Delphi Complete Works of Jerome K. Jerome (Illustrated) (Series Four) (251 page)

BOOK: Delphi Complete Works of Jerome K. Jerome (Illustrated) (Series Four)
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“‘Ave an egg,” he suggested, the moment the rashers had disappeared. “One of these eggs will just about finish yer.”

“I don’t really think as I can,” says she, after considering like.

“Well, you know your own strength,” he answers. “Perhaps you’re best without it. Speshully if yer not used to ‘igh living.”

I was glad to see them finish, ‘cause I was beginning to get a bit nervous about the coin, but he paid up right enough, and giv me a ha’penny for myself.

That was the first time I ever waited upon those two, but it wasn’t to be the last by many a long chalk, as you’ll see. He often used to bring her in after that. Who she was and what she was he didn’t know, and she didn’t know, so there was a pair of them. She’d run away from an old woman down Limehouse way, who used to beat her. That was all she could tell him. He got her a lodging with an old woman, who had an attic in the same house where he slept — when it would run to that — taught her to yell “Speshul!” and found a corner for her. There ain’t room for boys and girls in the Mile-End Road. They’re either kids down there or they’re grown-ups. “Kipper” and “Carrots” — as we named her — looked upon themselves as sweethearts, though he couldn’t have been more than fifteen, and she barely twelve; and that he was regular gone on her anyone could see with half an eye. Not that he was soft about it — that wasn’t his style. He kept her in order, and she had just to mind, which I guess was a good thing for her, and when she wanted it he’d use his hand on her, and make no bones about it. That’s the way among that class. They up and give the old woman a friendly clump, just as you or me would swear at the missus, or fling a boot-jack at her. They don’t mean anything more.

I left the coffee shop later on for a place in the city, and saw nothing more of them for five years. When I did it was at a restaurant in Oxford Street — one of those amatoor shows run by a lot of women, who know nothing about the business, and spend the whole day gossiping and flirting—”love-shops,” I call ‘em. There was a yellow-haired lady manageress who never heard you when you spoke to her, ‘cause she was always trying to hear what some seedy old fool would be whispering to her across the counter. Then there were waitresses, and their notion of waiting was to spend an hour talking to a twopenny cup of coffee, and to look haughty and insulted whenever anybody as really wanted something ventured to ask for it. A frizzle-haired cashier used to make love all day out of her pigeon-hole with the two box-office boys from the Oxford Music Hall, who took it turn and turn about. Sometimes she’d leave off to take a customer’s money, and sometimes she wouldn’t. I’ve been to some rummy places in my time; and a waiter ain’t the blind owl as he’s supposed to be. But never in my life have I seen so much love-making, not all at once, as used to go on in that place. It was a dismal, gloomy sort of hole, and spoony couples seemed to scent it out by instinct, and would spend hours there over a pot of tea and assorted pastry. “Idyllic,” some folks would have thought it: I used to get the fair dismals watching it. There was one girl — a weird-looking creature, with red eyes and long thin hands, that gave you the creeps to look at. She’d come in regular with her young man, a pale-faced nervous sort of chap, at three o’clock every afternoon. Theirs was the funniest love-making I ever saw. She’d pinch him under the table, and run pins into him, and he’d sit with his eyes glued on her as if she’d been a steaming dish of steak and onions and he a starving beggar the other side of the window. A strange story that was — as I came to learn it later on. I’ll tell you that, one day.

I’d been engaged for the “heavy work,” but as the heaviest order I ever heard given there was for a cold ham and chicken, which I had to slip out for to the nearest cook-shop, I must have been chiefly useful from an ornamental point of view.

I’d been there about a fortnight, and was feeling pretty sick of it, when in walked young “Kipper.” I didn’t know him at first, he’d changed so. He was swinging a silver-mounted crutch stick, which was the kind that was fashionable just then, and was dressed in a showy check suit and a white hat. But the thing that struck me most was his gloves. I suppose I hadn’t improved quite so much myself, for he knew me in a moment, and held out his hand.

“What, ‘Enery!” he says, “you’ve moved on, then!”

“Yes,” I says, shaking hands with him, “and I could move on again from this shop without feeling sad. But you’ve got on a bit?” I says.

“So-so,” he says, “I’m a journalist.”

“Oh,” I says, “what sort?” for I’d seen a good many of that lot during six months I’d spent at a house in Fleet Street, and their get-up hadn’t sumptuousness about it, so to speak. “Kipper’s” rig-out must have totted up to a tidy little sum. He had a diamond pin in his tie that must have cost somebody fifty quid, if not him.

“Well,” he answers, “I don’t wind out the confidential advice to old Beaky, and that sort of thing. I do the tips, yer know. ‘Cap’n Kit,’ that’s my name.”

“What, the Captain Kit?” I says. O’ course I’d heard of him.

“Be’old!” he says.

“Oh, it’s easy enough,” he goes on. “Some of ‘em’s bound to come out right, and when one does, you take it from me, our paper mentions the fact. And when it is a wrong ‘un — well, a man can’t always be shouting about himself, can ‘e?”

He ordered a cup of coffee. He said he was waiting for someone, and we got to chatting about old times.

“How’s Carrots?” I asked.

“Miss Caroline Trevelyan,” he answered, “is doing well.”

“Oh,” I says, “you’ve found out her fam’ly name, then?”

“We’ve found out one or two things about that lidy,” he replies. “D’yer remember ‘er dancing?”

“I have seen her flinging her petticoats about outside the shop, when the copper wasn’t by, if that’s what you mean,” I says.

“That’s what I mean,” he answers. “That’s all the rage now, ‘skirt-dancing’ they calls it. She’s a-coming out at the Oxford to-morrow. It’s ‘er I’m waiting for. She’s a-coming on, I tell you she is,” he says.

“Shouldn’t wonder,” says I; “that was her disposition.”

“And there’s another thing we’ve found out about ‘er,” he says. He leant over the table, and whispered it, as if he was afraid that anybody else might hear: “she’s got a voice.”

“Yes,” I says, “some women have.”

“Ah,” he says, “but ‘er voice is the sort of voice yer want to listen to.”

“Oh,” I says, “that’s its speciality, is it?”

“That’s it, sonny,” he replies.

She came in a little later. I’d a’ known her anywhere for her eyes, and her red hair, in spite of her being that clean you might have eaten your dinner out of her hand. And as for her clothes! Well, I’ve mixed a good deal with the toffs in my time, and I’ve seen duchesses dressed more showily and maybe more expensively, but her clothes seemed to be just a framework to show her up. She was a beauty, you can take it from me; and it’s not to be wondered that the La-De-Das were round her when they did see her, like flies round an open jam tart.

Before three months were up she was the rage of London — leastways of the music-hall part of it — with her portrait in all the shop windows, and interviews with her in half the newspapers. It seems she was the daughter of an officer who had died in India when she was a baby, and the niece of a bishop somewhere in Australia. He was dead too. There didn’t seem to be any of her ancestry as wasn’t dead, but they had all been swells. She had been educated privately, she had, by a relative; and had early displayed an aptitude for dancing, though her friends at first had much opposed her going upon the stage. There was a lot more of it — you know the sort of thing. Of course, she was a connection of one of our best known judges — they all are — and she merely acted in order to support a grandmother, or an invalid sister, I forget which. A wonderful talent for swallowing, these newspaper chaps has, some of ‘em!

“Kipper” never touched a penny of her money, but if he had been her agent at twenty-five per cent. he couldn’t have worked harder, and he just kept up the hum about her, till if you didn’t want to hear anything more about Caroline Trevelyan, your only chance would have been to lie in bed, and never look at a newspaper. It was Caroline Trevelyan at Home, Caroline Trevelyan at Brighton, Caroline Trevelyan and the Shah of Persia, Caroline Trevelyan and the Old Apple-woman. When it wasn’t Caroline Trevelyan herself it would be Caroline Trevelyan’s dog as would be doing something out of the common, getting himself lost or summoned or drowned — it didn’t matter much what.

I moved from Oxford Street to the new “Horseshoe” that year — it had just been rebuilt — and there I saw a good deal of them, for they came in to lunch there or supper pretty regular. Young “Kipper” — or the “Captain” as everybody called him — gave out that he was her half-brother.

“I’ad to be some sort of a relation, you see,” he explained to me. “I’d a’ been ‘er brother out and out; that would have been simpler, only the family likeness wasn’t strong enough. Our styles o’ beauty ain’t similar.” They certainly wasn’t.

“Why don’t you marry her?” I says, “and have done with it?”

He looked thoughtful at that. “I did think of it,” he says, “and I know, jolly well, that if I ‘ad suggested it ‘fore she’d found herself, she’d have agreed, but it don’t seem quite fair now.”

“How d’ye mean fair?” I says.

“Well, not fair to ‘er,” he says. “I’ve got on all right, in a small way; but she — well, she can just ‘ave ‘er pick of the nobs. There’s one on ’em as I’ve made inquiries about. ‘E’ll be a dook, if a kid pegs out as is expected to, and anyhow ‘e’ll be a markis, and ‘e means the straight thing — no errer. It ain’t fair for me to stand in ‘er way.”

“Well,” I says, “you know your own business, but it seems to me she wouldn’t have much way to stand in if it hadn’t been for you.”

“Oh, that’s all right,” he says. “I’m fond enough of the gell, but I shan’t clamour for a tombstone with wiolets, even if she ain’t ever Mrs. Capt’n Kit. Business is business; and I ain’t going to queer ‘er pitch for ‘er.”

I’ve often wondered what she’d a’ said, if he’d up and put the case to her plain, for she was a good sort; but, naturally enough, her head was a bit swelled, and she’d read so much rot about herself in the papers that she’d got at last to half believe some of it. The thought of her connection with the well-known judge seemed to hamper her at times, and she wasn’t quite so chummy with “Kipper” as used to be the case in the Mile-End Road days, and he wasn’t the sort as is slow to see a thing.

One day when he was having lunch by himself, and I was waiting on him, he says, raising his glass to his lips, “Well, ‘Enery, here’s luck to yer! I won’t be seeing you agen for some time.”

“Oh,” I says. “What’s up now?”

“I am,” he says, “or rather my time is. I’m off to Africa.”

“Oh,” I says, “and what about—”

“That’s all right,” he interrupts. “I’ve fixed up that — a treat. Truth, that’s why I’m going.”

I thought at first he meant she was going with him.

“No,” he says, “she’s going to be the Duchess of Ridingshire with the kind consent o’ the kid I spoke about. If not, she’ll be the Marchioness of Appleford. ‘E’s doing the square thing. There’s going to be a quiet marriage to-morrow at the Registry Office, and then I’m off.”

“What need for you to go?” I says.

“No need,” he says; “it’s a fancy o’ mine. You see, me gone, there’s nothing to ‘amper ‘er — nothing to interfere with ‘er settling down as a quiet, respectable toff. With a ‘alf-brother, who’s always got to be spry with some fake about ‘is lineage and ‘is ancestral estates, and who drops ‘is ‘h’s,’ complications are sooner or later bound to a-rise. Me out of it — everything’s simple. Savey?”

Well, that’s just how it happened. Of course, there was a big row when the family heard of it, and a smart lawyer was put up to try and undo the thing. No expense was spared, you bet; but it was all no go. Nothing could be found out against her. She just sat tight and said nothing. So the thing had to stand. They went and lived quietly in the country and abroad for a year or two, and then folks forgot a bit, and they came back to London. I often used to see her name in print, and then the papers always said as how she was charming and graceful and beautiful, so I suppose the family had made up its mind to get used to her.

One evening in she comes to the Savoy. My wife put me up to getting that job, and a good job it is, mind you, when you know your way about. I’d never have had the cheek to try for it, if it hadn’t been for the missis. She’s a clever one — she is. I did a good day’s work when I married her.

“You shave off that moustache of yours — it ain’t an ornament,” she says to me, “and chance it. Don’t get attempting the lingo. Keep to the broken English, and put in a shrug or two. You can manage that all right.”

I followed her tip. Of course the manager saw through me, but I got in a “Oui, monsieur” now and again, and they, being short handed at the time, could not afford to be strict, I suppose. Anyhow I got took on, and there I stopped for the whole season, and that was the making of me.

Well, as I was saying, in she comes to the supper rooms, and toffy enough she looked in her diamonds and furs, and as for haughtiness there wasn’t a born Marchioness she couldn’t have given points to. She comes straight up to my table and sits down. Her husband was with her, but he didn’t seem to have much to say, except to repeat her orders. Of course I looked as if I’d never set eyes on her before in all my life, though all the time she was a-pecking at the mayonnaise and a-sipping at the Giessler, I was thinking of the coffee-shop and of the ninepenny haddick and the pint of cocoa.

“Go and fetch my cloak,” she says to him after a while. “I am cold.”

And up he gets and goes out.

She never moved her head, and spoke as though she was merely giving me some order, and I stands behind her chair, respectful like, and answers according to the same tip,

“Ever hear from ‘Kipper’?” she says to me.

“I have had one or two letters from him, your ladyship,” I answers.

“Oh, stow that,” she says. “I am sick of ‘your ladyship.’ Talk English; I don’t hear much of it. How’s he getting on?”

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