Delphi Complete Works of Oscar Wilde (Illustrated) (44 page)

BOOK: Delphi Complete Works of Oscar Wilde (Illustrated)
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FIRST SOLDIER
Princess, our lives belong to you, but we cannot do what you have asked of us. And indeed, it is not of us that you should ask this thing.

 

SALOMÉ
(Looking at the young Syrian.)
Ah!

 

THE PAGE OF HERODIAS
Oh! what is going to happen? I am sure that something terrible will happen.

 

SALOMÉ
(Going up to the young Syrian.)
Thou wilt do this thing for me, wilt. thou not, Narraboth? Thou wilt do this thing for me. I have ever been kind towards thee. Thou wilt do it for me. I would but look at him, this strange prophet. Men have talked so much of him. Often I have heard the Tetrarch talk of him. I think he is afraid of him, the Tetrarch. Art thou, even thou, also afraid of him, Narraboth?

 

THE YOUNG SYRIAN
I fear him not, Princess; there is no man I fear. But the Tetrarch has formally forbidden that any man should raise the cover of this well.

 

SALOMÉ
Thou wilt do this thing for me, Narraboth, and to-morrow when I pass in my litter beneath the gateway of the idol-sellers I will let fall for thee a little flower, a little green flower.

 

THE YOUNG SYRIAN
Princess, I cannot, I cannot.

 

SALOMÉ
(Smiling.)
Thou wilt do this thing for me, Narraboth. Thou knowest that thou wilt do this thing for me. And on the morrow when I shall pass in my litter by the bridge of the idol-buyers, I will look at thee through the muslin veils, I will look at thee, Narraboth, it may be I will smile at thee. Look at me, Narraboth, look at me. Ah! thou knowest that thou wilt do what I ask of thee. Thou knowest it . . . . I know that thou wilt do this thing.

 

THE YOUNG SYRIAN
(Signing to the third soldier.)
Let the prophet come forth . . . . The Princess Salomé desires to see him.

 

SALOMÉ
Ah!

 

THE PAGE OF HERODIAS
Oh! How strange the moon looks! Like the hand of a dead woman who is seeking to cover herself with a shroud.

 

THE YOUNG SYRIAN
She has a strange aspect! She is like a little princess, whose eyes are eyes of amber. Through the clouds of muslin she is smiling like a little princess. (The prophet comes out of the cistern. Salomé looks at him and steps slowly back.)

 

IOKANAAN
Where is he whose cup of abominations is now full? Where is he, who in a robe of silver shall one day die in the face of all the people? Bid him come forth, that he may hear the voice of him who hath cried in the waste places and in the houses of kings.

 

SALOMÉ
Of whom is he speaking?

 

THE YOUNG SYRIAN
No one can tell, Princess.

 

IOKANAAN
Where is she who saw the images of men painted on the walls, even the images of the Chaldæans painted with colours, and gave herself up unto the lust of her eyes, and sent ambassadors into the land of Chaldæa?

 

SALOMÉ
It is of my mother that he is speaking.

 

THE YOUNG SYRIAN
Oh no, Princess.

 

SALOMÉ
Yes: it is of my mother that he is speaking.

 

IOKANAAN
Where is she who gave herself unto the Captains of Assyria, who have baldricks on their loins, and crowns of many colours on their heads? Where is she who hath given herself to the young men of the Egyptians, who are clothed in fine linen and hyacinth, whose shields are of gold, whose helmets are of silver, whose bodies are mighty? Go, bid her rise up from the bed of her abominations, from the bed of her incestuousness, that she may hear the words of him who prepareth the way of the Lord, that she may repent her of her iniquities. Though she will not repent, but will stick fast in her abominations, go bid her come, for the fan of the Lord is in His hand.

 

SALOMÉ
Ah, but he is terrible, he is terrible!

 

THE YOUNG SYRIAN
Do not stay here, Princess, I beseech you.

 

SALOMÉ
It is his eyes above all that are terrible. They are like black holes burned by torches in a tapestry of Tyre. They are like the black caverns where the dragons live, the black caverns of Egypt in which the dragons make their lairs. They are like black lakes troubled by fantastic moons . . . . Do you think he will speak again?

 

THE YOUNG SYRIAN
Do not stay here, Princess. I pray you do not stay here.

 

SALOMÉ
How wasted he is! He is like a thin ivory statue. He is like an image of silver. I am sure he is chaste, as the moon is. He is like a moonbeam, like a shaft of silver. His flesh must be very cold, cold as ivory . . . . I would look closer at him.

 

THE YOUNG SYRIAN
No, no, Princess!

 

SALOMÉ
I must look at him closer.

 

THE YOUNG SYRIAN
Princess! Princess!

 

IOKANAAN
Who is this woman who is looking at me? I will not have her look at me. Wherefore doth she look at me, with her golden eyes, under her gilded eyelids? I know not who she is. I do not desire to know who she is. Bid her begone, It is not to her that I would speak.

 

SALOMÉ
I am Salomé, daughter of Herodias, Princess of Judæa.

 

IOKANAAN
Back! daughter of Babylon! Come not near the chosen of the Lord. Thy mother hath filled the earth with the wine of her iniquities, and the cry of her sinning hath come up even to the ears of God.

 

SALOMÉ
Speak again, Iokanaan. Thy voice is as music to mine ear.

 

THE YOUNG SYRIAN
Princess! Princess! Princess!

 

SALOMÉ
Speak again! Speak again, Iokanaan, and tell me what I must do.

 

IOKANAAN
Daughter of Sodom, come not near me! But cover thy face with a veil, and scatter ashes upon thine head, and get thee to the desert, and seek out the Son of Man.

 

SALOMÉ
Who is he, the Son of Man? Is he as beautiful as thou art, Iokanaan?

 

IOKANAAN
Get thee behind me! I hear in the palace the beating of the wings of the angel of death.

 

THE YOUNG SYRIAN
Princess, I beseech thee to go within.

 

IOKANAAN
Angel of the Lord God, what dost thou here with thy sword? Whom seekest thou in this palace? The day of him who shall die in a robe of silver has not yet come.

 

SALOMÉ
Iokanaan!

 

IOKANAAN

 

 Who speaketh?

 

SALOMÉ
I am amorous of thy body, Iokanaan! Thy body is white, like the lilies of a field that the mower hath never mowed. Thy body is white like the snows that lie on the mountains of Judæa, and come down into the valleys. The roses in the garden of the Queen of Arabia are not so white as thy body. Neither the roses of the garden of the Queen of Arabia, the garden of spices of the Queen of Arabia, nor the feet of the dawn when they light on the leaves, nor the breast of the moon when she lies on the breast of the sea . . . . There is nothing in the world so white as thy body. Suffer me to touch thy body.

 

IOKANAAN
Back! daughter of Babylon! By woman came evil into the world. Speak not to me. I will not listen to thee. I listen but to the voice of the Lord God.

 

SALOMÉ
Thy body is hideous. It is like the body of a leper. It is like a plastered wall, where vipers have crawled; like a plastered wall where the scorpions have made their nest. It is like a whited sepulchre, full of loathsome things. It is horrible, thy body is horrible. It is of thy hair that I am enamoured, Iokanaan. Thy hair is like clusters of grapes, like the clusters of black grapes that hang from the vine-trees of Edom in the land of the Edomites. Thy hair is like the cedars of Lebanon, like the great cedars of Lebanon that give their shade to the lions and to the robbers who would hide them by day. The long black nights, when the moon hides her face, when the stars are afraid, are not so black as thy hair. The silence that dwells in the forest is not so black. There is nothing in the world that is so black as thy hair . . . . Suffer me to touch thy hair.

 

IOKANAAN
Back, daughter of Sodom! Touch me not. Profane not the temple of the Lord God.

 

SALOMÉ
Thy hair is horrible. It is covered with mire and dust. It is like a crown of thorns placed on thy head. It is like a knot of serpents coiled round thy neck. I love not thy hair . . . . It is thy mouth that I desire, Iokanaan. Thy mouth is like a band of scarlet on a tower of ivory. It is like a pomegranate cut in twain with a knife of ivory. The pomegranate flowers that blossom in the gardens of Tyre, and are redder than roses, are not so red. The red blasts of trumpets that herald the approach of kings, and make afraid the enemy, are not so red. Thy mouth is redder than the feet of those who tread the wine in the wine-press. It is redder than the feet of the doves who inhabit the temples and are fed by the priests. It is redder than the feet of him who cometh from a forest where he hath slain a lion, and seen gilded tigers. Thy mouth is like a branch of coral that fishers have found in the twilight of the sea, the coral that they keep for the kings! . . . It is like the vermilion that the Moahites find in the mines of Moab, the vermilion that the kings take from them. It is like the bow of the King of the Persians, that is painted with vermilion, and is tipped with coral. There is nothing in the world so red as thy mouth . . . . Suffer me to kiss thy mouth.

 

IOKANAAN
Never! daughter of Babylon! Daughter of Sodom! never!

 

SALOMÉ
I will kiss thy mouth, Iokanaan. I will kiss thy mouth.

 

THE YOUNG SYRIAN
Princess, Princess, thou who art like a garden of myrrh, thou who art the dove of all doves, look not at this man, look not at him! Do not speak such words to him. I cannot endure it. . . Princess, do not speak these things.

 

SAL0ME
I will kiss thy mouth, Iokanaan.

 

THE YOUNG SYRIAN
Ah! (He kills himself, and falls between Salomé and lokanaan.)

 

THE PAGE OF HERODIAS
The young Syrian has slain himself! The young captain has slain himself! He has slain himself who was my friend! I gave him a little box of perfumes and ear-rings wrought in silver, and now he has killed himself! Ah, did he not say that some misfortune would happen? I, too, said it, and it has come to pass. Well I knew that the moon was seeking a dead thing, but I knew not that it was he whom she sought. Ah! why did I not hide him from the moon? If I had hidden him in a cavern she would not have seen him.

 

FIRST SOLDIER
Princess, the young captain has just slain himself.

 

SALOMÉ
Suffer me to kiss thy mouth, Iokanaan.

 

IOKANAAN
Art thou not afraid, daughter of Herodias? Did I not tell thee that I had heard in the palace the beating of the wings of the angel of death, and hath he not come, the angel of death?

 

SALOMÉ
Suffer me to kiss thy mouth.

 

IOKANAAN
Daughter of adultery, there is but one who can save thee. It is He of whom I spake. Go seek Him. He is in a boat on the sea of Galilee, and He talketh with His disciples. Kneel down on the shore of the sea, and call unto Him by His name. When He cometh to thee, and to all who call on Him He cometh, bow thyself at His feet and ask of Him the remission of thy sins.

 

SALOMÉ
Suffer me to kiss thy mouth.

 

IOKANAAN
Cursed be thou! daughter of an incestuous mother, be thou accursed!

 

SALOMÉ
I will kiss thy mouth, Iokanaan.

 

IOKANAAN
I will not look at thee. Thou art accursed, Salomé, thou art accursed. (He goes down into the cistern.)

 

SALOMÉ
I will kiss thy mouth, Iokanaan; I will kiss thy mouth.

 

FIRST SOLDIER
We must bear away the body to another place. The Tetrarch does not care to see dead bodies, save the bodies of those whom he himself has slain.

 

THE PAGE OF HERODIAS
He was my brother, and nearer to me than a brother. I gave him a little box full of perfumes, and a ring of agate that he wore always on his hand. In the evening we were wont to walk by the river, and among the almond-trees, and he used to tell me of the things of his country. He spake ever very low. The sound of his voice was like the sound of the flute, of one who playeth upon the flute. Also he had much joy to gaze at himself in the river. I used to reproach him for that.

 

SECOND SOLDIER
You are right; we must hide the body. The Tetrarch must not see it.

 

FIRST SOLDIER
The Tetrarch will not come to this place. He never comes on the terrace. He is too much afraid of the prophet.
(Enter Herod, Herodias, and all the Court.)

 

HEROD
Where is Salomé? Where is the Princess? Why did she not return to the banquet as I commanded her? Ah! there she is!

 

HERODIAS
You must not look at her! You are always looking at her!

 

HEROD
The moon has a strange look to-night. Has she not a strange look? She is like a mad woman, a mad woman who is seeking everywhere for lovers. She is naked too. She is quite naked. The clouds are seeking to clothe her nakedness, but she will not let them. She shows herself naked in the sky. She reels through the clouds like a drunken woman . . . . I am sure she is looking for lovers. Does she not reel like a drunken woman? She is like a mad woman, is she not?

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