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Authors: Anne Perry

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“God Almighty!” Drummond said in a strangled voice.

Pitt felt his stomach lurch, but he went forward and stood by the side of the bed staring down at it.

Sholto Byam and Frederick Anstiss lay side by side in the big four-poster, both naked. Anstiss was drenched in blood, his throat cut from side to side, his head lying awkwardly at a half angle, his eyes wide in horror. Byam was beside him, more composed, as if he had expected death, even welcomed it, and his haggard features were ironed out, all the anguish gone at last. A broad-bladed knife lay beside him and both his wrists were gashed. The surrounding area of the bed was dark red with deep-soaked blood, as if once the act was done he had not moved but lain there almost at peace while his life poured away.

Somewhere behind them in the doorway a housemaid was screaming hysterically over and over again, but the footman was incapable of helping her. There was a sound of running feet.

On the pillow beside Byam’s head was a letter addressed not to Drummond but to Pitt. He reached over and picked it up.

By now you probably know the truth. Micah Drummond told me you had found the other half of the letter to me, and you know it was not Laura who wrote it, but Frederick. Laura did not love me, poor woman. I will never forget the night she came and found Frederick and me together, in bed.

Many women might have kept such a secret, but she would not. He and I killed her, and gave out the story that it was an accident. We kept the suicide idea in case anyone did not believe that she had slipped. It was better than the truth, and of course it was what I told Drummond when that devil Weems began to blackmail me.

But when he tried it on Frederick it was a different thing—the letter was in Frederick’s hand, and when Weems realized that, however he did, perhaps he had some letter or agreement to meet, then of course Frederick had to kill him. Weems knew the truth, not only about us, but presumably he guessed we had killed Laura as well.

Whether or not Frederick would have betrayed me when he was arrested, I don’t know—and perhaps it hardly matters
now. I have loved him all these years, and he professed to love me—that he could have blackmailed me for the African loans and corrupted the best thing I did is beyond my ability to bear, or to forgive.

He has ruined me, and all I believed in, both love and honor. I shall see that he dies with such a scandal London will never forget it.

There is nothing more to be said, this is the end of it all.

Sholto Byam

Pitt passed it across to Drummond.

Drummond read it slowly then looked up, his face ashen.

“God, what a mess.”

Beyond the doorway Waterson, gray-faced, was standing like a man stricken. Someone had taken the housemaid away. The footman was still on the floor.

“You’d better go and tell Lady Byam,” Pitt said quietly. “It will come better from you than anyone else. I’ll clear up here.”

Drummond hesitated only a moment, guilt, realization and pity fighting in him.

“There’s nothing else to do,” Pitt assured him. “It is all finished here—we must care for the living now.”

Drummond took his hand and squeezed it fiercely for a moment, wringing it so hard he bruised the flesh, then swung around on his heel and went out.

Pitt turned back to the bed, and very gently pulled up the bedspread to cover the faces of the dead.

Now in bookstores …

the new Charlotte and Thomas Pitt mystery,

FARRIER’S LANE

by Anne Perry.

Published by Fawcett.

Read on to Chapter One of FARRIER’S LANE….

1

“I
SN’T HE SUPERB
?” Caroline Ellison whispered to her daughter Charlotte. “He conveys so much feeling with the simplest word or a gesture!”

They were side by side in the red plush box in the theater in the semidarkness. It was late autumn and since there was no heating the air was cold. By the end of the first act the press of the crowd had warmed the stalls, but up here in the first tier of boxes it was different. The movement of applause and the stamping of feet then had helped, but now the drama was tense again, and the buzz of excitement shivery.

The stage was brilliant, the actors vivid figures against the romantic, plyboard scenery. One in particular commanded Caroline’s attention: a man of just over average height, slender, with a sensitive, aquiline face full of humor and imagination, yet haunted with all the possibilities of tragedy. He was Joshua Fielding, principal actor of the company, and Charlotte was now quite certain he was the reason her mother had chosen this particular performance.

Apparently Caroline was waiting for a reply. Her face was quick and intelligent, but touched with an odd kind of vulnerability, as though Charlotte’s answer might matter to her. She had been widowed a little while now. After the first grief had come a kind of euphoria, a sense of freedom as she realized how much she might do without restraint, since she was her own mistress. She read whatever she pleased, political,
contentious, even scandalous. She joined societies and discussed all manner of subjects previously forbidden, and listened to lectures from reformers, travelers and scientists, many accompanied by photographs or slides.

But perhaps now a little of the pleasure of it was wearing thin and now and again a shadow of loneliness crossed her thoughts.

“Yes indeed, Mama,” Charlotte agreed sincerely. “He has a voice I could listen to for hours.”

Caroline smiled and returned her attention to the stage, for the time being satisfied.

Charlotte looked sideways at her husband, but Pitt’s eyes were on the occupants of a box some twenty yards away around the same tier of the balcony. One was a man in his early sixties with thinning hair, a broad brow, and at the present moment a fixed expression. He was staring at the stage. The other was a handsome, dark-haired woman, at least twelve or fourteen years younger. Her glittering jewelry caught the light as she fidgeted, turning her head, touching her hair and leaning slightly forward in her seat.

“Who are they?” Charlotte whispered.

“What?” Pitt was caught by surprise.

“Who are they?” she repeated quietly, looking past him to the other box.

“Oh—” He was a little uncomfortable. The visit to the theater was a gift from Caroline, and he did not wish to appear less than wholly involved in the play in spite of the fact it did not hold him. “A judge at the court of appeal,” he whispered back. “Mr. Justice Stafford.”

“Is she his wife?” Charlotte asked, seeking the reason for Pitt’s interest.

He smiled very slightly. “I think so—why?”

Charlotte glanced towards the box again, only moderately discreetly.

“Then why are you looking at them?” she asked him, still in a hushed voice. “Who is that in the box just beyond them?”

“It looks like Mr. Justice Livesey.”

“Isn’t he young to be a judge? He’s rather handsome, don’t you think? Mrs. Stafford seems to think so too!”

Pitt turned a little in his seat. Caroline was too absorbed in the stage to notice. He followed Charlotte’s gaze.

“Not the man with the black hair!” he said under his breath. “The one nearer. The young one is Adolphus Pryce. He is a Queen’s Counsel. Livesey is the big man with white hair.”

“Oh—well why are you looking at them anyway?”

“I was just surprised he was so absorbed in the play,” Pitt replied with a slight shrug. “It’s rather romantic. I wouldn’t have thought it of him. But his eyes haven’t left the stage for ten minutes or more. In fact I haven’t seen him blink!”

“Perhaps he’s enamored of Tamar Macaulay?” Charlotte said with a little giggle.

“Who?” Pitt’s face creased with confusion.

“The actress!” Charlotte was exasperated and for a moment her voice rose. “Really, Thomas! Do pay attention! She is the heroine!”

“Oh—of course. I forgot her name. I’m sorry,” he apologized contritely. “Be quiet and watch the play.”

They both faced the front and were silent for nearly a quarter of an hour until a small cry from the Staffords’ box and a hasty, half-muffled activity drew their attention. Even Caroline was caused to look away from the stage.

“What is it?” she asked anxiously. “What has happened? Is someone ill?”

“Yes, it looks like it,” Pitt replied, pushing his chair back as if to rise, and then changing his mind. “I think Judge Stafford seems to be unwell.”

Indeed Mrs. Stafford was on her feet, leaning over her husband in some agitation, attempting to loosen his collar and speaking to him in a low, urgent voice. However he made no response except a spasmodic jerking of his limbs, not wildly, but as if he were in some distress. The same fixed, immobile expression remained on his face, as if he still could not bear to drag his attention from the stage and the figures on it playing out their own predetermined drama.

“Should we help?” Charlotte whispered doubtfully.

“What could we do?” Pitt looked worried, his face puckered. “He probably needs a doctor.” But even as he said it he pushed his chair farther back and rose to his feet. “I’d better see if she wishes someone to call for one. And they
may need assistance to help him to a more private place, where he can lie down. Please excuse me to Caroline.” And without waiting any longer he slipped out of the back of the box.

Once outside he hurried along the wide passageway, counting the doors until he came to the right one. There was no point in knocking; the woman had all she could cope with in trying to help her husband without coming to open a door which would not be locked anyway. In fact it was already ajar; he simply pushed it wide and went in.

Samuel Stafford was slumped in the chair, his face very flushed. Even from the doorway Pitt could hear his labored breathing. Juniper Stafford was at the far side of the box now, leaning against the rail, her hands up to her face, knuckles white. She seemed almost paralyzed with fear. Next to Stafford, half kneeling on the floor, was Mr. Justice Ignatius Livesey.

“Can I be of help?” Pitt asked quickly. “Have you sent for a doctor, or would you like me to?”

Livesey looked around, startled. Obviously he had not heard Pitt come in. He was a big man, broad-headed with a powerful face, with short nose and fleshy jaw. It was a face of conviction and courage, perhaps uncertain temper, belonging to a man of intense and sudden moods who commanded others with ease.

“Yes, send for a doctor,” he agreed quickly after only a glance at Pitt to assure himself he was a gentleman, and not merely a curious intruder. “I am not a medical man, and I fear there is little I can do.”

“Of course. I’ll send my wife to be with Mrs. Stafford.” Livesey’s face showed acute surprise.

“You know him?”

“Only by repute, Mr. Livesey,” Pitt said with the barest smile. The man in the chair was sliding farther down and his breathing was becoming slower. Without wasting any more time Pitt went out again, and passing his own box pushed the door open.

“Charlotte, it’s serious,” he said urgently. “I think the poor man may be dying. You’d better go and be with Mrs. Livesey.”

Caroline looked around at him anxiously.

“Stay here, Mama-in-law,” Pitt answered the unspoken question. “I’m going for a doctor, if there is one here.”

Charlotte stood up and went outside with him, turning to the Staffords’ box at a run, her skirts swinging. Pitt went the other way around towards the management offices. He found the right door, knocked sharply, then went in without waiting for an answer.

Inside a man with a magnificent mustache looked up angrily from the desk where he was studying some very indiscreet photographs.

“How dare you, sir!” he protested, half rising to his feet. “This is—”

“An emergency,” Pitt said without bothering to smile. “One of your patrons, in box fourteen, is extremely ill. In fact I fear he may well be dying. Mr. Justice Stafford—”

“Oh my God!” The manager was aghast. “How appalling! What a scandal! People are so superstitious. I—”

“Never mind that,” Pitt interrupted. “Is there a doctor in the theater? If not you had better send for the nearest one as fast as you can. I am going back to see if I can do anything.”

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