It's Bigger Than Hip Hop: The Rise of the Post-Hip-Hop Generation (34 page)

BOOK: It's Bigger Than Hip Hop: The Rise of the Post-Hip-Hop Generation
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Bynoe, Yvonne.
Stand & Deliver: Political Activism, Leadership, and Hip Hop Culture
. New York: Soft Skull Press, 2004.

Capital D.
Fresh Air: Hip Hop Lit and Lyrics
. Chicago: Writer’s Bloc., 1998.

Chang, Jeff.
Can’t Stop Won’t Stop: A History of the Hip-Hop Generation
. New York: St. Martin’s Press, 2005.

Chuck D.
Fight the Power: Rap, Race, and Reality
. New York, Delacorte Press, 1997.

Cobb, William Jelani.
The Devil & Dave Chappelle: And Other Essays
. New York: Thunder’s Mouth Press, 2007.

_____.
To the Break of Dawn: A Freestyle on the Hip-Hop Aesthetic
. New York:

New York University Press, 2007.

Conyers, James L., Jr.
African American Jazz and Rap: Social and Philosophical Examinations of Black Expressive Behavior
. Jefferson, NC: McFarland, 2001.

Davis, Ossie.
Life Lit by Some Large Vision: Selected Speeches and Writings
. New York: Atria Books, 2006.

Devaney, Micaela.
The Poetry of the Streets
. Norton, MA: Wheaton College, 2002.

Douglas, Emory.
Black Panther: The Revolutionary Art of Emory Douglas
. New York: Rizzoli, 2007.

Dyson, Michael Eric.
Between God and Gangsta Rap: Bearing Witness to Black Culture
. New York: Oxford University Press, 1996.

_____.
Holler If You Hear Me: Searching for Tupac Shakur
. New York: Basic

Civitas Books, 2001.

Eure, Joseph D.
Nation Conscious Rap: The Hip Hop Vision
. New York: PC International Press, 1991.

Fanon, Frantz.
The Wretched of the Earth
. New York: Grove Press; reprint edition, 2005.

Fernando, S. H.
The New Beats: Exploring the Music, Culture, and Attitudes of Hip-Hop. New York: Anchor Books Doubleday, 1994.

Flanders, Julian. From Rock and Pop to Hip Hop.
London: Brown Partworks, 2001. Flores, Juan
. From Bomba to Hip-Hop: Puerto Rican Culture and Latino Identity. New York: Columbia University Press, 2000.

Forman, Murray.
The Hood Comes First: Race, Space, and Place in Rap and Hip Hop
.

Middletown, CT: Wesleyan University Press, 2002.

Forman, Murray and Mark Anthony Neal, eds.
That’s The Joint! The Hip-Hop

Studies Reader
. New York: Routledge, 2004.

Freire, Paulo.
Pedagogy of the Oppressed
. New York: Continuum, 2006.

Fricke, Jim.
Yes Yes Y’all: The Experience Music Project Oral History of Hip-Hop’s First Decade
. Cambridge, MA: Da Capo Press, 2002.

George, Nelson.
Hip Hop America
. New York: Viking, 1998.

Hager, Steven.
Hip Hop: The Illustrated History of Break Dancing, Rap Music, and Graffiti
. New York: St. Martin’s Press, 1984.

Haskins, Jim.
The Story of Hip-Hop: From Africa to America, Sugar Hill to Eminem
.

London: Penguin, 2000.

Hilfiker, David.
Urban Injustice: How Ghettos Happen
. New York: Seven Stories Press, 2002.

Hinds, Selwyn Seyfu.
Gunshots in My Cook-Up: Bits and Bites from a Hip-Hop Caribbean Life
. New York: Atria Books, 2002.

hooks, bell.
Black Looks: Race and Representation
. Boston: South End Press, 1992.

_____. We Real Cool: Black Men and Masculinity
. New York: Routledge, 2003.

Jackson, George.
Blood in My Eye
. Baltimore, MD: Black Classics Press, 1990.

_____.
Soledad Brother: The Prison Letters of George Jackson
. Chicago: Lawrence

Hill Books, 1994.

Jackson, Robert.
The Last Black Mecca: A Black Cultural Awareness Phenomena and Its Impact on the African American Community
. Chicago: Research Associates, 1994.

Kelley, Norman.
R & B, Rhythm and Business: The Political Economy of Black Music
. New York: Akashic, 2002.

Kitwana, Bakari.
The Hip Hop Generation: Young Blacks and the Crisis in African-American Culture
. New York: Basic Civitas Books, 2002.

_____.
The Rap on Gangsta Rap: Who Run It?: Gangsta Rap and Visions of Black Violence.

Chicago: Third World Press, 1994.

Kondo, Baba Zak A.
The Black Student’s Guide to Positive Education
. Baltimore, MD: Nubia Press, 1996.

KRS-One.
Ruminations
. New York: Welcome Rain Publishers, 2003.

Kunjufu, Jawanza.
Hip-Hop vs. MAAT: A Psycho/Social Analysis of Values
. Chicago: African American Images, 1993.

Leland, John.
Hip: The History
. New York: Harper Perennial, 2004.

Lhamon, W. T.
Raising Cain: Blackface Performance from Jim Crow to Hip Hop
. Cambridge, MA: Harvard University Press, 1998.

Loewen, James W.
Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong
. New York: Touchstone, 1996.

Lornell, Kip.
The Beat: Go-Go’s Fusion of Funk and Hip Hop
. New York: Billboard, 2001.

Lusane, Clarence.
Pipe Dream Blues: Racism & the War on Drugs
. Boston: South End Press, 1991.

Maxwell, Ian.
Phat Beats, Dope Rhymes: Hip Hop Down Under Comin’ Upper
. Middletown, CT: Wesleyan University Press, 2003.

Mazur, Eric Michael and Kate McCarthy.
God in the Details: American Religion in Popular Culture
. New York: Routledge, 2001.

McCarthy, Cameron.
Sound Identities: Popular Music and the Cultural Politics of Education
. New York: Peter Lang, 1999.

Melling, Phillip H.
Americanization and the Transformation of World Cultures: Melting Pot or Cultural Chernobyl?
Lewiston, NY: Edwin Mellen Press, 1996.

Mitchell, Tony.
Global Noise: Rap and Hip-Hop Outside the USA
. Middletown, CT: Wesleyan University Press, 2001.

Morgan, Joan.
When Chickenheads Come Home to Roost: My Life as a Hip-Hop Feminist
. New York: Simon & Schuster, 2000.

Paniccioli, Ernie.
Who Shot Ya?: Three Decades of Hiphop Photography
. New York: Amistad, 2002.

Perkins, William Eric.
Droppin’ Science: Critical Essays on Rap Music and Hip Hop Culture
. Philadelphia: Temple University Press, 1996.

Pinn, Anthony B.
Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music
. New York: New York University Press, 2003.

Potter, Russell A.
Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism
. Albany, NY: State University of New York Press, 1995.

Rivera, Raquel Z.
New York Ricans from the Hip Hop Zone
. New York: Palgrave Macmillan, 2003.

Ro, Ronin.
Gangsta: Merchandizing the Rhymes of Violence
. New York: St Martin’s Press, 1996.

Rose, Tricia.
Black Noise: Rap Music and Black Culture in Contemporary America
. Middletown, CT: Wesleyan University Press, 1994.

Ross, Lawrence C., Jr.
The Ways of Black Folks: A Year in the Life of a People
. New York: Dafina Books, 2003.

Runell, Marcella, Tatiana Forero Puerta, and Martha Diaz.
The Hip-Hop Education Guidebook, Volume 1
. New York: The Hip-Hop Association, 2007.

Sexton, Adam.
Rap on Rap: Straight-Up Talk on Hip-Hop Culture
. New York: Delta, 1995.

Shabazz, David L.
Public Enemy #1
. Clinton, SC: Awesome Records, 1999.

Shabazz, Julian L.
The United States of America vs. Hip-Hop: The Historical & Political Significance of Rap Music
. Hampton, VA: United Brothers, 1992.

Shomari, Hashim A.
From the Underground: Hip Hop Culture As an Agent of Social Change
. Fanwood, NJ: X-Factor Publications, 1995.

Spady, James G.
Street Conscious Rap
. Philadelphia: Black History Museum Umum/Loh Pub, 1999.

Spencer, Jon Michael.
The Emergency of Black and the Emergence of Rap
. Durham, NC: Duke University Press, 1991.

Toop, David.
Rap Attack 3: African Rap to Global Hip Hop
. London: Serpent’s Tail, 2000.

Touré.
Never Drank the Kool-Aid: Essays
. New York: Picador, 2006.

Ture, Kwame.
Stokley Speaks: From Black Power to Pan-Africanism
. Chicago: Lawrence Hills Books, 2007.

Watkins, S. Craig.
Representing: Hip Hop Culture and the Production of Black Cinema
. Chicago: University of Chicago Press, 1998.

West, Cornel.
Race Matters
. Boston: Beacon, 1993.

Williams, Saul.
The Dead Emcee Scrolls: The Lost Teachings of Hip-Hop
. New York: Pocket Books, 2006.

Wimsatt, William Upski.
Bomb the Suburbs
. New York: Soft Skull Press, 1999.

_____.
No More Prisons
. New York: Soft Skull Press, 2002.

 

500 Years Later
. Dir. Owen Alik Shahadah. Prod. M. K. Asante, Jr. Halaqah Media and Asante Filmworx, 2005.

The Agronomist
. Dir. Jonathan Demme. Prod. Jonathan Demme. Clinica Estetico and HBO, 2003.

Amandla! Revolution in Four Part Harmony
. Dir. Lee Hirsch. Prod. Johnathan Dorfman. ATO Pictures and Kwela Productions, 2002.

Bastards of the Party
. Dir. Cle Shaheed Sloan. Prod. Antoine Fuqua. Fuqua Films, 2005.

Battle of Algiers
. Dir. Gillo Pontecorvo. Prod. Antonio Musu. Casbah Film and Igor Film, 1966.

Black to Our Roots
. Dirs. Tresubira Whitlow and Jacqueline Olive. Habesha Films, 2006.

Brother Minister: The Assassination of Malcolm
X. Dirs. Jack Baxter and Jefri Aalmuhammed. Prod. Lewis Kesten. X-ceptional Productions, 1994.

Classified X
. Dir. Mark Daniels. Prod. Yves Jeanneau. Centre National de la Cinématographie, 1998.

Color Adjustment
. Dir. Marlon Riggs. Prod. Vivian Kleiman. Signigyin’ Works, 1992.

The Corporation
. Dir. Mark Achbar. Prod. Mark Achbar. Big Picture Media Corporation, 2003.

The Coup: The Best Coup DVD Ever
. Dir. Chris Wroubel. Prod. Chris Wroubel. MVD, 2005.

Daughters of the Dust
. Dir. Julie Dash. Prod. Julie Dash. American Playhouse, 1991.
Ethnic Notions
. Dir. Marlon Riggs. Prod. Marlon Riggs. KQED TV, 1986.

The Eyes of the Rainbow
. Dir. Gloria Rolando. Prod. Gloria Rolando, 1997.

Fahrenheit 9/11
. Dir. Michael Moore. Prod. Jim Czarnecki. Lions Gate Films, 2004.

Favela Rising
. Dirs. Jeff Zimbalist and Matt Mochary. Prod. RaviAnne. THINKFilm & HBO/Cinemax Documentary Films, 2005.

Fela Kuti—Music Is the Weapon
. Dir. Jean-Jacques Flori. UMVD, 1982.

The First Amendment Project: Poetic License
. Dir. Mario Van Peebles. Sundance

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