Irish Fairy Tales (8 page)

“If Uail the son of Baiscne has a son,” said the king, “you would surely be that son.”

We are not told if the King of Finntraigh said anything more, but we know that Fionn left his service soon afterwards.

He went southwards and was next in the employment of the King of Kerry, the same lord who had married his own mother. In that service he came to such consideration that we hear of him as playing a match of chess with the king, and by this game we know that he was still a boy in his mind however mightily his limbs were spreading. Able as he was in sports and huntings, he was yet too young to be politic, but he remained impolitic to the end of his days, for whatever he was able to do he would do, no matter who was offended thereat; and whatever he was not able to do he would do also. That was Fionn.

Once, as they rested on a chase, a debate arose among the Fianna-Finn as to what was the finest music in the world.

“Tell us that,” said Fionn turning to Oisín.
²

“The cuckoo calling from the tree that is highest in the hedge,” cried his merry son.

“A good sound,” said Fionn. “And you, Oscar,” he asked, “what is to your mind the finest of music?”

“The top of music is the ring of a spear on a shield,” cried the stout lad.

“It is a good sound,” said Fionn.

And the other champions told their delight; the belling of a stag across water, the baying of a tuneful pack heard in the distance, the song of a lark, the laugh of a gleeful girl, or the whisper of a moved one.

“They are good sounds all,” said Fionn.

“Tell us, chief,” one ventured, “what you think?”

“The music of what happens,” said great Fionn, “that is the finest music in the world.”

He loved “what happened,” and would not evade it by the swerve of a hair; so on this occasion what was occurring he would have occur, although a king was his rival and his master. It may be that his mother was watching the match and that he could not but exhibit his skill before her. He committed the enormity of winning seven games in succession from the king himself !!!

It is seldom indeed that a subject can beat a king at chess, and this monarch was properly amazed.

“Who are you at all?” he cried, starting back from the chessboard and staring on Fionn.

“I am the son of a countryman of the Luigne of Tara,” said Fionn.

He may have blushed as he said it, for the king, possibly for the first time, was really looking at him, and was looking back through twenty years of time as he did so. The observation of a king is faultless—it is proved a thousand times over in the tales, and this king's equipment was as royal as the next.

“You are no such son,” said the indignant monarch, “but you are the son that Muirne my wife bore to Uail mac Baiscne.”

And at that Fionn had no more to say; but his eyes may have flown to his mother and stayed there.

“You cannot remain here,” his step-father continued. “I do not want you killed under my protection,” he explained, or complained.

Perhaps it was on Fionn's account he dreaded the sons of Morna, but no one knows what Fionn thought of him for he never thereafter spoke of his step-father. As for Muirne she must have loved her lord; or she may have been terrified in truth of the sons of Morna and for Fionn; but it is so also, that if a woman loves her second husband she can dislike all that reminds her of the first one.

Fionn went on his travels again.

2
Pronounced Usheen.

Chapter 9

A
ll desires save one are fleeting, but that one lasts for ever. Fionn, with all desires, had the lasting one, for he would go anywhere and forsake anything for wisdom; and it was in search of this that he went to the place where Finegas lived on a bank of the Boyne Water. But for dread of the clann-Morna he did not go as Fionn. He called himself Deimne on that journey.

We get wise by asking questions, and even if these are not answered we get wise, for a well-packed question carries its answer on its back as a snail carries its shell. Fionn asked every question he could think of, and his master, who was a poet, and so an honourable man, answered them all, not to the limit of his patience, for it was limitless, but to the limit of his ability.

“Why do you live on the bank of a river?” was one of these questions.

“Because a poem is a revelation, and it is by the brink of running water that poetry is revealed to the mind.”

“How long have you been here?” was the next query.

“Seven years,” the poet answered.

“It is a long time,” said wondering Fionn.

“I would wait twice as long for a poem,” said the inveterate bard.

“Have you caught good poems?” Fionn asked him.

“The poems I am fit for,” said the mild master. “No person can get more than that, for a man's readiness is his limit.”

“Would you have got as good poems by the Shannon or the Suir or by sweet Ana Lifé?”

“They are good rivers,” was the answer. “They all belong to good gods.”

“But why did you choose this river out of all the rivers?”

Finegas beamed on his pupil.

“I would tell you anything,” said he, “and I will tell you that.”

Fionn sat at the kindly man's feet, his hands absent among tall grasses, and listening with all his ears.

“A prophecy was made to me,” Finegas began. “A man of knowledge foretold that I should catch the Salmon of Knowledge in the Boyne Water.”

“And then?” said Fionn eagerly.

“Then I would have All Knowledge.”

“And after that?” the boy insisted.

“What should there be after that?” the poet retorted.

“I mean, what would you do with All Knowledge?”

“A weighty question,” said Finegas smilingly. “I could answer it if I had All Knowledge, but not until then. What would you do, my dear?”

“I would make a poem,” Fionn cried.

“I think too,” said the poet, “that that is what would be done.”

In return for instruction Fionn had taken over the service of his master's hut, and as he went about the household duties, drawing the water, lighting the fire, and carrying rushes for the floor and the beds, he thought over all the poet had taught him, and his mind dwelt on the rules of metre, the cunningness of words, and the need for a clean, brave mind. But in his thousand thoughts he yet remembered the Salmon of Knowledge as eagerly as his master did. He already venerated Finegas for his great learning, his poetic skill, for an hundred reasons; but, looking on him as the ordained eater of the Salmon of Knowledge, he venerated him to the edge of measure. Indeed, he loved as well as venerated this master because of his unfailing kindness, his patience, his readiness to teach, and his skill in teaching.

“I have learned much from you, dear master,” said Fionn gratefully.

“All that I have is yours if you can take it,” the poet answered, “for you are entitled to all that you can take, but to no more than that. Take, so, with both hands.”

“You may catch the salmon while I am with you,” the hopeful boy mused. “Would not that be a great happening!” and he stared in ecstasy across the grass at those visions which a boy's mind knows.

“Let us pray for that,” said Finegas fervently.

“Here is a question,” Fionn continued. “How does this salmon get wisdom into his flesh?”

“There is a hazel bush overhanging a secret pool in a secret place. The Nuts of Knowledge drop from the Sacred Bush into the pool, and as they float, a salmon takes them in his mouth and eats them.”

“It would be almost as easy,” the boy submitted, “if one were to set on the track of the Sacred Hazel and eat the nuts straight from the bush.”

“That would not be very easy,” said the poet, “and yet it is not as easy as that, for the bush can only be found by its own knowledge, and that knowledge can only be got by eating the nuts, and the nuts can only be got by eating the salmon.”

“We must wait for the salmon,” said Fionn in a rage of resignation.

Chapter 10

L
ife continued for him in a round of timeless time, wherein days and nights were uneventful and were yet filled with interest. As the day packed its load of strength into his frame, so it added its store of knowledge to his mind, and each night sealed the twain, for it is in the night that we make secure what we have gathered in the day.

If he had told of these days he would have told of a succession of meals and sleeps, and of an endless conversation, from which his mind would now and again slip away to a solitude of its own, where, in large hazy atmospheres, it swung and drifted and reposed. Then he would be back again, and it was a pleasure for him to catch up on the thought that was forward and re-create for it all the matter he had missed. But he could not often make these sleepy sallies; his master was too experienced a teacher to allow any such bright-faced, eager-eyed abstractions, and as the druid women had switched his legs around a tree, so Finegas chased his mind, demanding sense in his questions and understanding in his replies.

To ask questions can become the laziest and wobbliest occupation of a mind, but when you must yourself answer the problem that you have posed, you will meditate your question with care and frame it with precision. Fionn's mind learned to jump in a bumpier field than that in which he had chased rabbits. And when he had asked his question, and given his own answer to it, Finegas would take the matter up and make clear to him where the query was badly formed or at what point the answer had begun to go astray, so that Fionn came to understand by what successions a good question grows at last to a good answer.

One day, not long after the conversation told of, Finegas came to the place where Fionn was. The poet had a shallow osier basket on his arm, and on his face there was a look that was at once triumphant and gloomy. He was excited certainly, but be was sad also, and as he stood gazing on Fionn his eyes were so kind that the boy was touched, and they were yet so melancholy that it almost made Fionn weep.

“What is it, my master?” said the alarmed boy.

The poet placed his osier basket on the grass.

“Look in the basket, dear son,” he said.

Fionn looked.

“There is a salmon in the basket.”

“It is The Salmon,” said Finegas with a great sigh. Fionn leaped for delight.

“l am glad for you, master,” he cried. “Indeed I am glad for you.”

“And I am glad, my dear soul,” the master rejoined.

But, having said it, he bent his brow to his hand and for a long time he was silent and gathered into himself.

“What should be done now?” Fionn demanded, as he stared on the beautiful fish.

Finegas rose from where he sat by the osier basket.

“I will be back in a short time,” he said heavily. “While I am away you may roast the salmon, so that it will be ready against my return.”

“I will roast it indeed,” said Fionn.

The poet gazed long and earnestly on him.

“You will not eat any of my salmon while I am away?” he asked.

“I will not eat the littlest piece,” said Fionn.

“I am sure you will not,” the other murmured, as he turned and walked slowly across the grass and behind the sheltering bushes on the ridge.

Fionn cooked the salmon. It was beautiful and tempting and savoury as it smoked on a wooden platter among cool green leaves; and it looked all these to Finegas when he came from behind the fringing bushes and sat in the grass outside his door. He gazed on the fish with more than his eyes. He looked on it with his heart, with his soul in his eyes, and when he turned to look on Fionn the boy did not know whether the love that was in his eyes was for the fish or for himself. Yet he did know that a great moment had arrived for the poet.

“So,” said Finegas, “you did not eat it on me after all?”

“Did I not promise?” Fionn replied.

“And yet,” his master continued, “I went away so that you might eat the fish if you felt you had to.”

“Why should I want another man's fish?” said proud Fionn.

“Because young people have strong desires. I thought you might have tasted it, and then you would have eaten it on me.”

“I did taste it by chance,” Fionn laughed, “for while the fish was roasting a great blister rose on its skin. I did not like the look of that blister, and I pressed it down with my thumb. That burned my thumb, so I popped it in my mouth to heal the smart. If your salmon tastes as nice as my thumb did,” he laughed, “it will taste very nice.”

“What did you say your name was, dear heart?” the poet asked.

“I said my name was Deimne.”

“Your name is not Deimne,” said the mild man, “your name is Fionn.”

“That is true,” the boy answered, “but I do not know how you know it.”