Complete Works of Wilkie Collins (212 page)

“Nothing but that.”

“And it is yours to take and yours to put? No person has a better right to touch it than you?”

“Now that my master is dead, no person.”

“Good. You have given me my resolution. I have done. Sit you there, Sarah; and wonder, if you like, but say nothing.” With these words, Uncle Joseph stepped lightly to the door leading into the shop, opened it, and called to the man behind the counter.

“Samuel, my friend,” he said. “To-morrow I go a little ways into the country with my niece, who is this lady here. You keep shop and take orders, and be just as careful as you always are, till I get back. If anybody comes and asks for Mr. Buschmann, say he has gone a little ways into the country, and will be back in a few days. That is all. Shut up the shop, Samuel, my friend, for the night; and go to your supper. I wish you good appetite, nice victuals, and sound sleep.”

Before Samuel could thank his master, the door was shut again. Before Sarah could say a word, Uncle Joseph’s hand was on her lips, and Uncle Joseph’s handkerchief was wiping away the tears that were now falling fast from her eyes.

“I will have no more talking, and no more crying,” said the old man. “I am a German, and I glory in the obstinacy of six Englishmen, all rolled into one. To-night you sleep here, to-morrow we talk again of all this. You want me to help you with a word of advice. I will help you with myself, which is better than advice, and I say no more till I fetch my pipe down from the wall there, and ask him to make me think. I smoke and think to-night — I talk and do to-morrow. And you, you go up to bed; you take Uncle Max’s music box in your hand, and you let Mozart sing the cradle song before you go to sleep. Yes, yes, my child, there is always comfort in Mozart — better comfort than in crying. What is there to cry about, or to thank about? Is it so great a wonder that I will not let my sister’s child go alone to make a venture in the dark? I said Sarah’s sorrow was my sorrow, and Sarah’s joy my joy; and now, if there is no way of escape — if it must indeed be done — I also say: Sarah’s risk to-morrow is Uncle Joseph’s risk to-morrow, too! Good-night, my child — good-night.”

CHAPTER II.

OUTSIDE THE HOUSE.

THE next morning wrought no change in the resolution at which Uncle Joseph had arrived overnight. Out of the amazement and confusion produced in his mind by his niece’s avowal of the object that had brought her to Cornwall, he had contrived to extract one clear and definite conclusion — that she was obstinately bent on placing herself in a situation of uncertainty, if not of absolute peril. Once persuaded of this, his kindly instincts all sprang into action, his natural firmness on the side of self-sacrifice asserted itself; and his determination not to let Sarah proceed on her journey alone, followed as a matter of course.

Strong in the self-denying generosity of his purpose — though strong in nothing else — when he and his niece met in the morning, and when Sarah spoke self-reproachfully of the sacrifice that he was making, of the serious hazards to which he was exposing himself for her sake, he refused to listen to her just as obstinately as he had refused the previous night. There was no need, he said, to speak another word on that subject. If she had abandoned her intention of going to Porthgenna, she had only to say so. If she had not, it was mere waste of breath to talk any more, for he was deaf in both ears to everything in the shape of a remonstrance that she could possibly address to him. Having expressed himself in these uncompromising terms, Uncle Joseph abruptly dismissed the subject, and tried to turn the conversation to a cheerful every-day topic by asking his niece how she had passed the night.

“I was too anxious to sleep,” she answered. “I can’t fight with my fears and misgivings as some people can. All night long they keep me waking and thinking as if it was day.”

“Thinking about what?” asked Uncle Joseph. “About the letter that is hidden? about the house of Porthgenna? about the Myrtle Room?”

“About how to get into the Myrtle Room,” she said. “The more I try to plan and ponder, and settle beforehand what I shall do, the more confused and helpless I seem to be. All last night, uncle, I was trying to think of some excuse for getting inside the doors of Porthgenna Tower — and yet, if I was standing on the house-step at this moment, I should not know what to say when the servant and I first came face to face. How are we to persuade them to let us in? How am I to slip out of sight, even if we do get in? Can’t you tell me? — you will try, Uncle Joseph — I am sure you will try. Only help me so far, and I think I can answer for the rest. If they keep the keys where they used to keep them in my time, ten minutes to myself is all I should want — ten minutes, only ten short minutes, to make the end of my life easier to me than the beginning has been; to help me to grow old quietly and resignedly, if it is God’s will that I should live out my years. Oh, how happy people must be who have all the courage they want; who are quick and clever, and have their wits about them! You are readier than I am, uncle; you said last night that you would think about how to advise me for the best — what did your thoughts end in? You will make me so much easier if you will only tell me that.”

Uncle Joseph nodded assentingly, assumed a look of the profoundest gravity, and slowly laid his forefinger along the side of his nose.

“What did I promise you last night?” he said. “Was it not to take my pipe, and ask him to make me think? Good, I smoke three pipes, and think three thoughts. My first thought is — Wait! My second thought is again — Wait! My third thought is yet once more — Wait! You say you will be easy, Sarah, if I tell you the end of all my thoughts. Good, I have told you. There is the end — you are easy — it is all right.”

“Wait?” repeated Sarah, with a look of bewilderment which suggested anything rather than a mind at ease. “I am afraid, uncle, I don’t quite understand. Wait for what? Wait till when?”

“Wait till we arrive at the house, to be sure! Wait till we are got outside the door; then is time enough to think how we are to get in,” said Uncle Joseph, with an air of conviction. “You understand now?”

“Yes — at least I understand better than I did. But there is still another difficulty left. Uncle! I must tell you more than I intended ever to tell anybody — I must tell you that the letter is locked up.”

“Locked up in a room?”

“Worse than that — locked up in something inside the room. The key that opens the door — even if I get it — the key that opens the door of the room is not all I want. There is another key besides that, a little key — ” She stopped, with a confused, startled look.

“A little key that you have lost?” asked Uncle Joseph.

“I threw it down the well in the village on the morning when I made my escape from Porthgenna. Oh, if I had only kept it about me! If it had only crossed my mind that I might want it again!”

“Well, well; there is no help for that now. Tell me, Sarah, what the something is which the letter is hidden in.”

“I am afraid of the very walls hearing me.”

“What nonsense! Come! whisper it to me.”

She looked all round her distrustfully, and then whispered into the old man’s ear. He listened eagerly, and laughed when she was silent again. “Bah!” he cried. “If that is all, make yourself happy. As you wicked English people say, it is as easy as lying. Why, my child, you can burst him open for yourself.”

“Burst it open? how?”

Uncle Joseph went to the window-seat, which was made on the old-fashioned plan, to serve the purpose of a chest as well as a seat. He opened the lid, searched among some tools which lay in the receptacle beneath, and took out a chisel. “See,” he said, demonstrating on the top of the window-seat the use to which the tool was to be put. “You push him in so — crick! Then you pull him up so — crack! It is the business of one little moment — crick! crack! — and the lock is done for. Take the chisel yourself; wrap him up in a bit of that stout paper there, and put him in your pocket What are you waiting for? Do you want me to show you again, or do you think you can do it now for yourself?”

“I should like you to show me again, Uncle Joseph, but not now — not till we have got to the end of our journey.”

“Good. Then I may finish my packing up, and go ask about the coach. First and foremost, Mozart must put on his great coat, and travel with us.” He took up the musical box, and placed it carefully in a leather case, which he slung by a strap over one shoulder. “Next, there is my pipe, the tobacco to feed him with, and the matches to set him alight. Last, here is my old German knapsack, which I pack last night. See! here is shirt, night-cap, comb, pocket-handkerchief; sock. Say I am an emperor, and what do I want more than that? Good. I have Mozart, I have the pipe, I have the knapsack. I have — stop! stop! there is the old leather purse; he must not be forgotten. Look! here he is. Listen! Ting, ting, ting! He jingles; he has in his inside money. Aha, my friend, my good Leather, you shall be lighter and leaner before you come home again. So, so — it is all complete; we are ready for the march now, from our tops to our toes. Good-by, Sarah, my child, for a little half-hour; you shall wait here and amuse yourself while I go ask for the coach.”

When Uncle Joseph came back, he brought his niece information that a coach would pass through Truro in an hour’s time, which would set them down at a stage not more than five or six miles distant from the regular post-town of Porthgenna. The only direct conveyance to the post-town was a night-coach which carried the letter-bags, and which stopped to change horses at Truro at the very inconvenient hour of two o’clock in the morning. Being of opinion that to travel at bed-time was to make a toil of a pleasure, Uncle Joseph recommended taking places in the day-coach, and hiring any conveyance that could be afterward obtained to carry his niece and himself on to the post-town. By this arrangement they would not only secure their own comfort, but gain the additional advantage of losing as little time as possible at Truro before proceeding on their journey to Porthgenna.

The plan thus proposed was the plan followed. When the coach stopped to change horses, Uncle Joseph and his niece were waiting to take their places by it. They found all the inside seats but one disengaged, were set down two hours afterward at the stage that was nearest to the destination for which they were bound, hired a pony-chaise there, and reached the post-town between one and two o’clock in the afternoon.

Dismissing their conveyance at the inn, from motives of caution which were urged by Sarah, they set forth to walk across the moor to Porthgenna. On their way out of the town they met the postman returning from his morning’s delivery of letters in the surrounding district. His bag had been much heavier and his walk much longer that morning than usual. Among the extra letters that had taken him out of his ordinary course was one addressed to the housekeeper at Porthgenna Tower, which he had delivered early in the morning, when he first started on his rounds.

Throughout the whole journey, Uncle Joseph had not made a single reference to the object for which it had been undertaken. Possessing a child’s simplicity of nature, he was also endowed with a child’s elasticity of disposition. The doubts and forebodings which troubled his niece’s spirit, and kept her silent and thoughtful and sad, cast no darkening shadow over the natural sunshine of his mind. If he had really been traveling for pleasure alone, he could not have enjoyed more thoroughly than he did the different sights and events of the journey. All the happiness which the passing minute had to give him he took as readily and gratefully as if there was no uncertainty in the future, no doubt, difficulty, or danger lying in wait for him at the journey’s end. Before he had been half an hour in the coach he had began to tell the third inside passenger — a rigid old lady, who stared at him in speechless amazement — the whole history of the musical box, ending the narrative by setting it playing, in defiance of all the noise that the rolling wheels could make. When they left the coach, he was just as sociable afterward with the driver of the chaise, vaunting the superiority of German beer over Cornish cider, and making his remarks upon the objects which they passed on the road with the pleasantest familiarity, and the heartiest enjoyment of his own jokes. It was not till he and Sarah were well out of the little town, and away by themselves on the great moor which stretched beyond it, that his manner altered, and his talk ceased altogether. After walking on in silence for some little time, with his niece’s arm in his, he suddenly stopped, looked her earnestly and kindly in the face, and laid his hand on hers.

“There is yet one thing more I want to ask you, my child,” he said. “The journey has put it out of my head, but it has been in my heart all the time. When we leave this place of Porthgenna, and get back to my house, you will not go away? you will not leave Uncle Joseph again? Are you in service still, Sarah? Are you not your own master yet?”