Another Damascene poet, Abu al-Fath al-Ma liki (d. 1567/8), composed a poem eulogizing a handsome youth by the name of Muhammad ibn H usa m in which the opening line was:
How often has he assailed his lovers with the name of his father [ h usa m = sword], oh what sorrows result from his glances! 119
Muhammad ibn H usa m, Zakariyya al-Bu snawi , ʿAbd al-Rah ma n al-Mani ni , and Muhammad ibn Shaykh al-H aram are examples of youths who seem to have gained a public reputation on account of their beauty. As pointed out by Kenneth Dover in his path-breaking study of classical Greek homosexuality, in a society that placed great value on keeping women hidden from the eyes of men, the status of “pin-ups” in the male public sphere tended to be associated with handsome youths. 120 The Damascene belletrist Muhammad al-Kanji (d. 1740), in an anthology of singers, mentioned two local youths in his time who were admired for their beauty as well as their voices: Muhammad Abu Kulthu m was described as “a youth cast in the mold of beauty... the luster of his youth delights hearts, and the beauty of his countenance is of perfect purity and radiance, and how often has his angelic beauty possessed and captured admirers ...”; the dark-skinned Ahmad Qust ant