Even in the wintertime, when the rooms at the Hudson were cold and the window by the bed had frost on it, they sweated beer; and they lay on her so heavily that it was difficult to breathe. Their mouths were wet and soured with beer, and when they pushed themselves down on her, they felt small and soft between her thighs. She stared at the stains on the ceiling, and waited until they gave up or fell asleep, and then she rolled out from under them.
She looked at these Laguna guys. They had been treated first class once, with their uniforms. As long as there had been a war and the white people were afraid of the Japs and Hitler. But these Indians got fooled when they thought it would last. She was tired of pretending with them, tired of making believe it had lasted. It was almost a year since she had left Towac. There was something about Gallup that made her think about it. She didn’t like the looks of the Indian women she saw in Gallup, dancing at Eddie’s club with the drunks that stumbled around the floor with them. Their hair was dirty and straight. They’d shaved off their eyebrows, but the hairs were growing back and they didn’t bother to pencil them any more. Their blouses had buttons missing and were fastened with safety pins. Their western pants were splitting out at the seams; there were stains around the crotch.
She reached into her purse for the little pink compact and looked in the mirror. Her hair was cut short and was tightly curled. It needed to be washed, but at least it wasn’t long or straight. She touched up her left eyebrow and put on lipstick. She didn’t like the looks of the country around here either. Rocks and sand, arroyos and no trees. After spending all her life at Towac, she didn’t need to be wasting her time there, in the middle of nowhere, some place worse than the reservation she had left. If she hung around any longer with these guys, that’s how she’d end up. Like the rest of the Indians. She smiled at the Mexican; he winked at her. He had the cash from his railroad pay check on the table in front of him. He’d help her out, give her some to send back to Towac. And this time she was really going to send some money to Emma, and she wasn’t going to waste any more time fooling around with Indian war heroes.
He sat back in the chair and rested his head against the cool plaster wall. Through the sound of the juke box he could hear the Navajo, sitting now with his back against the screen door, singing songs. There was something familiar in the songs, and he remembered old Betonie’s singing; something in his belly stirred faintly; but it was too far away now. He crawled deeper into the black gauzy web where he could rest in the silence, where his coming and going through this world was no more than a star falling across the night sky. He left behind the pain and buzzing in his head; they were shut out by the wide dark distance.
Someone was yelling. Someone was shaking him out of the tall tree he was in. He thought it might be old Betonie telling him to get on his way, telling him that he’d slept too long and there were the cattle to find, and the stars, the mountain, and the woman.
He started to answer old Betonie, to tell him he hadn’t forgotten.
“I’m going,” he said.
“You’re damn right you’re going!” the white man said. “Your pal just got the shit kicked out of him, and I don’t want no more trouble here.”
The last bright rays of sunlight split his head in half, like a big ax splitting logs for winter kindling. He put his hand over his eyes to shade them. He moved down the steps carefully, remembering the Navajo who had been sitting there, singing. But he was gone and the Mexicans were gone too; and the sky was deep orange and scarlet, all the way across to Mount Taylor. Leroy was kneeling over Harley, balancing himself unsteadily with one hand. His shirttail was loose, making a little skirt around his slim hips. He was saying, “Harley, buddy, did they hurt you?” Leroy’s lips were bloody and swollen where they’d hit him. Harley was breathing peacefully, passed out or knocked out, Tayo couldn’t tell. There was a big cut above his left eyebrow, but the blood had already crusted over it.
They carried Harley to the truck; his legs dragged behind him, wobbling and leaving long toe marks in the dirt. They propped him up between them, with Tayo behind the wheel. Leroy was slumped against the door, passed out. He searched the dashboard for the knob to turn on the headlights. When he pulled it, the knob came loose in his hands; he was too tired and sick to laugh at this truck, but he would have if Helen Jean had been there. Because she said it: gypped again.
At twilight the earth was darker than the sky, and it was difficult to see if any of Romero’s sheep or goats were grazing along the edge of the pavement. The tourist traffic on Highway 66 was gone now, and Tayo imagined white people eating their mashed potatoes and gravy in some steamy Grants café.
During that last summer they had ridden across these flats to round up the speckled cattle and brand the calves. He took the pickup across the dip slowly, almost tenderly, as if the old truck were the blind white mule, too old to be treated roughly any more. He was thinking about Harley and Leroy; about Helen Jean and himself. How much longer would they last? How long before one of them got stabbed in a bar fight, not just knocked out? How long before this old truck swerved off the road or head-on into a bus? But it didn’t make much difference anyway. The drinking and hell raising were just things they did, as he had done sitting at the ranch all afternoon, watching the yellow cat bite the air for flies; passing the time away, waiting for it to end.
Someone groaned; he looked over to see who it was. He smelled vomit. Harley had thrown up all over himself. Tayo rolled down the window and drove with his head outside, the way train engineers did, the air rushing at his face as he watched the white lines of the highway fall past the truck.
He pulled off the highway at Mesita, and reached over and shook Leroy by the arm. He mumbled and pushed Tayo’s hand away. He shut off the engine and looked at the village. The lights of the houses were as scattered and dim as far-away stars. He left the keys in the ignition and rolled up the window in case the wind blew that night. One of them had pissed, and the rubber mat at Leroy’s feet was wet, and with the windows rolled up the urine smell steamed around him. He gagged as he pushed the door open, and something gave way in his belly. He vomited out everything he had drunk with them, and when that was gone, he was still kneeling on the road beside the truck, holding his heaving belly, trying to vomit out everything—all the past, all his life.
The Scalp Ceremony lay to rest the Japanese souls in the green humid jungles, and it satisfied the female giant who fed on the dreams of warriors. But there was something else now, as Betonie said: it was everything they had seen—the cities, the tall buildings, the noise and the lights, the power of their weapons and machines. They were never the same after that: they had seen what the white people had made from the stolen land. It was the story of the white shell beads all over again, the white shell beads, stolen from a grave and found by a man as he walked along a trail one day. He carried the beautiful white shell beads on the end of a stick because he suspected where they came from; he left them hanging in the branches of a piñon tree. And although he had never touched them, they haunted him; all he could think of, all he dreamed of, were these white shell beads hanging in that tree. He could not eat, and he could not work. He lost touch with the life he had lived before the day he found those beads; and the man he had been before that day was lost somewhere on that trail where he first saw the beads. Every day they had to look at the land, from horizon to horizon, and every day the loss was with them; it was the dead unburied, and the mourning of the lost going on forever. So they tried to sink the loss in booze, and silence their grief with war stories about their courage, defending the land they had already lost.
He followed the wagon road to Laguna, going by memory and the edges of old ruts. The air was cool, and he could smell the dampness that came out with the stars. Old Betonie might explain it this way—Tayo didn’t know for sure: there were transitions that had to be made in order to become whole again, in order to be the people our Mother would remember; transitions, like the boy walking in bear country being called back softly.
Up North
around Reedleaf Town
there was this Ck’o’yo magician
they called Kaup’a’ta or the Gambler.
He was tall
and he had a handsome face
but he always wore spruce greens around his head, over his eyes.
He dressed in the finest white buckskins
his moccasins were perfectly sewn.
He had strings of sky blue turquoise
strings of red coral in his ears.
In all ways
the Gambler was very good to look at.
His house was high
in the peaks of the Zuni mountains
and he waited for people to wander
up to his place.
He kept the gambling sticks all stacked up
ready for them.
He walked and turned around for them
to show off his fancy clothes and expensive beads.
Then he told them he would gamble with them—
their clothes, their beads for his.
Most people wore their old clothes
when they went hunting in the mountains;
so they figured they didn’t have much to lose.
Anyway, they might win all his fine things.
Not many could pass up his offer.
But the people didn’t know.
They ate the blue cornmeal
he offered them.
They didn’t know
he mixed human blood with it.
Visitors who ate it
didn’t have a chance.
He got power over them that way,
and when they started gambling with him
they did not stop until they lost
everything they owned.
And when they were naked
and he had everything
he’d say
“I tell you what
since I’m so good and generous
I’ll give you one last chance.
See that rawhide bag hanging
on the north wall over there?
If you can guess what is in that bag
I’ll give you back all your clothes and beads
and everything I have here too—
these feather blankets
all these strings of coral beads
these fine white buckskin moccasins.
But if you don’t guess right
you lose your life.”
They were in his power.
They had lost everything.
It was their last chance.
So they usually said “okay”
but they never guessed
what was in the bag.
He hung them upside down in his storeroom,
side by side with the other victims.
He cut out their hearts
and let their blood run down
into the bins of blue cornmeal.
That is what the ck’o’yo Kaup’a’ta, Gambler did,
up there
in the Zuni mountains.
And one time
he even captured the stormclouds.
He won everything from them
but since they can’t be killed,
all he could do
was lock them up
in four rooms of his house—
the clouds of the east in the east room
the clouds of the south in the south room
the clouds of the west in the west room
the clouds of the north in the north room.
The Sun is their father.
Every morning he wakes them up.
But one morning he went
first to the north top of the west mountain
then to the west top of the south mountain
and then to the south top of the east mountain;
and finally, it was on the east top of the north mountain
he realized they were gone.
For three years the stormclouds disappeared
while the Gambler held them prisoners.
The land was drying up
the people and animals were starving.
They are his children
so he went looking for them.
He took blue pollen and yellow pollen
he took tobacco and coral beads;
and he walked into the open country
below the mesas.
There, in a sandy place by a blue flower vine,
Spiderwoman was waiting for him.
“Grandson,” she said.
“I hear your voice,” he answered
“but where are you?”
“Down here, by your feet.”
He looked down at the ground and saw a little hole.
“I brought you something, Grandma.”
“Why thank you, Grandson,
I can always use these things,” she said.
“The stormclouds are missing.”
“That Ck’o’yo Kaup’a’ta the Gambler has them locked up,”
she told him.
“How will I get them back?”
“It won’t be easy, Grandson,
but here,
take this medicine.
Blow it on the Gambler’s black ducks
who guard his place.
Take him by surprise.
The next thing is:
don’t eat anything he offers you.
Go ahead
gamble with him.
Let him think he has you too.
Then he will make you his offer—
your life for a chance to win everything:
even his life.
He will say
“What do I have hanging in that leather bag
on my east wall?”
You say “Maybe some shiny pebbles,”
then you pause a while and say “Let me think.”
Then guess again,
say “Maybe some mosquitoes.”
He’ll begin to rub his flint blade and say
“This is your last chance.”
But this time you will guess
“The Pleiades!”
He’ll jump up and say “Heheya’! You are the first to guess.”
Next he will point to a woven cotton bag
hanging on the south wall.
He will say
“What is it I have in there?”
You’ll say
“Could it be some bumblebees?”
He’ll laugh and say “No!”
“Maybe some butterflies, the small yellow kind.”
“Maybe some tiny black ants,” you’ll say.
“No!” Kaup’a’ta will be smiling then.
“This is it,” he’ll say.
But this is the last time, Grandson,
you say “Maybe you have Orion in there.”
And then
everything
—
his clothing, his beads, his heart
and the rainclouds
will be yours.”
“Okay, Grandma, I’ll go.”
He took the medicine into the Zuni mountains.
He left the trail and walked high on one of the peaks.
The black ducks rushed at him
but he blew the medicine on them
before they could squawk.
He came up behind the Gambler
practicing with the sticks
on the floor of his house.
“I’m fasting,” he told Kaup’a’ta,
when he offered him the blue cornmeal
“but thanks anyway.”
Sun Man pulled out his things:
four sets of new clothes
two pairs of new moccasins
two strings of white shell beads
Kaup’a’ta smiled when he saw these things
“We’ll gamble all night,” he said.
It happened
just the way Spiderwoman said:
When he had lost everything
Kaup’a’ta gave him a last chance.
The Gambler bet everything he had
that Sun Man couldn’t guess what he had
in the bag on the east wall.
Kaup’a’ta was betting his life
that he couldn’t guess
what was in the sack hanging from the south wall.
“Heheya’! You guessed right!
Take this black flint knife, Sun Man,
go ahead, cut out my heart, kill me.”
Kaup’a’ta lay down on the floor
with his head toward the east.
But Sun Man knew Kaup’a’ta was magical
and he couldn’t be killed anyway.
Kaup’a’ta was going to lie there
and pretend to be dead.
So Sun Man knew what to do:
He took the flint blade
and he cut out the Gambler’s eyes
He threw them into the south sky
and they became the horizon stars of autumn.
Then he opened the doors of the four rooms
and he called to the stormclouds:
“My children,” he said
I have found you!
Come on out. Come home again.
Your mother, the earth is crying for you.
Come home, children, come home.”