutting in the letters with a jackknife, seriously. Other students stood or sat near him laughing at his handiwork. One jogged his elbow. The big student turned on him, frowning. He was dressed in loose grey clothes and had tan boots.

Stephen’s name was called. He hurried down the steps of the theatre so as to be as far away from the vision as he could be and, peering closely at his father’s initials, hid his flushed face.

But the word and the vision capered before his eyes as he walked back across the quadrangle and towards the college gate. It shocked him to find in the outer world a trace of what he had deemed till then a brutish and individual malady of his own mind. His recent monstrous reveries came thronging into his memory. They too had sprung up before him, suddenly and furiously, out of mere words. He had soon given in to them and allowed them to sweep across and
abase his intellect, wondering always where they came from, from what den of monstrous images, and always weak and humble towards others, restless and sickened of himself when they had swept over him.

—Ay, bedad! And there’s the Groceries sure enough! cried Mr Dedalus. You often heard me speak of the Groceries, didn’t you, Stephen. Many’s the time we went down there when our names had been marked, a crowd of us, Harry Peard and little Jack Mountain and Bob Dyas and Maurice Moriarty, the Frenchman, and Tom O’Grady and Mick Lacy that I told you of this morning and Joey Corbet and poor little good hearted Johnny Keevers of the Tantiles.

The leaves of the trees along the Mardyke were astir and whispering in the sunlight. A team of cricketers passed, agile young men in flannels and blazers, one of them carrying the long green wicketbag. In a quiet bystreet a German band of five players in faded uniforms and with battered brass instruments was playing to an audience of street arabs and leisurely messenger boys. A maid in a white cap and apron was watering a box of plants on a sill which shone like a slab of limestone in the warm glare. From another window open to the air came the sound of a piano, scale after scale rising into the treble.

Stephen walked on at his father’s side, listening to stories he had heard before, hearing again the names of the scattered and dead revellers who had been the companions of his father’s youth. And a faint sickness sighed in his heart. He recalled his own equivocal position in Belvedere, a free boy, a leader afraid of his own authority, proud and sensitive and suspicious, battling against the squalor of his life and against the riot of his mind. The letters cut in the stained wood of the desk stared upon him, mocking his bodily weakness and futile enthusiasms and making him loathe himself for his own mad and filthy orgies. The spittle in his throat grew bitter and foul to swallow and the faint sickness climbed to his brain so that for a moment he closed his eyes and walked on in darkness.

He could still hear his father’s voice.

—When you kick out for yourself, Stephen—as I daresay you will one of these days—remember, whatever you do, to mix with gentlemen. When I was a young fellow I tell you I enjoyed myself. I mixed with fine decent fellows. Everyone of us could do something. One fellow had a good voice, another fellow was a good actor, another could sing a good comic song, another was a good oarsman or a good
racketplayer, another could tell a good story and so on. We kept the ball rolling anyhow and enjoyed ourselves and saw a bit of life and we were none the worse of it either. But we were all gentlemen, Stephen—at least I hope we were—and bloody good honest Irishmen too. That’s the kind of fellows I want you to associate with, fellows of the right kidney. I’m talking to you as a friend, Stephen. I don’t believe in playing the stern father. I don’t believe a son should be afraid of his father. No, I treat you as your grandfather treated me when I was a young chap. We were more like brothers than father and son. I’ll never forget the first day he caught me smoking. I was standing at the end of the South Terrace one day with some maneens like myself and sure we thought we were grand fellows because we had pipes stuck in the corners of our mouths. Suddenly the governor passed. He didn’t say a word, or stop even. But the next day, Sunday, we were out for a walk together and when we were coming home he took out his cigar case and said:
By the bye, Simon, I didn’t know you smoked
: or something like that. Of course I tried to carry it off as best I could.
If you want a good smoke
, he said,
try one of these cigars. An American captain made me a present of them last night in Queenstown
.

Stephen heard his father’s voice break into a laugh which was almost a sob.

—He was the handsomest man in Cork at that time, by God he was! The women used to stand to look after him in the street.

He heard the sob passing loudly down his father’s throat and opened his eyes with a nervous impulse. The sunlight breaking suddenly on his sight turned the sky and clouds into a fantastic world of sombre masses with lakelike spaces of dark rosy light. His very brain was sick and powerless. He could scarcely interpret the letters of the signboards of the shops. By his monstrous way of life he seemed to have put himself beyond the limits of reality. Nothing moved him or spoke to him from the real world unless he heard in it an echo of the infuriated cries within him. He could respond to no earthly or human appeal, dumb and insensible to the call of summer and gladness and companionship, wearied and dejected by his father’s voice. He could scarcely recognise as his his own thoughts, and repeated slowly to himself:

BOOK: A Portrait of the Artist as a Young Man
3.41Mb size Format: txt, pdf, ePub
ads

Other books

Outlaw Derek by Kay Hooper
Summer Sunsets by Maria Rachel Hooley
Little Man, What Now? by Fallada, Hans
A Love to Live For by Heart, Nikita
Resurgence by Kerry Wilkinson
The Beach by Cesare Pavese